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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #228576 it is the complementary color #DD7A89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #228576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #228576 shade: #278571, #389784, #49A997, #5ABBAA and #6BCDBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #228576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #228576 shade: #228576, #117363, #006150, #004F3D and #003D2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #228576 shade: #228576, #22855B, #228541, #228526 and #398522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #228576 shade: #228576, #227A85, #225F85, #224485 and #222985

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #228576 shade matches the following richer shades: #228576, #149380 and #07A189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #228576 shade: #228576, #30786D, #3D6A63, #4B5C5A and #584F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #228576 shade: #228540, #22855A, #228575, #227B85 and #226185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #228576 shade: #11443C, #1A6459, #228576, #2AA693 and #33C7B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #228576 shade: #228576, #252285 and #854D22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #228576 shade: #228576, #752285 and #857522

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #228576 shade: #228576, #252285, #852233 and #828522

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #228576 shade: #228576, #432285, #852233 and #648522

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

Complementary color

CMYK 0 / 45 / 38 / 13

HEX #DD7A89

RGB 221 122 137

HSL 350.91, 0.59%, 0.67%

LAB 62.59, 39.94, 9.09

 

CMYK 71 / 0 / 15 / 48

HEX #278571

RGB 39 133 113

HSL 167.23, 0.55%, 0.34%

LAB 49.98, -32.13, 2.92

 

CMYK 63 / 0 / 13 / 41

HEX #389784

RGB 56 151 132

HSL 168, 0.46%, 0.41%

LAB 56.72, -32.51, 1.79

 

CMYK 57 / 0 / 11 / 34

HEX #49A997

RGB 73 169 151

HSL 168.75, 0.4%, 0.47%

LAB 63.37, -32.69, 0.79

 

CMYK 52 / 0 / 9 / 27

HEX #5ABBAA

RGB 90 187 170

HSL 169.48, 0.42%, 0.54%

LAB 69.91, -32.74, -0.12

 

CMYK 48 / 0 / 8 / 20

HEX #6BCDBD

RGB 107 205 189

HSL 170.2, 0.49%, 0.61%

LAB 76.35, -32.72, -0.95

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 85 / 0 / 14 / 55

HEX #117363

RGB 17 115 99

HSL 170.2, 0.74%, 0.26%

LAB 43.18, -30.51, 1.3

 

CMYK 100 / 0 / 18 / 62

HEX #006150

RGB 0 97 80

HSL 169.48, 1%, 0.19%

LAB 36.23, -29.16, 2.77

 

CMYK 100 / 0 / 23 / 69

HEX #004F3D

RGB 0 79 61

HSL 166.33, 1%, 0.15%

LAB 29.23, -26.46, 4.65

 

CMYK 100 / 0 / 31 / 76

HEX #003D2A

RGB 0 61 42

HSL 161.31, 1%, 0.12%

LAB 21.96, -23.62, 6.72

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 74 / 0 / 32 / 48

HEX #22855B

RGB 34 133 91

HSL 154.55, 0.59%, 0.33%

LAB 49.34, -38.45, 14.75

 

CMYK 74 / 0 / 51 / 48

HEX #228541

RGB 34 133 65

HSL 138.79, 0.59%, 0.33%

LAB 48.88, -43.6, 28.62

 

CMYK 74 / 0 / 71 / 48

HEX #228526

RGB 34 133 38

HSL 122.42, 0.59%, 0.33%

LAB 48.58, -47.16, 41.34

 

CMYK 57 / 0 / 74 / 48

HEX #398522

RGB 57 133 34

HSL 106.06, 0.59%, 0.33%

LAB 49.2, -42.18, 43.81

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 74 / 8 / 0 / 48

HEX #227A85

RGB 34 122 133

HSL 186.67, 0.59%, 0.33%

LAB 46.91, -21.37, -13.42

 

CMYK 74 / 29 / 0 / 48

HEX #225F85

RGB 34 95 133

HSL 203.03, 0.59%, 0.33%

LAB 38.23, -5.98, -26.79

 

CMYK 74 / 49 / 0 / 48

HEX #224485

RGB 34 68 133

HSL 219.39, 0.59%, 0.33%

LAB 29.83, 11.64, -40.11

 

CMYK 74 / 69 / 0 / 48

HEX #222985

RGB 34 41 133

HSL 235.76, 0.59%, 0.33%

LAB 22.37, 30.16, -52.24

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 86 / 0 / 13 / 42

HEX #149380

RGB 20 147 128

HSL 171.02, 0.76%, 0.33%

LAB 54.63, -36.56, 0.95

 

CMYK 96 / 0 / 15 / 37

HEX #07A189

RGB 7 161 137

HSL 170.65, 0.92%, 0.33%

LAB 59.29, -40.9, 2.58

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 60 / 0 / 9 / 53

HEX #30786D

RGB 48 120 109

HSL 170.83, 0.43%, 0.33%

LAB 45.86, -25.24, -0.68

 

CMYK 42 / 0 / 7 / 58

HEX #3D6A63

RGB 61 106 99

HSL 170.67, 0.27%, 0.33%

LAB 41.53, -17.34, -0.94

 

CMYK 18 / 0 / 2 / 64

HEX #4B5C5A

RGB 75 92 90

HSL 172.94, 0.1%, 0.33%

LAB 37.64, -6.97, -1.03

 

CMYK 0 / 10 / 9 / 65

HEX #584F50

RGB 88 79 80

HSL 353.33, 0.05%, 0.33%

LAB 34.49, 3.92, 0.76

 

CMYK 74 / 0 / 52 / 48

HEX #228540

RGB 34 133 64

HSL 138.18, 0.59%, 0.33%

LAB 48.87, -43.77, 29.13

 

CMYK 74 / 0 / 32 / 48

HEX #22855A

RGB 34 133 90

HSL 153.94, 0.59%, 0.33%

LAB 49.32, -38.67, 15.3

 

CMYK 74 / 0 / 12 / 48

HEX #228575

RGB 34 133 117

HSL 170.3, 0.59%, 0.33%

LAB 49.98, -31.77, 0.57

 

CMYK 74 / 8 / 0 / 48

HEX #227B85

RGB 34 123 133

HSL 186.06, 0.59%, 0.33%

LAB 47.24, -21.9, -12.93

 

CMYK 74 / 27 / 0 / 48

HEX #226185

RGB 34 97 133

HSL 201.82, 0.59%, 0.33%

LAB 38.87, -7.2, -25.79

 

CMYK 75 / 0 / 12 / 73

HEX #11443C

RGB 17 68 60

HSL 170.59, 0.6%, 0.17%

LAB 25.5, -18.9, -0.04

 

CMYK 74 / 0 / 11 / 61

HEX #1A6459

RGB 26 100 89

HSL 171.08, 0.59%, 0.25%

LAB 37.94, -25.08, -0.24

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 75 / 0 / 11 / 35

HEX #2AA693

RGB 42 166 147

HSL 170.81, 0.6%, 0.41%

LAB 61.54, -37.55, 0.28

 

CMYK 74 / 0 / 12 / 22

HEX #33C7B0

RGB 51 199 176

HSL 170.68, 0.59%, 0.49%

LAB 72.68, -43.25, 0.54

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 72 / 74 / 0 / 48

HEX #252285

RGB 37 34 133

HSL 241.82, 0.59%, 0.33%

LAB 20.95, 34.95, -54.58

 

CMYK 0 / 42 / 74 / 48

HEX #854D22

RGB 133 77 34

HSL 26.06, 0.59%, 0.33%

LAB 38.57, 19.84, 34.65

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 12 / 74 / 0 / 48

HEX #752285

RGB 117 34 133

HSL 290.3, 0.59%, 0.33%

LAB 30.92, 49.56, -37.91

 

CMYK 0 / 12 / 74 / 48

HEX #857522

RGB 133 117 34

HSL 50.3, 0.59%, 0.33%

LAB 49.28, -3.47, 45.56

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 72 / 74 / 0 / 48

HEX #252285

RGB 37 34 133

HSL 241.82, 0.59%, 0.33%

LAB 20.95, 34.95, -54.58

 

CMYK 0 / 74 / 62 / 48

HEX #852233

RGB 133 34 51

HSL 349.7, 0.59%, 0.33%

LAB 30.33, 42.81, 14.57

 

CMYK 2 / 0 / 74 / 48

HEX #828522

RGB 130 133 34

HSL 61.82, 0.59%, 0.33%

LAB 53.64, -13.66, 49.68

 

CMYK 74 / 0 / 11 / 48

HEX #228576

RGB 34 133 118

HSL 170.91, 0.59%, 0.33%

LAB 50.01, -31.48, 0.03

 

CMYK 50 / 74 / 0 / 48

HEX #432285

RGB 67 34 133

HSL 260, 0.59%, 0.33%

LAB 23.77, 39.34, -49.83

 

CMYK 0 / 74 / 62 / 48

HEX #852233

RGB 133 34 51

HSL 349.7, 0.59%, 0.33%

LAB 30.33, 42.81, 14.57

 

CMYK 25 / 0 / 74 / 48

HEX #648522

RGB 100 133 34

HSL 80, 0.59%, 0.33%

LAB 51.38, -26.81, 46.71

 

Description

Color code: HEX #228576 | qconv.com Color code: HEX #228576 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 133 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 133 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 11 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 11% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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