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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235B70 it is the complementary color #DCA48F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235B70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235B70 shade: #285B6B, #396D7E, #4A7F91, #5B91A4 and #6CA3B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235B70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235B70 shade: #235B70, #12495D, #01374A, #002537 and #001324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235B70 shade: #235B70, #234670, #233170, #292370 and #3E2370

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235B70 shade: #235B70, #234670, #233170 and #232370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235B70 shade matches the following richer shades: #235B70, #17607C and #0B6688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235B70 shade: #235B70, #2F5564, #3B5058, #474B4C and #534540

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235B70 shade: #23705B, #237070, #235B70, #234770 and #233270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235B70 shade: #0F2831, #194151, #235B70, #2D748F and #378EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235B70 shade: #235B70, #472370 and #706623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235B70 shade: #235B70, #70235B and #5B7023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235B70 shade: #235B70, #472370, #703823 and #4C7023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235B70 shade: #235B70, #5E2370, #703823 and #357023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

Complementary color

CMYK 0 / 25 / 35 / 14

HEX #DCA48F

RGB 220 164 143

HSL 16.36, 0.52%, 0.71%

LAB 72.06, 17.9, 18.98

 

CMYK 63 / 15 / 0 / 58

HEX #285B6B

RGB 40 91 107

HSL 194.33, 0.46%, 0.29%

LAB 35.97, -11.78, -14.28

 

CMYK 55 / 13 / 0 / 51

HEX #396D7E

RGB 57 109 126

HSL 194.78, 0.38%, 0.36%

LAB 43.23, -12.23, -14.76

 

CMYK 49 / 12 / 0 / 43

HEX #4A7F91

RGB 74 127 145

HSL 195.21, 0.32%, 0.43%

LAB 50.31, -12.5, -15.2

 

CMYK 45 / 12 / 0 / 36

HEX #5B91A4

RGB 91 145 164

HSL 195.62, 0.29%, 0.5%

LAB 57.23, -12.69, -15.62

 

CMYK 41 / 11 / 0 / 28

HEX #6CA3B7

RGB 108 163 183

HSL 196, 0.34%, 0.57%

LAB 64, -12.81, -16.02

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 81 / 22 / 0 / 64

HEX #12495D

RGB 18 73 93

HSL 196, 0.68%, 0.22%

LAB 28.6, -9.93, -16.84

 

CMYK 99 / 26 / 0 / 71

HEX #01374A

RGB 1 55 74

HSL 195.62, 0.97%, 0.15%

LAB 20.95, -8.35, -16.27

 

CMYK 100 / 33 / 0 / 78

HEX #002537

RGB 0 37 55

HSL 199.64, 1%, 0.11%

LAB 13.22, -4.84, -15.27

 

CMYK 100 / 47 / 0 / 86

HEX #001324

RGB 0 19 36

HSL 208.33, 1%, 0.07%

LAB 5.36, -0.51, -13.69

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 69 / 38 / 0 / 56

HEX #234670

RGB 35 70 112

HSL 212.73, 0.52%, 0.29%

LAB 29.18, 2.21, -28.01

 

CMYK 69 / 56 / 0 / 56

HEX #233170

RGB 35 49 112

HSL 229.09, 0.52%, 0.29%

LAB 22.74, 16.76, -38.31

 

CMYK 63 / 69 / 0 / 56

HEX #292370

RGB 41 35 112

HSL 244.68, 0.52%, 0.29%

LAB 19.41, 27.47, -43.71

 

CMYK 45 / 69 / 0 / 56

HEX #3E2370

RGB 62 35 112

HSL 261.04, 0.52%, 0.29%

LAB 21.56, 31.62, -40.1

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 69 / 38 / 0 / 56

HEX #234670

RGB 35 70 112

HSL 212.73, 0.52%, 0.29%

LAB 29.18, 2.21, -28.01

 

CMYK 69 / 56 / 0 / 56

HEX #233170

RGB 35 49 112

HSL 229.09, 0.52%, 0.29%

LAB 22.74, 16.76, -38.31

 

CMYK 69 / 69 / 0 / 56

HEX #232370

RGB 35 35 112

HSL 240, 0.52%, 0.29%

LAB 18.93, 26.49, -44.51

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 81 / 23 / 0 / 51

HEX #17607C

RGB 23 96 124

HSL 196.63, 0.69%, 0.29%

LAB 37.85, -11.4, -21.92

 

CMYK 92 / 25 / 0 / 47

HEX #0B6688

RGB 11 102 136

HSL 196.32, 0.85%, 0.29%

LAB 40.17, -11.42, -25.62

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 53 / 15 / 0 / 61

HEX #2F5564

RGB 47 85 100

HSL 196.98, 0.36%, 0.29%

LAB 34.03, -8.87, -12.86

 

CMYK 33 / 9 / 0 / 65

HEX #3B5058

RGB 59 80 88

HSL 196.55, 0.2%, 0.29%

LAB 32.64, -5.88, -7.32

 

CMYK 7 / 1 / 0 / 70

HEX #474B4C

RGB 71 75 76

HSL 192, 0.03%, 0.29%

LAB 31.56, -1.4, -1.16

 

CMYK 0 / 17 / 23 / 67

HEX #534540

RGB 83 69 64

HSL 15.79, 0.13%, 0.29%

LAB 30.56, 5.05, 5.24

 

CMYK 69 / 0 / 19 / 56

HEX #23705B

RGB 35 112 91

HSL 163.64, 0.52%, 0.29%

LAB 42.31, -28.83, 4.89

 

CMYK 69 / 0 / 0 / 56

HEX #237070

RGB 35 112 112

HSL 180, 0.52%, 0.29%

LAB 42.94, -22.72, -6.84

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 69 / 37 / 0 / 56

HEX #234770

RGB 35 71 112

HSL 211.95, 0.52%, 0.29%

LAB 29.5, 1.54, -27.5

 

CMYK 69 / 55 / 0 / 56

HEX #233270

RGB 35 50 112

HSL 228.31, 0.52%, 0.29%

LAB 23.03, 16.06, -37.84

 

CMYK 69 / 18 / 0 / 81

HEX #0F2831

RGB 15 40 49

HSL 195.88, 0.53%, 0.13%

LAB 14.63, -6.32, -8.79

 

CMYK 69 / 20 / 0 / 68

HEX #194151

RGB 25 65 81

HSL 197.14, 0.53%, 0.21%

LAB 25.51, -8.3, -13.81

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 69 / 19 / 0 / 44

HEX #2D748F

RGB 45 116 143

HSL 196.53, 0.52%, 0.37%

LAB 45.68, -13.05, -21.21

 

CMYK 69 / 19 / 0 / 31

HEX #378EAF

RGB 55 142 175

HSL 196.5, 0.52%, 0.45%

LAB 55.33, -15.18, -24.93

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 37 / 69 / 0 / 56

HEX #472370

RGB 71 35 112

HSL 268.05, 0.52%, 0.29%

LAB 22.69, 33.67, -38.21

 

CMYK 0 / 9 / 69 / 56

HEX #706623

RGB 112 102 35

HSL 52.21, 0.52%, 0.29%

LAB 42.87, -4.75, 37.94

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 0 / 69 / 19 / 56

HEX #70235B

RGB 112 35 91

HSL 316.36, 0.52%, 0.29%

LAB 27.85, 40.32, -15.98

 

CMYK 19 / 0 / 69 / 56

HEX #5B7023

RGB 91 112 35

HSL 76.36, 0.52%, 0.29%

LAB 44.14, -19.97, 38.73

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 37 / 69 / 0 / 56

HEX #472370

RGB 71 35 112

HSL 268.05, 0.52%, 0.29%

LAB 22.69, 33.67, -38.21

 

CMYK 0 / 50 / 69 / 56

HEX #703823

RGB 112 56 35

HSL 16.36, 0.52%, 0.29%

LAB 30.39, 22.77, 24.04

 

CMYK 32 / 0 / 69 / 56

HEX #4C7023

RGB 76 112 35

HSL 88.05, 0.52%, 0.29%

LAB 43.13, -26.33, 37.36

 

CMYK 69 / 19 / 0 / 56

HEX #235B70

RGB 35 91 112

HSL 196.36, 0.52%, 0.29%

LAB 36, -11.04, -17.36

 

CMYK 16 / 69 / 0 / 56

HEX #5E2370

RGB 94 35 112

HSL 285.97, 0.52%, 0.29%

LAB 26.02, 39.31, -32.7

 

CMYK 0 / 50 / 69 / 56

HEX #703823

RGB 112 56 35

HSL 16.36, 0.52%, 0.29%

LAB 30.39, 22.77, 24.04

 

CMYK 53 / 0 / 69 / 56

HEX #357023

RGB 53 112 35

HSL 105.97, 0.52%, 0.29%

LAB 41.95, -34.69, 35.73

 

Description

Color code: HEX #235B70 | qconv.com Color code: HEX #235B70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 91 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 91 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 19 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 19% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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