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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #225767 it is the complementary color #DDA898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #225767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #225767 shade: #275762, #386975, #497B88, #5A8D9B and #6B9FAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #225767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #225767 shade: #225767, #114554, #003341, #00212E and #000F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #225767 shade: #225767, #224467, #223267, #252267 and #372267

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #225767 shade: #225767, #224467, #223267 and #222267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #225767 shade matches the following richer shades: #225767, #175D72, #0C637D and #016988

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #225767 shade: #225767, #2D515C, #384B50, #434545 and #4E3F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #225767 shade: #226751, #226763, #225867, #224567 and #223367

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #225767 shade: #0D2229, #183D48, #225767, #2C7186 and #378BA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #225767 shade: #225767, #3F2267 and #675A22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #225767 shade: #225767, #672258 and #586722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #225767 shade: #225767, #3F2267, #673122 and #4A6722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #225767 shade: #225767, #532267, #673122 and #356722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

Complementary color

CMYK 0 / 24 / 31 / 13

HEX #DDA898

RGB 221 168 152

HSL 13.91, 0.5%, 0.73%

LAB 73.31, 17.27, 15.81

 

CMYK 60 / 11 / 0 / 62

HEX #275762

RGB 39 87 98

HSL 191.19, 0.43%, 0.27%

LAB 34.25, -12.66, -11.29

 

CMYK 52 / 10 / 0 / 54

HEX #386975

RGB 56 105 117

HSL 191.8, 0.35%, 0.34%

LAB 41.58, -12.97, -11.84

 

CMYK 46 / 10 / 0 / 47

HEX #497B88

RGB 73 123 136

HSL 192.38, 0.3%, 0.41%

LAB 48.71, -13.15, -12.34

 

CMYK 42 / 9 / 0 / 39

HEX #5A8D9B

RGB 90 141 155

HSL 192.92, 0.27%, 0.48%

LAB 55.67, -13.25, -12.81

 

CMYK 39 / 9 / 0 / 32

HEX #6B9FAE

RGB 107 159 174

HSL 193.43, 0.29%, 0.55%

LAB 62.49, -13.32, -13.26

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 80 / 18 / 0 / 67

HEX #114554

RGB 17 69 84

HSL 193.43, 0.66%, 0.2%

LAB 26.78, -11.06, -13.84

 

CMYK 100 / 22 / 0 / 75

HEX #003341

RGB 0 51 65

HSL 192.92, 1%, 0.13%

LAB 19.01, -9.77, -13.2

 

CMYK 100 / 28 / 0 / 82

HEX #00212E

RGB 0 33 46

HSL 196.96, 1%, 0.09%

LAB 11.17, -6.22, -12.03

 

CMYK 100 / 44 / 0 / 89

HEX #000F1B

RGB 0 15 27

HSL 206.67, 1%, 0.05%

LAB 3.8, -1.28, -9.08

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 67 / 34 / 0 / 60

HEX #224467

RGB 34 68 103

HSL 210.43, 0.5%, 0.27%

LAB 27.99, -0.1, -24.16

 

CMYK 67 / 51 / 0 / 60

HEX #223267

RGB 34 50 103

HSL 226.09, 0.5%, 0.27%

LAB 22.3, 12.34, -33.2

 

CMYK 64 / 67 / 0 / 60

HEX #252267

RGB 37 34 103

HSL 242.61, 0.5%, 0.27%

LAB 17.99, 24.19, -40.17

 

CMYK 47 / 67 / 0 / 60

HEX #372267

RGB 55 34 103

HSL 258.26, 0.5%, 0.27%

LAB 19.78, 27.91, -37.18

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 67 / 34 / 0 / 60

HEX #224467

RGB 34 68 103

HSL 210.43, 0.5%, 0.27%

LAB 27.99, -0.1, -24.16

 

CMYK 67 / 51 / 0 / 60

HEX #223267

RGB 34 50 103

HSL 226.09, 0.5%, 0.27%

LAB 22.3, 12.34, -33.2

 

CMYK 67 / 67 / 0 / 60

HEX #222267

RGB 34 34 103

HSL 240, 0.5%, 0.27%

LAB 17.75, 23.66, -40.57

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 80 / 18 / 0 / 55

HEX #175D72

RGB 23 93 114

HSL 193.85, 0.66%, 0.27%

LAB 36.42, -13.34, -17.98

 

CMYK 90 / 21 / 0 / 51

HEX #0C637D

RGB 12 99 125

HSL 193.81, 0.82%, 0.27%

LAB 38.69, -13.79, -21.23

 

CMYK 99 / 23 / 0 / 47

HEX #016988

RGB 1 105 136

HSL 193.78, 0.99%, 0.27%

LAB 41.04, -13.74, -24.27

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 51 / 12 / 0 / 64

HEX #2D515C

RGB 45 81 92

HSL 194.04, 0.34%, 0.27%

LAB 32.29, -9.55, -10.46

 

CMYK 30 / 6 / 0 / 69

HEX #384B50

RGB 56 75 80

HSL 192.5, 0.18%, 0.27%

LAB 30.53, -6.04, -5.39

 

CMYK 3 / 0 / 0 / 73

HEX #434545

RGB 67 69 69

HSL 180, 0.01%, 0.27%

LAB 29.11, -0.83, -0.29

 

CMYK 0 / 19 / 26 / 69

HEX #4E3F3A

RGB 78 63 58

HSL 15, 0.15%, 0.27%

LAB 28.06, 5.6, 5.51

 

CMYK 67 / 0 / 21 / 60

HEX #226751

RGB 34 103 81

HSL 160.87, 0.5%, 0.27%

LAB 38.96, -27.35, 6.15

 

CMYK 67 / 0 / 4 / 60

HEX #226763

RGB 34 103 99

HSL 176.52, 0.5%, 0.27%

LAB 39.48, -22.22, -4.09

 

CMYK 67 / 15 / 0 / 60

HEX #225867

RGB 34 88 103

HSL 193.04, 0.5%, 0.27%

LAB 34.6, -12.61, -13.91

 

CMYK 67 / 33 / 0 / 60

HEX #224567

RGB 34 69 103

HSL 209.57, 0.5%, 0.27%

LAB 28.32, -0.77, -23.65

 

CMYK 67 / 50 / 0 / 60

HEX #223367

RGB 34 51 103

HSL 225.22, 0.5%, 0.27%

LAB 22.61, 11.63, -32.71

 

CMYK 68 / 17 / 0 / 84

HEX #0D2229

RGB 13 34 41

HSL 195, 0.52%, 0.11%

LAB 11.89, -5.82, -7.25

 

CMYK 67 / 15 / 0 / 72

HEX #183D48

RGB 24 61 72

HSL 193.75, 0.5%, 0.19%

LAB 23.67, -9.29, -10.69

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 67 / 16 / 0 / 47

HEX #2C7186

RGB 44 113 134

HSL 194, 0.51%, 0.35%

LAB 44.33, -14.57, -17.92

 

CMYK 67 / 16 / 0 / 35

HEX #378BA5

RGB 55 139 165

HSL 194.18, 0.5%, 0.43%

LAB 54.02, -16.83, -21.21

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 39 / 67 / 0 / 60

HEX #3F2267

RGB 63 34 103

HSL 265.22, 0.5%, 0.27%

LAB 20.75, 29.81, -35.57

 

CMYK 0 / 13 / 67 / 60

HEX #675A22

RGB 103 90 34

HSL 48.7, 0.5%, 0.27%

LAB 38.4, -2.11, 33.37

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 0 / 67 / 15 / 60

HEX #672258

RGB 103 34 88

HSL 313.04, 0.5%, 0.27%

LAB 25.96, 37.6, -17.07

 

CMYK 15 / 0 / 67 / 60

HEX #586722

RGB 88 103 34

HSL 73.04, 0.5%, 0.27%

LAB 41.04, -16.6, 35.83

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 39 / 67 / 0 / 60

HEX #3F2267

RGB 63 34 103

HSL 265.22, 0.5%, 0.27%

LAB 20.75, 29.81, -35.57

 

CMYK 0 / 52 / 67 / 60

HEX #673122

RGB 103 49 34

HSL 13.04, 0.5%, 0.27%

LAB 27.29, 22.82, 20.59

 

CMYK 28 / 0 / 67 / 60

HEX #4A6722

RGB 74 103 34

HSL 85.22, 0.5%, 0.27%

LAB 40.03, -22.74, 34.45

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 19 / 67 / 0 / 60

HEX #532267

RGB 83 34 103

HSL 282.61, 0.5%, 0.27%

LAB 23.55, 34.92, -30.92

 

CMYK 0 / 52 / 67 / 60

HEX #673122

RGB 103 49 34

HSL 13.04, 0.5%, 0.27%

LAB 27.29, 22.82, 20.59

 

CMYK 49 / 0 / 67 / 60

HEX #356722

RGB 53 103 34

HSL 103.48, 0.5%, 0.27%

LAB 38.85, -30.84, 32.81

 

Description

Color code: HEX #225767 | qconv.com Color code: HEX #225767 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 87 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 87 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 16 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 16% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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