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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237E6B it is the complementary color #DC8194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237E6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237E6B shade: #287E66, #399079, #4AA28C, #5BB49F and #6CC6B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237E6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237E6B shade: #237E6B, #126C58, #015A45, #004832 and #00361F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237E6B shade: #23806C, #238053, #23803A, #248023 and #3D8023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237E6B shade: #23806C, #237A80, #236180, #234880 and #232F80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237E6B shade matches the following richer shades: #23806C, #158D74 and #089A7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237E6B shade: #23806C, #307264, #3D655D, #4A5855 and #574B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237E6B shade: #23803A, #238053, #23806B, #237B80 and #236280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237E6B shade: #113F35, #1A5F51, #23806C, #2BA088 and #34C0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237E6B shade: #237E6B, #232480 and #804623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237E6B shade: #237E6B, #6B2380 and #806B23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237E6B shade: #237E6B, #232480, #802337 and #807E23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237E6B shade: #237E6B, #3D2380, #802337 and #658023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 15 / 51

HEX #237E6B

RGB 35 126 107

HSL 167.47, 0.57%, 0.32%

LAB 47.42, -31.12, 2.73

 

Complementary color

CMYK 0 / 41 / 33 / 14

HEX #DC8194

RGB 220 129 148

HSL 347.47, 0.57%, 0.68%

LAB 64.2, 37.26, 5.11

 

CMYK 68 / 0 / 19 / 51

HEX #287E66

RGB 40 126 102

HSL 163.26, 0.52%, 0.33%

LAB 47.41, -31.62, 5.67

 

CMYK 60 / 0 / 16 / 44

HEX #399079

RGB 57 144 121

HSL 164.14, 0.43%, 0.39%

LAB 54.24, -31.87, 4.49

 

CMYK 54 / 0 / 14 / 36

HEX #4AA28C

RGB 74 162 140

HSL 165, 0.37%, 0.46%

LAB 60.95, -31.93, 3.45

 

CMYK 49 / 0 / 12 / 29

HEX #5BB49F

RGB 91 180 159

HSL 165.84, 0.37%, 0.53%

LAB 67.55, -31.89, 2.51

 

CMYK 45 / 0 / 10 / 22

HEX #6CC6B2

RGB 108 198 178

HSL 166.67, 0.44%, 0.6%

LAB 74.06, -31.8, 1.65

 

CMYK 72 / 0 / 15 / 51

HEX #237E6B

RGB 35 126 107

HSL 167.47, 0.57%, 0.32%

LAB 47.42, -31.12, 2.73

 

CMYK 83 / 0 / 19 / 58

HEX #126C58

RGB 18 108 88

HSL 166.67, 0.71%, 0.25%

LAB 40.51, -30.31, 4.06

 

CMYK 99 / 0 / 23 / 65

HEX #015A45

RGB 1 90 69

HSL 165.84, 0.98%, 0.18%

LAB 33.45, -29.08, 5.62

 

CMYK 100 / 0 / 31 / 72

HEX #004832

RGB 0 72 50

HSL 161.67, 1%, 0.14%

LAB 26.35, -26.41, 7.63

 

CMYK 100 / 0 / 43 / 79

HEX #00361F

RGB 0 54 31

HSL 154.44, 1%, 0.11%

LAB 18.96, -23.44, 9.88

 

CMYK 73 / 0 / 16 / 50

HEX #23806C

RGB 35 128 108

HSL 167.1, 0.57%, 0.32%

LAB 48.11, -31.78, 3.13

 

CMYK 73 / 0 / 35 / 50

HEX #238053

RGB 35 128 83

HSL 150.97, 0.57%, 0.32%

LAB 47.52, -37.96, 16.86

 

CMYK 73 / 0 / 55 / 50

HEX #23803A

RGB 35 128 58

HSL 134.84, 0.57%, 0.32%

LAB 47.11, -42.64, 30.13

 

CMYK 72 / 0 / 73 / 50

HEX #248023

RGB 36 128 35

HSL 119.35, 0.57%, 0.32%

LAB 46.89, -45.3, 40.83

 

CMYK 52 / 0 / 73 / 50

HEX #3D8023

RGB 61 128 35

HSL 103.23, 0.57%, 0.32%

LAB 47.69, -38.9, 41.91

 

CMYK 73 / 0 / 16 / 50

HEX #23806C

RGB 35 128 108

HSL 167.1, 0.57%, 0.32%

LAB 48.11, -31.78, 3.13

 

CMYK 73 / 5 / 0 / 50

HEX #237A80

RGB 35 122 128

HSL 183.87, 0.57%, 0.32%

LAB 46.76, -22.86, -10.68

 

CMYK 73 / 24 / 0 / 50

HEX #236180

RGB 35 97 128

HSL 200, 0.57%, 0.32%

LAB 38.66, -8.88, -23.07

 

CMYK 73 / 44 / 0 / 50

HEX #234880

RGB 35 72 128

HSL 216.13, 0.57%, 0.32%

LAB 30.76, 7.09, -35.52

 

CMYK 73 / 63 / 0 / 50

HEX #232F80

RGB 35 47 128

HSL 232.26, 0.57%, 0.32%

LAB 23.5, 24.36, -47.24

 

CMYK 73 / 0 / 16 / 50

HEX #23806C

RGB 35 128 108

HSL 167.1, 0.57%, 0.32%

LAB 48.11, -31.78, 3.13

 

CMYK 85 / 0 / 18 / 45

HEX #158D74

RGB 21 141 116

HSL 167.5, 0.74%, 0.32%

LAB 52.36, -37.15, 4.58

 

CMYK 95 / 0 / 19 / 40

HEX #089A7C

RGB 8 154 124

HSL 167.67, 0.9%, 0.32%

LAB 56.7, -41.41, 6.21

 

CMYK 73 / 0 / 16 / 50

HEX #23806C

RGB 35 128 108

HSL 167.1, 0.57%, 0.32%

LAB 48.11, -31.78, 3.13

 

CMYK 58 / 0 / 12 / 55

HEX #307264

RGB 48 114 100

HSL 167.27, 0.41%, 0.32%

LAB 43.63, -24.68, 1.44

 

CMYK 40 / 0 / 8 / 60

HEX #3D655D

RGB 61 101 93

HSL 168, 0.25%, 0.32%

LAB 39.73, -16.15, 0.08

 

CMYK 16 / 0 / 3 / 65

HEX #4A5855

RGB 74 88 85

HSL 167.14, 0.09%, 0.32%

LAB 36.16, -6.13, -0.09

 

CMYK 0 / 14 / 11 / 66

HEX #574B4D

RGB 87 75 77

HSL 350, 0.07%, 0.32%

LAB 33.12, 5.41, 0.66

 

CMYK 73 / 0 / 55 / 50

HEX #23803A

RGB 35 128 58

HSL 134.84, 0.57%, 0.32%

LAB 47.11, -42.64, 30.13

 

CMYK 73 / 0 / 35 / 50

HEX #238053

RGB 35 128 83

HSL 150.97, 0.57%, 0.32%

LAB 47.52, -37.96, 16.86

 

CMYK 73 / 0 / 16 / 50

HEX #23806B

RGB 35 128 107

HSL 166.45, 0.57%, 0.32%

LAB 48.08, -32.06, 3.68

 

CMYK 73 / 4 / 0 / 50

HEX #237B80

RGB 35 123 128

HSL 183.23, 0.57%, 0.32%

LAB 47.08, -23.37, -10.2

 

CMYK 73 / 23 / 0 / 50

HEX #236280

RGB 35 98 128

HSL 199.35, 0.57%, 0.32%

LAB 38.99, -9.48, -22.57

 

CMYK 73 / 0 / 16 / 75

HEX #113F35

RGB 17 63 53

HSL 166.96, 0.58%, 0.16%

LAB 23.44, -18.37, 1.59

 

CMYK 73 / 0 / 15 / 63

HEX #1A5F51

RGB 26 95 81

HSL 167.83, 0.57%, 0.24%

LAB 35.98, -24.93, 1.84

 

CMYK 73 / 0 / 16 / 50

HEX #23806C

RGB 35 128 108

HSL 167.1, 0.57%, 0.32%

LAB 48.11, -31.78, 3.13

 

CMYK 73 / 0 / 15 / 37

HEX #2BA088

RGB 43 160 136

HSL 167.69, 0.58%, 0.4%

LAB 59.37, -37.69, 3.32

 

CMYK 73 / 0 / 15 / 25

HEX #34C0A3

RGB 52 192 163

HSL 167.57, 0.57%, 0.48%

LAB 70.23, -43.49, 4.05

 

CMYK 72 / 0 / 15 / 51

HEX #237E6B

RGB 35 126 107

HSL 167.47, 0.57%, 0.32%

LAB 47.42, -31.12, 2.73

 

CMYK 73 / 72 / 0 / 50

HEX #232480

RGB 35 36 128

HSL 239.35, 0.57%, 0.32%

LAB 20.74, 31.69, -51.76

 

CMYK 0 / 45 / 73 / 50

HEX #804623

RGB 128 70 35

HSL 22.58, 0.57%, 0.32%

LAB 36.16, 21.73, 31.29

 

CMYK 72 / 0 / 15 / 51

HEX #237E6B

RGB 35 126 107

HSL 167.47, 0.57%, 0.32%

LAB 47.42, -31.12, 2.73

 

CMYK 16 / 73 / 0 / 50

HEX #6B2380

RGB 107 35 128

HSL 286.45, 0.57%, 0.32%

LAB 29.12, 45.87, -37.76

 

CMYK 0 / 16 / 73 / 50

HEX #806B23

RGB 128 107 35

HSL 46.45, 0.57%, 0.32%

LAB 45.94, -0.05, 41.63

 

CMYK 72 / 0 / 15 / 51

HEX #237E6B

RGB 35 126 107

HSL 167.47, 0.57%, 0.32%

LAB 47.42, -31.12, 2.73

 

CMYK 73 / 72 / 0 / 50

HEX #232480

RGB 35 36 128

HSL 239.35, 0.57%, 0.32%

LAB 20.74, 31.69, -51.76

 

CMYK 0 / 73 / 57 / 50

HEX #802337

RGB 128 35 55

HSL 347.1, 0.57%, 0.32%

LAB 29.58, 41.08, 10.75

 

CMYK 0 / 2 / 73 / 50

HEX #807E23

RGB 128 126 35

HSL 58.71, 0.57%, 0.32%

LAB 51.42, -10.74, 47.09

 

CMYK 72 / 0 / 15 / 51

HEX #237E6B

RGB 35 126 107

HSL 167.47, 0.57%, 0.32%

LAB 47.42, -31.12, 2.73

 

CMYK 52 / 73 / 0 / 50

HEX #3D2380

RGB 61 35 128

HSL 256.77, 0.57%, 0.32%

LAB 22.84, 36.25, -48.24

 

CMYK 0 / 73 / 57 / 50

HEX #802337

RGB 128 35 55

HSL 347.1, 0.57%, 0.32%

LAB 29.58, 41.08, 10.75

 

CMYK 21 / 0 / 73 / 50

HEX #658023

RGB 101 128 35

HSL 77.42, 0.57%, 0.32%

LAB 49.89, -23.84, 44.86

 

Description

Color code: HEX #237E6B | qconv.com Color code: HEX #237E6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 126 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 126 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 15 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 15% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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