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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23598E it is the complementary color #DCA671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23598E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23598E shade: #285989, #396B9C, #4A7DAF, #5B8FC2 and #6CA1D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23598E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23598E shade: #23598E, #12477B, #013568, #002355 and #001142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23598E shade: #23598E, #233C8E, #27238E, #44238E and #61238E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23598E shade: #23598E, #233C8E and #23238E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23598E shade matches the following richer shades: #23598E, #15599D and #065AAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23598E shade: #23598E, #325980, #405971, #4F5963 and #5D5955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23598E shade: #238E89, #23778E, #235B8E, #233E8E and #25238E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23598E shade: #13304C, #1B456D, #23598E, #2B6EAF and #3783CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23598E shade: #23598E, #6C238E and #858E23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23598E shade: #23598E, #8E235B and #5B8E23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23598E shade: #23598E, #6C238E, #8E5723 and #458E23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23598E shade: #23598E, #8D238E, #8E5723 and #258E23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

Complementary color

CMYK 0 / 25 / 49 / 14

HEX #DCA671

RGB 220 166 113

HSL 29.72, 0.6%, 0.65%

LAB 72.01, 13.57, 35.06

 

CMYK 71 / 35 / 0 / 46

HEX #285989

RGB 40 89 137

HSL 209.69, 0.55%, 0.35%

LAB 36.75, 0.22, -31.54

 

CMYK 63 / 31 / 0 / 39

HEX #396B9C

RGB 57 107 156

HSL 209.7, 0.46%, 0.42%

LAB 43.92, -1.04, -31.61

 

CMYK 58 / 29 / 0 / 31

HEX #4A7DAF

RGB 74 125 175

HSL 209.7, 0.41%, 0.49%

LAB 50.94, -1.97, -31.69

 

CMYK 53 / 26 / 0 / 24

HEX #5B8FC2

RGB 91 143 194

HSL 209.71, 0.46%, 0.56%

LAB 57.81, -2.68, -31.78

 

CMYK 49 / 24 / 0 / 16

HEX #6CA1D5

RGB 108 161 213

HSL 209.71, 0.56%, 0.63%

LAB 64.55, -3.25, -31.89

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 85 / 42 / 0 / 52

HEX #12477B

RGB 18 71 123

HSL 209.71, 0.74%, 0.28%

LAB 29.58, 3.49, -34.33

 

CMYK 99 / 49 / 0 / 59

HEX #013568

RGB 1 53 104

HSL 209.71, 0.98%, 0.21%

LAB 22.13, 6.37, -34.19

 

CMYK 100 / 59 / 0 / 67

HEX #002355

RGB 0 35 85

HSL 215.29, 1%, 0.17%

LAB 14.72, 10.94, -33.61

 

CMYK 100 / 74 / 0 / 74

HEX #001142

RGB 0 17 66

HSL 224.55, 1%, 0.13%

LAB 7.17, 16.01, -32.82

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 75 / 58 / 0 / 44

HEX #233C8E

RGB 35 60 142

HSL 225.98, 0.6%, 0.35%

LAB 28.23, 20.85, -48.27

 

CMYK 73 / 75 / 0 / 44

HEX #27238E

RGB 39 35 142

HSL 242.24, 0.6%, 0.35%

LAB 22.25, 37.68, -58.05

 

CMYK 52 / 75 / 0 / 44

HEX #44238E

RGB 68 35 142

HSL 258.5, 0.6%, 0.35%

LAB 24.9, 41.6, -53.59

 

CMYK 32 / 75 / 0 / 44

HEX #61238E

RGB 97 35 142

HSL 274.77, 0.6%, 0.35%

LAB 28.63, 46.87, -47.35

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 75 / 58 / 0 / 44

HEX #233C8E

RGB 35 60 142

HSL 225.98, 0.6%, 0.35%

LAB 28.23, 20.85, -48.27

 

CMYK 75 / 75 / 0 / 44

HEX #23238E

RGB 35 35 142

HSL 240, 0.6%, 0.35%

LAB 21.99, 37.28, -58.49

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 87 / 43 / 0 / 38

HEX #15599D

RGB 21 89 157

HSL 210, 0.76%, 0.35%

LAB 37.37, 5.75, -42.67

 

CMYK 96 / 47 / 0 / 33

HEX #065AAB

RGB 6 90 171

HSL 209.45, 0.93%, 0.35%

LAB 38.36, 9.95, -49.43

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 61 / 30 / 0 / 50

HEX #325980

RGB 50 89 128

HSL 210, 0.44%, 0.35%

LAB 36.71, -1.13, -26.07

 

CMYK 43 / 21 / 0 / 56

HEX #405971

RGB 64 89 113

HSL 209.39, 0.28%, 0.35%

LAB 36.79, -2.51, -16.64

 

CMYK 20 / 10 / 0 / 61

HEX #4F5963

RGB 79 89 99

HSL 210, 0.11%, 0.35%

LAB 37.31, -1.49, -7.07

 

CMYK 0 / 4 / 9 / 64

HEX #5D5955

RGB 93 89 85

HSL 30, 0.04%, 0.35%

LAB 38.07, 0.81, 2.88

 

CMYK 75 / 0 / 4 / 44

HEX #238E89

RGB 35 142 137

HSL 177.2, 0.6%, 0.35%

LAB 53.5, -30.09, -5.87

 

CMYK 75 / 16 / 0 / 44

HEX #23778E

RGB 35 119 142

HSL 192.9, 0.6%, 0.35%

LAB 46.32, -16.58, -19.65

 

CMYK 75 / 36 / 0 / 44

HEX #235B8E

RGB 35 91 142

HSL 208.6, 0.6%, 0.35%

LAB 37.47, 0.08, -33.45

 

CMYK 75 / 56 / 0 / 44

HEX #233E8E

RGB 35 62 142

HSL 224.86, 0.6%, 0.35%

LAB 28.79, 19.47, -47.36

 

CMYK 74 / 75 / 0 / 44

HEX #25238E

RGB 37 35 142

HSL 241.12, 0.6%, 0.35%

LAB 22.12, 37.47, -58.27

 

CMYK 75 / 37 / 0 / 70

HEX #13304C

RGB 19 48 76

HSL 209.47, 0.6%, 0.19%

LAB 19.12, -0.13, -20.46

 

CMYK 75 / 37 / 0 / 57

HEX #1B456D

RGB 27 69 109

HSL 209.27, 0.6%, 0.27%

LAB 28.36, 0.29, -27.41

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 75 / 37 / 0 / 31

HEX #2B6EAF

RGB 43 110 175

HSL 209.55, 0.61%, 0.43%

LAB 45.3, 1.75, -40.64

 

CMYK 73 / 36 / 0 / 20

HEX #3783CD

RGB 55 131 205

HSL 209.6, 0.6%, 0.51%

LAB 53.44, 1.56, -44.97

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 24 / 75 / 0 / 44

HEX #6C238E

RGB 108 35 142

HSL 280.93, 0.6%, 0.35%

LAB 30.26, 49.09, -44.64

 

CMYK 6 / 0 / 75 / 44

HEX #858E23

RGB 133 142 35

HSL 65.05, 0.6%, 0.35%

LAB 56.54, -17.02, 52.16

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 0 / 75 / 36 / 44

HEX #8E235B

RGB 142 35 91

HSL 328.6, 0.6%, 0.35%

LAB 33.37, 49.01, -7.08

 

CMYK 36 / 0 / 75 / 44

HEX #5B8E23

RGB 91 142 35

HSL 88.6, 0.6%, 0.35%

LAB 53.7, -34.55, 48.44

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 24 / 75 / 0 / 44

HEX #6C238E

RGB 108 35 142

HSL 280.93, 0.6%, 0.35%

LAB 30.26, 49.09, -44.64

 

CMYK 0 / 39 / 75 / 44

HEX #8E5723

RGB 142 87 35

HSL 29.16, 0.6%, 0.35%

LAB 42.29, 18.15, 38.42

 

CMYK 51 / 0 / 75 / 44

HEX #458E23

RGB 69 142 35

HSL 100.93, 0.6%, 0.35%

LAB 52.66, -42.13, 47.06

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 1 / 75 / 0 / 44

HEX #8D238E

RGB 141 35 142

HSL 299.44, 0.6%, 0.35%

LAB 35.63, 56.2, -35.73

 

CMYK 0 / 39 / 75 / 44

HEX #8E5723

RGB 142 87 35

HSL 29.16, 0.6%, 0.35%

LAB 42.29, 18.15, 38.42

 

CMYK 74 / 0 / 75 / 44

HEX #258E23

RGB 37 142 35

HSL 118.88, 0.6%, 0.35%

LAB 51.68, -50, 45.76

 

Description

Color code: HEX #23598E | qconv.com Color code: HEX #23598E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 89 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 89 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 37 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 37% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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