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Color name
HEX #2230AE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2230AE it is the complementary color #DDCF51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2230AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2230AE shade: #2730A9, #3842BC, #4954CF, #5A66E2 and #6B78F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2230AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2230AE shade: #2230AE, #111E9B, #000C88, #000075 and #000062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2230AE shade: #2230AE, #3A22AE, #6022AE, #8522AE and #AB22AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2230AE shade: #2230AE and #2222AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2230AE shade matches the following richer shades: #2230AE, #1122BF and #0015D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2230AE shade: #2230AE, #333E9D, #444B8C, #55597B and #66666A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2230AE shade: #227BAE, #2255AE, #2230AE, #3922AE and #5F22AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2230AE shade: #141D69, #1B268C, #2230AE, #293AD1 and #4857DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2230AE shade: #2230AE, #AE22A0 and #68AE22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2230AE shade: #2230AE, #AE2230 and #30AE22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2230AE shade: #2230AE, #AE22A0, #AEA022 and #22AE30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2230AE shade: #2230AE, #AE2276, #AEA022 and #22AE5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

Complementary color

CMYK 0 / 6 / 63 / 13

HEX #DDCF51

RGB 221 207 81

HSL 54, 0.67%, 0.59%

LAB 82.16, -9.96, 62.28

 

CMYK 77 / 72 / 0 / 34

HEX #2730A9

RGB 39 48 169

HSL 235.85, 0.63%, 0.41%

LAB 27.87, 39.26, -65.3

 

CMYK 70 / 65 / 0 / 26

HEX #3842BC

RGB 56 66 188

HSL 235.45, 0.54%, 0.48%

LAB 34.74, 36.63, -65.29

 

CMYK 65 / 59 / 0 / 19

HEX #4954CF

RGB 73 84 207

HSL 235.07, 0.58%, 0.55%

LAB 41.63, 34.3, -65.05

 

CMYK 60 / 55 / 0 / 11

HEX #5A66E2

RGB 90 102 226

HSL 234.71, 0.7%, 0.62%

LAB 48.47, 32.31, -64.74

 

CMYK 56 / 51 / 0 / 4

HEX #6B78F5

RGB 107 120 245

HSL 234.35, 0.87%, 0.69%

LAB 55.23, 30.6, -64.41

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 89 / 81 / 0 / 39

HEX #111E9B

RGB 17 30 155

HSL 234.35, 0.8%, 0.34%

LAB 21.63, 43.43, -67.14

 

CMYK 100 / 91 / 0 / 47

HEX #000C88

RGB 0 12 136

HSL 234.71, 1%, 0.27%

LAB 15.7, 45.26, -65.22

 

CMYK 100 / 100 / 0 / 54

HEX #000075

RGB 0 0 117

HSL 240, 1%, 0.23%

LAB 11.17, 44.54, -60.66

 

CMYK 100 / 100 / 0 / 62

HEX #000062

RGB 0 0 98

HSL 240, 1%, 0.19%

LAB 7.97, 39.29, -53.52

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 67 / 80 / 0 / 32

HEX #3A22AE

RGB 58 34 174

HSL 250.29, 0.67%, 0.41%

LAB 27.02, 50.29, -69.67

 

CMYK 45 / 80 / 0 / 32

HEX #6022AE

RGB 96 34 174

HSL 266.57, 0.67%, 0.41%

LAB 31.08, 54.91, -62.83

 

CMYK 24 / 80 / 0 / 32

HEX #8522AE

RGB 133 34 174

HSL 282.43, 0.67%, 0.41%

LAB 36.34, 60.91, -54.03

 

CMYK 2 / 80 / 0 / 32

HEX #AB22AE

RGB 171 34 174

HSL 298.71, 0.67%, 0.41%

LAB 42.55, 68.02, -43.72

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 80 / 80 / 0 / 32

HEX #2222AE

RGB 34 34 174

HSL 240, 0.67%, 0.41%

LAB 25.38, 48.44, -72.43

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 91 / 82 / 0 / 25

HEX #1122BF

RGB 17 34 191

HSL 234.14, 0.84%, 0.41%

LAB 26.81, 53.16, -80.21

 

CMYK 100 / 90 / 0 / 18

HEX #0015D0

RGB 0 21 208

HSL 233.94, 1%, 0.41%

LAB 26.99, 63.09, -89.89

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 68 / 61 / 0 / 38

HEX #333E9D

RGB 51 62 157

HSL 233.77, 0.51%, 0.41%

LAB 30.84, 27.46, -53.16

 

CMYK 51 / 46 / 0 / 45

HEX #444B8C

RGB 68 75 140

HSL 234.17, 0.35%, 0.41%

LAB 34.3, 16.3, -37.16

 

CMYK 31 / 28 / 0 / 52

HEX #55597B

RGB 85 89 123

HSL 233.68, 0.18%, 0.41%

LAB 38.74, 6.95, -19.68

 

CMYK 4 / 4 / 0 / 58

HEX #66666A

RGB 102 102 106

HSL 240, 0.02%, 0.41%

LAB 43.31, 0.84, -2.25

 

CMYK 80 / 29 / 0 / 32

HEX #227BAE

RGB 34 123 174

HSL 201.86, 0.67%, 0.41%

LAB 48.96, -7.52, -34.3

 

CMYK 80 / 51 / 0 / 32

HEX #2255AE

RGB 34 85 174

HSL 218.14, 0.67%, 0.41%

LAB 37.65, 16.39, -52.33

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 67 / 80 / 0 / 32

HEX #3922AE

RGB 57 34 174

HSL 249.86, 0.67%, 0.41%

LAB 26.93, 50.19, -69.81

 

CMYK 45 / 80 / 0 / 32

HEX #5F22AE

RGB 95 34 174

HSL 266.14, 0.67%, 0.41%

LAB 30.96, 54.76, -63.04

 

CMYK 81 / 72 / 0 / 59

HEX #141D69

RGB 20 29 105

HSL 233.65, 0.68%, 0.25%

LAB 15.73, 25.96, -45.23

 

CMYK 81 / 73 / 0 / 45

HEX #1B268C

RGB 27 38 140

HSL 234.16, 0.68%, 0.33%

LAB 21.99, 33.98, -57.26

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 80 / 72 / 0 / 18

HEX #293AD1

RGB 41 58 209

HSL 233.93, 0.67%, 0.49%

LAB 34.19, 47.31, -78.47

 

CMYK 67 / 60 / 0 / 15

HEX #4857DA

RGB 72 87 218

HSL 233.84, 0.66%, 0.57%

LAB 43.15, 36.05, -68.89

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 0 / 80 / 8 / 32

HEX #AE22A0

RGB 174 34 160

HSL 306, 0.67%, 0.41%

LAB 42.28, 66.46, -35.76

 

CMYK 40 / 0 / 80 / 32

HEX #68AE22

RGB 104 174 34

HSL 90, 0.67%, 0.41%

LAB 64.43, -43.76, 59.19

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 0 / 80 / 72 / 32

HEX #AE2230

RGB 174 34 48

HSL 354, 0.67%, 0.41%

LAB 38.47, 55.28, 28.46

 

CMYK 72 / 0 / 80 / 32

HEX #30AE22

RGB 48 174 34

HSL 114, 0.67%, 0.41%

LAB 62.52, -58.72, 56.73

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 0 / 80 / 8 / 32

HEX #AE22A0

RGB 174 34 160

HSL 306, 0.67%, 0.41%

LAB 42.28, 66.46, -35.76

 

CMYK 0 / 8 / 80 / 32

HEX #AEA022

RGB 174 160 34

HSL 54, 0.67%, 0.41%

LAB 65.17, -8.23, 61.66

 

CMYK 80 / 0 / 72 / 32

HEX #22AE30

RGB 34 174 48

HSL 126, 0.67%, 0.41%

LAB 62.36, -59.8, 51.74

 

CMYK 80 / 72 / 0 / 32

HEX #2230AE

RGB 34 48 174

HSL 234, 0.67%, 0.41%

LAB 28.14, 40.61, -67.86

 

CMYK 0 / 80 / 32 / 32

HEX #AE2276

RGB 174 34 118

HSL 324, 0.67%, 0.41%

LAB 40.33, 60.89, -13.11

 

CMYK 0 / 8 / 80 / 32

HEX #AEA022

RGB 174 160 34

HSL 54, 0.67%, 0.41%

LAB 65.17, -8.23, 61.66

 

CMYK 80 / 0 / 48 / 32

HEX #22AE5A

RGB 34 174 90

HSL 144, 0.67%, 0.41%

LAB 62.8, -54.45, 33.05

 

Description

Color code: HEX #2230AE | qconv.com Color code: HEX #2230AE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 48 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 48 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 72 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 72% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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