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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22C250 it is the complementary color #DD3DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22C250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22C250 shade: #27C24B, #38D45E, #49E671, #5AF884 and #6BFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22C250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22C250 shade: #22C250, #11B03D, #009E2A, #008C17 and #007A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22C250 shade: #22C350, #22C325, #4AC322, #76C322 and #A1C322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22C250 shade: #22C350, #22C37B, #22C3A7, #22B3C3 and #2288C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22C250 shade matches the following richer shades: #22C350 and #0FD548

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22C250 shade: #22C350, #34B058, #479D60, #5A8B68 and #6C7870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22C250 shade: #4AC322, #22C325, #22C34F, #22C37A and #22C3A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22C250 shade: #167C33, #1CA042, #22C350, #33DB63 and #56E17E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22C250 shade: #22C250, #2275C3 and #C32235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22C250 shade: #22C250, #4F22C3 and #C34F22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22C250 shade: #22C250, #2275C3, #C32295 and #C37022

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22C250 shade: #22C250, #2245C3, #C32295 and #C3A022

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 59 / 24

HEX #22C250

RGB 34 194 80

HSL 137.25, 0.7%, 0.45%

LAB 69.11, -62.69, 45.6

 

Complementary color

CMYK 0 / 72 / 21 / 13

HEX #DD3DAF

RGB 221 61 175

HSL 317.25, 0.7%, 0.55%

LAB 53.82, 71.31, -26.01

 

CMYK 80 / 0 / 61 / 24

HEX #27C24B

RGB 39 194 75

HSL 133.94, 0.67%, 0.46%

LAB 69.13, -62.76, 47.89

 

CMYK 74 / 0 / 56 / 17

HEX #38D45E

RGB 56 212 94

HSL 134.62, 0.64%, 0.53%

LAB 75.29, -64, 46.49

 

CMYK 68 / 0 / 51 / 10

HEX #49E671

RGB 73 230 113

HSL 135.29, 0.76%, 0.59%

LAB 81.4, -64.82, 45.05

 

CMYK 64 / 0 / 47 / 3

HEX #5AF884

RGB 90 248 132

HSL 135.95, 0.92%, 0.66%

LAB 87.47, -65.32, 43.63

 

CMYK 58 / 0 / 41 / 0

HEX #6BFF97

RGB 107 255 151

HSL 137.84, 1%, 0.71%

LAB 90.27, -61.51, 38.07

 

CMYK 82 / 0 / 59 / 24

HEX #22C250

RGB 34 194 80

HSL 137.25, 0.7%, 0.45%

LAB 69.11, -62.69, 45.6

 

CMYK 90 / 0 / 65 / 31

HEX #11B03D

RGB 17 176 61

HSL 136.6, 0.82%, 0.38%

LAB 62.93, -60.75, 47.01

 

CMYK 100 / 0 / 73 / 38

HEX #009E2A

RGB 0 158 42

HSL 135.95, 1%, 0.31%

LAB 56.7, -58.13, 48.09

 

CMYK 100 / 0 / 84 / 45

HEX #008C17

RGB 0 140 23

HSL 129.86, 1%, 0.27%

LAB 50.47, -54.22, 48.46

 

CMYK 100 / 0 / 97 / 52

HEX #007A04

RGB 0 122 4

HSL 121.97, 1%, 0.24%

LAB 44.13, -49.78, 47.32

 

CMYK 83 / 0 / 59 / 24

HEX #22C350

RGB 34 195 80

HSL 137.14, 0.7%, 0.45%

LAB 69.43, -63.02, 45.97

 

CMYK 83 / 0 / 81 / 24

HEX #22C325

RGB 34 195 37

HSL 121.12, 0.7%, 0.45%

LAB 69.11, -66.98, 61.97

 

CMYK 62 / 0 / 83 / 24

HEX #4AC322

RGB 74 195 34

HSL 105.09, 0.7%, 0.45%

LAB 69.9, -60.35, 63.78

 

CMYK 39 / 0 / 83 / 24

HEX #76C322

RGB 118 195 34

HSL 88.7, 0.7%, 0.45%

LAB 71.55, -47.59, 65.9

 

CMYK 17 / 0 / 83 / 24

HEX #A1C322

RGB 161 195 34

HSL 72.67, 0.7%, 0.45%

LAB 74.01, -31.31, 69.01

 

CMYK 83 / 0 / 59 / 24

HEX #22C350

RGB 34 195 80

HSL 137.14, 0.7%, 0.45%

LAB 69.43, -63.02, 45.97

 

CMYK 83 / 0 / 37 / 24

HEX #22C37B

RGB 34 195 123

HSL 153.17, 0.7%, 0.45%

LAB 70.04, -55.92, 25.28

 

CMYK 83 / 0 / 14 / 24

HEX #22C3A7

RGB 34 195 167

HSL 169.57, 0.7%, 0.45%

LAB 70.98, -45.63, 2.93

 

CMYK 83 / 8 / 0 / 24

HEX #22B3C3

RGB 34 179 195

HSL 185.96, 0.7%, 0.45%

LAB 66.92, -30.22, -18.49

 

CMYK 83 / 30 / 0 / 24

HEX #2288C3

RGB 34 136 195

HSL 201.99, 0.7%, 0.45%

LAB 53.91, -7.37, -38.59

 

CMYK 83 / 0 / 59 / 24

HEX #22C350

RGB 34 195 80

HSL 137.14, 0.7%, 0.45%

LAB 69.43, -63.02, 45.97

 

CMYK 93 / 0 / 66 / 16

HEX #0FD548

RGB 15 213 72

HSL 137.27, 0.87%, 0.45%

LAB 74.92, -70.87, 55.58

 

CMYK 83 / 0 / 59 / 24

HEX #22C350

RGB 34 195 80

HSL 137.14, 0.7%, 0.45%

LAB 69.43, -63.02, 45.97

 

CMYK 70 / 0 / 50 / 31

HEX #34B058

RGB 52 176 88

HSL 137.42, 0.54%, 0.45%

LAB 63.74, -52.89, 35.31

 

CMYK 55 / 0 / 39 / 38

HEX #479D60

RGB 71 157 96

HSL 137.44, 0.38%, 0.45%

LAB 58.32, -39.92, 24.25

 

CMYK 35 / 0 / 25 / 45

HEX #5A8B68

RGB 90 139 104

HSL 137.14, 0.21%, 0.45%

LAB 53.64, -24.4, 13.59

 

CMYK 10 / 0 / 7 / 53

HEX #6C7870

RGB 108 120 112

HSL 140, 0.05%, 0.45%

LAB 49.24, -6.14, 2.86

 

CMYK 62 / 0 / 83 / 24

HEX #4AC322

RGB 74 195 34

HSL 105.09, 0.7%, 0.45%

LAB 69.9, -60.35, 63.78

 

CMYK 83 / 0 / 81 / 24

HEX #22C325

RGB 34 195 37

HSL 121.12, 0.7%, 0.45%

LAB 69.11, -66.98, 61.97

 

CMYK 83 / 0 / 59 / 24

HEX #22C34F

RGB 34 195 79

HSL 136.77, 0.7%, 0.45%

LAB 69.42, -63.15, 46.41

 

CMYK 83 / 0 / 37 / 24

HEX #22C37A

RGB 34 195 122

HSL 152.8, 0.7%, 0.45%

LAB 70.02, -56.12, 25.78

 

CMYK 83 / 0 / 15 / 24

HEX #22C3A5

RGB 34 195 165

HSL 168.82, 0.7%, 0.45%

LAB 70.93, -46.15, 3.95

 

CMYK 82 / 0 / 59 / 51

HEX #167C33

RGB 22 124 51

HSL 137.06, 0.7%, 0.29%

LAB 45.39, -44.27, 31.63

 

CMYK 83 / 0 / 59 / 37

HEX #1CA042

RGB 28 160 66

HSL 137.27, 0.7%, 0.37%

LAB 57.83, -53.96, 38.93

 

CMYK 83 / 0 / 59 / 24

HEX #22C350

RGB 34 195 80

HSL 137.14, 0.7%, 0.45%

LAB 69.43, -63.02, 45.97

 

CMYK 77 / 0 / 55 / 14

HEX #33DB63

RGB 51 219 99

HSL 137.14, 0.7%, 0.53%

LAB 77.44, -66.35, 46.72

 

CMYK 62 / 0 / 44 / 12

HEX #56E17E

RGB 86 225 126

HSL 137.27, 0.7%, 0.61%

LAB 80.37, -58.61, 37.49

 

CMYK 82 / 0 / 59 / 24

HEX #22C250

RGB 34 194 80

HSL 137.25, 0.7%, 0.45%

LAB 69.11, -62.69, 45.6

 

CMYK 83 / 40 / 0 / 24

HEX #2275C3

RGB 34 117 195

HSL 209.07, 0.7%, 0.45%

LAB 48.26, 4, -47.53

 

CMYK 0 / 83 / 73 / 24

HEX #C32235

RGB 195 34 53

HSL 352.92, 0.7%, 0.45%

LAB 42.77, 61.49, 31.53

 

CMYK 82 / 0 / 59 / 24

HEX #22C250

RGB 34 194 80

HSL 137.25, 0.7%, 0.45%

LAB 69.11, -62.69, 45.6

 

CMYK 59 / 83 / 0 / 24

HEX #4F22C3

RGB 79 34 195

HSL 256.77, 0.7%, 0.45%

LAB 31.22, 58.27, -75.13

 

CMYK 0 / 59 / 83 / 24

HEX #C34F22

RGB 195 79 34

HSL 16.77, 0.7%, 0.45%

LAB 48.65, 44.21, 47.84

 

CMYK 82 / 0 / 59 / 24

HEX #22C250

RGB 34 194 80

HSL 137.25, 0.7%, 0.45%

LAB 69.11, -62.69, 45.6

 

CMYK 83 / 40 / 0 / 24

HEX #2275C3

RGB 34 117 195

HSL 209.07, 0.7%, 0.45%

LAB 48.26, 4, -47.53

 

CMYK 0 / 83 / 24 / 24

HEX #C32295

RGB 195 34 149

HSL 317.14, 0.7%, 0.45%

LAB 45.52, 69.5, -23.8

 

CMYK 0 / 43 / 83 / 24

HEX #C37022

RGB 195 112 34

HSL 29.07, 0.7%, 0.45%

LAB 55.39, 27.31, 53.91

 

CMYK 82 / 0 / 59 / 24

HEX #22C250

RGB 34 194 80

HSL 137.25, 0.7%, 0.45%

LAB 69.11, -62.69, 45.6

 

CMYK 83 / 65 / 0 / 24

HEX #2245C3

RGB 34 69 195

HSL 226.96, 0.7%, 0.45%

LAB 35.08, 35.05, -68.88

 

CMYK 0 / 83 / 24 / 24

HEX #C32295

RGB 195 34 149

HSL 317.14, 0.7%, 0.45%

LAB 45.52, 69.5, -23.8

 

CMYK 0 / 18 / 83 / 24

HEX #C3A022

RGB 195 160 34

HSL 46.96, 0.7%, 0.45%

LAB 67.17, 1.13, 64.19

 

Description

Color code: HEX #22C250 | qconv.com Color code: HEX #22C250 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 194 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 194 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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