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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #234F9B it is the complementary color #DCB064. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #234F9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #234F9B shade: #284F96, #3961A9, #4A73BC, #5B85CF and #6C97E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #234F9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #234F9B shade: #234F9B, #123D88, #012B75, #001962 and #00074F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #234F9B shade: #224E99, #222E99, #372299, #572299 and #772299

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #234F9B shade: #224E99, #222E99 and #222299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #234F9B shade matches the following richer shades: #224E99, #134AA9 and #0446B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #234F9B shade: #224E99, #32528A, #41567B, #505A6B and #5F5E5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #234F9B shade: #228D99, #226E99, #224E99, #222E99 and #362299

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #234F9B shade: #132C56, #1B3D78, #224E99, #2A5FBB and #3C73D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #234F9B shade: #234F9B, #852299 and #7E9922

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #234F9B shade: #234F9B, #99224E and #4E9922

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #234F9B shade: #234F9B, #852299, #996E22 and #369922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #234F9B shade: #234F9B, #992289, #996E22 and #229932

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 49 / 0 / 39

HEX #234F9B

RGB 35 79 155

HSL 218, 0.63%, 0.37%

LAB 34.63, 13.03, -45.84

 

Complementary color

CMYK 0 / 20 / 55 / 14

HEX #DCB064

RGB 220 176 100

HSL 38, 0.63%, 0.63%

LAB 74.31, 7.08, 44.59

 

CMYK 73 / 47 / 0 / 41

HEX #284F96

RGB 40 79 150

HSL 218.73, 0.58%, 0.37%

LAB 34.49, 11.75, -43.04

 

CMYK 66 / 43 / 0 / 34

HEX #3961A9

RGB 57 97 169

HSL 218.57, 0.5%, 0.44%

LAB 41.66, 9.88, -42.88

 

CMYK 61 / 39 / 0 / 26

HEX #4A73BC

RGB 74 115 188

HSL 218.42, 0.46%, 0.51%

LAB 48.7, 8.44, -42.73

 

CMYK 56 / 36 / 0 / 19

HEX #5B85CF

RGB 91 133 207

HSL 218.28, 0.55%, 0.58%

LAB 55.59, 7.3, -42.61

 

CMYK 52 / 33 / 0 / 11

HEX #6C97E2

RGB 108 151 226

HSL 218.14, 0.67%, 0.65%

LAB 62.35, 6.38, -42.53

 

CMYK 77 / 49 / 0 / 39

HEX #234F9B

RGB 35 79 155

HSL 218, 0.63%, 0.37%

LAB 34.63, 13.03, -45.84

 

CMYK 87 / 55 / 0 / 47

HEX #123D88

RGB 18 61 136

HSL 218.14, 0.77%, 0.3%

LAB 27.42, 15.87, -45.9

 

CMYK 99 / 63 / 0 / 54

HEX #012B75

RGB 1 43 117

HSL 218.28, 0.98%, 0.23%

LAB 20.12, 19.49, -45.84

 

CMYK 100 / 74 / 0 / 62

HEX #001962

RGB 0 25 98

HSL 224.69, 1%, 0.19%

LAB 13.09, 24.34, -45

 

CMYK 100 / 91 / 0 / 69

HEX #00074F

RGB 0 7 79

HSL 234.68, 1%, 0.15%

LAB 6.47, 28.2, -43.08

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 78 / 70 / 0 / 40

HEX #222E99

RGB 34 46 153

HSL 233.95, 0.64%, 0.37%

LAB 25.55, 34.3, -59.42

 

CMYK 64 / 78 / 0 / 40

HEX #372299

RGB 55 34 153

HSL 250.59, 0.64%, 0.37%

LAB 24.5, 43.61, -61.09

 

CMYK 43 / 78 / 0 / 40

HEX #572299

RGB 87 34 153

HSL 266.72, 0.64%, 0.37%

LAB 28.03, 48.21, -55.16

 

CMYK 22 / 78 / 0 / 40

HEX #772299

RGB 119 34 153

HSL 282.86, 0.64%, 0.37%

LAB 32.63, 54.02, -47.49

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 78 / 70 / 0 / 40

HEX #222E99

RGB 34 46 153

HSL 233.95, 0.64%, 0.37%

LAB 25.55, 34.3, -59.42

 

CMYK 78 / 78 / 0 / 40

HEX #222299

RGB 34 34 153

HSL 240, 0.64%, 0.37%

LAB 22.94, 41.54, -63.71

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 89 / 56 / 0 / 34

HEX #134AA9

RGB 19 74 169

HSL 218, 0.8%, 0.37%

LAB 33.77, 20.54, -55.66

 

CMYK 98 / 62 / 0 / 28

HEX #0446B8

RGB 4 70 184

HSL 218, 0.96%, 0.37%

LAB 33.7, 28.62, -64.69

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 64 / 41 / 0 / 46

HEX #32528A

RGB 50 82 138

HSL 218.18, 0.47%, 0.37%

LAB 35.1, 6.97, -34.73

 

CMYK 47 / 30 / 0 / 52

HEX #41567B

RGB 65 86 123

HSL 218.28, 0.31%, 0.37%

LAB 36.38, 2.8, -23.44

 

CMYK 25 / 16 / 0 / 58

HEX #505A6B

RGB 80 90 107

HSL 217.78, 0.14%, 0.37%

LAB 37.98, 0.31, -11.01

 

CMYK 0 / 1 / 3 / 63

HEX #5F5E5C

RGB 95 94 92

HSL 40, 0.02%, 0.37%

LAB 39.93, -0.01, 1.28

 

CMYK 78 / 8 / 0 / 40

HEX #228D99

RGB 34 141 153

HSL 186.05, 0.64%, 0.37%

LAB 53.7, -24.72, -14.83

 

CMYK 78 / 28 / 0 / 40

HEX #226E99

RGB 34 110 153

HSL 201.68, 0.64%, 0.37%

LAB 43.93, -7.6, -29.87

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 78 / 70 / 0 / 40

HEX #222E99

RGB 34 46 153

HSL 233.95, 0.64%, 0.37%

LAB 25.55, 34.3, -59.42

 

CMYK 65 / 78 / 0 / 40

HEX #362299

RGB 54 34 153

HSL 250.08, 0.64%, 0.37%

LAB 24.41, 43.49, -61.24

 

CMYK 78 / 49 / 0 / 66

HEX #132C56

RGB 19 44 86

HSL 217.61, 0.64%, 0.21%

LAB 18.42, 6.97, -28.29

 

CMYK 78 / 49 / 0 / 53

HEX #1B3D78

RGB 27 61 120

HSL 218.06, 0.63%, 0.29%

LAB 26.52, 10.23, -37.31

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 78 / 49 / 0 / 27

HEX #2A5FBB

RGB 42 95 187

HSL 218.07, 0.63%, 0.45%

LAB 41.63, 15.74, -53.52

 

CMYK 71 / 45 / 0 / 18

HEX #3C73D2

RGB 60 115 210

HSL 218, 0.63%, 0.53%

LAB 49.34, 13.88, -54.34

 

CMYK 77 / 49 / 0 / 39

HEX #234F9B

RGB 35 79 155

HSL 218, 0.63%, 0.37%

LAB 34.63, 13.03, -45.84

 

CMYK 13 / 78 / 0 / 40

HEX #852299

RGB 133 34 153

HSL 289.92, 0.64%, 0.37%

LAB 34.86, 56.81, -43.76

 

CMYK 18 / 0 / 78 / 40

HEX #7E9922

RGB 126 153 34

HSL 73.61, 0.64%, 0.37%

LAB 59.28, -25.69, 54.89

 

CMYK 77 / 49 / 0 / 39

HEX #234F9B

RGB 35 79 155

HSL 218, 0.63%, 0.37%

LAB 34.63, 13.03, -45.84

 

CMYK 0 / 78 / 49 / 40

HEX #99224E

RGB 153 34 78

HSL 337.82, 0.64%, 0.37%

LAB 34.94, 51.15, 3.89

 

CMYK 49 / 0 / 78 / 40

HEX #4E9922

RGB 78 153 34

HSL 97.82, 0.64%, 0.37%

LAB 56.6, -43.81, 51.4

 

CMYK 77 / 49 / 0 / 39

HEX #234F9B

RGB 35 79 155

HSL 218, 0.63%, 0.37%

LAB 34.63, 13.03, -45.84

 

CMYK 13 / 78 / 0 / 40

HEX #852299

RGB 133 34 153

HSL 289.92, 0.64%, 0.37%

LAB 34.86, 56.81, -43.76

 

CMYK 0 / 28 / 78 / 40

HEX #996E22

RGB 153 110 34

HSL 38.32, 0.64%, 0.37%

LAB 49.54, 9.84, 46.56

 

CMYK 65 / 0 / 78 / 40

HEX #369922

RGB 54 153 34

HSL 109.92, 0.64%, 0.37%

LAB 55.77, -50.41, 50.31

 

CMYK 77 / 49 / 0 / 39

HEX #234F9B

RGB 35 79 155

HSL 218, 0.63%, 0.37%

LAB 34.63, 13.03, -45.84

 

CMYK 0 / 78 / 10 / 40

HEX #992289

RGB 153 34 137

HSL 308.07, 0.64%, 0.37%

LAB 37.34, 58.41, -29.82

 

CMYK 0 / 28 / 78 / 40

HEX #996E22

RGB 153 110 34

HSL 38.32, 0.64%, 0.37%

LAB 49.54, 9.84, 46.56

 

CMYK 78 / 0 / 67 / 40

HEX #229932

RGB 34 153 50

HSL 128.07, 0.64%, 0.37%

LAB 55.43, -52.78, 43.58

 

Description

Color code: HEX #234F9B | qconv.com Color code: HEX #234F9B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 79 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 79 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 49 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 49% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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