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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23423D it is the complementary color #DCBDC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23423D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23423D shade: #284238, #39544B, #4A665E, #5B7871 and #6C8A84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23423D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23423D shade: #23423D, #12302A, #011E17 and #000C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23423D shade: #23423D, #234235, #23422C, #234224 and #2A4223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23423D shade: #23423D, #233F42, #233642, #232E42 and #232542

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23423D shade matches the following richer shades: #23423D, #1A4B43, #125348, #0A5B4E and #026354

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23423D shade: #23423D, #2B3A38, #333232, #3B2A2C and #442127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23423D shade: #23422C, #234235, #23423D, #233F42 and #233742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23423D shade: #060C0B, #142724, #23423D, #315D56 and #3F786F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23423D shade: #23423D, #242342 and #423023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23423D shade: #23423D, #3D2342 and #423D23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23423D shade: #23423D, #242342, #422328 and #414223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23423D shade: #23423D, #2D2342, #422328 and #384223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

Complementary color

CMYK 0 / 14 / 12 / 14

HEX #DCBDC2

RGB 220 189 194

HSL 350.32, 0.31%, 0.8%

LAB 79.33, 11.84, 1.57

 

CMYK 39 / 0 / 15 / 74

HEX #284238

RGB 40 66 56

HSL 156.92, 0.25%, 0.21%

LAB 25.66, -12.65, 2.95

 

CMYK 32 / 0 / 11 / 67

HEX #39544B

RGB 57 84 75

HSL 160, 0.19%, 0.28%

LAB 33.39, -12.4, 2.01

 

CMYK 27 / 0 / 8 / 60

HEX #4A665E

RGB 74 102 94

HSL 162.86, 0.16%, 0.35%

LAB 40.84, -12.19, 1.18

 

CMYK 24 / 0 / 6 / 53

HEX #5B7871

RGB 91 120 113

HSL 165.52, 0.14%, 0.41%

LAB 48.07, -12.03, 0.42

 

CMYK 22 / 0 / 4 / 46

HEX #6C8A84

RGB 108 138 132

HSL 168, 0.12%, 0.48%

LAB 55.1, -11.9, -0.28

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 63 / 0 / 13 / 81

HEX #12302A

RGB 18 48 42

HSL 168, 0.45%, 0.13%

LAB 17.51, -13.04, 0.44

 

CMYK 97 / 0 / 23 / 88

HEX #011E17

RGB 1 30 23

HSL 165.52, 0.94%, 0.06%

LAB 8.97, -12.78, 1.59

 

CMYK 100 / 0 / 67 / 95

HEX #000C04

RGB 0 12 4

HSL 140, 1%, 0.02%

LAB 2.45, -4.3, 1.95

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 47 / 0 / 20 / 74

HEX #234235

RGB 35 66 53

HSL 154.84, 0.31%, 0.2%

LAB 25.29, -15.14, 4.35

 

CMYK 47 / 0 / 33 / 74

HEX #23422C

RGB 35 66 44

HSL 137.42, 0.31%, 0.2%

LAB 25.06, -17.31, 9.89

 

CMYK 47 / 0 / 45 / 74

HEX #234224

RGB 35 66 36

HSL 121.94, 0.31%, 0.2%

LAB 24.89, -18.96, 14.75

 

CMYK 36 / 0 / 47 / 74

HEX #2A4223

RGB 42 66 35

HSL 106.45, 0.31%, 0.2%

LAB 25.29, -16.42, 15.97

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 47 / 5 / 0 / 74

HEX #233F42

RGB 35 63 66

HSL 185.81, 0.31%, 0.2%

LAB 24.66, -9.63, -5.17

 

CMYK 47 / 18 / 0 / 74

HEX #233642

RGB 35 54 66

HSL 203.23, 0.31%, 0.2%

LAB 21.54, -3.87, -9.88

 

CMYK 47 / 30 / 0 / 74

HEX #232E42

RGB 35 46 66

HSL 218.71, 0.31%, 0.2%

LAB 18.82, 1.59, -14.06

 

CMYK 47 / 44 / 0 / 74

HEX #232542

RGB 35 37 66

HSL 236.13, 0.31%, 0.2%

LAB 15.87, 8.04, -18.67

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 65 / 0 / 11 / 71

HEX #1A4B43

RGB 26 75 67

HSL 170.2, 0.49%, 0.2%

LAB 28.53, -18.67, -0.14

 

CMYK 78 / 0 / 13 / 67

HEX #125348

RGB 18 83 72

HSL 169.85, 0.64%, 0.2%

LAB 31.31, -22.86, 0.68

 

CMYK 89 / 0 / 14 / 64

HEX #0A5B4E

RGB 10 91 78

HSL 170.37, 0.8%, 0.2%

LAB 34.18, -25.99, 1.07

 

CMYK 98 / 0 / 15 / 61

HEX #026354

RGB 2 99 84

HSL 170.72, 0.96%, 0.2%

LAB 37.07, -28.71, 1.52

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 26 / 0 / 3 / 77

HEX #2B3A38

RGB 43 58 56

HSL 172, 0.15%, 0.2%

LAB 23.09, -6.63, -0.77

 

CMYK 0 / 2 / 2 / 80

HEX #333232

RGB 51 50 50

HSL 0, 0.01%, 0.2%

LAB 20.89, 0.44, 0.15

 

CMYK 0 / 29 / 25 / 77

HEX #3B2A2C

RGB 59 42 44

HSL 352.94, 0.17%, 0.2%

LAB 19.09, 8.27, 1.79

 

CMYK 0 / 51 / 43 / 73

HEX #442127

RGB 68 33 39

HSL 349.71, 0.35%, 0.2%

LAB 17.75, 17.54, 3.54

 

CMYK 47 / 0 / 33 / 74

HEX #23422C

RGB 35 66 44

HSL 137.42, 0.31%, 0.2%

LAB 25.06, -17.31, 9.89

 

CMYK 47 / 0 / 20 / 74

HEX #234235

RGB 35 66 53

HSL 154.84, 0.31%, 0.2%

LAB 25.29, -15.14, 4.35

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 47 / 5 / 0 / 74

HEX #233F42

RGB 35 63 66

HSL 185.81, 0.31%, 0.2%

LAB 24.66, -9.63, -5.17

 

CMYK 47 / 17 / 0 / 74

HEX #233742

RGB 35 55 66

HSL 201.29, 0.31%, 0.2%

LAB 21.88, -4.53, -9.35

 

CMYK 50 / 0 / 8 / 95

HEX #060C0B

RGB 6 12 11

HSL 170, 0.33%, 0.04%

LAB 2.94, -1.75, -0.15

 

CMYK 49 / 0 / 8 / 85

HEX #142724

RGB 20 39 36

HSL 170.53, 0.32%, 0.12%

LAB 13.98, -8.68, -0.47

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 47 / 0 / 8 / 64

HEX #315D56

RGB 49 93 86

HSL 170.45, 0.31%, 0.28%

LAB 36.28, -17.15, -0.73

 

CMYK 48 / 0 / 8 / 53

HEX #3F786F

RGB 63 120 111

HSL 170.53, 0.31%, 0.36%

LAB 46.5, -21.11, -0.87

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 45 / 47 / 0 / 74

HEX #242342

RGB 36 35 66

HSL 241.94, 0.31%, 0.2%

LAB 15.33, 9.82, -19.52

 

CMYK 0 / 27 / 47 / 74

HEX #423023

RGB 66 48 35

HSL 25.16, 0.31%, 0.2%

LAB 21.56, 6.15, 11.5

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 8 / 47 / 0 / 74

HEX #3D2342

RGB 61 35 66

HSL 290.32, 0.31%, 0.2%

LAB 18.31, 18.6, -14.64

 

CMYK 0 / 8 / 47 / 74

HEX #423D23

RGB 66 61 35

HSL 50.32, 0.31%, 0.2%

LAB 25.61, -2.34, 16.79

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 45 / 47 / 0 / 74

HEX #242342

RGB 36 35 66

HSL 241.94, 0.31%, 0.2%

LAB 15.33, 9.82, -19.52

 

CMYK 0 / 47 / 39 / 74

HEX #422328

RGB 66 35 40

HSL 350.32, 0.31%, 0.2%

LAB 17.98, 15.5, 3.12

 

CMYK 2 / 0 / 47 / 74

HEX #414223

RGB 65 66 35

HSL 61.94, 0.31%, 0.2%

LAB 27.13, -5.96, 18.69

 

CMYK 47 / 0 / 8 / 74

HEX #23423D

RGB 35 66 61

HSL 170.32, 0.31%, 0.2%

LAB 25.54, -12.94, -0.56

 

CMYK 32 / 47 / 0 / 74

HEX #2D2342

RGB 45 35 66

HSL 259.35, 0.31%, 0.2%

LAB 16.27, 12.83, -17.97

 

CMYK 0 / 47 / 39 / 74

HEX #422328

RGB 66 35 40

HSL 350.32, 0.31%, 0.2%

LAB 17.98, 15.5, 3.12

 

CMYK 15 / 0 / 47 / 74

HEX #384223

RGB 56 66 35

HSL 79.35, 0.31%, 0.2%

LAB 26.33, -10.25, 17.51

 

Description

Color code: HEX #23423D | qconv.com Color code: HEX #23423D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 66 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 66 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 8 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 8% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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