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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #232933 it is the complementary color #DCD6CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #232933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #232933 shade: #28292E, #393B41, #4A4D54, #5B5F67 and #6C717A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #232933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #232933 shade: #232933, #121720 and #01050D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #232933 shade: #232933, #232433, #252333, #2A2333 and #2E2333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #232933 shade: #232933, #232433 and #232333

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #232933 shade matches the following richer shades: #232933, #1C273A, #152541, #0E2448 and #07224F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #232933 shade: #232933, #2A2B2C, #312C25, #382E1E and #3F3017

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #232933 shade: #233233, #232D33, #232933, #232533 and #252333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #232933 shade: #010102, #12151B, #232933, #333C4C and #445064

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #232933 shade: #232933, #302333 and #303323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #232933 shade: #232933, #332329 and #293323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #232933 shade: #232933, #302333, #332D23 and #263323

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #232933 shade: #232933, #332331, #332D23 and #233325

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

Complementary color

CMYK 0 / 3 / 7 / 14

HEX #DCD6CC

RGB 220 214 204

HSL 37.5, 0.19%, 0.83%

LAB 85.84, 0.33, 5.65

 

CMYK 13 / 11 / 0 / 82

HEX #28292E

RGB 40 41 46

HSL 230, 0.07%, 0.17%

LAB 16.67, 0.83, -3.41

 

CMYK 12 / 9 / 0 / 75

HEX #393B41

RGB 57 59 65

HSL 225, 0.07%, 0.24%

LAB 24.89, 0.6, -3.99

 

CMYK 12 / 8 / 0 / 67

HEX #4A4D54

RGB 74 77 84

HSL 222, 0.06%, 0.31%

LAB 32.71, 0.41, -4.55

 

CMYK 12 / 8 / 0 / 60

HEX #5B5F67

RGB 91 95 103

HSL 220, 0.06%, 0.38%

LAB 40.23, 0.23, -5.09

 

CMYK 11 / 7 / 0 / 52

HEX #6C717A

RGB 108 113 122

HSL 218.57, 0.06%, 0.45%

LAB 47.5, 0.07, -5.62

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 44 / 28 / 0 / 87

HEX #121720

RGB 18 23 32

HSL 218.57, 0.28%, 0.1%

LAB 7.64, 0.52, -7.05

 

CMYK 92 / 62 / 0 / 95

HEX #01050D

RGB 1 5 13

HSL 220, 0.86%, 0.03%

LAB 1.3, 0.1, -3.5

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 31 / 29 / 0 / 80

HEX #232433

RGB 35 36 51

HSL 236.25, 0.19%, 0.17%

LAB 14.72, 3.78, -9.94

 

CMYK 27 / 31 / 0 / 80

HEX #252333

RGB 37 35 51

HSL 247.5, 0.19%, 0.17%

LAB 14.59, 5.28, -10.13

 

CMYK 18 / 31 / 0 / 80

HEX #2A2333

RGB 42 35 51

HSL 266.25, 0.19%, 0.17%

LAB 15.13, 7.29, -9.25

 

CMYK 10 / 31 / 0 / 80

HEX #2E2333

RGB 46 35 51

HSL 281.25, 0.19%, 0.17%

LAB 15.6, 8.93, -8.49

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 31 / 29 / 0 / 80

HEX #232433

RGB 35 36 51

HSL 236.25, 0.19%, 0.17%

LAB 14.72, 3.78, -9.94

 

CMYK 31 / 31 / 0 / 80

HEX #232333

RGB 35 35 51

HSL 240, 0.19%, 0.17%

LAB 14.39, 4.5, -10.45

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 52 / 33 / 0 / 77

HEX #1C273A

RGB 28 39 58

HSL 218, 0.35%, 0.17%

LAB 15.51, 1.5, -13.71

 

CMYK 68 / 43 / 0 / 75

HEX #152541

RGB 21 37 65

HSL 218.18, 0.51%, 0.17%

LAB 14.76, 3.71, -19.81

 

CMYK 81 / 50 / 0 / 72

HEX #0E2448

RGB 14 36 72

HSL 217.24, 0.67%, 0.17%

LAB 14.53, 6.02, -25.04

 

CMYK 91 / 57 / 0 / 69

HEX #07224F

RGB 7 34 79

HSL 217.5, 0.84%, 0.17%

LAB 14.14, 9.75, -30.48

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 5 / 2 / 0 / 83

HEX #2A2B2C

RGB 42 43 44

HSL 210, 0.02%, 0.17%

LAB 17.47, -0.2, -0.81

 

CMYK 0 / 10 / 24 / 81

HEX #312C25

RGB 49 44 37

HSL 35, 0.14%, 0.17%

LAB 18.31, 0.83, 5.37

 

CMYK 0 / 18 / 46 / 78

HEX #382E1E

RGB 56 46 30

HSL 36.92, 0.3%, 0.17%

LAB 19.59, 1.78, 12.01

 

CMYK 0 / 24 / 63 / 75

HEX #3F3017

RGB 63 48 23

HSL 37.5, 0.47%, 0.17%

LAB 20.95, 3.2, 18.44

 

CMYK 31 / 2 / 0 / 80

HEX #233233

RGB 35 50 51

HSL 183.75, 0.19%, 0.17%

LAB 19.55, -5.9, -2.66

 

CMYK 31 / 12 / 0 / 80

HEX #232D33

RGB 35 45 51

HSL 202.5, 0.19%, 0.17%

LAB 17.8, -2.56, -5.27

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 31 / 27 / 0 / 80

HEX #232533

RGB 35 37 51

HSL 232.5, 0.19%, 0.17%

LAB 15.06, 3.06, -9.43

 

CMYK 27 / 31 / 0 / 80

HEX #252333

RGB 37 35 51

HSL 247.5, 0.19%, 0.17%

LAB 14.59, 5.28, -10.13

 

CMYK 50 / 50 / 0 / 99

HEX #010102

RGB 1 1 2

HSL 240, 0.33%, 0.01%

LAB 0.29, 0.14, -0.38

 

CMYK 33 / 22 / 0 / 89

HEX #12151B

RGB 18 21 27

HSL 220, 0.2%, 0.09%

LAB 6.72, 0.34, -4.62

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 33 / 21 / 0 / 70

HEX #333C4C

RGB 51 60 76

HSL 218.4, 0.2%, 0.25%

LAB 25.13, 0.68, -10.97

 

CMYK 32 / 20 / 0 / 61

HEX #445064

RGB 68 80 100

HSL 217.5, 0.19%, 0.33%

LAB 33.75, 0.54, -13.17

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 6 / 31 / 0 / 80

HEX #302333

RGB 48 35 51

HSL 288.75, 0.19%, 0.17%

LAB 15.85, 9.77, -8.1

 

CMYK 6 / 0 / 31 / 80

HEX #303323

RGB 48 51 35

HSL 71.25, 0.19%, 0.17%

LAB 20.51, -4.69, 9.75

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 0 / 31 / 20 / 80

HEX #332329

RGB 51 35 41

HSL 337.5, 0.19%, 0.17%

LAB 15.83, 8.81, -0.98

 

CMYK 20 / 0 / 31 / 80

HEX #293323

RGB 41 51 35

HSL 97.5, 0.19%, 0.17%

LAB 19.88, -7.95, 8.79

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 6 / 31 / 0 / 80

HEX #302333

RGB 48 35 51

HSL 288.75, 0.19%, 0.17%

LAB 15.85, 9.77, -8.1

 

CMYK 0 / 12 / 31 / 80

HEX #332D23

RGB 51 45 35

HSL 37.5, 0.19%, 0.17%

LAB 18.81, 0.75, 7.47

 

CMYK 25 / 0 / 31 / 80

HEX #263323

RGB 38 51 35

HSL 108.75, 0.19%, 0.17%

LAB 19.64, -9.3, 8.43

 

CMYK 31 / 20 / 0 / 80

HEX #232933

RGB 35 41 51

HSL 217.5, 0.19%, 0.17%

LAB 16.42, 0.21, -7.36

 

CMYK 0 / 31 / 4 / 80

HEX #332331

RGB 51 35 49

HSL 307.5, 0.19%, 0.17%

LAB 16.14, 10.56, -6.19

 

CMYK 0 / 12 / 31 / 80

HEX #332D23

RGB 51 45 35

HSL 37.5, 0.19%, 0.17%

LAB 18.81, 0.75, 7.47

 

CMYK 31 / 0 / 27 / 80

HEX #233325

RGB 35 51 37

HSL 127.5, 0.19%, 0.17%

LAB 19.47, -10.15, 6.8

 

Description

Color code: HEX #232933 | qconv.com Color code: HEX #232933 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 41 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 41 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 20 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 20% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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