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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235975 it is the complementary color #DCA68A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235975 shade: #285970, #396B83, #4A7D96, #5B8FA9 and #6CA1BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235975 shade: #235975, #124762, #01354F, #00233C and #001129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235975 shade: #235975, #234375, #232D75, #2F2375 and #452375

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235975 shade: #235975, #234375, #232D75 and #232375

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235975 shade matches the following richer shades: #235975, #165D82 and #0A618E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235975 shade: #235975, #2F5569, #3B515D, #484D50 and #544944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235975 shade: #237565, #237075, #235A75, #234475 and #232E75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235975 shade: #102936, #194156, #235975, #2C7195 and #3689B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235975 shade: #235975, #4F2375 and #757023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235975 shade: #235975, #75235A and #5A7523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235975 shade: #235975, #4F2375, #753E23 and #497523

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235975 shade: #235975, #682375, #753E23 and #307523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

Complementary color

CMYK 0 / 25 / 37 / 14

HEX #DCA68A

RGB 220 166 138

HSL 20.49, 0.54%, 0.7%

LAB 72.44, 16.23, 22.23

 

CMYK 64 / 21 / 0 / 56

HEX #285970

RGB 40 89 112

HSL 199.17, 0.47%, 0.3%

LAB 35.53, -8.88, -18.07

 

CMYK 56 / 18 / 0 / 49

HEX #396B83

RGB 57 107 131

HSL 199.46, 0.39%, 0.37%

LAB 42.8, -9.48, -18.43

 

CMYK 51 / 17 / 0 / 41

HEX #4A7D96

RGB 74 125 150

HSL 199.74, 0.34%, 0.44%

LAB 49.89, -9.88, -18.77

 

CMYK 46 / 15 / 0 / 34

HEX #5B8FA9

RGB 91 143 169

HSL 200, 0.31%, 0.51%

LAB 56.81, -10.16, -19.1

 

CMYK 43 / 14 / 0 / 26

HEX #6CA1BC

RGB 108 161 188

HSL 200.25, 0.37%, 0.58%

LAB 63.6, -10.37, -19.43

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 82 / 28 / 0 / 62

HEX #124762

RGB 18 71 98

HSL 200.25, 0.69%, 0.23%

LAB 28.16, -6.72, -20.73

 

CMYK 99 / 33 / 0 / 69

HEX #01354F

RGB 1 53 79

HSL 200, 0.98%, 0.16%

LAB 20.51, -4.86, -20.32

 

CMYK 100 / 42 / 0 / 76

HEX #00233C

RGB 0 35 60

HSL 205, 1%, 0.12%

LAB 12.79, -1.03, -19.49

 

CMYK 100 / 59 / 0 / 84

HEX #001129

RGB 0 17 41

HSL 215.12, 1%, 0.08%

LAB 5.07, 2.76, -17.94

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 70 / 43 / 0 / 54

HEX #234375

RGB 35 67 117

HSL 216.59, 0.54%, 0.3%

LAB 28.53, 6.17, -32.2

 

CMYK 70 / 62 / 0 / 54

HEX #232D75

RGB 35 45 117

HSL 232.68, 0.54%, 0.3%

LAB 22.01, 21.52, -42.69

 

CMYK 60 / 70 / 0 / 54

HEX #2F2375

RGB 47 35 117

HSL 248.78, 0.54%, 0.3%

LAB 20.4, 30.24, -45.27

 

CMYK 41 / 70 / 0 / 54

HEX #452375

RGB 69 35 117

HSL 264.88, 0.54%, 0.3%

LAB 22.83, 34.61, -41.21

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 70 / 43 / 0 / 54

HEX #234375

RGB 35 67 117

HSL 216.59, 0.54%, 0.3%

LAB 28.53, 6.17, -32.2

 

CMYK 70 / 62 / 0 / 54

HEX #232D75

RGB 35 45 117

HSL 232.68, 0.54%, 0.3%

LAB 22.01, 21.52, -42.69

 

CMYK 70 / 70 / 0 / 54

HEX #232375

RGB 35 35 117

HSL 240, 0.54%, 0.3%

LAB 19.41, 28.33, -46.95

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 83 / 28 / 0 / 49

HEX #165D82

RGB 22 93 130

HSL 200.56, 0.71%, 0.3%

LAB 37.13, -7.43, -26.7

 

CMYK 93 / 32 / 0 / 44

HEX #0A618E

RGB 10 97 142

HSL 200.45, 0.87%, 0.3%

LAB 38.84, -6.13, -31.32

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 55 / 19 / 0 / 59

HEX #2F5569

RGB 47 85 105

HSL 200.69, 0.38%, 0.3%

LAB 34.23, -7.24, -15.67

 

CMYK 37 / 13 / 0 / 64

HEX #3B515D

RGB 59 81 93

HSL 201.18, 0.22%, 0.3%

LAB 33.15, -5.07, -9.72

 

CMYK 10 / 4 / 0 / 69

HEX #484D50

RGB 72 77 80

HSL 202.5, 0.05%, 0.3%

LAB 32.4, -1.32, -2.47

 

CMYK 0 / 13 / 19 / 67

HEX #544944

RGB 84 73 68

HSL 18.75, 0.11%, 0.3%

LAB 31.96, 3.68, 4.69

 

CMYK 70 / 0 / 14 / 54

HEX #237565

RGB 35 117 101

HSL 168.29, 0.54%, 0.3%

LAB 44.26, -28.49, 1.71

 

CMYK 70 / 4 / 0 / 54

HEX #237075

RGB 35 112 117

HSL 183.66, 0.54%, 0.3%

LAB 43.11, -21.13, -9.6

 

CMYK 70 / 23 / 0 / 54

HEX #235A75

RGB 35 90 117

HSL 199.76, 0.54%, 0.3%

LAB 35.9, -8.66, -20.61

 

CMYK 70 / 42 / 0 / 54

HEX #234475

RGB 35 68 117

HSL 215.85, 0.54%, 0.3%

LAB 28.84, 5.49, -31.7

 

CMYK 70 / 61 / 0 / 54

HEX #232E75

RGB 35 46 117

HSL 231.95, 0.54%, 0.3%

LAB 22.29, 20.82, -42.24

 

CMYK 70 / 24 / 0 / 79

HEX #102936

RGB 16 41 54

HSL 200.53, 0.54%, 0.14%

LAB 15.29, -4.81, -11.3

 

CMYK 71 / 24 / 0 / 66

HEX #194156

RGB 25 65 86

HSL 200.66, 0.55%, 0.22%

LAB 25.74, -6.42, -16.72

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 70 / 24 / 0 / 42

HEX #2C7195

RGB 44 113 149

HSL 200.57, 0.54%, 0.38%

LAB 44.96, -9.4, -25.87

 

CMYK 70 / 24 / 0 / 29

HEX #3689B5

RGB 54 137 181

HSL 200.79, 0.54%, 0.46%

LAB 54.04, -10.53, -30.36

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 32 / 70 / 0 / 54

HEX #4F2375

RGB 79 35 117

HSL 272.2, 0.54%, 0.3%

LAB 24.16, 36.85, -39

 

CMYK 0 / 4 / 70 / 54

HEX #757023

RGB 117 112 35

HSL 56.34, 0.54%, 0.3%

LAB 46.3, -8.09, 41.64

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 0 / 70 / 23 / 54

HEX #75235A

RGB 117 35 90

HSL 319.76, 0.54%, 0.3%

LAB 28.7, 41.65, -13.95

 

CMYK 23 / 0 / 70 / 54

HEX #5A7523

RGB 90 117 35

HSL 79.76, 0.54%, 0.3%

LAB 45.66, -22.99, 40.29

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 32 / 70 / 0 / 54

HEX #4F2375

RGB 79 35 117

HSL 272.2, 0.54%, 0.3%

LAB 24.16, 36.85, -39

 

CMYK 0 / 47 / 70 / 54

HEX #753E23

RGB 117 62 35

HSL 19.76, 0.54%, 0.3%

LAB 32.59, 21.48, 26.81

 

CMYK 38 / 0 / 70 / 54

HEX #497523

RGB 73 117 35

HSL 92.2, 0.54%, 0.3%

LAB 44.6, -29.9, 38.87

 

CMYK 70 / 24 / 0 / 54

HEX #235975

RGB 35 89 117

HSL 200.49, 0.54%, 0.3%

LAB 35.57, -8.05, -21.12

 

CMYK 11 / 70 / 0 / 54

HEX #682375

RGB 104 35 117

HSL 290.49, 0.54%, 0.3%

LAB 27.92, 42.88, -32.75

 

CMYK 0 / 47 / 70 / 54

HEX #753E23

RGB 117 62 35

HSL 19.76, 0.54%, 0.3%

LAB 32.59, 21.48, 26.81

 

CMYK 59 / 0 / 70 / 54

HEX #307523

RGB 48 117 35

HSL 110.49, 0.54%, 0.3%

LAB 43.47, -38.27, 37.31

 

Description

Color code: HEX #235975 | qconv.com Color code: HEX #235975 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 89 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 89 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 24 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 24% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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