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Color name
HEX #22CC77

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22CC77 it is the complementary color #DD3388. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22CC77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22CC77 shade: #27CC72, #38DE85, #49F098, #5AFFAB and #6BFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22CC77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22CC77 shade: #22CC77, #11BA64, #00A851, #00963E and #00842B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22CC77 shade: #22CC77, #22CC49, #29CC22, #57CC22 and #85CC22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22CC77 shade: #22CC77, #22CCA5, #22C6CC, #2298CC and #226ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22CC77 shade matches the following richer shades: #22CC77 and #0FE077

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22CC77 shade: #22CC77, #36B977, #49A677, #5C9277 and #707F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22CC77 shade: #28CC22, #22CC4A, #22CC77, #22CCA5 and #22C7CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22CC77 shade: #16864E, #1CA963, #22CC77, #3BDD8C and #5EE3A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22CC77 shade: #22CC77, #2255CC and #CC3322

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22CC77 shade: #22CC77, #7722CC and #CC7722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22CC77 shade: #22CC77, #2255CC, #CC2277 and #CC9922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22CC77 shade: #22CC77, #2222CC, #CC2277 and #CCCC22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

Complementary color

CMYK 0 / 77 / 38 / 13

HEX #DD3388

RGB 221 51 136

HSL 330, 0.71%, 0.53%

LAB 51.29, 69.87, -6.77

 

CMYK 81 / 0 / 44 / 20

HEX #27CC72

RGB 39 204 114

HSL 147.27, 0.68%, 0.48%

LAB 72.78, -60.34, 33.56

 

CMYK 75 / 0 / 40 / 13

HEX #38DE85

RGB 56 222 133

HSL 147.83, 0.72%, 0.55%

LAB 78.91, -61.32, 31.96

 

CMYK 70 / 0 / 37 / 6

HEX #49F098

RGB 73 240 152

HSL 148.38, 0.85%, 0.61%

LAB 85, -61.97, 30.47

 

CMYK 65 / 0 / 33 / 0

HEX #5AFFAB

RGB 90 255 171

HSL 149.45, 1%, 0.68%

LAB 90.15, -61.25, 27.88

 

CMYK 58 / 0 / 25 / 0

HEX #6BFFBE

RGB 107 255 190

HSL 153.65, 1%, 0.71%

LAB 90.95, -54.36, 19.38

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 91 / 0 / 46 / 27

HEX #11BA64

RGB 17 186 100

HSL 149.47, 0.83%, 0.4%

LAB 66.64, -58.36, 32.76

 

CMYK 100 / 0 / 52 / 34

HEX #00A851

RGB 0 168 81

HSL 148.93, 1%, 0.33%

LAB 60.43, -56.32, 34.6

 

CMYK 100 / 0 / 59 / 41

HEX #00963E

RGB 0 150 62

HSL 144.8, 1%, 0.29%

LAB 54.2, -53.31, 36.52

 

CMYK 100 / 0 / 67 / 48

HEX #00842B

RGB 0 132 43

HSL 139.55, 1%, 0.26%

LAB 47.85, -49.99, 38.25

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 83 / 0 / 64 / 20

HEX #22CC49

RGB 34 204 73

HSL 133.76, 0.71%, 0.47%

LAB 72.23, -66.7, 52.25

 

CMYK 80 / 0 / 83 / 20

HEX #29CC22

RGB 41 204 34

HSL 117.53, 0.71%, 0.47%

LAB 72.08, -68.99, 65.51

 

CMYK 57 / 0 / 83 / 20

HEX #57CC22

RGB 87 204 34

HSL 101.29, 0.71%, 0.47%

LAB 73.11, -60.29, 66.83

 

CMYK 35 / 0 / 83 / 20

HEX #85CC22

RGB 133 204 34

HSL 85.06, 0.71%, 0.47%

LAB 75.01, -46.05, 69.24

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 83 / 0 / 19 / 20

HEX #22CCA5

RGB 34 204 165

HSL 166.24, 0.71%, 0.47%

LAB 73.7, -49.87, 7.93

 

CMYK 83 / 3 / 0 / 20

HEX #22C6CC

RGB 34 198 204

HSL 182.12, 0.71%, 0.47%

LAB 72.95, -36.47, -14.31

 

CMYK 83 / 25 / 0 / 20

HEX #2298CC

RGB 34 152 204

HSL 198.35, 0.71%, 0.47%

LAB 59.12, -13.17, -35.51

 

CMYK 83 / 48 / 0 / 20

HEX #226ACC

RGB 34 106 204

HSL 214.59, 0.71%, 0.47%

LAB 45.64, 14.41, -56.9

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 93 / 0 / 47 / 12

HEX #0FE077

RGB 15 224 119

HSL 149.86, 0.87%, 0.47%

LAB 78.89, -67.9, 38.85

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 71 / 0 / 36 / 27

HEX #36B977

RGB 54 185 119

HSL 149.77, 0.55%, 0.47%

LAB 67.14, -50.43, 23.56

 

CMYK 56 / 0 / 28 / 35

HEX #49A677

RGB 73 166 119

HSL 149.68, 0.39%, 0.47%

LAB 61.67, -38.82, 16.19

 

CMYK 37 / 0 / 18 / 43

HEX #5C9277

RGB 92 146 119

HSL 150, 0.23%, 0.47%

LAB 56.25, -24.18, 8.71

 

CMYK 12 / 0 / 6 / 50

HEX #707F77

RGB 112 127 119

HSL 148, 0.06%, 0.47%

LAB 51.79, -7.19, 2.47

 

CMYK 80 / 0 / 83 / 20

HEX #28CC22

RGB 40 204 34

HSL 117.88, 0.71%, 0.47%

LAB 72.06, -69.11, 65.5

 

CMYK 83 / 0 / 64 / 20

HEX #22CC4A

RGB 34 204 74

HSL 134.12, 0.71%, 0.47%

LAB 72.24, -66.58, 51.83

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 83 / 0 / 19 / 20

HEX #22CCA5

RGB 34 204 165

HSL 166.24, 0.71%, 0.47%

LAB 73.7, -49.87, 7.93

 

CMYK 83 / 2 / 0 / 20

HEX #22C7CC

RGB 34 199 204

HSL 181.76, 0.71%, 0.47%

LAB 73.25, -36.93, -13.86

 

CMYK 84 / 0 / 42 / 47

HEX #16864E

RGB 22 134 78

HSL 150, 0.72%, 0.31%

LAB 49.22, -43.26, 21.91

 

CMYK 83 / 0 / 41 / 34

HEX #1CA963

RGB 28 169 99

HSL 150.21, 0.72%, 0.39%

LAB 61.24, -51.67, 26.31

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 73 / 0 / 37 / 13

HEX #3BDD8C

RGB 59 221 140

HSL 150, 0.7%, 0.55%

LAB 78.77, -59.25, 28.21

 

CMYK 59 / 0 / 29 / 11

HEX #5EE3A1

RGB 94 227 161

HSL 150.23, 0.7%, 0.63%

LAB 81.78, -51.45, 21.57

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 83 / 58 / 0 / 20

HEX #2255CC

RGB 34 85 204

HSL 222, 0.71%, 0.47%

LAB 39.91, 28.05, -66.2

 

CMYK 0 / 75 / 83 / 20

HEX #CC3322

RGB 204 51 34

HSL 6, 0.71%, 0.47%

LAB 46.07, 58.58, 46.08

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 42 / 83 / 0 / 20

HEX #7722CC

RGB 119 34 204

HSL 270, 0.71%, 0.47%

LAB 36.79, 65.21, -71.05

 

CMYK 0 / 42 / 83 / 20

HEX #CC7722

RGB 204 119 34

HSL 30, 0.71%, 0.47%

LAB 58.18, 27.34, 56.82

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 83 / 58 / 0 / 20

HEX #2255CC

RGB 34 85 204

HSL 222, 0.71%, 0.47%

LAB 39.91, 28.05, -66.2

 

CMYK 0 / 83 / 42 / 20

HEX #CC2277

RGB 204 34 119

HSL 330, 0.71%, 0.47%

LAB 46.06, 68.34, -4.55

 

CMYK 0 / 25 / 83 / 20

HEX #CC9922

RGB 204 153 34

HSL 42, 0.71%, 0.47%

LAB 66.32, 8.89, 63.83

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 83 / 83 / 0 / 20

HEX #2222CC

RGB 34 34 204

HSL 240, 0.71%, 0.47%

LAB 29.01, 57.71, -84.15

 

CMYK 0 / 83 / 42 / 20

HEX #CC2277

RGB 204 34 119

HSL 330, 0.71%, 0.47%

LAB 46.06, 68.34, -4.55

 

CMYK 0 / 0 / 83 / 20

HEX #CCCC22

RGB 204 204 34

HSL 60, 0.71%, 0.47%

LAB 79.69, -17.69, 75.1

 

Description

Color code: HEX #22CC77 | qconv.com Color code: HEX #22CC77 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 204 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 204 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 42 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 42% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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