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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237E80 it is the complementary color #DC817F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237E80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237E80 shade: #287E7B, #39908E, #4AA2A1, #5BB4B4 and #6CC6C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237E80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237E80 shade: #237E80, #126C6D, #015A5A, #004847 and #003634

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237E80 shade: #237E80, #236580, #234B80, #233280 and #2C2380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237E80 shade: #237E80, #236580, #234B80, #233280 and #232380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237E80 shade matches the following richer shades: #237E80, #158A8D and #08979A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237E80 shade: #237E80, #307172, #3D6465, #4A5858 and #574B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237E80 shade: #238050, #238068, #237E80, #236580 and #234C80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237E80 shade: #113E3F, #1A5E5F, #237E80, #2B9DA0 and #34BDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237E80 shade: #237E80, #372380 and #805C23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237E80 shade: #237E80, #80237E and #7E8023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237E80 shade: #237E80, #372380, #802423 and #6B8023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237E80 shade: #237E80, #532380, #802423 and #508023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

Complementary color

CMYK 0 / 41 / 42 / 14

HEX #DC817F

RGB 220 129 127

HSL 1.29, 0.57%, 0.68%

LAB 63.71, 34.81, 16.34

 

CMYK 68 / 0 / 2 / 51

HEX #287E7B

RGB 40 126 123

HSL 177.91, 0.52%, 0.33%

LAB 48.01, -25.7, -5.84

 

CMYK 60 / 0 / 1 / 44

HEX #39908E

RGB 57 144 142

HSL 178.62, 0.43%, 0.39%

LAB 54.83, -26.15, -6.72

 

CMYK 54 / 0 / 1 / 36

HEX #4AA2A1

RGB 74 162 161

HSL 179.32, 0.37%, 0.46%

LAB 61.54, -26.41, -7.51

 

CMYK 49 / 0 / 0 / 29

HEX #5BB4B4

RGB 91 180 180

HSL 180, 0.37%, 0.53%

LAB 68.14, -26.55, -8.22

 

CMYK 46 / 1 / 0 / 22

HEX #6CC6C7

RGB 108 198 199

HSL 180.66, 0.45%, 0.6%

LAB 74.64, -26.62, -8.88

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 83 / 1 / 0 / 57

HEX #126C6D

RGB 18 108 109

HSL 180.66, 0.72%, 0.25%

LAB 41.15, -23.86, -7.74

 

CMYK 99 / 0 / 0 / 65

HEX #015A5A

RGB 1 90 90

HSL 180, 0.98%, 0.18%

LAB 34.1, -22.39, -6.59

 

CMYK 100 / 0 / 1 / 72

HEX #004847

RGB 0 72 71

HSL 179.17, 1%, 0.14%

LAB 26.99, -19.67, -5.08

 

CMYK 100 / 0 / 4 / 79

HEX #003634

RGB 0 54 52

HSL 177.78, 1%, 0.11%

LAB 19.58, -16.75, -3.45

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 73 / 21 / 0 / 50

HEX #236580

RGB 35 101 128

HSL 197.42, 0.57%, 0.32%

LAB 39.95, -11.25, -21.07

 

CMYK 73 / 41 / 0 / 50

HEX #234B80

RGB 35 75 128

HSL 214.19, 0.57%, 0.32%

LAB 31.69, 5.08, -34.04

 

CMYK 73 / 61 / 0 / 50

HEX #233280

RGB 35 50 128

HSL 230.32, 0.57%, 0.32%

LAB 24.31, 22.29, -45.92

 

CMYK 66 / 73 / 0 / 50

HEX #2C2380

RGB 44 35 128

HSL 245.81, 0.57%, 0.32%

LAB 21.19, 33.5, -51

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 73 / 21 / 0 / 50

HEX #236580

RGB 35 101 128

HSL 197.42, 0.57%, 0.32%

LAB 39.95, -11.25, -21.07

 

CMYK 73 / 41 / 0 / 50

HEX #234B80

RGB 35 75 128

HSL 214.19, 0.57%, 0.32%

LAB 31.69, 5.08, -34.04

 

CMYK 73 / 61 / 0 / 50

HEX #233280

RGB 35 50 128

HSL 230.32, 0.57%, 0.32%

LAB 24.31, 22.29, -45.92

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 85 / 2 / 0 / 45

HEX #158A8D

RGB 21 138 141

HSL 181.5, 0.74%, 0.32%

LAB 52.13, -28.32, -10.26

 

CMYK 95 / 2 / 0 / 40

HEX #08979A

RGB 8 151 154

HSL 181.23, 0.9%, 0.32%

LAB 56.6, -31.23, -11.05

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 58 / 1 / 0 / 55

HEX #307172

RGB 48 113 114

HSL 180.91, 0.41%, 0.32%

LAB 43.73, -20.16, -6.82

 

CMYK 40 / 1 / 0 / 60

HEX #3D6465

RGB 61 100 101

HSL 181.5, 0.25%, 0.32%

LAB 39.66, -13.45, -4.93

 

CMYK 16 / 0 / 0 / 65

HEX #4A5858

RGB 74 88 88

HSL 180, 0.09%, 0.32%

LAB 36.25, -5.42, -1.83

 

CMYK 0 / 14 / 14 / 66

HEX #574B4B

RGB 87 75 75

HSL 0, 0.07%, 0.32%

LAB 33.06, 5.03, 1.85

 

CMYK 73 / 0 / 38 / 50

HEX #238050

RGB 35 128 80

HSL 149.03, 0.57%, 0.32%

LAB 47.46, -38.61, 18.5

 

CMYK 73 / 0 / 19 / 50

HEX #238068

RGB 35 128 104

HSL 164.52, 0.57%, 0.32%

LAB 48, -32.86, 5.33

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 73 / 21 / 0 / 50

HEX #236580

RGB 35 101 128

HSL 197.42, 0.57%, 0.32%

LAB 39.95, -11.25, -21.07

 

CMYK 73 / 41 / 0 / 50

HEX #234C80

RGB 35 76 128

HSL 213.55, 0.57%, 0.32%

LAB 32, 4.41, -33.55

 

CMYK 73 / 2 / 0 / 75

HEX #113E3F

RGB 17 62 63

HSL 181.3, 0.58%, 0.16%

LAB 23.42, -14.54, -5.11

 

CMYK 73 / 1 / 0 / 63

HEX #1A5E5F

RGB 26 94 95

HSL 180.87, 0.57%, 0.24%

LAB 36.08, -20.09, -6.7

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 73 / 2 / 0 / 37

HEX #2B9DA0

RGB 43 157 160

HSL 181.54, 0.58%, 0.4%

LAB 59.13, -29.44, -10.63

 

CMYK 73 / 2 / 0 / 25

HEX #34BDC0

RGB 52 189 192

HSL 181.29, 0.57%, 0.48%

LAB 70.13, -34.14, -11.97

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 57 / 73 / 0 / 50

HEX #372380

RGB 55 35 128

HSL 252.9, 0.57%, 0.32%

LAB 22.21, 35.21, -49.3

 

CMYK 0 / 28 / 73 / 50

HEX #805C23

RGB 128 92 35

HSL 36.77, 0.57%, 0.32%

LAB 41.79, 8.73, 37.35

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 0 / 73 / 2 / 50

HEX #80237E

RGB 128 35 126

HSL 301.29, 0.57%, 0.32%

LAB 32.48, 50.44, -30.95

 

CMYK 2 / 0 / 73 / 50

HEX #7E8023

RGB 126 128 35

HSL 61.29, 0.57%, 0.32%

LAB 51.83, -12.74, 47.43

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 57 / 73 / 0 / 50

HEX #372380

RGB 55 35 128

HSL 252.9, 0.57%, 0.32%

LAB 22.21, 35.21, -49.3

 

CMYK 0 / 72 / 73 / 50

HEX #802423

RGB 128 36 35

HSL 0.65, 0.57%, 0.32%

LAB 29.34, 39.31, 23.5

 

CMYK 16 / 0 / 73 / 50

HEX #6B8023

RGB 107 128 35

HSL 73.55, 0.57%, 0.32%

LAB 50.32, -21.25, 45.43

 

CMYK 73 / 2 / 0 / 50

HEX #237E80

RGB 35 126 128

HSL 181.29, 0.57%, 0.32%

LAB 48.05, -24.92, -8.74

 

CMYK 35 / 73 / 0 / 50

HEX #532380

RGB 83 35 128

HSL 270.97, 0.57%, 0.32%

LAB 25.56, 40.56, -43.68

 

CMYK 0 / 72 / 73 / 50

HEX #802423

RGB 128 36 35

HSL 0.65, 0.57%, 0.32%

LAB 29.34, 39.31, 23.5

 

CMYK 38 / 0 / 73 / 50

HEX #508023

RGB 80 128 35

HSL 90.97, 0.57%, 0.32%

LAB 48.59, -32.33, 43.12

 

Description

Color code: HEX #237E80 | qconv.com Color code: HEX #237E80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 126 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 126 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 2 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 2% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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