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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2347B8 it is the complementary color #DCB847. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2347B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2347B8 shade: #2847B3, #3959C6, #4A6BD9, #5B7DEC and #6C8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2347B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2347B8 shade: #2347B8, #1235A5, #012392, #00117F and #00006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2347B8 shade: #2347B8, #2723B8, #4F23B8, #7723B8 and #9F23B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2347B8 shade: #2347B8 and #2323B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2347B8 shade matches the following richer shades: #2347B8 and #113DC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2347B8 shade: #2347B8, #3450A6, #465994, #586282 and #6A6B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2347B8 shade: #2397B8, #2370B8, #2348B8, #2523B8 and #4D23B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2347B8 shade: #152C72, #1C3995, #2347B8, #2D56D7 and #5072DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2347B8 shade: #2347B8, #B023B8 and #84B823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2347B8 shade: #2347B8, #B82348 and #48B823

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2347B8 shade: #2347B8, #B023B8, #B89223 and #2AB823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2347B8 shade: #2347B8, #B82392, #B89223 and #23B848

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

Complementary color

CMYK 0 / 16 / 68 / 14

HEX #DCB847

RGB 220 184 71

HSL 45.5, 0.68%, 0.57%

LAB 76.04, 0.88, 60

 

CMYK 78 / 60 / 0 / 30

HEX #2847B3

RGB 40 71 179

HSL 226.62, 0.63%, 0.43%

LAB 34.42, 28.27, -60.53

 

CMYK 71 / 55 / 0 / 22

HEX #3959C6

RGB 57 89 198

HSL 226.38, 0.55%, 0.5%

LAB 41.36, 25.64, -60.33

 

CMYK 66 / 51 / 0 / 15

HEX #4A6BD9

RGB 74 107 217

HSL 226.15, 0.65%, 0.57%

LAB 48.24, 23.49, -60.07

 

CMYK 61 / 47 / 0 / 7

HEX #5B7DEC

RGB 91 125 236

HSL 225.93, 0.79%, 0.64%

LAB 55.02, 21.71, -59.79

 

CMYK 58 / 44 / 0 / 0

HEX #6C8FFF

RGB 108 143 255

HSL 225.71, 1%, 0.71%

LAB 61.7, 20.22, -59.54

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 89 / 68 / 0 / 35

HEX #1235A5

RGB 18 53 165

HSL 225.71, 0.8%, 0.36%

LAB 27.82, 33.07, -63

 

CMYK 99 / 76 / 0 / 43

HEX #012392

RGB 1 35 146

HSL 225.93, 0.99%, 0.29%

LAB 21.15, 36.76, -62.41

 

CMYK 100 / 87 / 0 / 50

HEX #00117F

RGB 0 17 127

HSL 231.97, 1%, 0.25%

LAB 15.13, 40.18, -60.46

 

CMYK 100 / 100 / 0 / 58

HEX #00006C

RGB 0 0 108

HSL 240, 1%, 0.21%

LAB 9.66, 42.08, -57.31

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 79 / 81 / 0 / 28

HEX #2723B8

RGB 39 35 184

HSL 241.61, 0.68%, 0.43%

LAB 27, 51.39, -75.71

 

CMYK 57 / 81 / 0 / 28

HEX #4F23B8

RGB 79 35 184

HSL 257.72, 0.68%, 0.43%

LAB 30.22, 54.9, -70.29

 

CMYK 35 / 81 / 0 / 28

HEX #7723B8

RGB 119 35 184

HSL 273.83, 0.68%, 0.43%

LAB 35.17, 60.37, -61.97

 

CMYK 14 / 81 / 0 / 28

HEX #9F23B8

RGB 159 35 184

HSL 289.93, 0.68%, 0.43%

LAB 41.27, 67.19, -51.79

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 81 / 81 / 0 / 28

HEX #2323B8

RGB 35 35 184

HSL 240, 0.68%, 0.43%

LAB 26.79, 51.17, -76.07

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 92 / 70 / 0 / 21

HEX #113DC9

RGB 17 61 201

HSL 225.65, 0.84%, 0.43%

LAB 33.29, 41.41, -75.33

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 69 / 52 / 0 / 35

HEX #3450A6

RGB 52 80 166

HSL 225.26, 0.52%, 0.43%

LAB 36.41, 19.01, -49.55

 

CMYK 53 / 40 / 0 / 42

HEX #465994

RGB 70 89 148

HSL 225.38, 0.36%, 0.43%

LAB 38.87, 10.37, -34.74

 

CMYK 32 / 25 / 0 / 49

HEX #586282

RGB 88 98 130

HSL 225.71, 0.19%, 0.43%

LAB 41.88, 4.26, -19.08

 

CMYK 6 / 5 / 0 / 56

HEX #6A6B71

RGB 106 107 113

HSL 231.43, 0.03%, 0.43%

LAB 45.32, 0.89, -3.48

 

CMYK 81 / 18 / 0 / 28

HEX #2397B8

RGB 35 151 184

HSL 193.29, 0.68%, 0.43%

LAB 57.99, -19.5, -25.99

 

CMYK 81 / 39 / 0 / 28

HEX #2370B8

RGB 35 112 184

HSL 208.99, 0.68%, 0.43%

LAB 46.19, 2.99, -44.49

 

CMYK 81 / 61 / 0 / 28

HEX #2348B8

RGB 35 72 184

HSL 225.1, 0.68%, 0.43%

LAB 34.91, 29.02, -62.69

 

CMYK 80 / 81 / 0 / 28

HEX #2523B8

RGB 37 35 184

HSL 240.81, 0.68%, 0.43%

LAB 26.89, 51.28, -75.89

 

CMYK 58 / 81 / 0 / 28

HEX #4D23B8

RGB 77 35 184

HSL 256.91, 0.68%, 0.43%

LAB 30.01, 54.67, -70.64

 

CMYK 82 / 61 / 0 / 55

HEX #152C72

RGB 21 44 114

HSL 225.16, 0.69%, 0.26%

LAB 20.73, 19.09, -42.88

 

CMYK 81 / 62 / 0 / 42

HEX #1C3995

RGB 28 57 149

HSL 225.62, 0.68%, 0.35%

LAB 27.69, 24.86, -53.46

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 79 / 60 / 0 / 16

HEX #2D56D7

RGB 45 86 215

HSL 225.53, 0.68%, 0.51%

LAB 41.41, 32.47, -70.07

 

CMYK 64 / 48 / 0 / 13

HEX #5072DD

RGB 80 114 221

HSL 225.53, 0.67%, 0.59%

LAB 50.64, 21.49, -58.44

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 4 / 81 / 0 / 28

HEX #B023B8

RGB 176 35 184

HSL 296.78, 0.68%, 0.43%

LAB 44.08, 70.36, -47.13

 

CMYK 28 / 0 / 81 / 28

HEX #84B823

RGB 132 184 35

HSL 80.94, 0.68%, 0.43%

LAB 68.97, -37.75, 63.6

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 0 / 81 / 61 / 28

HEX #B82348

RGB 184 35 72

HSL 345.1, 0.68%, 0.43%

LAB 40.99, 59.17, 17.07

 

CMYK 61 / 0 / 81 / 28

HEX #48B823

RGB 72 184 35

HSL 105.1, 0.68%, 0.43%

LAB 66.35, -56.99, 60.23

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 4 / 81 / 0 / 28

HEX #B023B8

RGB 176 35 184

HSL 296.78, 0.68%, 0.43%

LAB 44.08, 70.36, -47.13

 

CMYK 0 / 21 / 81 / 28

HEX #B89223

RGB 184 146 35

HSL 44.7, 0.68%, 0.43%

LAB 62.4, 3.83, 59.28

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 81 / 61 / 0 / 28

HEX #2347B8

RGB 35 71 184

HSL 225.5, 0.68%, 0.43%

LAB 34.65, 29.68, -63.12

 

CMYK 0 / 81 / 21 / 28

HEX #B82392

RGB 184 35 146

HSL 315.3, 0.68%, 0.43%

LAB 43.46, 66.43, -25.34

 

CMYK 0 / 21 / 81 / 28

HEX #B89223

RGB 184 146 35

HSL 44.7, 0.68%, 0.43%

LAB 62.4, 3.83, 59.28

 

CMYK 81 / 0 / 61 / 28

HEX #23B848

RGB 35 184 72

HSL 134.9, 0.68%, 0.43%

LAB 65.83, -60.35, 45.45

 

Description

Color code: HEX #2347B8 | qconv.com Color code: HEX #2347B8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 71 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 71 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 61 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 61% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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