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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237F6F it is the complementary color #DC8090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237F6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237F6F shade: #287F6A, #39917D, #4AA390, #5BB5A3 and #6CC7B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237F6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237F6F shade: #237F6F, #126D5C, #015B49, #004936 and #003723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237F6F shade: #23806F, #238056, #23803D, #238024 and #3A8023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237F6F shade: #23806F, #237780, #235E80, #234580 and #232B80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237F6F shade matches the following richer shades: #23806F, #158D78 and #089A81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237F6F shade: #23806F, #307267, #3D655E, #4A5856 and #574B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237F6F shade: #23803D, #238056, #23806F, #237880 and #235F80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237F6F shade: #113F37, #1A5F53, #23806F, #2BA08C and #34C0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237F6F shade: #237F6F, #242380 and #804923

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237F6F shade: #237F6F, #6F2380 and #806F23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237F6F shade: #237F6F, #242380, #802334 and #7E8023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237F6F shade: #237F6F, #402380, #802334 and #628023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 13 / 50

HEX #237F6F

RGB 35 127 111

HSL 169.57, 0.57%, 0.32%

LAB 47.86, -30.48, 1.01

 

Complementary color

CMYK 0 / 42 / 35 / 14

HEX #DC8090

RGB 220 128 144

HSL 349.57, 0.57%, 0.68%

LAB 63.89, 37.29, 6.93

 

CMYK 69 / 0 / 17 / 50

HEX #287F6A

RGB 40 127 106

HSL 165.52, 0.52%, 0.33%

LAB 47.84, -31.03, 3.94

 

CMYK 61 / 0 / 14 / 43

HEX #39917D

RGB 57 145 125

HSL 166.36, 0.44%, 0.4%

LAB 54.66, -31.31, 2.81

 

CMYK 55 / 0 / 12 / 36

HEX #4AA390

RGB 74 163 144

HSL 167.19, 0.38%, 0.46%

LAB 61.36, -31.41, 1.8

 

CMYK 50 / 0 / 10 / 29

HEX #5BB5A3

RGB 91 181 163

HSL 168, 0.38%, 0.53%

LAB 67.96, -31.4, 0.9

 

CMYK 46 / 0 / 9 / 22

HEX #6CC7B6

RGB 108 199 182

HSL 168.79, 0.45%, 0.6%

LAB 74.45, -31.33, 0.06

 

CMYK 72 / 0 / 13 / 50

HEX #237F6F

RGB 35 127 111

HSL 169.57, 0.57%, 0.32%

LAB 47.86, -30.48, 1.01

 

CMYK 83 / 0 / 16 / 57

HEX #126D5C

RGB 18 109 92

HSL 168.79, 0.72%, 0.25%

LAB 40.96, -29.63, 2.3

 

CMYK 99 / 0 / 20 / 64

HEX #015B49

RGB 1 91 73

HSL 168, 0.98%, 0.18%

LAB 33.92, -28.37, 3.79

 

CMYK 100 / 0 / 26 / 71

HEX #004936

RGB 0 73 54

HSL 164.38, 1%, 0.14%

LAB 26.82, -25.73, 5.72

 

CMYK 100 / 0 / 36 / 78

HEX #003723

RGB 0 55 35

HSL 158.18, 1%, 0.11%

LAB 19.45, -22.82, 7.89

 

CMYK 73 / 0 / 13 / 50

HEX #23806F

RGB 35 128 111

HSL 169.03, 0.57%, 0.32%

LAB 48.19, -30.95, 1.49

 

CMYK 73 / 0 / 33 / 50

HEX #238056

RGB 35 128 86

HSL 152.9, 0.57%, 0.32%

LAB 47.58, -37.3, 15.22

 

CMYK 73 / 0 / 52 / 50

HEX #23803D

RGB 35 128 61

HSL 136.77, 0.57%, 0.32%

LAB 47.15, -42.16, 28.6

 

CMYK 73 / 0 / 72 / 50

HEX #238024

RGB 35 128 36

HSL 120.65, 0.57%, 0.32%

LAB 46.87, -45.4, 40.39

 

CMYK 55 / 0 / 73 / 50

HEX #3A8023

RGB 58 128 35

HSL 105.16, 0.57%, 0.32%

LAB 47.57, -39.82, 41.75

 

CMYK 73 / 0 / 13 / 50

HEX #23806F

RGB 35 128 111

HSL 169.03, 0.57%, 0.32%

LAB 48.19, -30.95, 1.49

 

CMYK 73 / 7 / 0 / 50

HEX #237780

RGB 35 119 128

HSL 185.81, 0.57%, 0.32%

LAB 45.78, -21.28, -12.15

 

CMYK 73 / 27 / 0 / 50

HEX #235E80

RGB 35 94 128

HSL 201.94, 0.57%, 0.32%

LAB 37.7, -7.07, -24.57

 

CMYK 73 / 46 / 0 / 50

HEX #234580

RGB 35 69 128

HSL 218.06, 0.57%, 0.32%

LAB 29.84, 9.13, -36.99

 

CMYK 73 / 66 / 0 / 50

HEX #232B80

RGB 35 43 128

HSL 234.84, 0.57%, 0.32%

LAB 22.46, 27.09, -48.95

 

CMYK 73 / 0 / 13 / 50

HEX #23806F

RGB 35 128 111

HSL 169.03, 0.57%, 0.32%

LAB 48.19, -30.95, 1.49

 

CMYK 85 / 0 / 15 / 45

HEX #158D78

RGB 21 141 120

HSL 169.5, 0.74%, 0.32%

LAB 52.47, -36.04, 2.42

 

CMYK 95 / 0 / 16 / 40

HEX #089A81

RGB 8 154 129

HSL 169.73, 0.9%, 0.32%

LAB 56.83, -40.05, 3.55

 

CMYK 73 / 0 / 13 / 50

HEX #23806F

RGB 35 128 111

HSL 169.03, 0.57%, 0.32%

LAB 48.19, -30.95, 1.49

 

CMYK 58 / 0 / 10 / 55

HEX #307267

RGB 48 114 103

HSL 170, 0.41%, 0.32%

LAB 43.72, -23.86, -0.23

 

CMYK 40 / 0 / 7 / 60

HEX #3D655E

RGB 61 101 94

HSL 169.5, 0.25%, 0.32%

LAB 39.76, -15.89, -0.49

 

CMYK 16 / 0 / 2 / 65

HEX #4A5856

RGB 74 88 86

HSL 171.43, 0.09%, 0.32%

LAB 36.19, -5.89, -0.67

 

CMYK 0 / 14 / 11 / 66

HEX #574B4D

RGB 87 75 77

HSL 350, 0.07%, 0.32%

LAB 33.12, 5.41, 0.66

 

CMYK 73 / 0 / 52 / 50

HEX #23803D

RGB 35 128 61

HSL 136.77, 0.57%, 0.32%

LAB 47.15, -42.16, 28.6

 

CMYK 73 / 0 / 33 / 50

HEX #238056

RGB 35 128 86

HSL 152.9, 0.57%, 0.32%

LAB 47.58, -37.3, 15.22

 

CMYK 73 / 0 / 13 / 50

HEX #23806F

RGB 35 128 111

HSL 169.03, 0.57%, 0.32%

LAB 48.19, -30.95, 1.49

 

CMYK 73 / 6 / 0 / 50

HEX #237880

RGB 35 120 128

HSL 185.16, 0.57%, 0.32%

LAB 46.11, -21.81, -11.66

 

CMYK 73 / 26 / 0 / 50

HEX #235F80

RGB 35 95 128

HSL 201.29, 0.57%, 0.32%

LAB 38.02, -7.68, -24.07

 

CMYK 73 / 0 / 13 / 75

HEX #113F37

RGB 17 63 55

HSL 169.57, 0.58%, 0.16%

LAB 23.51, -17.75, 0.35

 

CMYK 73 / 0 / 13 / 63

HEX #1A5F53

RGB 26 95 83

HSL 169.57, 0.57%, 0.24%

LAB 36.04, -24.34, 0.69

 

CMYK 73 / 0 / 13 / 50

HEX #23806F

RGB 35 128 111

HSL 169.03, 0.57%, 0.32%

LAB 48.19, -30.95, 1.49

 

CMYK 73 / 0 / 13 / 37

HEX #2BA08C

RGB 43 160 140

HSL 169.74, 0.58%, 0.4%

LAB 59.48, -36.62, 1.21

 

CMYK 73 / 0 / 13 / 25

HEX #34C0A8

RGB 52 192 168

HSL 169.71, 0.57%, 0.48%

LAB 70.36, -42.19, 1.51

 

CMYK 72 / 0 / 13 / 50

HEX #237F6F

RGB 35 127 111

HSL 169.57, 0.57%, 0.32%

LAB 47.86, -30.48, 1.01

 

CMYK 72 / 73 / 0 / 50

HEX #242380

RGB 36 35 128

HSL 240.65, 0.57%, 0.32%

LAB 20.58, 32.45, -52.03

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 72 / 0 / 13 / 50

HEX #237F6F

RGB 35 127 111

HSL 169.57, 0.57%, 0.32%

LAB 47.86, -30.48, 1.01

 

CMYK 13 / 73 / 0 / 50

HEX #6F2380

RGB 111 35 128

HSL 289.03, 0.57%, 0.32%

LAB 29.76, 46.8, -36.7

 

CMYK 0 / 13 / 73 / 50

HEX #806F23

RGB 128 111 35

HSL 49.03, 0.57%, 0.32%

LAB 47.08, -2.35, 42.78

 

CMYK 72 / 0 / 13 / 50

HEX #237F6F

RGB 35 127 111

HSL 169.57, 0.57%, 0.32%

LAB 47.86, -30.48, 1.01

 

CMYK 72 / 73 / 0 / 50

HEX #242380

RGB 36 35 128

HSL 240.65, 0.57%, 0.32%

LAB 20.58, 32.45, -52.03

 

CMYK 0 / 73 / 59 / 50

HEX #802334

RGB 128 35 52

HSL 349.03, 0.57%, 0.32%

LAB 29.51, 40.84, 12.65

 

CMYK 2 / 0 / 73 / 50

HEX #7E8023

RGB 126 128 35

HSL 61.29, 0.57%, 0.32%

LAB 51.83, -12.74, 47.43

 

CMYK 72 / 0 / 13 / 50

HEX #237F6F

RGB 35 127 111

HSL 169.57, 0.57%, 0.32%

LAB 47.86, -30.48, 1.01

 

CMYK 50 / 73 / 0 / 50

HEX #402380

RGB 64 35 128

HSL 258.71, 0.57%, 0.32%

LAB 23.17, 36.79, -47.68

 

CMYK 0 / 73 / 59 / 50

HEX #802334

RGB 128 35 52

HSL 349.03, 0.57%, 0.32%

LAB 29.51, 40.84, 12.65

 

CMYK 23 / 0 / 73 / 50

HEX #628023

RGB 98 128 35

HSL 79.35, 0.57%, 0.32%

LAB 49.69, -25.12, 44.59

 

Description

Color code: HEX #237F6F | qconv.com Color code: HEX #237F6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 127 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 127 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 13 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 13% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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