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Color name
HEX #227A19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #227A19 it is the complementary color #DD85E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #227A19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #227A19 shade: #277A14, #388C27, #499E3A, #5AB04D and #6BC260

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #227A19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #227A19 shade: #227A19, #116806, #005600, #004400 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #227A19 shade: #227A19, #3C7A19, #567A19, #717A19 and #7A6A19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #227A19 shade: #227A19, #197A2A, #197A44, #197A5F and #197A79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #227A19 shade matches the following richer shades: #227A19, #18860D and #0E9201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #227A19 shade: #227A19, #2B6E25, #356231, #3F563D and #494A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #227A19 shade: #567A19, #3C7A19, #227A19, #197A29 and #197A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #227A19 shade: #0F360B, #185812, #227A19, #2B9D20 and #35BF27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #227A19 shade: #227A19, #19707A and #7A1949

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #227A19 shade: #227A19, #19227A and #7A1922

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #227A19 shade: #227A19, #19707A, #70197A and #7A2219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #227A19 shade: #227A19, #19537A, #70197A and #7A4019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

Complementary color

CMYK 4 / 42 / 0 / 10

HEX #DD85E6

RGB 221 133 230

HSL 294.43, 0.66%, 0.71%

LAB 67.92, 48.5, -35.34

 

CMYK 68 / 0 / 84 / 52

HEX #277A14

RGB 39 122 20

HSL 108.82, 0.72%, 0.28%

LAB 44.8, -43.67, 44.27

 

CMYK 60 / 0 / 72 / 45

HEX #388C27

RGB 56 140 39

HSL 109.9, 0.56%, 0.35%

LAB 51.55, -44.74, 44.22

 

CMYK 54 / 0 / 63 / 38

HEX #499E3A

RGB 73 158 58

HSL 111, 0.46%, 0.42%

LAB 58.2, -45.28, 43.39

 

CMYK 49 / 0 / 56 / 31

HEX #5AB04D

RGB 90 176 77

HSL 112.12, 0.39%, 0.5%

LAB 64.77, -45.49, 42.25

 

CMYK 45 / 0 / 51 / 24

HEX #6BC260

RGB 107 194 96

HSL 113.27, 0.45%, 0.57%

LAB 71.25, -45.52, 41.01

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 84 / 0 / 94 / 59

HEX #116806

RGB 17 104 6

HSL 113.27, 0.89%, 0.22%

LAB 37.9, -42.35, 41.67

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 51 / 0 / 80 / 52

HEX #3C7A19

RGB 60 122 25

HSL 98.35, 0.66%, 0.29%

LAB 45.57, -37.48, 43.6

 

CMYK 30 / 0 / 80 / 52

HEX #567A19

RGB 86 122 25

HSL 82.27, 0.66%, 0.29%

LAB 46.93, -27.8, 45.38

 

CMYK 7 / 0 / 80 / 52

HEX #717A19

RGB 113 122 25

HSL 65.57, 0.66%, 0.29%

LAB 48.88, -15.96, 47.9

 

CMYK 0 / 13 / 80 / 52

HEX #7A6A19

RGB 122 106 25

HSL 50.1, 0.66%, 0.29%

LAB 44.96, -2.83, 44.59

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 80 / 0 / 66 / 52

HEX #197A2A

RGB 25 122 42

HSL 130.52, 0.66%, 0.29%

LAB 44.65, -44.34, 35.22

 

CMYK 80 / 0 / 44 / 52

HEX #197A44

RGB 25 122 68

HSL 146.6, 0.66%, 0.29%

LAB 45, -40.19, 22

 

CMYK 80 / 0 / 22 / 52

HEX #197A5F

RGB 25 122 95

HSL 163.3, 0.66%, 0.29%

LAB 45.57, -33.94, 7.13

 

CMYK 80 / 0 / 1 / 52

HEX #197A79

RGB 25 122 121

HSL 179.38, 0.66%, 0.29%

LAB 46.32, -26.36, -7.2

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 82 / 0 / 90 / 47

HEX #18860D

RGB 24 134 13

HSL 114.55, 0.82%, 0.29%

LAB 48.6, -50.78, 49.4

 

CMYK 90 / 0 / 99 / 43

HEX #0E9201

RGB 14 146 1

HSL 114.62, 0.99%, 0.29%

LAB 52.57, -55.9, 54.85

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 61 / 0 / 66 / 57

HEX #2B6E25

RGB 43 110 37

HSL 115.07, 0.5%, 0.29%

LAB 40.89, -36.59, 33.53

 

CMYK 46 / 0 / 50 / 62

HEX #356231

RGB 53 98 49

HSL 115.1, 0.33%, 0.29%

LAB 37.32, -26.53, 23.08

 

CMYK 27 / 0 / 29 / 66

HEX #3F563D

RGB 63 86 61

HSL 115.2, 0.17%, 0.29%

LAB 34.09, -14.39, 11.8

 

CMYK 1 / 0 / 1 / 71

HEX #494A49

RGB 73 74 73

HSL 120, 0.01%, 0.29%

LAB 31.34, -0.63, 0.45

 

CMYK 30 / 0 / 80 / 52

HEX #567A19

RGB 86 122 25

HSL 82.27, 0.66%, 0.29%

LAB 46.93, -27.8, 45.38

 

CMYK 51 / 0 / 80 / 52

HEX #3C7A19

RGB 60 122 25

HSL 98.35, 0.66%, 0.29%

LAB 45.57, -37.48, 43.6

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 80 / 0 / 66 / 52

HEX #197A29

RGB 25 122 41

HSL 129.9, 0.66%, 0.29%

LAB 44.64, -44.46, 35.68

 

CMYK 80 / 0 / 45 / 52

HEX #197A43

RGB 25 122 67

HSL 145.98, 0.66%, 0.29%

LAB 44.99, -40.38, 22.53

 

CMYK 72 / 0 / 80 / 79

HEX #0F360B

RGB 15 54 11

HSL 114.42, 0.66%, 0.13%

LAB 19.07, -23.66, 21.91

 

CMYK 73 / 0 / 80 / 65

HEX #185812

RGB 24 88 18

HSL 114.86, 0.66%, 0.21%

LAB 32.3, -34.61, 32.74

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 73 / 0 / 80 / 38

HEX #2B9D20

RGB 43 157 32

HSL 114.72, 0.66%, 0.37%

LAB 56.81, -54.18, 51.88

 

CMYK 72 / 0 / 80 / 25

HEX #35BF27

RGB 53 191 39

HSL 114.47, 0.66%, 0.45%

LAB 68.14, -63, 60.59

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 80 / 8 / 0 / 52

HEX #19707A

RGB 25 112 122

HSL 186.19, 0.66%, 0.29%

LAB 43.06, -20.86, -12.7

 

CMYK 0 / 80 / 40 / 52

HEX #7A1949

RGB 122 25 73

HSL 330.31, 0.66%, 0.29%

LAB 27.61, 44.68, -4.25

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 80 / 72 / 0 / 52

HEX #19227A

RGB 25 34 122

HSL 234.43, 0.66%, 0.29%

LAB 19.04, 29.66, -50.78

 

CMYK 0 / 80 / 72 / 52

HEX #7A1922

RGB 122 25 34

HSL 354.43, 0.66%, 0.29%

LAB 26.59, 41.45, 20.55

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 80 / 8 / 0 / 52

HEX #19707A

RGB 25 112 122

HSL 186.19, 0.66%, 0.29%

LAB 43.06, -20.86, -12.7

 

CMYK 8 / 80 / 0 / 52

HEX #70197A

RGB 112 25 122

HSL 293.81, 0.66%, 0.29%

LAB 28.23, 49.57, -35.35

 

CMYK 0 / 72 / 80 / 52

HEX #7A2219

RGB 122 34 25

HSL 5.57, 0.66%, 0.29%

LAB 27.71, 37.54, 27.53

 

CMYK 72 / 0 / 80 / 52

HEX #227A19

RGB 34 122 25

HSL 114.43, 0.66%, 0.29%

LAB 44.7, -44.41, 42.46

 

CMYK 80 / 32 / 0 / 52

HEX #19537A

RGB 25 83 122

HSL 204.12, 0.66%, 0.29%

LAB 33.56, -3.96, -27.38

 

CMYK 8 / 80 / 0 / 52

HEX #70197A

RGB 112 25 122

HSL 293.81, 0.66%, 0.29%

LAB 28.23, 49.57, -35.35

 

CMYK 0 / 48 / 80 / 52

HEX #7A4019

RGB 122 64 25

HSL 24.12, 0.66%, 0.29%

LAB 33.72, 22.01, 33.75

 

Description

Color code: HEX #227A19 | qconv.com Color code: HEX #227A19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 122 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 122 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 80 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 80% 52% C M Y K

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Provide designers and agencies with accurate color values.

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