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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235875 it is the complementary color #DCA78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235875 shade: #285870, #396A83, #4A7C96, #5B8EA9 and #6CA0BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235875 shade: #235875, #124662, #01344F, #00223C and #001029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235875 shade: #235875, #234275, #232C75, #302375 and #462375

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235875 shade: #235875, #234275, #232C75 and #232375

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235875 shade matches the following richer shades: #235875, #165C82 and #0A5F8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235875 shade: #235875, #2F5469, #3B515D, #484D50 and #544A44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235875 shade: #237566, #236E75, #235875, #234275 and #232C75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235875 shade: #102836, #194056, #235875, #2C7095 and #3688B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235875 shade: #235875, #502375 and #757123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235875 shade: #235875, #752358 and #587523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235875 shade: #235875, #502375, #754023 and #487523

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235875 shade: #235875, #692375, #754023 and #2F7523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

Complementary color

CMYK 0 / 24 / 37 / 14

HEX #DCA78A

RGB 220 167 138

HSL 21.22, 0.54%, 0.7%

LAB 72.69, 15.69, 22.56

 

CMYK 64 / 21 / 0 / 56

HEX #285870

RGB 40 88 112

HSL 200, 0.47%, 0.3%

LAB 35.2, -8.27, -18.57

 

CMYK 56 / 19 / 0 / 49

HEX #396A83

RGB 57 106 131

HSL 200.27, 0.39%, 0.37%

LAB 42.49, -8.89, -18.91

 

CMYK 51 / 17 / 0 / 41

HEX #4A7C96

RGB 74 124 150

HSL 200.53, 0.34%, 0.44%

LAB 49.58, -9.31, -19.23

 

CMYK 46 / 16 / 0 / 34

HEX #5B8EA9

RGB 91 142 169

HSL 200.77, 0.31%, 0.51%

LAB 56.52, -9.6, -19.55

 

CMYK 43 / 15 / 0 / 26

HEX #6CA0BC

RGB 108 160 188

HSL 201, 0.37%, 0.58%

LAB 63.31, -9.83, -19.87

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 82 / 29 / 0 / 62

HEX #124662

RGB 18 70 98

HSL 201, 0.69%, 0.23%

LAB 27.82, -6.09, -21.26

 

CMYK 99 / 34 / 0 / 69

HEX #01344F

RGB 1 52 79

HSL 200.77, 0.98%, 0.16%

LAB 20.15, -4.18, -20.88

 

CMYK 100 / 43 / 0 / 76

HEX #00223C

RGB 0 34 60

HSL 206, 1%, 0.12%

LAB 12.42, -0.29, -20.08

 

CMYK 100 / 61 / 0 / 84

HEX #001029

RGB 0 16 41

HSL 216.59, 1%, 0.08%

LAB 4.79, 3.32, -18.37

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 70 / 44 / 0 / 54

HEX #234275

RGB 35 66 117

HSL 217.32, 0.54%, 0.3%

LAB 28.22, 6.85, -32.69

 

CMYK 70 / 62 / 0 / 54

HEX #232C75

RGB 35 44 117

HSL 233.41, 0.54%, 0.3%

LAB 21.74, 22.21, -43.14

 

CMYK 59 / 70 / 0 / 54

HEX #302375

RGB 48 35 117

HSL 249.51, 0.54%, 0.3%

LAB 20.5, 30.41, -45.12

 

CMYK 40 / 70 / 0 / 54

HEX #462375

RGB 70 35 117

HSL 265.61, 0.54%, 0.3%

LAB 22.96, 34.82, -41

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 70 / 44 / 0 / 54

HEX #234275

RGB 35 66 117

HSL 217.32, 0.54%, 0.3%

LAB 28.22, 6.85, -32.69

 

CMYK 70 / 62 / 0 / 54

HEX #232C75

RGB 35 44 117

HSL 233.41, 0.54%, 0.3%

LAB 21.74, 22.21, -43.14

 

CMYK 70 / 70 / 0 / 54

HEX #232375

RGB 35 35 117

HSL 240, 0.54%, 0.3%

LAB 19.41, 28.33, -46.95

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 83 / 29 / 0 / 49

HEX #165C82

RGB 22 92 130

HSL 201.11, 0.71%, 0.3%

LAB 36.81, -6.82, -27.2

 

CMYK 93 / 33 / 0 / 44

HEX #0A5F8E

RGB 10 95 142

HSL 201.36, 0.87%, 0.3%

LAB 38.2, -4.89, -32.32

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 55 / 20 / 0 / 59

HEX #2F5469

RGB 47 84 105

HSL 201.72, 0.38%, 0.3%

LAB 33.91, -6.62, -16.17

 

CMYK 37 / 13 / 0 / 64

HEX #3B515D

RGB 59 81 93

HSL 201.18, 0.22%, 0.3%

LAB 33.15, -5.07, -9.72

 

CMYK 10 / 4 / 0 / 69

HEX #484D50

RGB 72 77 80

HSL 202.5, 0.05%, 0.3%

LAB 32.4, -1.32, -2.47

 

CMYK 0 / 12 / 19 / 67

HEX #544A44

RGB 84 74 68

HSL 22.5, 0.11%, 0.3%

LAB 32.26, 3.05, 5.11

 

CMYK 70 / 0 / 13 / 54

HEX #237566

RGB 35 117 102

HSL 169.02, 0.54%, 0.3%

LAB 44.29, -28.21, 1.16

 

CMYK 70 / 6 / 0 / 54

HEX #236E75

RGB 35 110 117

HSL 185.12, 0.54%, 0.3%

LAB 42.45, -20.06, -10.59

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 70 / 44 / 0 / 54

HEX #234275

RGB 35 66 117

HSL 217.32, 0.54%, 0.3%

LAB 28.22, 6.85, -32.69

 

CMYK 70 / 62 / 0 / 54

HEX #232C75

RGB 35 44 117

HSL 233.41, 0.54%, 0.3%

LAB 21.74, 22.21, -43.14

 

CMYK 70 / 26 / 0 / 79

HEX #102836

RGB 16 40 54

HSL 202.11, 0.54%, 0.14%

LAB 14.92, -4.12, -11.87

 

CMYK 71 / 26 / 0 / 66

HEX #194056

RGB 25 64 86

HSL 201.64, 0.55%, 0.22%

LAB 25.4, -5.78, -17.25

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 70 / 25 / 0 / 42

HEX #2C7095

RGB 44 112 149

HSL 201.14, 0.54%, 0.38%

LAB 44.65, -8.81, -26.36

 

CMYK 70 / 25 / 0 / 29

HEX #3688B5

RGB 54 136 181

HSL 201.26, 0.54%, 0.46%

LAB 53.74, -9.96, -30.83

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 32 / 70 / 0 / 54

HEX #502375

RGB 80 35 117

HSL 272.93, 0.54%, 0.3%

LAB 24.3, 37.09, -38.77

 

CMYK 0 / 3 / 70 / 54

HEX #757123

RGB 117 113 35

HSL 57.07, 0.54%, 0.3%

LAB 46.6, -8.65, 41.95

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 0 / 70 / 25 / 54

HEX #752358

RGB 117 35 88

HSL 321.22, 0.54%, 0.3%

LAB 28.61, 41.35, -12.77

 

CMYK 25 / 0 / 70 / 54

HEX #587523

RGB 88 117 35

HSL 81.22, 0.54%, 0.3%

LAB 45.52, -23.84, 40.11

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 32 / 70 / 0 / 54

HEX #502375

RGB 80 35 117

HSL 272.93, 0.54%, 0.3%

LAB 24.3, 37.09, -38.77

 

CMYK 0 / 45 / 70 / 54

HEX #754023

RGB 117 64 35

HSL 21.22, 0.54%, 0.3%

LAB 33.07, 20.31, 27.37

 

CMYK 38 / 0 / 70 / 54

HEX #487523

RGB 72 117 35

HSL 92.93, 0.54%, 0.3%

LAB 44.55, -30.28, 38.79

 

CMYK 70 / 25 / 0 / 54

HEX #235875

RGB 35 88 117

HSL 201.22, 0.54%, 0.3%

LAB 35.24, -7.44, -21.62

 

CMYK 10 / 70 / 0 / 54

HEX #692375

RGB 105 35 117

HSL 291.22, 0.54%, 0.3%

LAB 28.09, 43.13, -32.48

 

CMYK 0 / 45 / 70 / 54

HEX #754023

RGB 117 64 35

HSL 21.22, 0.54%, 0.3%

LAB 33.07, 20.31, 27.37

 

CMYK 60 / 0 / 70 / 54

HEX #2F7523

RGB 47 117 35

HSL 111.22, 0.54%, 0.3%

LAB 43.43, -38.54, 37.26

 

Description

Color code: HEX #235875 | qconv.com Color code: HEX #235875 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 88 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 88 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 25 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 25% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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