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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #228582 it is the complementary color #DD7A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #228582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #228582 shade: #27857D, #389790, #49A9A3, #5ABBB6 and #6BCDC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #228582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #228582 shade: #228582, #11736F, #00615C, #004F49 and #003D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #228582 shade: #228582, #228568, #22854D, #228532 and #2D8522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #228582 shade: #228582, #226E85, #225385, #223885 and #222285

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #228582 shade matches the following richer shades: #228582, #14938F and #07A19C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #228582 shade: #228582, #307875, #3D6A69, #4B5C5C and #584F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #228582 shade: #22854D, #228568, #228582, #226E85 and #225485

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #228582 shade: #114442, #1A6462, #228582, #2AA6A2 and #33C7C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #228582 shade: #228582, #332285 and #855A22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #228582 shade: #228582, #822285 and #858222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #228582 shade: #228582, #332285, #852225 and #758522

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #228582 shade: #228582, #502285, #852225 and #578522

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

Complementary color

CMYK 0 / 45 / 43 / 13

HEX #DD7A7D

RGB 221 122 125

HSL 358.18, 0.59%, 0.67%

LAB 62.31, 38.62, 15.56

 

CMYK 71 / 0 / 6 / 48

HEX #27857D

RGB 39 133 125

HSL 174.89, 0.55%, 0.34%

LAB 50.32, -28.73, -3.6

 

CMYK 63 / 0 / 5 / 41

HEX #389790

RGB 56 151 144

HSL 175.58, 0.46%, 0.41%

LAB 57.06, -29.23, -4.57

 

CMYK 57 / 0 / 4 / 34

HEX #49A9A3

RGB 73 169 163

HSL 176.25, 0.4%, 0.47%

LAB 63.7, -29.52, -5.43

 

CMYK 52 / 0 / 3 / 27

HEX #5ABBB6

RGB 90 187 182

HSL 176.91, 0.42%, 0.54%

LAB 70.24, -29.67, -6.21

 

CMYK 48 / 0 / 2 / 20

HEX #6BCDC9

RGB 107 205 201

HSL 177.55, 0.49%, 0.61%

LAB 76.68, -29.74, -6.93

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 85 / 0 / 3 / 55

HEX #11736F

RGB 17 115 111

HSL 177.55, 0.74%, 0.26%

LAB 43.55, -26.84, -5.37

 

CMYK 100 / 0 / 5 / 62

HEX #00615C

RGB 0 97 92

HSL 176.91, 1%, 0.19%

LAB 36.6, -25.37, -4.12

 

CMYK 100 / 0 / 8 / 69

HEX #004F49

RGB 0 79 73

HSL 175.44, 1%, 0.15%

LAB 29.6, -22.64, -2.5

 

CMYK 100 / 0 / 11 / 76

HEX #003D36

RGB 0 61 54

HSL 173.11, 1%, 0.12%

LAB 22.32, -19.81, -0.77

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 74 / 0 / 22 / 48

HEX #228568

RGB 34 133 104

HSL 162.42, 0.59%, 0.33%

LAB 49.63, -35.28, 7.66

 

CMYK 74 / 0 / 42 / 48

HEX #22854D

RGB 34 133 77

HSL 146.06, 0.59%, 0.33%

LAB 49.07, -41.43, 22.31

 

CMYK 74 / 0 / 62 / 48

HEX #228532

RGB 34 133 50

HSL 129.7, 0.59%, 0.33%

LAB 48.69, -45.81, 36.03

 

CMYK 66 / 0 / 74 / 48

HEX #2D8522

RGB 45 133 34

HSL 113.33, 0.59%, 0.33%

LAB 48.82, -45.27, 43.3

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 74 / 17 / 0 / 48

HEX #226E85

RGB 34 110 133

HSL 193.94, 0.59%, 0.33%

LAB 43.04, -14.81, -19.32

 

CMYK 74 / 38 / 0 / 48

HEX #225385

RGB 34 83 133

HSL 210.3, 0.59%, 0.33%

LAB 34.44, 1.6, -32.76

 

CMYK 74 / 58 / 0 / 48

HEX #223885

RGB 34 56 133

HSL 226.67, 0.59%, 0.33%

LAB 26.34, 19.94, -45.76

 

CMYK 74 / 74 / 0 / 48

HEX #222285

RGB 34 34 133

HSL 240, 0.59%, 0.33%

LAB 20.74, 34.62, -54.92

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 86 / 0 / 3 / 42

HEX #14938F

RGB 20 147 143

HSL 178.11, 0.76%, 0.33%

LAB 55.07, -32.12, -7.02

 

CMYK 96 / 0 / 3 / 37

HEX #07A19C

RGB 7 161 156

HSL 178.05, 0.92%, 0.33%

LAB 59.83, -35.36, -7.36

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 60 / 0 / 3 / 53

HEX #307875

RGB 48 120 117

HSL 177.5, 0.43%, 0.33%

LAB 46.1, -22.95, -5.09

 

CMYK 42 / 0 / 1 / 58

HEX #3D6A69

RGB 61 106 105

HSL 178.67, 0.27%, 0.33%

LAB 41.72, -15.71, -4.31

 

CMYK 18 / 0 / 0 / 64

HEX #4B5C5C

RGB 75 92 92

HSL 180, 0.1%, 0.33%

LAB 37.7, -6.49, -2.18

 

CMYK 0 / 10 / 10 / 65

HEX #584F4F

RGB 88 79 79

HSL 0, 0.05%, 0.33%

LAB 34.46, 3.72, 1.35

 

CMYK 74 / 0 / 42 / 48

HEX #22854D

RGB 34 133 77

HSL 146.06, 0.59%, 0.33%

LAB 49.07, -41.43, 22.31

 

CMYK 74 / 0 / 22 / 48

HEX #228568

RGB 34 133 104

HSL 162.42, 0.59%, 0.33%

LAB 49.63, -35.28, 7.66

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 74 / 17 / 0 / 48

HEX #226E85

RGB 34 110 133

HSL 193.94, 0.59%, 0.33%

LAB 43.04, -14.81, -19.32

 

CMYK 74 / 37 / 0 / 48

HEX #225485

RGB 34 84 133

HSL 209.7, 0.59%, 0.33%

LAB 34.75, 0.95, -32.27

 

CMYK 75 / 0 / 3 / 73

HEX #114442

RGB 17 68 66

HSL 177.65, 0.6%, 0.17%

LAB 25.7, -16.94, -3.69

 

CMYK 74 / 0 / 2 / 61

HEX #1A6462

RGB 26 100 98

HSL 178.38, 0.59%, 0.25%

LAB 38.23, -22.3, -5.36

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 75 / 0 / 2 / 35

HEX #2AA6A2

RGB 42 166 162

HSL 178.06, 0.6%, 0.41%

LAB 61.97, -33.29, -7.51

 

CMYK 74 / 0 / 3 / 22

HEX #33C7C2

RGB 51 199 194

HSL 177.97, 0.59%, 0.49%

LAB 73.18, -38.31, -8.5

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 62 / 74 / 0 / 48

HEX #332285

RGB 51 34 133

HSL 250.3, 0.59%, 0.33%

LAB 22.09, 36.76, -52.65

 

CMYK 0 / 32 / 74 / 48

HEX #855A22

RGB 133 90 34

HSL 33.94, 0.59%, 0.33%

LAB 41.87, 12.21, 38.1

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 2 / 74 / 0 / 48

HEX #822285

RGB 130 34 133

HSL 298.18, 0.59%, 0.33%

LAB 33.1, 52.49, -34.31

 

CMYK 0 / 2 / 74 / 48

HEX #858222

RGB 133 130 34

HSL 58.18, 0.59%, 0.33%

LAB 53.02, -10.68, 49.18

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 62 / 74 / 0 / 48

HEX #332285

RGB 51 34 133

HSL 250.3, 0.59%, 0.33%

LAB 22.09, 36.76, -52.65

 

CMYK 0 / 74 / 72 / 48

HEX #852225

RGB 133 34 37

HSL 358.18, 0.59%, 0.33%

LAB 30.07, 41.94, 23.34

 

CMYK 12 / 0 / 74 / 48

HEX #758522

RGB 117 133 34

HSL 69.7, 0.59%, 0.33%

LAB 52.59, -19.49, 48.3

 

CMYK 74 / 0 / 2 / 48

HEX #228582

RGB 34 133 130

HSL 178.18, 0.59%, 0.33%

LAB 50.37, -27.94, -6.46

 

CMYK 40 / 74 / 0 / 48

HEX #502285

RGB 80 34 133

HSL 267.88, 0.59%, 0.33%

LAB 25.39, 41.75, -47.12

 

CMYK 0 / 74 / 72 / 48

HEX #852225

RGB 133 34 37

HSL 358.18, 0.59%, 0.33%

LAB 30.07, 41.94, 23.34

 

CMYK 35 / 0 / 74 / 48

HEX #578522

RGB 87 133 34

HSL 87.88, 0.59%, 0.33%

LAB 50.59, -32.03, 45.66

 

Description

Color code: HEX #228582 | qconv.com Color code: HEX #228582 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 133 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 133 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 2 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 2% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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