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Color name
HEX #2347FA

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2347FA it is the complementary color #DCB805. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2347FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2347FA shade: #2847F5, #3959FF, #4A6BFF, #5B7DFF and #6C8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2347FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2347FA shade: #2347FA, #1235E7, #0123D4, #0011C1 and #0000AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2347FA shade: #2347FA, #3923FA, #7323FA, #AD23FA and #E723FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2347FA shade: #2347FA and #2323FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2347FA shade matches the following richer shades: #2347FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2347FA shade: #2347FA, #3553E8, #475FD6, #596BC4 and #6B77B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2347FA shade: #23BDFA, #2384FA, #234AFA, #3523FA and #6E23FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2347FA shade: #0424C7, #042CEF, #2347FA, #4B68FB and #738AFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2347FA shade: #2347FA, #FA23F6 and #A0FA23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2347FA shade: #2347FA, #FA234A and #4AFA23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2347FA shade: #2347FA, #FA23F6, #FAD323 and #23FA26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2347FA shade: #2347FA, #FA23B6, #FAD323 and #23FA67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

Complementary color

CMYK 0 / 16 / 98 / 14

HEX #DCB805

RGB 220 184 5

HSL 49.95, 0.96%, 0.44%

LAB 75.77, -1.05, 77.2

 

CMYK 84 / 71 / 0 / 4

HEX #2847F5

RGB 40 71 245

HSL 230.93, 0.91%, 0.56%

LAB 40.49, 51.95, -88.6

 

CMYK 78 / 65 / 0 / 0

HEX #3959FF

RGB 57 89 255

HSL 230.3, 1%, 0.61%

LAB 45.95, 45.93, -85.17

 

CMYK 71 / 58 / 0 / 0

HEX #4A6BFF

RGB 74 107 255

HSL 229.06, 1%, 0.65%

LAB 50.91, 36.72, -77.04

 

CMYK 64 / 51 / 0 / 0

HEX #5B7DFF

RGB 91 125 255

HSL 227.56, 1%, 0.68%

LAB 56.2, 28.08, -68.42

 

CMYK 58 / 44 / 0 / 0

HEX #6C8FFF

RGB 108 143 255

HSL 225.71, 1%, 0.71%

LAB 61.7, 20.22, -59.54

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 92 / 77 / 0 / 9

HEX #1235E7

RGB 18 53 231

HSL 230.14, 0.86%, 0.49%

LAB 34.89, 56.41, -89.97

 

CMYK 100 / 83 / 0 / 17

HEX #0123D4

RGB 1 35 212

HSL 230.33, 0.99%, 0.42%

LAB 29.32, 58.92, -88.33

 

CMYK 100 / 91 / 0 / 24

HEX #0011C1

RGB 0 17 193

HSL 234.72, 1%, 0.38%

LAB 24.48, 60.16, -85.27

 

CMYK 100 / 100 / 0 / 32

HEX #0000AE

RGB 0 0 174

HSL 240, 1%, 0.34%

LAB 20.27, 59.46, -80.99

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 77 / 86 / 0 / 2

HEX #3923FA

RGB 57 35 250

HSL 246.14, 0.96%, 0.56%

LAB 35.93, 71.26, -98.95

 

CMYK 54 / 86 / 0 / 2

HEX #7323FA

RGB 115 35 250

HSL 262.33, 0.96%, 0.56%

LAB 40.81, 75.16, -90.71

 

CMYK 31 / 86 / 0 / 2

HEX #AD23FA

RGB 173 35 250

HSL 278.51, 0.96%, 0.56%

LAB 48.25, 81.77, -78.22

 

CMYK 8 / 86 / 0 / 2

HEX #E723FA

RGB 231 35 250

HSL 294.7, 0.96%, 0.56%

LAB 57.17, 90.43, -63.34

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 86 / 86 / 0 / 2

HEX #2323FA

RGB 35 35 250

HSL 240, 0.96%, 0.56%

LAB 34.93, 70.52, -100.65

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 77 / 64 / 0 / 9

HEX #3553E8

RGB 53 83 232

HSL 229.94, 0.8%, 0.56%

LAB 42.41, 41.22, -78.09

 

CMYK 67 / 56 / 0 / 16

HEX #475FD6

RGB 71 95 214

HSL 229.93, 0.64%, 0.56%

LAB 44.77, 29.52, -63.97

 

CMYK 55 / 45 / 0 / 23

HEX #596BC4

RGB 89 107 196

HSL 229.91, 0.48%, 0.56%

LAB 47.78, 19.16, -48.74

 

CMYK 40 / 33 / 0 / 31

HEX #6B77B1

RGB 107 119 177

HSL 229.71, 0.31%, 0.56%

LAB 51.26, 10.41, -32.2

 

CMYK 86 / 24 / 0 / 2

HEX #23BDFA

RGB 35 189 250

HSL 197.02, 0.96%, 0.56%

LAB 72, -17.05, -40.7

 

CMYK 86 / 47 / 0 / 2

HEX #2384FA

RGB 35 132 250

HSL 212.93, 0.96%, 0.56%

LAB 55.85, 15.71, -66.32

 

CMYK 86 / 70 / 0 / 2

HEX #234AFA

RGB 35 74 250

HSL 229.12, 0.96%, 0.56%

LAB 41.46, 51.66, -89.8

 

CMYK 79 / 86 / 0 / 2

HEX #3523FA

RGB 53 35 250

HSL 245.02, 0.96%, 0.56%

LAB 35.72, 71.1, -99.32

 

CMYK 56 / 86 / 0 / 2

HEX #6E23FA

RGB 110 35 250

HSL 260.93, 0.96%, 0.56%

LAB 40.28, 74.71, -91.61

 

CMYK 98 / 82 / 0 / 22

HEX #0424C7

RGB 4 36 199

HSL 230.15, 0.96%, 0.4%

LAB 27.88, 54.47, -83.15

 

CMYK 98 / 82 / 0 / 6

HEX #042CEF

RGB 4 44 239

HSL 229.79, 0.97%, 0.48%

LAB 34.11, 63.12, -95.83

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 70 / 59 / 0 / 2

HEX #4B68FB

RGB 75 104 251

HSL 230.11, 0.96%, 0.64%

LAB 49.93, 37.3, -76.41

 

CMYK 54 / 45 / 0 / 1

HEX #738AFC

RGB 115 138 252

HSL 229.93, 0.96%, 0.72%

LAB 60.65, 23.61, -59.55

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 0 / 86 / 2 / 2

HEX #FA23F6

RGB 250 35 246

HSL 301.12, 0.96%, 0.56%

LAB 60.05, 93, -56.33

 

CMYK 36 / 0 / 86 / 2

HEX #A0FA23

RGB 160 250 35

HSL 85.12, 0.96%, 0.56%

LAB 89.84, -55.34, 82.34

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 0 / 86 / 70 / 2

HEX #FA234A

RGB 250 35 74

HSL 349.12, 0.96%, 0.56%

LAB 54.05, 76.66, 35.12

 

CMYK 70 / 0 / 86 / 2

HEX #4AFA23

RGB 74 250 35

HSL 109.12, 0.96%, 0.56%

LAB 86.97, -77.73, 78.74

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 0 / 86 / 2 / 2

HEX #FA23F6

RGB 250 35 246

HSL 301.12, 0.96%, 0.56%

LAB 60.05, 93, -56.33

 

CMYK 0 / 16 / 86 / 2

HEX #FAD323

RGB 250 211 35

HSL 49.12, 0.96%, 0.56%

LAB 85.52, -1.59, 81.31

 

CMYK 86 / 0 / 85 / 2

HEX #23FA26

RGB 35 250 38

HSL 120.84, 0.96%, 0.56%

LAB 86.44, -82.39, 77.46

 

CMYK 86 / 72 / 0 / 2

HEX #2347FA

RGB 35 71 250

HSL 229.95, 0.96%, 0.56%

LAB 40.84, 53.38, -90.83

 

CMYK 0 / 86 / 27 / 2

HEX #FA23B6

RGB 250 35 182

HSL 318.98, 0.96%, 0.56%

LAB 56.98, 84.89, -24.79

 

CMYK 0 / 16 / 86 / 2

HEX #FAD323

RGB 250 211 35

HSL 49.12, 0.96%, 0.56%

LAB 85.52, -1.59, 81.31

 

CMYK 86 / 0 / 59 / 2

HEX #23FA67

RGB 35 250 103

HSL 138.98, 0.96%, 0.56%

LAB 86.85, -77.18, 55.99

 

Description

Color code: HEX #2347FA | qconv.com Color code: HEX #2347FA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 71 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 71 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 72 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 72% 0% 2% C M Y K

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Provide designers and agencies with accurate color values.

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