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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #235C2C it is the complementary color #DCA3D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #235C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #235C2C shade: #285C27, #396E3A, #4A804D, #5B9260 and #6CA473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #235C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #235C2C shade: #235C2C, #124A19, #013806, #002600 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #235C2C shade: #235C2C, #295C23, #385C23, #485C23 and #575C23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #235C2C shade: #235C2C, #235C3B, #235C4B, #235C5A and #234E5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #235C2C shade matches the following richer shades: #235C2C, #186625, #0E711E and #047B16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #235C2C shade: #235C2C, #2D5233, #37473A, #423D41 and #4C3348

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #235C2C shade: #395C23, #295C23, #235C2B, #235C3A and #235C4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #235C2C shade: #0C200F, #173E1D, #235C2C, #2E7A3A and #399848

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #235C2C shade: #235C2C, #23485C and #5C2331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #235C2C shade: #235C2C, #2B235C and #5C2B23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #235C2C shade: #235C2C, #23485C, #5C2353 and #5C3723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #235C2C shade: #235C2C, #23375C, #5C2353 and #5C4823

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

Complementary color

CMYK 0 / 26 / 4 / 14

HEX #DCA3D3

RGB 220 163 211

HSL 309.47, 0.45%, 0.75%

LAB 73.62, 28.77, -16.16

 

CMYK 57 / 0 / 58 / 64

HEX #285C27

RGB 40 92 39

HSL 118.87, 0.4%, 0.26%

LAB 34.5, -29.48, 25.06

 

CMYK 48 / 0 / 47 / 57

HEX #396E3A

RGB 57 110 58

HSL 121.13, 0.32%, 0.33%

LAB 41.73, -29.47, 23.6

 

CMYK 42 / 0 / 40 / 50

HEX #4A804D

RGB 74 128 77

HSL 123.33, 0.27%, 0.4%

LAB 48.8, -29.29, 22.21

 

CMYK 38 / 0 / 34 / 43

HEX #5B9260

RGB 91 146 96

HSL 125.45, 0.23%, 0.46%

LAB 55.71, -29.03, 20.93

 

CMYK 34 / 0 / 30 / 36

HEX #6CA473

RGB 108 164 115

HSL 127.5, 0.24%, 0.53%

LAB 62.49, -28.76, 19.75

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 76 / 0 / 66 / 71

HEX #124A19

RGB 18 74 25

HSL 127.5, 0.61%, 0.18%

LAB 27.01, -29.61, 23.66

 

CMYK 98 / 0 / 89 / 78

HEX #013806

RGB 1 56 6

HSL 125.45, 0.96%, 0.11%

LAB 19.42, -28.41, 24.26

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 55 / 0 / 62 / 64

HEX #295C23

RGB 41 92 35

HSL 113.68, 0.45%, 0.25%

LAB 34.49, -29.73, 27.22

 

CMYK 39 / 0 / 62 / 64

HEX #385C23

RGB 56 92 35

HSL 97.89, 0.45%, 0.25%

LAB 35.23, -24.43, 28.27

 

CMYK 22 / 0 / 62 / 64

HEX #485C23

RGB 72 92 35

HSL 81.05, 0.45%, 0.25%

LAB 36.28, -17.74, 29.74

 

CMYK 5 / 0 / 62 / 64

HEX #575C23

RGB 87 92 35

HSL 65.26, 0.45%, 0.25%

LAB 37.48, -10.86, 31.43

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 62 / 0 / 36 / 64

HEX #235C3B

RGB 35 92 59

HSL 145.26, 0.45%, 0.25%

LAB 34.66, -27.21, 13.56

 

CMYK 62 / 0 / 18 / 64

HEX #235C4B

RGB 35 92 75

HSL 162.11, 0.45%, 0.25%

LAB 35.04, -23.27, 4.25

 

CMYK 62 / 0 / 2 / 64

HEX #235C5A

RGB 35 92 90

HSL 177.89, 0.45%, 0.25%

LAB 35.5, -18.92, -4.43

 

CMYK 62 / 15 / 0 / 64

HEX #234E5C

RGB 35 78 92

HSL 194.74, 0.45%, 0.25%

LAB 30.83, -10.23, -12.73

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 76 / 0 / 64 / 60

HEX #186625

RGB 24 102 37

HSL 130, 0.62%, 0.25%

LAB 37.54, -37.81, 29.57

 

CMYK 88 / 0 / 73 / 56

HEX #0E711E

RGB 14 113 30

HSL 129.7, 0.78%, 0.25%

LAB 41.21, -44.03, 36.85

 

CMYK 97 / 0 / 82 / 52

HEX #047B16

RGB 4 123 22

HSL 129.08, 0.94%, 0.25%

LAB 44.59, -48.84, 43.22

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 45 / 0 / 38 / 68

HEX #2D5233

RGB 45 82 51

HSL 129.73, 0.29%, 0.25%

LAB 31.42, -20.91, 14.17

 

CMYK 23 / 0 / 18 / 72

HEX #37473A

RGB 55 71 58

HSL 131.25, 0.13%, 0.25%

LAB 28.44, -9.46, 5.75

 

CMYK 0 / 8 / 2 / 74

HEX #423D41

RGB 66 61 65

HSL 312, 0.04%, 0.25%

LAB 26.38, 3.02, -1.68

 

CMYK 0 / 33 / 5 / 70

HEX #4C3348

RGB 76 51 72

HSL 309.6, 0.2%, 0.25%

LAB 24.87, 15.29, -8.48

 

CMYK 38 / 0 / 62 / 64

HEX #395C23

RGB 57 92 35

HSL 96.84, 0.45%, 0.25%

LAB 35.29, -24.04, 28.35

 

CMYK 55 / 0 / 62 / 64

HEX #295C23

RGB 41 92 35

HSL 113.68, 0.45%, 0.25%

LAB 34.49, -29.73, 27.22

 

CMYK 62 / 0 / 53 / 64

HEX #235C2B

RGB 35 92 43

HSL 128.42, 0.45%, 0.25%

LAB 34.37, -30.3, 22.62

 

CMYK 62 / 0 / 37 / 64

HEX #235C3A

RGB 35 92 58

HSL 144.21, 0.45%, 0.25%

LAB 34.63, -27.42, 14.14

 

CMYK 62 / 0 / 20 / 64

HEX #235C4A

RGB 35 92 74

HSL 161.05, 0.45%, 0.25%

LAB 35.02, -23.54, 4.83

 

CMYK 63 / 0 / 53 / 87

HEX #0C200F

RGB 12 32 15

HSL 129, 0.45%, 0.09%

LAB 10.15, -12.85, 8.44

 

CMYK 63 / 0 / 53 / 76

HEX #173E1D

RGB 23 62 29

HSL 129.23, 0.46%, 0.17%

LAB 22.71, -22.28, 16.19

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 62 / 0 / 52 / 52

HEX #2E7A3A

RGB 46 122 58

HSL 129.47, 0.45%, 0.33%

LAB 45.37, -37.89, 28.07

 

CMYK 63 / 0 / 53 / 40

HEX #399848

RGB 57 152 72

HSL 129.47, 0.45%, 0.41%

LAB 55.88, -45.24, 33.75

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 62 / 22 / 0 / 64

HEX #23485C

RGB 35 72 92

HSL 201.05, 0.45%, 0.25%

LAB 28.81, -6.53, -15.82

 

CMYK 0 / 62 / 47 / 64

HEX #5C2331

RGB 92 35 49

HSL 345.26, 0.45%, 0.25%

LAB 22.65, 27.6, 4.12

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 53 / 62 / 0 / 64

HEX #2B235C

RGB 43 35 92

HSL 248.42, 0.45%, 0.25%

LAB 17.87, 20.83, -33.09

 

CMYK 0 / 53 / 62 / 64

HEX #5C2B23

RGB 92 43 35

HSL 8.42, 0.45%, 0.25%

LAB 24.08, 21.59, 15.53

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 62 / 22 / 0 / 64

HEX #23485C

RGB 35 72 92

HSL 201.05, 0.45%, 0.25%

LAB 28.81, -6.53, -15.82

 

CMYK 0 / 62 / 10 / 64

HEX #5C2353

RGB 92 35 83

HSL 309.47, 0.45%, 0.25%

LAB 24.01, 32.83, -16.93

 

CMYK 0 / 40 / 62 / 64

HEX #5C3723

RGB 92 55 35

HSL 21.05, 0.45%, 0.25%

LAB 27.1, 14.23, 19.35

 

CMYK 62 / 0 / 52 / 64

HEX #235C2C

RGB 35 92 44

HSL 129.47, 0.45%, 0.25%

LAB 34.38, -30.13, 22.07

 

CMYK 62 / 40 / 0 / 64

HEX #23375C

RGB 35 55 92

HSL 218.95, 0.45%, 0.25%

LAB 23.21, 4.77, -24.57

 

CMYK 0 / 62 / 10 / 64

HEX #5C2353

RGB 92 35 83

HSL 309.47, 0.45%, 0.25%

LAB 24.01, 32.83, -16.93

 

CMYK 0 / 22 / 62 / 64

HEX #5C4823

RGB 92 72 35

HSL 38.95, 0.45%, 0.25%

LAB 31.88, 3.55, 25.13

 

Description

Color code: HEX #235C2C | qconv.com Color code: HEX #235C2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 92 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 92 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 52 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 52% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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