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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #224020 it is the complementary color #DDBFDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #224020. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #224020 shade: #27401B, #38522E, #496441, #5A7654 and #6B8867

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #224020. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #224020 shade: #224020, #112E0D, #001C00 and #000A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #224020 shade: #224020, #2B4020, #334020, #3C4020 and #403B20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #224020 shade: #224020, #204027, #20402F, #204038 and #203F40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #224020 shade matches the following richer shades: #224020, #1B4818, #145010, #0D5708 and #075F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #224020 shade: #224020, #293828, #303030, #372837 and #3D213F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #224020 shade: #334020, #2B4020, #224020, #204026 and #20402F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #224020 shade: #050904, #132512, #224020, #315B2E and #3F773C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #224020 shade: #224020, #203C40 and #40202F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #224020 shade: #224020, #202240 and #402022

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #224020 shade: #224020, #203C40, #3E2040 and #402420

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #224020 shade: #224020, #203240, #3E2040 and #402E20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

Complementary color

CMYK 1 / 14 / 0 / 13

HEX #DDBFDF

RGB 221 191 223

HSL 296.25, 0.33%, 0.81%

LAB 80.72, 16.21, -12

 

CMYK 39 / 0 / 58 / 75

HEX #27401B

RGB 39 64 27

HSL 100.54, 0.41%, 0.18%

LAB 24.25, -17.83, 19.49

 

CMYK 32 / 0 / 44 / 68

HEX #38522E

RGB 56 82 46

HSL 103.33, 0.28%, 0.25%

LAB 31.97, -17.68, 18.05

 

CMYK 27 / 0 / 35 / 61

HEX #496441

RGB 73 100 65

HSL 106.29, 0.21%, 0.32%

LAB 39.43, -17.47, 16.72

 

CMYK 24 / 0 / 29 / 54

HEX #5A7654

RGB 90 118 84

HSL 109.41, 0.17%, 0.4%

LAB 46.67, -17.27, 15.52

 

CMYK 21 / 0 / 24 / 47

HEX #6B8867

RGB 107 136 103

HSL 112.73, 0.14%, 0.47%

LAB 53.72, -17.08, 14.43

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 63 / 0 / 72 / 82

HEX #112E0D

RGB 17 46 13

HSL 112.73, 0.56%, 0.12%

LAB 16.01, -19.01, 17.33

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 33 / 0 / 50 / 75

HEX #2B4020

RGB 43 64 32

HSL 99.38, 0.33%, 0.19%

LAB 24.59, -15.38, 16.95

 

CMYK 20 / 0 / 50 / 75

HEX #334020

RGB 51 64 32

HSL 84.38, 0.33%, 0.19%

LAB 25.18, -11.81, 17.82

 

CMYK 6 / 0 / 50 / 75

HEX #3C4020

RGB 60 64 32

HSL 67.5, 0.33%, 0.19%

LAB 25.96, -7.55, 18.95

 

CMYK 0 / 8 / 50 / 75

HEX #403B20

RGB 64 59 32

HSL 50.63, 0.33%, 0.19%

LAB 24.71, -2.44, 17.48

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 50 / 0 / 39 / 75

HEX #204027

RGB 32 64 39

HSL 133.13, 0.33%, 0.19%

LAB 24.07, -18.36, 11.73

 

CMYK 50 / 0 / 27 / 75

HEX #20402F

RGB 32 64 47

HSL 148.13, 0.33%, 0.19%

LAB 24.25, -16.52, 6.79

 

CMYK 50 / 0 / 13 / 75

HEX #204038

RGB 32 64 56

HSL 165, 0.33%, 0.19%

LAB 24.51, -14.13, 1.23

 

CMYK 50 / 2 / 0 / 75

HEX #203F40

RGB 32 63 64

HSL 181.88, 0.33%, 0.19%

LAB 24.42, -11.15, -4.2

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 63 / 0 / 67 / 72

HEX #1B4818

RGB 27 72 24

HSL 116.25, 0.5%, 0.19%

LAB 26.55, -26.53, 23.74

 

CMYK 75 / 0 / 80 / 69

HEX #145010

RGB 20 80 16

HSL 116.25, 0.67%, 0.19%

LAB 29.22, -32.61, 30.42

 

CMYK 85 / 0 / 91 / 66

HEX #0D5708

RGB 13 87 8

HSL 116.2, 0.83%, 0.19%

LAB 31.62, -37.08, 35.54

 

CMYK 93 / 0 / 99 / 63

HEX #075F01

RGB 7 95 1

HSL 116.17, 0.98%, 0.19%

LAB 34.46, -40.94, 40.18

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 27 / 0 / 29 / 78

HEX #293828

RGB 41 56 40

HSL 116.25, 0.17%, 0.19%

LAB 21.77, -10.04, 8.05

 

CMYK 0 / 0 / 0 / 81

HEX #303030

RGB 48 48 48

HSL 0, 0%, 0.19%

LAB 19.87, 0, -0

 

CMYK 0 / 27 / 0 / 78

HEX #372837

RGB 55 40 55

HSL 300, 0.16%, 0.19%

LAB 18.39, 10.2, -6.96

 

CMYK 3 / 48 / 0 / 75

HEX #3D213F

RGB 61 33 63

HSL 296, 0.31%, 0.19%

LAB 17.64, 19.19, -13.6

 

CMYK 20 / 0 / 50 / 75

HEX #334020

RGB 51 64 32

HSL 84.38, 0.33%, 0.19%

LAB 25.18, -11.81, 17.82

 

CMYK 33 / 0 / 50 / 75

HEX #2B4020

RGB 43 64 32

HSL 99.38, 0.33%, 0.19%

LAB 24.59, -15.38, 16.95

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 50 / 0 / 41 / 75

HEX #204026

RGB 32 64 38

HSL 131.25, 0.33%, 0.19%

LAB 24.04, -18.57, 12.34

 

CMYK 50 / 0 / 27 / 75

HEX #20402F

RGB 32 64 47

HSL 148.13, 0.33%, 0.19%

LAB 24.25, -16.52, 6.79

 

CMYK 44 / 0 / 56 / 96

HEX #050904

RGB 5 9 4

HSL 108, 0.38%, 0.03%

LAB 2.14, -1.74, 1.52

 

CMYK 49 / 0 / 51 / 85

HEX #132512

RGB 19 37 18

HSL 116.84, 0.35%, 0.11%

LAB 12.64, -12.48, 10.24

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 46 / 0 / 49 / 64

HEX #315B2E

RGB 49 91 46

HSL 116, 0.33%, 0.27%

LAB 34.67, -24.98, 21.41

 

CMYK 47 / 0 / 50 / 53

HEX #3F773C

RGB 63 119 60

HSL 116.95, 0.33%, 0.35%

LAB 45.05, -31.41, 26.73

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 50 / 6 / 0 / 75

HEX #203C40

RGB 32 60 64

HSL 187.5, 0.33%, 0.19%

LAB 23.37, -9.31, -5.78

 

CMYK 0 / 50 / 27 / 75

HEX #40202F

RGB 64 32 47

HSL 331.88, 0.33%, 0.19%

LAB 17.12, 17.73, -3.12

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 50 / 47 / 0 / 75

HEX #202240

RGB 32 34 64

HSL 236.25, 0.33%, 0.19%

LAB 14.52, 8.6, -19.43

 

CMYK 0 / 50 / 47 / 75

HEX #402022

RGB 64 32 34

HSL 356.25, 0.33%, 0.19%

LAB 16.69, 15.68, 5.5

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 50 / 6 / 0 / 75

HEX #203C40

RGB 32 60 64

HSL 187.5, 0.33%, 0.19%

LAB 23.37, -9.31, -5.78

 

CMYK 3 / 50 / 0 / 75

HEX #3E2040

RGB 62 32 64

HSL 296.25, 0.33%, 0.19%

LAB 17.59, 20.44, -14.37

 

CMYK 0 / 44 / 50 / 75

HEX #402420

RGB 64 36 32

HSL 7.5, 0.33%, 0.19%

LAB 17.72, 12.78, 8.32

 

CMYK 47 / 0 / 50 / 75

HEX #224020

RGB 34 64 32

HSL 116.25, 0.33%, 0.19%

LAB 24.04, -19, 16.13

 

CMYK 50 / 22 / 0 / 75

HEX #203240

RGB 32 50 64

HSL 206.25, 0.33%, 0.19%

LAB 19.88, -2.8, -11.08

 

CMYK 3 / 50 / 0 / 75

HEX #3E2040

RGB 62 32 64

HSL 296.25, 0.33%, 0.19%

LAB 17.59, 20.44, -14.37

 

CMYK 0 / 28 / 50 / 75

HEX #402E20

RGB 64 46 32

HSL 26.25, 0.33%, 0.19%

LAB 20.63, 6.09, 12.23

 

Description

Color code: HEX #224020 | qconv.com Color code: HEX #224020 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 64 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 64 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 50 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 50% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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