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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #223412 it is the complementary color #DDCBED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #223412. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #223412 shade: #27340D, #384620, #495833, #5A6A46 and #6B7C59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #223412. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #223412 shade: #223412, #112200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #223412 shade: #223512, #2C3512, #353412, #352B12 and #352112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #223412 shade: #223512, #193512, #123514, #12351E and #123527

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #223412 shade matches the following richer shades: #223512, #223A0C, #214006 and #214600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #223412 shade: #223512, #232F17, #23291D, #232323 and #241E29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #223412 shade: #353412, #2C3512, #233512, #193512 and #123513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #223412 shade: #223412, #12352B and #351231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #223412 shade: #223412, #122335 and #351223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #223412 shade: #223412, #12352B, #241235 and #35121C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #223412 shade: #223412, #123435, #241235 and #351212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 65 / 80

HEX #223412

RGB 34 52 18

HSL 91.76, 0.49%, 0.14%

LAB 19.39, -14.58, 18.92

 

Complementary color

CMYK 7 / 14 / 0 / 7

HEX #DDCBED

RGB 221 203 237

HSL 271.76, 0.49%, 0.86%

LAB 84.07, 12.46, -14.47

 

CMYK 25 / 0 / 75 / 80

HEX #27340D

RGB 39 52 13

HSL 80, 0.6%, 0.13%

LAB 19.71, -12.78, 22.09

 

CMYK 20 / 0 / 54 / 73

HEX #384620

RGB 56 70 32

HSL 82.11, 0.37%, 0.2%

LAB 27.64, -13.02, 20.94

 

CMYK 17 / 0 / 42 / 65

HEX #495833

RGB 73 88 51

HSL 84.32, 0.27%, 0.27%

LAB 35.27, -13.08, 19.57

 

CMYK 15 / 0 / 34 / 58

HEX #5A6A46

RGB 90 106 70

HSL 86.67, 0.2%, 0.35%

LAB 42.65, -13.07, 18.28

 

CMYK 14 / 0 / 28 / 51

HEX #6B7C59

RGB 107 124 89

HSL 89.14, 0.16%, 0.42%

LAB 49.81, -13.03, 17.1

 

CMYK 35 / 0 / 65 / 80

HEX #223412

RGB 34 52 18

HSL 91.76, 0.49%, 0.14%

LAB 19.39, -14.58, 18.92

 

CMYK 50 / 0 / 100 / 87

HEX #112200

RGB 17 34 0

HSL 90, 1%, 0.07%

LAB 11.02, -14.58, 16.11

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 36 / 0 / 66 / 79

HEX #223512

RGB 34 53 18

HSL 92.57, 0.49%, 0.14%

LAB 19.76, -15.15, 19.36

 

CMYK 17 / 0 / 66 / 79

HEX #2C3512

RGB 44 53 18

HSL 75.43, 0.49%, 0.14%

LAB 20.54, -10.38, 20.46

 

CMYK 0 / 2 / 66 / 79

HEX #353412

RGB 53 52 18

HSL 58.29, 0.49%, 0.14%

LAB 21.04, -5.15, 21.26

 

CMYK 0 / 19 / 66 / 79

HEX #352B12

RGB 53 43 18

HSL 42.86, 0.49%, 0.14%

LAB 18.05, 0.77, 17.79

 

CMYK 0 / 38 / 66 / 79

HEX #352112

RGB 53 33 18

HSL 25.71, 0.49%, 0.14%

LAB 14.89, 7.63, 13.87

 

CMYK 36 / 0 / 66 / 79

HEX #223512

RGB 34 53 18

HSL 92.57, 0.49%, 0.14%

LAB 19.76, -15.15, 19.36

 

CMYK 53 / 0 / 66 / 79

HEX #193512

RGB 25 53 18

HSL 108, 0.49%, 0.14%

LAB 19.21, -18.91, 18.57

 

CMYK 66 / 0 / 62 / 79

HEX #123514

RGB 18 53 20

HSL 123.43, 0.49%, 0.14%

LAB 18.91, -21.03, 16.94

 

CMYK 66 / 0 / 43 / 79

HEX #12351E

RGB 18 53 30

HSL 140.57, 0.49%, 0.14%

LAB 19.09, -19.06, 10.81

 

CMYK 66 / 0 / 26 / 79

HEX #123527

RGB 18 53 39

HSL 156, 0.49%, 0.14%

LAB 19.31, -16.78, 5.09

 

CMYK 36 / 0 / 66 / 79

HEX #223512

RGB 34 53 18

HSL 92.57, 0.49%, 0.14%

LAB 19.76, -15.15, 19.36

 

CMYK 41 / 0 / 79 / 77

HEX #223A0C

RGB 34 58 12

HSL 91.3, 0.66%, 0.14%

LAB 21.55, -18.53, 24.51

 

CMYK 48 / 0 / 91 / 75

HEX #214006

RGB 33 64 6

HSL 92.07, 0.83%, 0.14%

LAB 23.68, -22.48, 29.19

 

CMYK 53 / 0 / 100 / 73

HEX #214600

RGB 33 70 0

HSL 91.71, 1%, 0.14%

LAB 25.87, -25.75, 33.75

 

CMYK 36 / 0 / 66 / 79

HEX #223512

RGB 34 53 18

HSL 92.57, 0.49%, 0.14%

LAB 19.76, -15.15, 19.36

 

CMYK 26 / 0 / 51 / 82

HEX #232F17

RGB 35 47 23

HSL 90, 0.34%, 0.14%

LAB 17.7, -10.42, 13.78

 

CMYK 15 / 0 / 29 / 84

HEX #23291D

RGB 35 41 29

HSL 90, 0.17%, 0.14%

LAB 15.65, -5.48, 7.01

 

CMYK 0 / 0 / 0 / 86

HEX #232323

RGB 35 35 35

HSL 0, 0%, 0.14%

LAB 13.71, 0, -0

 

CMYK 12 / 27 / 0 / 84

HEX #241E29

RGB 36 30 41

HSL 272.73, 0.15%, 0.14%

LAB 12.38, 5.62, -6.33

 

CMYK 0 / 2 / 66 / 79

HEX #353412

RGB 53 52 18

HSL 58.29, 0.49%, 0.14%

LAB 21.04, -5.15, 21.26

 

CMYK 17 / 0 / 66 / 79

HEX #2C3512

RGB 44 53 18

HSL 75.43, 0.49%, 0.14%

LAB 20.54, -10.38, 20.46

 

CMYK 34 / 0 / 66 / 79

HEX #233512

RGB 35 53 18

HSL 90.86, 0.49%, 0.14%

LAB 19.83, -14.69, 19.46

 

CMYK 53 / 0 / 66 / 79

HEX #193512

RGB 25 53 18

HSL 108, 0.49%, 0.14%

LAB 19.21, -18.91, 18.57

 

CMYK 66 / 0 / 64 / 79

HEX #123513

RGB 18 53 19

HSL 121.71, 0.49%, 0.14%

LAB 18.89, -21.2, 17.52

 

CMYK 35 / 0 / 65 / 80

HEX #223412

RGB 34 52 18

HSL 91.76, 0.49%, 0.14%

LAB 19.39, -14.58, 18.92

 

CMYK 66 / 0 / 19 / 79

HEX #12352B

RGB 18 53 43

HSL 162.86, 0.49%, 0.14%

LAB 19.43, -15.63, 2.53

 

CMYK 0 / 66 / 8 / 79

HEX #351231

RGB 53 18 49

HSL 306.86, 0.49%, 0.14%

LAB 12.03, 22.5, -12.48

 

CMYK 35 / 0 / 65 / 80

HEX #223412

RGB 34 52 18

HSL 91.76, 0.49%, 0.14%

LAB 19.39, -14.58, 18.92

 

CMYK 66 / 34 / 0 / 79

HEX #122335

RGB 18 35 53

HSL 210.86, 0.49%, 0.14%

LAB 13.16, -0.45, -13.9

 

CMYK 0 / 66 / 34 / 79

HEX #351223

RGB 53 18 35

HSL 330.86, 0.49%, 0.14%

LAB 11.35, 19.87, -3.2

 

CMYK 35 / 0 / 65 / 80

HEX #223412

RGB 34 52 18

HSL 91.76, 0.49%, 0.14%

LAB 19.39, -14.58, 18.92

 

CMYK 66 / 0 / 19 / 79

HEX #12352B

RGB 18 53 43

HSL 162.86, 0.49%, 0.14%

LAB 19.43, -15.63, 2.53

 

CMYK 32 / 66 / 0 / 79

HEX #241235

RGB 36 18 53

HSL 270.86, 0.49%, 0.14%

LAB 9.52, 17.78, -19.53

 

CMYK 0 / 66 / 47 / 79

HEX #35121C

RGB 53 18 28

HSL 342.86, 0.49%, 0.14%

LAB 11.09, 18.8, 1.65

 

CMYK 35 / 0 / 65 / 80

HEX #223412

RGB 34 52 18

HSL 91.76, 0.49%, 0.14%

LAB 19.39, -14.58, 18.92

 

CMYK 66 / 2 / 0 / 79

HEX #123435

RGB 18 52 53

HSL 181.71, 0.49%, 0.14%

LAB 19.4, -11.83, -4.36

 

CMYK 32 / 66 / 0 / 79

HEX #241235

RGB 36 18 53

HSL 270.86, 0.49%, 0.14%

LAB 9.52, 17.78, -19.53

 

CMYK 0 / 66 / 66 / 79

HEX #351212

RGB 53 18 18

HSL 0, 0.49%, 0.14%

LAB 10.8, 17.6, 8.38

 

Description

Color code: HEX #223412 | qconv.com Color code: HEX #223412 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 52 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 52 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 65 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 65% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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