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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235080 it is the complementary color #DCAF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235080 shade: #28507B, #39628E, #4A74A1, #5B86B4 and #6C98C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235080 shade: #235080, #123E6D, #012C5A, #001A47 and #000834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235080 shade: #235080, #233780, #282380, #412380 and #5A2380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235080 shade: #235080, #233780 and #232380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235080 shade matches the following richer shades: #235080, #154F8D and #084F9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235080 shade: #235080, #305072, #3D5065, #4A5158 and #57514B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235080 shade: #23807D, #236A80, #235180, #233880 and #262380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235080 shade: #11273F, #1A3B5F, #235080, #2B64A0 and #3478C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235080 shade: #235080, #642380 and #768023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235080 shade: #235080, #802351 and #518023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235080 shade: #235080, #642380, #805123 and #3E8023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235080 shade: #235080, #802380, #805123 and #238023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

Complementary color

CMYK 0 / 20 / 42 / 14

HEX #DCAF7F

RGB 220 175 127

HSL 30.97, 0.57%, 0.68%

LAB 74.45, 10.16, 30.82

 

CMYK 67 / 35 / 0 / 52

HEX #28507B

RGB 40 80 123

HSL 211.08, 0.51%, 0.32%

LAB 33.18, 0.76, -28.57

 

CMYK 60 / 31 / 0 / 44

HEX #39628E

RGB 57 98 142

HSL 211.06, 0.43%, 0.39%

LAB 40.51, -0.36, -28.61

 

CMYK 54 / 28 / 0 / 37

HEX #4A74A1

RGB 74 116 161

HSL 211.03, 0.37%, 0.46%

LAB 47.65, -1.16, -28.67

 

CMYK 49 / 26 / 0 / 29

HEX #5B86B4

RGB 91 134 180

HSL 211.01, 0.37%, 0.53%

LAB 54.63, -1.78, -28.76

 

CMYK 46 / 24 / 0 / 22

HEX #6C98C7

RGB 108 152 199

HSL 210.99, 0.45%, 0.6%

LAB 61.45, -2.27, -28.88

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 83 / 43 / 0 / 57

HEX #123E6D

RGB 18 62 109

HSL 210.99, 0.72%, 0.25%

LAB 25.8, 3.78, -31.51

 

CMYK 99 / 51 / 0 / 65

HEX #012C5A

RGB 1 44 90

HSL 211.01, 0.98%, 0.18%

LAB 18.13, 6.57, -31.46

 

CMYK 100 / 63 / 0 / 72

HEX #001A47

RGB 0 26 71

HSL 218.03, 1%, 0.14%

LAB 10.51, 11.33, -30.87

 

CMYK 100 / 85 / 0 / 80

HEX #000834

RGB 0 8 52

HSL 230.77, 1%, 0.1%

LAB 3.81, 12.53, -28.16

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 73 / 57 / 0 / 50

HEX #233780

RGB 35 55 128

HSL 227.1, 0.57%, 0.32%

LAB 25.71, 18.82, -43.65

 

CMYK 69 / 73 / 0 / 50

HEX #282380

RGB 40 35 128

HSL 243.23, 0.57%, 0.32%

LAB 20.87, 32.95, -51.54

 

CMYK 49 / 73 / 0 / 50

HEX #412380

RGB 65 35 128

HSL 259.35, 0.57%, 0.32%

LAB 23.29, 36.98, -47.49

 

CMYK 30 / 73 / 0 / 50

HEX #5A2380

RGB 90 35 128

HSL 275.48, 0.57%, 0.32%

LAB 26.55, 42.06, -42.04

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 73 / 57 / 0 / 50

HEX #233780

RGB 35 55 128

HSL 227.1, 0.57%, 0.32%

LAB 25.71, 18.82, -43.65

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 85 / 44 / 0 / 45

HEX #154F8D

RGB 21 79 141

HSL 211, 0.74%, 0.32%

LAB 33.3, 5.84, -39.51

 

CMYK 95 / 49 / 0 / 40

HEX #084F9A

RGB 8 79 154

HSL 210.82, 0.9%, 0.32%

LAB 33.93, 10.35, -46.39

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 58 / 30 / 0 / 55

HEX #305072

RGB 48 80 114

HSL 210.91, 0.41%, 0.32%

LAB 33.09, -0.79, -23.07

 

CMYK 40 / 21 / 0 / 60

HEX #3D5065

RGB 61 80 101

HSL 211.5, 0.25%, 0.32%

LAB 33.28, -1.44, -14.55

 

CMYK 16 / 8 / 0 / 65

HEX #4A5158

RGB 74 81 88

HSL 210, 0.09%, 0.32%

LAB 34.08, -1.12, -5.05

 

CMYK 0 / 7 / 14 / 66

HEX #57514B

RGB 87 81 75

HSL 30, 0.07%, 0.32%

LAB 34.84, 1.28, 4.41

 

CMYK 73 / 0 / 2 / 50

HEX #23807D

RGB 35 128 125

HSL 178.06, 0.57%, 0.32%

LAB 48.61, -26.85, -6.14

 

CMYK 73 / 17 / 0 / 50

HEX #236A80

RGB 35 106 128

HSL 194.19, 0.57%, 0.32%

LAB 41.57, -14.14, -18.58

 

CMYK 73 / 37 / 0 / 50

HEX #235180

RGB 35 81 128

HSL 210.32, 0.57%, 0.32%

LAB 33.56, 1.12, -31.06

 

CMYK 73 / 56 / 0 / 50

HEX #233880

RGB 35 56 128

HSL 226.45, 0.57%, 0.32%

LAB 25.99, 18.12, -43.19

 

CMYK 70 / 73 / 0 / 50

HEX #262380

RGB 38 35 128

HSL 241.94, 0.57%, 0.32%

LAB 20.72, 32.69, -51.79

 

CMYK 73 / 38 / 0 / 75

HEX #11273F

RGB 17 39 63

HSL 211.3, 0.58%, 0.16%

LAB 15.11, 0.49, -17.87

 

CMYK 73 / 38 / 0 / 63

HEX #1A3B5F

RGB 26 59 95

HSL 211.3, 0.57%, 0.24%

LAB 24.24, 1.28, -24.94

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 73 / 38 / 0 / 37

HEX #2B64A0

RGB 43 100 160

HSL 210.77, 0.58%, 0.4%

LAB 41.48, 2.37, -37.87

 

CMYK 73 / 38 / 0 / 25

HEX #3478C0

RGB 52 120 192

HSL 210.86, 0.57%, 0.48%

LAB 49.46, 3.1, -43.88

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 22 / 73 / 0 / 50

HEX #642380

RGB 100 35 128

HSL 281.94, 0.57%, 0.32%

LAB 28.03, 44.28, -39.57

 

CMYK 8 / 0 / 73 / 50

HEX #768023

RGB 118 128 35

HSL 66.45, 0.57%, 0.32%

LAB 51.16, -16.37, 46.55

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 0 / 73 / 37 / 50

HEX #802351

RGB 128 35 81

HSL 330.32, 0.57%, 0.32%

LAB 30.36, 43.73, -5.33

 

CMYK 37 / 0 / 73 / 50

HEX #518023

RGB 81 128 35

HSL 90.32, 0.57%, 0.32%

LAB 48.65, -31.96, 43.2

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 22 / 73 / 0 / 50

HEX #642380

RGB 100 35 128

HSL 281.94, 0.57%, 0.32%

LAB 28.03, 44.28, -39.57

 

CMYK 0 / 37 / 73 / 50

HEX #805123

RGB 128 81 35

HSL 29.68, 0.57%, 0.32%

LAB 38.89, 15.26, 34.27

 

CMYK 52 / 0 / 73 / 50

HEX #3E8023

RGB 62 128 35

HSL 102.58, 0.57%, 0.32%

LAB 47.73, -38.59, 41.97

 

CMYK 73 / 38 / 0 / 50

HEX #235080

RGB 35 80 128

HSL 210.97, 0.57%, 0.32%

LAB 33.25, 1.77, -31.56

 

CMYK 0 / 73 / 0 / 50

HEX #802380

RGB 128 35 128

HSL 300, 0.57%, 0.32%

LAB 32.59, 50.79, -32.02

 

CMYK 0 / 37 / 73 / 50

HEX #805123

RGB 128 81 35

HSL 29.68, 0.57%, 0.32%

LAB 38.89, 15.26, 34.27

 

CMYK 73 / 0 / 73 / 50

HEX #238023

RGB 35 128 35

HSL 120, 0.57%, 0.32%

LAB 46.87, -45.5, 40.8

 

Description

Color code: HEX #235080 | qconv.com Color code: HEX #235080 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 80 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 80 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 38 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 38% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

45% - Issue & Project ...
Link: https://www.atlassian.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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