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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #226D8F it is the complementary color #DD9270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #226D8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #226D8F shade: #276D8A, #387F9D, #4991B0, #5AA3C3 and #6BB5D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #226D8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #226D8F shade: #226D8F, #115B7C, #004969, #003756 and #002543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #226D8F shade: #216E90, #215090, #213290, #2F2190 and #4D2190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #226D8F shade: #216E90, #215090, #213290 and #212190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #226D8F shade matches the following richer shades: #216E90, #13739F and #0578AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #226D8F shade: #216E90, #306882, #3E6373, #4D5D65 and #5B5856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #226D8F shade: #219076, #218C90, #216F90, #215190 and #213490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #226D8F shade: #123B4D, #1A546F, #216E90, #2987B2 and #359FCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #226D8F shade: #226D8F, #592190 and #908521

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #226D8F shade: #226D8F, #90216F and #6F9021

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #226D8F shade: #226D8F, #592190, #904321 and #599021

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #226D8F shade: #226D8F, #7A2190, #904321 and #389021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 24 / 0 / 44

HEX #226D8F

RGB 34 109 143

HSL 198.72, 0.62%, 0.35%

LAB 43.15, -10.67, -25.14

 

Complementary color

CMYK 0 / 34 / 49 / 13

HEX #DD9270

RGB 221 146 112

HSL 18.72, 0.62%, 0.65%

LAB 67.35, 24.63, 29.6

 

CMYK 72 / 21 / 0 / 46

HEX #276D8A

RGB 39 109 138

HSL 197.58, 0.56%, 0.35%

LAB 43.07, -11.74, -22.27

 

CMYK 64 / 19 / 0 / 38

HEX #387F9D

RGB 56 127 157

HSL 197.82, 0.47%, 0.42%

LAB 50.04, -12.64, -22.68

 

CMYK 59 / 18 / 0 / 31

HEX #4991B0

RGB 73 145 176

HSL 198.06, 0.41%, 0.49%

LAB 56.88, -13.27, -23.06

 

CMYK 54 / 16 / 0 / 24

HEX #5AA3C3

RGB 90 163 195

HSL 198.29, 0.47%, 0.56%

LAB 63.6, -13.74, -23.42

 

CMYK 50 / 15 / 0 / 16

HEX #6BB5D6

RGB 107 181 214

HSL 198.5, 0.57%, 0.63%

LAB 70.2, -14.09, -23.76

 

CMYK 76 / 24 / 0 / 44

HEX #226D8F

RGB 34 109 143

HSL 198.72, 0.62%, 0.35%

LAB 43.15, -10.67, -25.14

 

CMYK 86 / 27 / 0 / 51

HEX #115B7C

RGB 17 91 124

HSL 198.5, 0.76%, 0.28%

LAB 36.09, -9.03, -24.66

 

CMYK 100 / 30 / 0 / 59

HEX #004969

RGB 0 73 105

HSL 198.29, 1%, 0.21%

LAB 28.86, -6.88, -24.12

 

CMYK 100 / 36 / 0 / 66

HEX #003756

RGB 0 55 86

HSL 201.63, 1%, 0.17%

LAB 21.6, -3.23, -23.26

 

CMYK 100 / 45 / 0 / 74

HEX #002543

RGB 0 37 67

HSL 206.87, 1%, 0.13%

LAB 13.99, 0.83, -22.47

 

CMYK 77 / 24 / 0 / 44

HEX #216E90

RGB 33 110 144

HSL 198.38, 0.63%, 0.35%

LAB 43.49, -11.02, -25.21

 

CMYK 77 / 44 / 0 / 44

HEX #215090

RGB 33 80 144

HSL 214.59, 0.63%, 0.35%

LAB 34.14, 7.75, -39.97

 

CMYK 77 / 65 / 0 / 44

HEX #213290

RGB 33 50 144

HSL 230.81, 0.63%, 0.35%

LAB 25.62, 28.2, -53.77

 

CMYK 67 / 77 / 0 / 44

HEX #2F2190

RGB 47 33 144

HSL 247.57, 0.63%, 0.35%

LAB 22.67, 40.36, -58.58

 

CMYK 47 / 77 / 0 / 44

HEX #4D2190

RGB 77 33 144

HSL 263.78, 0.63%, 0.35%

LAB 25.8, 44.63, -53.32

 

CMYK 77 / 24 / 0 / 44

HEX #216E90

RGB 33 110 144

HSL 198.38, 0.63%, 0.35%

LAB 43.49, -11.02, -25.21

 

CMYK 77 / 44 / 0 / 44

HEX #215090

RGB 33 80 144

HSL 214.59, 0.63%, 0.35%

LAB 34.14, 7.75, -39.97

 

CMYK 77 / 65 / 0 / 44

HEX #213290

RGB 33 50 144

HSL 230.81, 0.63%, 0.35%

LAB 25.62, 28.2, -53.77

 

CMYK 77 / 77 / 0 / 44

HEX #212190

RGB 33 33 144

HSL 240, 0.63%, 0.35%

LAB 21.67, 38.96, -60.27

 

CMYK 77 / 24 / 0 / 44

HEX #216E90

RGB 33 110 144

HSL 198.38, 0.63%, 0.35%

LAB 43.49, -11.02, -25.21

 

CMYK 88 / 28 / 0 / 38

HEX #13739F

RGB 19 115 159

HSL 198.86, 0.79%, 0.35%

LAB 45.5, -9.76, -30.98

 

CMYK 97 / 31 / 0 / 32

HEX #0578AD

RGB 5 120 173

HSL 198.93, 0.94%, 0.35%

LAB 47.6, -8.08, -35.89

 

CMYK 77 / 24 / 0 / 44

HEX #216E90

RGB 33 110 144

HSL 198.38, 0.63%, 0.35%

LAB 43.49, -11.02, -25.21

 

CMYK 63 / 20 / 0 / 49

HEX #306882

RGB 48 104 130

HSL 199.02, 0.46%, 0.35%

LAB 41.44, -9.99, -19.95

 

CMYK 46 / 14 / 0 / 55

HEX #3E6373

RGB 62 99 115

HSL 198.11, 0.3%, 0.35%

LAB 39.89, -8.52, -13.15

 

CMYK 24 / 8 / 0 / 60

HEX #4D5D65

RGB 77 93 101

HSL 200, 0.13%, 0.35%

LAB 38.46, -4.13, -6.61

 

CMYK 0 / 3 / 5 / 64

HEX #5B5856

RGB 91 88 86

HSL 24, 0.03%, 0.35%

LAB 37.62, 0.8, 1.58

 

CMYK 77 / 0 / 18 / 44

HEX #219076

RGB 33 144 118

HSL 165.95, 0.63%, 0.35%

LAB 53.58, -36.66, 5.19

 

CMYK 77 / 3 / 0 / 44

HEX #218C90

RGB 33 140 144

HSL 182.16, 0.63%, 0.35%

LAB 53.05, -27.2, -10.6

 

CMYK 77 / 23 / 0 / 44

HEX #216F90

RGB 33 111 144

HSL 197.84, 0.63%, 0.35%

LAB 43.81, -11.61, -24.72

 

CMYK 77 / 44 / 0 / 44

HEX #215190

RGB 33 81 144

HSL 214.05, 0.63%, 0.35%

LAB 34.44, 7.08, -39.48

 

CMYK 77 / 64 / 0 / 44

HEX #213490

RGB 33 52 144

HSL 229.73, 0.63%, 0.35%

LAB 26.14, 26.85, -52.92

 

CMYK 77 / 23 / 0 / 70

HEX #123B4D

RGB 18 59 77

HSL 198.31, 0.62%, 0.19%

LAB 22.97, -7.33, -15.11

 

CMYK 77 / 24 / 0 / 56

HEX #1A546F

RGB 26 84 111

HSL 199.06, 0.62%, 0.27%

LAB 33.37, -8.68, -20.83

 

CMYK 77 / 24 / 0 / 44

HEX #216E90

RGB 33 110 144

HSL 198.38, 0.63%, 0.35%

LAB 43.49, -11.02, -25.21

 

CMYK 77 / 24 / 0 / 30

HEX #2987B2

RGB 41 135 178

HSL 198.83, 0.63%, 0.43%

LAB 52.96, -12.19, -30.34

 

CMYK 74 / 23 / 0 / 19

HEX #359FCF

RGB 53 159 207

HSL 198.7, 0.62%, 0.51%

LAB 61.7, -14.02, -33.13

 

CMYK 76 / 24 / 0 / 44

HEX #226D8F

RGB 34 109 143

HSL 198.72, 0.62%, 0.35%

LAB 43.15, -10.67, -25.14

 

CMYK 38 / 77 / 0 / 44

HEX #592190

RGB 89 33 144

HSL 270.27, 0.63%, 0.35%

LAB 27.37, 46.71, -50.7

 

CMYK 0 / 8 / 77 / 44

HEX #908521

RGB 144 133 33

HSL 54.05, 0.63%, 0.35%

LAB 54.88, -7.31, 51.66

 

CMYK 76 / 24 / 0 / 44

HEX #226D8F

RGB 34 109 143

HSL 198.72, 0.62%, 0.35%

LAB 43.15, -10.67, -25.14

 

CMYK 0 / 77 / 23 / 44

HEX #90216F

RGB 144 33 111

HSL 317.84, 0.63%, 0.35%

LAB 34.32, 52.78, -18.4

 

CMYK 23 / 0 / 77 / 44

HEX #6F9021

RGB 111 144 33

HSL 77.84, 0.63%, 0.35%

LAB 55.52, -27.65, 51.32

 

CMYK 76 / 24 / 0 / 44

HEX #226D8F

RGB 34 109 143

HSL 198.72, 0.62%, 0.35%

LAB 43.15, -10.67, -25.14

 

CMYK 38 / 77 / 0 / 44

HEX #592190

RGB 89 33 144

HSL 270.27, 0.63%, 0.35%

LAB 27.37, 46.71, -50.7

 

CMYK 0 / 53 / 77 / 44

HEX #904321

RGB 144 67 33

HSL 18.38, 0.63%, 0.35%

LAB 37.94, 30.2, 35.02

 

CMYK 38 / 0 / 77 / 44

HEX #599021

RGB 89 144 33

HSL 89.73, 0.63%, 0.35%

LAB 54.22, -36.31, 49.62

 

CMYK 76 / 24 / 0 / 44

HEX #226D8F

RGB 34 109 143

HSL 198.72, 0.62%, 0.35%

LAB 43.15, -10.67, -25.14

 

CMYK 15 / 77 / 0 / 44

HEX #7A2190

RGB 122 33 144

HSL 288.11, 0.63%, 0.35%

LAB 32.34, 53.16, -42.4

 

CMYK 0 / 53 / 77 / 44

HEX #904321

RGB 144 67 33

HSL 18.38, 0.63%, 0.35%

LAB 37.94, 30.2, 35.02

 

CMYK 61 / 0 / 77 / 44

HEX #389021

RGB 56 144 33

HSL 107.57, 0.63%, 0.35%

LAB 52.84, -46.73, 47.81

 

Description

Color code: HEX #226D8F | qconv.com Color code: HEX #226D8F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 109 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 109 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 24 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 24% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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