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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #236E89 it is the complementary color #DC9176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #236E89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #236E89 shade: #286E84, #398097, #4A92AA, #5BA4BD and #6CB6D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #236E89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #236E89 shade: #236E89, #125C76, #014A63, #003850 and #00263D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #236E89 shade: #236E89, #235389, #233789, #2B2389 and #462389

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #236E89 shade: #236E89, #235389, #233789 and #232389

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #236E89 shade matches the following richer shades: #236E89, #157597 and #077BA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #236E89 shade: #236E89, #31687B, #3F616D, #4D5A5F and #5B5451

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #236E89 shade: #23896C, #238988, #237089, #235489 and #233989

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #236E89 shade: #123A48, #1B5469, #236E89, #2C89AA and #35A3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #236E89 shade: #236E89, #512389 and #897A23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #236E89 shade: #236E89, #892370 and #708923

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #236E89 shade: #236E89, #512389, #893D23 and #5B8923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #236E89 shade: #236E89, #702389, #893D23 and #3D8923

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

Complementary color

CMYK 0 / 34 / 46 / 14

HEX #DC9176

RGB 220 145 118

HSL 15.88, 0.59%, 0.66%

LAB 67.11, 25.35, 25.97

 

CMYK 70 / 17 / 0 / 48

HEX #286E84

RGB 40 110 132

HSL 194.35, 0.53%, 0.34%

LAB 43.17, -14.23, -18.52

 

CMYK 62 / 15 / 0 / 41

HEX #398097

RGB 57 128 151

HSL 194.68, 0.45%, 0.41%

LAB 50.15, -14.96, -19.02

 

CMYK 56 / 14 / 0 / 33

HEX #4A92AA

RGB 74 146 170

HSL 195, 0.39%, 0.48%

LAB 56.99, -15.46, -19.47

 

CMYK 52 / 13 / 0 / 26

HEX #5BA4BD

RGB 91 164 189

HSL 195.31, 0.43%, 0.55%

LAB 63.71, -15.82, -19.89

 

CMYK 48 / 13 / 0 / 18

HEX #6CB6D0

RGB 108 182 208

HSL 195.6, 0.52%, 0.62%

LAB 70.31, -16.08, -20.29

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 85 / 22 / 0 / 54

HEX #125C76

RGB 18 92 118

HSL 195.6, 0.74%, 0.27%

LAB 36.16, -11.84, -20.86

 

CMYK 99 / 25 / 0 / 61

HEX #014A63

RGB 1 74 99

HSL 195.31, 0.98%, 0.2%

LAB 28.91, -9.9, -20.22

 

CMYK 100 / 30 / 0 / 69

HEX #003850

RGB 0 56 80

HSL 198, 1%, 0.16%

LAB 21.61, -6.54, -19.26

 

CMYK 100 / 38 / 0 / 76

HEX #00263D

RGB 0 38 61

HSL 202.62, 1%, 0.12%

LAB 13.96, -2.75, -18.33

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 74 / 39 / 0 / 46

HEX #235389

RGB 35 83 137

HSL 211.76, 0.59%, 0.34%

LAB 34.7, 3.3, -34.79

 

CMYK 74 / 60 / 0 / 46

HEX #233789

RGB 35 55 137

HSL 228.24, 0.59%, 0.34%

LAB 26.44, 22.34, -48.09

 

CMYK 69 / 74 / 0 / 46

HEX #2B2389

RGB 43 35 137

HSL 244.71, 0.59%, 0.34%

LAB 22.02, 36.43, -55.3

 

CMYK 49 / 74 / 0 / 46

HEX #462389

RGB 70 35 137

HSL 260.59, 0.59%, 0.34%

LAB 24.67, 40.5, -50.85

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 74 / 39 / 0 / 46

HEX #235389

RGB 35 83 137

HSL 211.76, 0.59%, 0.34%

LAB 34.7, 3.3, -34.79

 

CMYK 74 / 60 / 0 / 46

HEX #233789

RGB 35 55 137

HSL 228.24, 0.59%, 0.34%

LAB 26.44, 22.34, -48.09

 

CMYK 74 / 74 / 0 / 46

HEX #232389

RGB 35 35 137

HSL 240, 0.59%, 0.34%

LAB 21.45, 35.53, -56.26

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 86 / 23 / 0 / 41

HEX #157597

RGB 21 117 151

HSL 195.69, 0.76%, 0.34%

LAB 45.79, -13.74, -25.81

 

CMYK 96 / 25 / 0 / 35

HEX #077BA5

RGB 7 123 165

HSL 195.95, 0.92%, 0.34%

LAB 48.17, -12.77, -30.33

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 60 / 15 / 0 / 52

HEX #31687B

RGB 49 104 123

HSL 195.41, 0.43%, 0.34%

LAB 41.19, -12.11, -16.09

 

CMYK 42 / 11 / 0 / 57

HEX #3F616D

RGB 63 97 109

HSL 195.65, 0.27%, 0.34%

LAB 39.09, -8.84, -10.68

 

CMYK 19 / 5 / 0 / 63

HEX #4D5A5F

RGB 77 90 95

HSL 196.67, 0.1%, 0.34%

LAB 37.33, -3.82, -4.58

 

CMYK 0 / 8 / 11 / 64

HEX #5B5451

RGB 91 84 81

HSL 18, 0.06%, 0.34%

LAB 36.29, 2.26, 2.77

 

CMYK 74 / 0 / 21 / 46

HEX #23896C

RGB 35 137 108

HSL 162.94, 0.59%, 0.34%

LAB 51.07, -35.89, 7.39

 

CMYK 74 / 0 / 1 / 46

HEX #238988

RGB 35 137 136

HSL 179.41, 0.59%, 0.34%

LAB 51.87, -27.95, -7.73

 

CMYK 74 / 18 / 0 / 46

HEX #237089

RGB 35 112 137

HSL 194.71, 0.59%, 0.34%

LAB 43.87, -14.4, -20.43

 

CMYK 74 / 39 / 0 / 46

HEX #235489

RGB 35 84 137

HSL 211.18, 0.59%, 0.34%

LAB 35.01, 2.65, -34.3

 

CMYK 74 / 58 / 0 / 46

HEX #233989

RGB 35 57 137

HSL 227.06, 0.59%, 0.34%

LAB 26.99, 20.96, -47.19

 

CMYK 75 / 19 / 0 / 72

HEX #123A48

RGB 18 58 72

HSL 195.56, 0.6%, 0.18%

LAB 22.38, -8.63, -12.69

 

CMYK 74 / 20 / 0 / 59

HEX #1B5469

RGB 27 84 105

HSL 196.15, 0.59%, 0.26%

LAB 33.12, -10.76, -17.45

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 74 / 19 / 0 / 33

HEX #2C89AA

RGB 44 137 170

HSL 195.71, 0.59%, 0.42%

LAB 53.31, -15.71, -25.21

 

CMYK 74 / 19 / 0 / 21

HEX #35A3CA

RGB 53 163 202

HSL 195.7, 0.58%, 0.5%

LAB 62.69, -17.86, -28.82

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 41 / 74 / 0 / 46

HEX #512389

RGB 81 35 137

HSL 267.06, 0.59%, 0.34%

LAB 26.03, 42.51, -48.57

 

CMYK 0 / 11 / 74 / 46

HEX #897A23

RGB 137 122 35

HSL 51.18, 0.59%, 0.34%

LAB 51.1, -4.36, 47.06

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 0 / 74 / 18 / 46

HEX #892370

RGB 137 35 112

HSL 314.71, 0.59%, 0.34%

LAB 33.33, 50.44, -20.67

 

CMYK 18 / 0 / 74 / 46

HEX #708923

RGB 112 137 35

HSL 74.71, 0.59%, 0.34%

LAB 53.45, -23.66, 48.63

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 41 / 74 / 0 / 46

HEX #512389

RGB 81 35 137

HSL 267.06, 0.59%, 0.34%

LAB 26.03, 42.51, -48.57

 

CMYK 0 / 55 / 74 / 46

HEX #893D23

RGB 137 61 35

HSL 15.29, 0.59%, 0.34%

LAB 35.55, 30.62, 31.02

 

CMYK 34 / 0 / 74 / 46

HEX #5B8923

RGB 91 137 35

HSL 87.06, 0.59%, 0.34%

LAB 52.1, -32.27, 46.86

 

CMYK 74 / 20 / 0 / 46

HEX #236E89

RGB 35 110 137

HSL 195.88, 0.59%, 0.34%

LAB 43.23, -13.26, -21.42

 

CMYK 18 / 74 / 0 / 46

HEX #702389

RGB 112 35 137

HSL 285.29, 0.59%, 0.34%

LAB 30.53, 48.87, -41.08

 

CMYK 0 / 55 / 74 / 46

HEX #893D23

RGB 137 61 35

HSL 15.29, 0.59%, 0.34%

LAB 35.55, 30.62, 31.02

 

CMYK 55 / 0 / 74 / 46

HEX #3D8923

RGB 61 137 35

HSL 104.71, 0.59%, 0.34%

LAB 50.69, -42.53, 44.98

 

Description

Color code: HEX #236E89 | qconv.com Color code: HEX #236E89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 110 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 110 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 20 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 20% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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