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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23756C it is the complementary color #DC8A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23756C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23756C shade: #287567, #39877A, #4A998D, #5BABA0 and #6CBDB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23756C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23756C shade: #23756C, #126359, #015146, #003F33 and #002D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23756C shade: #23756C, #237556, #237540, #237529 and #327523

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23756C shade: #23756C, #236875, #235275, #233C75 and #232575

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23756C shade matches the following richer shades: #23756C, #168276 and #0A8E80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23756C shade: #23756C, #2F6963, #3B5D59, #48504F and #544446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23756C shade: #237540, #237556, #23756C, #236975 and #235375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23756C shade: #103632, #19564F, #23756C, #2C958A and #36B5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23756C shade: #23756C, #2A2375 and #754B23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23756C shade: #23756C, #6C2375 and #756C23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23756C shade: #23756C, #2A2375, #75232C and #6E7523

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23756C shade: #23756C, #422375, #75232C and #567523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

Complementary color

CMYK 0 / 37 / 33 / 14

HEX #DC8A93

RGB 220 138 147

HSL 353.41, 0.54%, 0.7%

LAB 66.14, 32.38, 8.44

 

CMYK 66 / 0 / 12 / 54

HEX #287567

RGB 40 117 103

HSL 169.09, 0.49%, 0.31%

LAB 44.45, -27.03, 0.81

 

CMYK 58 / 0 / 10 / 47

HEX #39877A

RGB 57 135 122

HSL 170, 0.41%, 0.38%

LAB 51.39, -27.25, -0.22

 

CMYK 52 / 0 / 8 / 40

HEX #4A998D

RGB 74 153 141

HSL 170.89, 0.35%, 0.45%

LAB 58.19, -27.31, -1.13

 

CMYK 47 / 0 / 6 / 33

HEX #5BABA0

RGB 91 171 160

HSL 171.75, 0.32%, 0.51%

LAB 64.87, -27.29, -1.95

 

CMYK 43 / 0 / 5 / 26

HEX #6CBDB3

RGB 108 189 179

HSL 172.59, 0.38%, 0.58%

LAB 71.44, -27.21, -2.71

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 82 / 0 / 10 / 61

HEX #126359

RGB 18 99 89

HSL 172.59, 0.69%, 0.23%

LAB 37.43, -25.69, -1.01

 

CMYK 99 / 0 / 14 / 68

HEX #015146

RGB 1 81 70

HSL 171.75, 0.98%, 0.16%

LAB 30.24, -24.52, 0.36

 

CMYK 100 / 0 / 19 / 75

HEX #003F33

RGB 0 63 51

HSL 168.57, 1%, 0.12%

LAB 22.98, -21.83, 2.2

 

CMYK 100 / 0 / 29 / 82

HEX #002D20

RGB 0 45 32

HSL 162.67, 1%, 0.09%

LAB 15.39, -18.89, 4.27

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 70 / 0 / 26 / 54

HEX #237556

RGB 35 117 86

HSL 157.32, 0.54%, 0.3%

LAB 43.87, -32.45, 10.09

 

CMYK 70 / 0 / 45 / 54

HEX #237540

RGB 35 117 64

HSL 141.22, 0.54%, 0.3%

LAB 43.43, -37.24, 22.25

 

CMYK 70 / 0 / 65 / 54

HEX #237529

RGB 35 117 41

HSL 124.39, 0.54%, 0.3%

LAB 43.12, -40.81, 34.04

 

CMYK 57 / 0 / 70 / 54

HEX #327523

RGB 50 117 35

HSL 109.02, 0.54%, 0.3%

LAB 43.54, -37.7, 37.41

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 70 / 11 / 0 / 54

HEX #236875

RGB 35 104 117

HSL 189.51, 0.54%, 0.3%

LAB 40.48, -16.78, -13.58

 

CMYK 70 / 30 / 0 / 54

HEX #235275

RGB 35 82 117

HSL 205.61, 0.54%, 0.3%

LAB 33.3, -3.7, -24.66

 

CMYK 70 / 49 / 0 / 54

HEX #233C75

RGB 35 60 117

HSL 221.71, 0.54%, 0.3%

LAB 26.37, 10.99, -35.64

 

CMYK 70 / 68 / 0 / 54

HEX #232575

RGB 35 37 117

HSL 238.54, 0.54%, 0.3%

LAB 19.9, 27, -46.13

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 83 / 0 / 9 / 49

HEX #168276

RGB 22 130 118

HSL 173.33, 0.71%, 0.3%

LAB 48.81, -31.48, -1.74

 

CMYK 93 / 0 / 10 / 44

HEX #0A8E80

RGB 10 142 128

HSL 173.64, 0.87%, 0.3%

LAB 52.92, -34.93, -1.57

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 55 / 0 / 6 / 59

HEX #2F6963

RGB 47 105 99

HSL 173.79, 0.38%, 0.3%

LAB 40.59, -20.52, -2.41

 

CMYK 37 / 0 / 4 / 64

HEX #3B5D59

RGB 59 93 89

HSL 172.94, 0.22%, 0.3%

LAB 36.89, -13.32, -1.63

 

CMYK 10 / 0 / 1 / 69

HEX #48504F

RGB 72 80 79

HSL 172.5, 0.05%, 0.3%

LAB 33.31, -3.42, -0.51

 

CMYK 0 / 19 / 17 / 67

HEX #544446

RGB 84 68 70

HSL 352.5, 0.11%, 0.3%

LAB 30.55, 7.22, 1.37

 

CMYK 70 / 0 / 45 / 54

HEX #237540

RGB 35 117 64

HSL 141.22, 0.54%, 0.3%

LAB 43.43, -37.24, 22.25

 

CMYK 70 / 0 / 26 / 54

HEX #237556

RGB 35 117 86

HSL 157.32, 0.54%, 0.3%

LAB 43.87, -32.45, 10.09

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 70 / 10 / 0 / 54

HEX #236975

RGB 35 105 117

HSL 188.78, 0.54%, 0.3%

LAB 40.81, -17.34, -13.08

 

CMYK 70 / 29 / 0 / 54

HEX #235375

RGB 35 83 117

HSL 204.88, 0.54%, 0.3%

LAB 33.62, -4.33, -24.15

 

CMYK 70 / 0 / 7 / 79

HEX #103632

RGB 16 54 50

HSL 173.68, 0.54%, 0.14%

LAB 19.96, -14.5, -1.48

 

CMYK 71 / 0 / 8 / 66

HEX #19564F

RGB 25 86 79

HSL 173.11, 0.55%, 0.22%

LAB 32.76, -21.09, -1.61

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 70 / 0 / 7 / 42

HEX #2C958A

RGB 44 149 138

HSL 173.71, 0.54%, 0.38%

LAB 55.95, -31.93, -2.81

 

CMYK 70 / 0 / 8 / 29

HEX #36B5A7

RGB 54 181 167

HSL 173.39, 0.54%, 0.46%

LAB 66.99, -37.28, -2.85

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 64 / 70 / 0 / 54

HEX #2A2375

RGB 42 35 117

HSL 245.12, 0.54%, 0.3%

LAB 19.96, 29.4, -46.02

 

CMYK 0 / 36 / 70 / 54

HEX #754B23

RGB 117 75 35

HSL 29.27, 0.54%, 0.3%

LAB 35.86, 13.73, 30.52

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 8 / 70 / 0 / 54

HEX #6C2375

RGB 108 35 117

HSL 293.41, 0.54%, 0.3%

LAB 28.58, 43.87, -31.67

 

CMYK 0 / 8 / 70 / 54

HEX #756C23

RGB 117 108 35

HSL 53.41, 0.54%, 0.3%

LAB 45.12, -5.82, 40.44

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 64 / 70 / 0 / 54

HEX #2A2375

RGB 42 35 117

HSL 245.12, 0.54%, 0.3%

LAB 19.96, 29.4, -46.02

 

CMYK 0 / 70 / 62 / 54

HEX #75232C

RGB 117 35 44

HSL 353.41, 0.54%, 0.3%

LAB 27.2, 36.43, 14.5

 

CMYK 6 / 0 / 70 / 54

HEX #6E7523

RGB 110 117 35

HSL 65.12, 0.54%, 0.3%

LAB 47.18, -14.1, 42.34

 

CMYK 70 / 0 / 8 / 54

HEX #23756C

RGB 35 117 108

HSL 173.41, 0.54%, 0.3%

LAB 44.47, -26.48, -2.18

 

CMYK 44 / 70 / 0 / 54

HEX #422375

RGB 66 35 117

HSL 262.68, 0.54%, 0.3%

LAB 22.46, 33.96, -41.83

 

CMYK 0 / 70 / 62 / 54

HEX #75232C

RGB 117 35 44

HSL 353.41, 0.54%, 0.3%

LAB 27.2, 36.43, 14.5

 

CMYK 26 / 0 / 70 / 54

HEX #567523

RGB 86 117 35

HSL 82.68, 0.54%, 0.3%

LAB 45.39, -24.68, 39.93

 

Description

Color code: HEX #23756C | qconv.com Color code: HEX #23756C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 117 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 117 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 8 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 8% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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