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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #224E12 it is the complementary color #DDB1ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #224E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #224E12 shade: #274E0D, #386020, #497233, #5A8446 and #6B9659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #224E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #224E12 shade: #224E12, #113C00, #002A00, #001800 and #000600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #224E12 shade: #224E11, #324E11, #434E11, #4E4A11 and #4E3911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #224E12 shade: #224E11, #114E12, #114E22, #114E33 and #114E43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #224E12 shade matches the following richer shades: #224E11, #1E560A and #1A5E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #224E12 shade: #224E11, #254719, #293F21, #2D3729 and #302F31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #224E12 shade: #424E11, #324E11, #224E11, #114E11 and #114E22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #224E12 shade: #050B02, #132D0A, #224E11, #307019 and #3F9221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #224E12 shade: #224E12, #114E4A and #4E113A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #224E12 shade: #224E12, #11224E and #4E1122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #224E12 shade: #224E12, #114E4A, #3E114E and #4E1115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #224E12 shade: #224E12, #11404E, #3E114E and #4E2011

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 77 / 69

HEX #224E12

RGB 34 78 18

HSL 104, 0.63%, 0.19%

LAB 28.99, -27.67, 29.47

 

Complementary color

CMYK 7 / 25 / 0 / 7

HEX #DDB1ED

RGB 221 177 237

HSL 284, 0.63%, 0.81%

LAB 77.83, 26.42, -23.9

 

CMYK 50 / 0 / 83 / 69

HEX #274E0D

RGB 39 78 13

HSL 96, 0.71%, 0.18%

LAB 29.18, -26.31, 31.84

 

CMYK 42 / 0 / 67 / 62

HEX #386020

RGB 56 96 32

HSL 97.5, 0.5%, 0.25%

LAB 36.58, -26.71, 31.31

 

CMYK 36 / 0 / 55 / 55

HEX #497233

RGB 73 114 51

HSL 99.05, 0.38%, 0.32%

LAB 43.79, -26.78, 30.14

 

CMYK 32 / 0 / 47 / 48

HEX #5A8446

RGB 90 132 70

HSL 100.65, 0.31%, 0.4%

LAB 50.83, -26.69, 28.85

 

CMYK 29 / 0 / 41 / 41

HEX #6B9659

RGB 107 150 89

HSL 102.3, 0.26%, 0.47%

LAB 57.71, -26.54, 27.57

 

CMYK 56 / 0 / 77 / 69

HEX #224E12

RGB 34 78 18

HSL 104, 0.63%, 0.19%

LAB 28.99, -27.67, 29.47

 

CMYK 72 / 0 / 100 / 76

HEX #113C00

RGB 17 60 0

HSL 103, 1%, 0.12%

LAB 21.4, -26.77, 29.03

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 56 / 0 / 78 / 69

HEX #224E11

RGB 34 78 17

HSL 103.28, 0.64%, 0.19%

LAB 28.98, -27.76, 29.91

 

CMYK 36 / 0 / 78 / 69

HEX #324E11

RGB 50 78 17

HSL 87.54, 0.64%, 0.19%

LAB 29.83, -21.61, 31.05

 

CMYK 14 / 0 / 78 / 69

HEX #434E11

RGB 67 78 17

HSL 70.82, 0.64%, 0.19%

LAB 31.07, -13.82, 32.7

 

CMYK 0 / 5 / 78 / 69

HEX #4E4A11

RGB 78 74 17

HSL 56.07, 0.64%, 0.19%

LAB 30.78, -6.01, 32.75

 

CMYK 0 / 27 / 78 / 69

HEX #4E3911

RGB 78 57 17

HSL 39.34, 0.64%, 0.19%

LAB 25.52, 4.63, 27.49

 

CMYK 56 / 0 / 78 / 69

HEX #224E11

RGB 34 78 17

HSL 103.28, 0.64%, 0.19%

LAB 28.98, -27.76, 29.91

 

CMYK 78 / 0 / 77 / 69

HEX #114E12

RGB 17 78 18

HSL 120.98, 0.64%, 0.19%

LAB 28.41, -32.28, 28.69

 

CMYK 78 / 0 / 56 / 69

HEX #114E22

RGB 17 78 34

HSL 136.72, 0.64%, 0.19%

LAB 28.6, -30.05, 20.51

 

CMYK 78 / 0 / 35 / 69

HEX #114E33

RGB 17 78 51

HSL 153.44, 0.64%, 0.19%

LAB 28.92, -26.44, 10.6

 

CMYK 78 / 0 / 14 / 69

HEX #114E43

RGB 17 78 67

HSL 169.18, 0.64%, 0.19%

LAB 29.34, -21.99, 1.01

 

CMYK 56 / 0 / 78 / 69

HEX #224E11

RGB 34 78 17

HSL 103.28, 0.64%, 0.19%

LAB 28.98, -27.76, 29.91

 

CMYK 65 / 0 / 88 / 66

HEX #1E560A

RGB 30 86 10

HSL 104.21, 0.79%, 0.19%

LAB 31.7, -32.89, 35.13

 

CMYK 72 / 0 / 98 / 63

HEX #1A5E02

RGB 26 94 2

HSL 104.35, 0.96%, 0.19%

LAB 34.46, -37.41, 40.01

 

CMYK 56 / 0 / 78 / 69

HEX #224E11

RGB 34 78 17

HSL 103.28, 0.64%, 0.19%

LAB 28.98, -27.76, 29.91

 

CMYK 48 / 0 / 65 / 72

HEX #254719

RGB 37 71 25

HSL 104.35, 0.48%, 0.19%

LAB 26.65, -22.52, 23.44

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 18 / 0 / 25 / 78

HEX #2D3729

RGB 45 55 41

HSL 102.86, 0.15%, 0.19%

LAB 21.76, -7.47, 7.42

 

CMYK 2 / 4 / 0 / 81

HEX #302F31

RGB 48 47 49

HSL 270, 0.02%, 0.19%

LAB 19.57, 0.92, -1.12

 

CMYK 15 / 0 / 78 / 69

HEX #424E11

RGB 66 78 17

HSL 71.8, 0.64%, 0.19%

LAB 30.99, -14.3, 32.59

 

CMYK 36 / 0 / 78 / 69

HEX #324E11

RGB 50 78 17

HSL 87.54, 0.64%, 0.19%

LAB 29.83, -21.61, 31.05

 

CMYK 56 / 0 / 78 / 69

HEX #224E11

RGB 34 78 17

HSL 103.28, 0.64%, 0.19%

LAB 28.98, -27.76, 29.91

 

CMYK 78 / 0 / 78 / 69

HEX #114E11

RGB 17 78 17

HSL 120, 0.64%, 0.19%

LAB 28.4, -32.38, 29.13

 

CMYK 78 / 0 / 56 / 69

HEX #114E22

RGB 17 78 34

HSL 136.72, 0.64%, 0.19%

LAB 28.6, -30.05, 20.51

 

CMYK 55 / 0 / 82 / 96

HEX #050B02

RGB 5 11 2

HSL 100, 0.69%, 0.03%

LAB 2.49, -2.83, 2.86

 

CMYK 58 / 0 / 78 / 82

HEX #132D0A

RGB 19 45 10

HSL 104.57, 0.64%, 0.11%

LAB 15.68, -18.17, 18.26

 

CMYK 56 / 0 / 78 / 69

HEX #224E11

RGB 34 78 17

HSL 103.28, 0.64%, 0.19%

LAB 28.98, -27.76, 29.91

 

CMYK 57 / 0 / 78 / 56

HEX #307019

RGB 48 112 25

HSL 104.14, 0.64%, 0.27%

LAB 41.67, -37.12, 39.62

 

CMYK 57 / 0 / 77 / 43

HEX #3F9221

RGB 63 146 33

HSL 104.07, 0.63%, 0.35%

LAB 53.73, -45.61, 48.76

 

CMYK 56 / 0 / 77 / 69

HEX #224E12

RGB 34 78 18

HSL 104, 0.63%, 0.19%

LAB 28.99, -27.67, 29.47

 

CMYK 78 / 0 / 5 / 69

HEX #114E4A

RGB 17 78 74

HSL 176.07, 0.64%, 0.19%

LAB 29.57, -19.77, -3.15

 

CMYK 0 / 78 / 26 / 69

HEX #4E113A

RGB 78 17 58

HSL 319.67, 0.64%, 0.19%

LAB 17.11, 32.71, -10.67

 

CMYK 56 / 0 / 77 / 69

HEX #224E12

RGB 34 78 18

HSL 104, 0.63%, 0.19%

LAB 28.99, -27.67, 29.47

 

CMYK 78 / 56 / 0 / 69

HEX #11224E

RGB 17 34 78

HSL 223.28, 0.64%, 0.19%

LAB 14.48, 10.67, -29.23

 

CMYK 0 / 78 / 56 / 69

HEX #4E1122

RGB 78 17 34

HSL 343.28, 0.64%, 0.19%

LAB 16.19, 29.67, 5.17

 

CMYK 56 / 0 / 77 / 69

HEX #224E12

RGB 34 78 18

HSL 104, 0.63%, 0.19%

LAB 28.99, -27.67, 29.47

 

CMYK 78 / 0 / 5 / 69

HEX #114E4A

RGB 17 78 74

HSL 176.07, 0.64%, 0.19%

LAB 29.57, -19.77, -3.15

 

CMYK 21 / 78 / 0 / 69

HEX #3E114E

RGB 62 17 78

HSL 284.26, 0.64%, 0.19%

LAB 15.36, 32.17, -27.56

 

CMYK 0 / 78 / 73 / 69

HEX #4E1115

RGB 78 17 21

HSL 356.07, 0.64%, 0.19%

LAB 15.87, 28.6, 14.12

 

CMYK 56 / 0 / 77 / 69

HEX #224E12

RGB 34 78 18

HSL 104, 0.63%, 0.19%

LAB 28.99, -27.67, 29.47

 

CMYK 78 / 18 / 0 / 69

HEX #11404E

RGB 17 64 78

HSL 193.77, 0.64%, 0.19%

LAB 24.75, -10.27, -13.02

 

CMYK 21 / 78 / 0 / 69

HEX #3E114E

RGB 62 17 78

HSL 284.26, 0.64%, 0.19%

LAB 15.36, 32.17, -27.56

 

CMYK 0 / 59 / 78 / 69

HEX #4E2011

RGB 78 32 17

HSL 14.75, 0.64%, 0.19%

LAB 18.77, 20.49, 20.18

 

Description

Color code: HEX #224E12 | qconv.com Color code: HEX #224E12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 78 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 78 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 77 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 77% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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