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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #222239 it is the complementary color #DDDDC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #222239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #222239 shade: #272234, #383447, #49465A, #5A586D and #6B6A80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #222239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #222239 shade: #222239, #111026, #000013 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #222239 shade: #222239, #282239, #2E2239, #342239 and #392237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #222239 shade: #222239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #222239 shade matches the following richer shades: #222239, #1A1A40, #131348, #0C0C4F and #040457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #222239 shade: #222239, #292931, #31312A, #383823 and #40401B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #222239 shade: #222E39, #222839, #222239, #282239 and #2E2239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #222239 shade: #030305, #12121F, #222239, #313153 and #41416C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #222239 shade: #222239, #392234 and #2B3922

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #222239 shade: #222239, #392222 and #223922

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #222239 shade: #222239, #392234, #393922 and #223927

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #222239 shade: #222239, #39222D, #393922 and #22392D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

Complementary color

CMYK 0 / 0 / 10 / 13

HEX #DDDDC6

RGB 221 221 198

HSL 60, 0.25%, 0.82%

LAB 87.56, -3.93, 11.29

 

CMYK 25 / 35 / 0 / 80

HEX #272234

RGB 39 34 52

HSL 256.67, 0.21%, 0.17%

LAB 14.53, 7.09, -10.91

 

CMYK 21 / 27 / 0 / 72

HEX #383447

RGB 56 52 71

HSL 252.63, 0.15%, 0.24%

LAB 22.83, 6.48, -11.11

 

CMYK 19 / 22 / 0 / 65

HEX #49465A

RGB 73 70 90

HSL 249, 0.13%, 0.31%

LAB 30.72, 6, -11.38

 

CMYK 17 / 19 / 0 / 57

HEX #5A586D

RGB 90 88 109

HSL 245.71, 0.11%, 0.39%

LAB 38.3, 5.6, -11.69

 

CMYK 16 / 17 / 0 / 50

HEX #6B6A80

RGB 107 106 128

HSL 242.73, 0.09%, 0.46%

LAB 45.62, 5.26, -12.03

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 55 / 58 / 0 / 85

HEX #111026

RGB 17 16 38

HSL 242.73, 0.41%, 0.11%

LAB 5.69, 6.87, -14.62

 

CMYK 100 / 100 / 0 / 93

HEX #000013

RGB 0 0 19

HSL 240, 1%, 0.04%

LAB 0.42, 2.98, -8.12

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 30 / 40 / 0 / 78

HEX #282239

RGB 40 34 57

HSL 255.65, 0.25%, 0.18%

LAB 14.9, 8.98, -13.87

 

CMYK 19 / 40 / 0 / 78

HEX #2E2239

RGB 46 34 57

HSL 271.3, 0.25%, 0.18%

LAB 15.59, 11.26, -12.74

 

CMYK 9 / 40 / 0 / 78

HEX #342239

RGB 52 34 57

HSL 286.96, 0.25%, 0.18%

LAB 16.35, 13.61, -11.5

 

CMYK 0 / 40 / 4 / 78

HEX #392237

RGB 57 34 55

HSL 305.22, 0.25%, 0.18%

LAB 16.94, 15.13, -9.14

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 59 / 59 / 0 / 75

HEX #1A1A40

RGB 26 26 64

HSL 240, 0.42%, 0.18%

LAB 11.47, 12.87, -24.33

 

CMYK 74 / 74 / 0 / 72

HEX #131348

RGB 19 19 72

HSL 240, 0.58%, 0.18%

LAB 9.58, 19.77, -33.05

 

CMYK 85 / 85 / 0 / 69

HEX #0C0C4F

RGB 12 12 79

HSL 240, 0.74%, 0.18%

LAB 8.18, 26.39, -40.23

 

CMYK 95 / 95 / 0 / 66

HEX #040457

RGB 4 4 87

HSL 240, 0.91%, 0.18%

LAB 7.23, 33.47, -47.31

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 16 / 16 / 0 / 81

HEX #292931

RGB 41 41 49

HSL 240, 0.09%, 0.18%

LAB 16.89, 2.06, -5.19

 

CMYK 0 / 0 / 14 / 81

HEX #31312A

RGB 49 49 42

HSL 60, 0.08%, 0.18%

LAB 20.11, -1.54, 4.48

 

CMYK 0 / 0 / 38 / 78

HEX #383823

RGB 56 56 35

HSL 60, 0.23%, 0.18%

LAB 22.97, -4.05, 13.17

 

CMYK 0 / 0 / 58 / 75

HEX #40401B

RGB 64 64 27

HSL 60, 0.41%, 0.18%

LAB 26.26, -6.16, 22.38

 

CMYK 40 / 19 / 0 / 78

HEX #222E39

RGB 34 46 57

HSL 208.7, 0.25%, 0.18%

LAB 18.32, -1.74, -8.65

 

CMYK 40 / 30 / 0 / 78

HEX #222839

RGB 34 40 57

HSL 224.35, 0.25%, 0.18%

LAB 16.27, 2.46, -11.79

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 30 / 40 / 0 / 78

HEX #282239

RGB 40 34 57

HSL 255.65, 0.25%, 0.18%

LAB 14.9, 8.98, -13.87

 

CMYK 19 / 40 / 0 / 78

HEX #2E2239

RGB 46 34 57

HSL 271.3, 0.25%, 0.18%

LAB 15.59, 11.26, -12.74

 

CMYK 40 / 40 / 0 / 98

HEX #030305

RGB 3 3 5

HSL 240, 0.25%, 0.02%

LAB 0.86, 0.28, -0.76

 

CMYK 42 / 42 / 0 / 88

HEX #12121F

RGB 18 18 31

HSL 240, 0.27%, 0.1%

LAB 5.96, 3.51, -8.83

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 41 / 41 / 0 / 67

HEX #313153

RGB 49 49 83

HSL 240, 0.26%, 0.26%

LAB 21.85, 9.69, -20.71

 

CMYK 40 / 40 / 0 / 58

HEX #41416C

RGB 65 65 108

HSL 240, 0.25%, 0.34%

LAB 29.38, 11.73, -25.02

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 0 / 40 / 9 / 78

HEX #392234

RGB 57 34 52

HSL 313.04, 0.25%, 0.18%

LAB 16.81, 14.46, -7.23

 

CMYK 25 / 0 / 40 / 78

HEX #2B3922

RGB 43 57 34

HSL 96.52, 0.25%, 0.18%

LAB 22.14, -10.95, 12.52

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 0 / 40 / 40 / 78

HEX #392222

RGB 57 34 34

HSL 0, 0.25%, 0.18%

LAB 16.15, 11.06, 4.58

 

CMYK 40 / 0 / 40 / 78

HEX #223922

RGB 34 57 34

HSL 120, 0.25%, 0.18%

LAB 21.51, -14.77, 11.57

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 0 / 40 / 9 / 78

HEX #392234

RGB 57 34 52

HSL 313.04, 0.25%, 0.18%

LAB 16.81, 14.46, -7.23

 

CMYK 0 / 0 / 40 / 78

HEX #393922

RGB 57 57 34

HSL 60, 0.25%, 0.18%

LAB 23.38, -4.35, 14.37

 

CMYK 40 / 0 / 32 / 78

HEX #223927

RGB 34 57 39

HSL 133.04, 0.25%, 0.18%

LAB 21.63, -13.7, 8.43

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 0 / 40 / 21 / 78

HEX #39222D

RGB 57 34 45

HSL 331.3, 0.25%, 0.18%

LAB 16.52, 13.01, -2.71

 

CMYK 0 / 0 / 40 / 78

HEX #393922

RGB 57 57 34

HSL 60, 0.25%, 0.18%

LAB 23.38, -4.35, 14.37

 

CMYK 40 / 0 / 21 / 78

HEX #22392D

RGB 34 57 45

HSL 148.7, 0.25%, 0.18%

LAB 21.78, -12.28, 4.65

 

Description

Color code: HEX #222239 | qconv.com Color code: HEX #222239 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 34 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 34 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 40 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 40% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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