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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238448 it is the complementary color #DC7BB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238448. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238448 shade: #288443, #399656, #4AA869, #5BBA7C and #6CCC8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238448. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238448 shade: #238448, #127235, #016022, #004E0F and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238448 shade: #238448, #23842E, #328423, #4D8423 and #678423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238448 shade: #238448, #238462, #23847D, #237284 and #235884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238448 shade matches the following richer shades: #238448, #159245 and #08A042

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238448 shade: #238448, #30774B, #3E694F, #4C5C52 and #594E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238448 shade: #338423, #23842D, #238447, #238461 and #23847B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238448 shade: #124324, #1A6436, #238448, #2CA55A and #34C66C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238448 shade: #238448, #234D84 and #842326

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238448 shade: #238448, #472384 and #844723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238448 shade: #238448, #234D84, #842361 and #845A23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238448 shade: #238448, #233084, #842361 and #847723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

Complementary color

CMYK 0 / 44 / 17 / 14

HEX #DC7BB7

RGB 220 123 183

HSL 322.89, 0.58%, 0.67%

LAB 64, 45.29, -15.08

 

CMYK 70 / 0 / 49 / 48

HEX #288443

RGB 40 132 67

HSL 137.61, 0.53%, 0.34%

LAB 48.71, -41.78, 27.36

 

CMYK 62 / 0 / 43 / 41

HEX #399656

RGB 57 150 86

HSL 138.71, 0.45%, 0.41%

LAB 55.44, -42.15, 25.81

 

CMYK 56 / 0 / 38 / 34

HEX #4AA869

RGB 74 168 105

HSL 139.79, 0.39%, 0.47%

LAB 62.07, -42.22, 24.37

 

CMYK 51 / 0 / 33 / 27

HEX #5BBA7C

RGB 91 186 124

HSL 140.84, 0.41%, 0.54%

LAB 68.6, -42.14, 23.05

 

CMYK 47 / 0 / 30 / 20

HEX #6CCC8F

RGB 108 204 143

HSL 141.88, 0.48%, 0.61%

LAB 75.05, -41.98, 21.84

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 84 / 0 / 54 / 55

HEX #127235

RGB 18 114 53

HSL 141.88, 0.73%, 0.26%

LAB 41.88, -40.79, 26.3

 

CMYK 99 / 0 / 65 / 62

HEX #016022

RGB 1 96 34

HSL 140.84, 0.98%, 0.19%

LAB 34.98, -39.07, 28.06

 

CMYK 100 / 0 / 81 / 69

HEX #004E0F

RGB 0 78 15

HSL 131.54, 1%, 0.15%

LAB 28.07, -35.34, 29.55

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 73 / 0 / 65 / 48

HEX #23842E

RGB 35 132 46

HSL 126.8, 0.58%, 0.33%

LAB 48.33, -45.76, 37.53

 

CMYK 62 / 0 / 73 / 48

HEX #328423

RGB 50 132 35

HSL 110.72, 0.58%, 0.33%

LAB 48.64, -43.6, 42.76

 

CMYK 42 / 0 / 73 / 48

HEX #4D8423

RGB 77 132 35

HSL 94.02, 0.58%, 0.33%

LAB 49.74, -35.24, 44.24

 

CMYK 22 / 0 / 73 / 48

HEX #678423

RGB 103 132 35

HSL 77.94, 0.58%, 0.33%

LAB 51.28, -24.99, 46.29

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 73 / 0 / 26 / 48

HEX #238462

RGB 35 132 98

HSL 158.97, 0.58%, 0.33%

LAB 49.18, -36.2, 10.5

 

CMYK 73 / 0 / 5 / 48

HEX #23847D

RGB 35 132 125

HSL 175.67, 0.58%, 0.33%

LAB 49.91, -28.82, -4.22

 

CMYK 73 / 14 / 0 / 48

HEX #237284

RGB 35 114 132

HSL 191.13, 0.58%, 0.33%

LAB 44.32, -17.24, -16.77

 

CMYK 73 / 33 / 0 / 48

HEX #235884

RGB 35 88 132

HSL 207.22, 0.58%, 0.33%

LAB 35.99, -1.84, -29.69

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 86 / 0 / 53 / 43

HEX #159245

RGB 21 146 69

HSL 143.04, 0.75%, 0.33%

LAB 53.11, -49.43, 31.72

 

CMYK 95 / 0 / 59 / 37

HEX #08A042

RGB 8 160 66

HSL 142.89, 0.9%, 0.33%

LAB 57.64, -55.56, 38.66

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 60 / 0 / 37 / 53

HEX #30774B

RGB 48 119 75

HSL 142.82, 0.43%, 0.33%

LAB 44.7, -33.03, 17.72

 

CMYK 41 / 0 / 25 / 59

HEX #3E694F

RGB 62 105 79

HSL 143.72, 0.26%, 0.33%

LAB 40.72, -21.34, 10.01

 

CMYK 17 / 0 / 11 / 64

HEX #4C5C52

RGB 76 92 82

HSL 142.5, 0.1%, 0.33%

LAB 37.48, -8.42, 3.71

 

CMYK 0 / 12 / 4 / 65

HEX #594E55

RGB 89 78 85

HSL 321.82, 0.07%, 0.33%

LAB 34.45, 5.98, -2.44

 

CMYK 61 / 0 / 73 / 48

HEX #338423

RGB 51 132 35

HSL 110.1, 0.58%, 0.33%

LAB 48.67, -43.34, 42.81

 

CMYK 73 / 0 / 66 / 48

HEX #23842D

RGB 35 132 45

HSL 126.19, 0.58%, 0.33%

LAB 48.32, -45.88, 37.98

 

CMYK 73 / 0 / 46 / 48

HEX #238447

RGB 35 132 71

HSL 142.27, 0.58%, 0.33%

LAB 48.65, -42, 25.09

 

CMYK 73 / 0 / 27 / 48

HEX #238461

RGB 35 132 97

HSL 158.35, 0.58%, 0.33%

LAB 49.16, -36.44, 11.05

 

CMYK 73 / 0 / 7 / 48

HEX #23847B

RGB 35 132 123

HSL 174.43, 0.58%, 0.33%

LAB 49.85, -29.42, -3.13

 

CMYK 73 / 0 / 46 / 74

HEX #124324

RGB 18 67 36

HSL 142.04, 0.58%, 0.17%

LAB 24.55, -24.59, 14.16

 

CMYK 74 / 0 / 46 / 61

HEX #1A6436

RGB 26 100 54

HSL 142.7, 0.59%, 0.25%

LAB 37.12, -33.82, 19.74

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 73 / 0 / 45 / 35

HEX #2CA55A

RGB 44 165 90

HSL 142.81, 0.58%, 0.41%

LAB 60.05, -49.81, 29.58

 

CMYK 74 / 0 / 45 / 22

HEX #34C66C

RGB 52 198 108

HSL 143.01, 0.58%, 0.49%

LAB 71.01, -57.62, 34.37

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 73 / 42 / 0 / 48

HEX #234D84

RGB 35 77 132

HSL 214.02, 0.58%, 0.33%

LAB 32.55, 5.31, -35.14

 

CMYK 0 / 73 / 71 / 48

HEX #842326

RGB 132 35 38

HSL 358.14, 0.58%, 0.33%

LAB 30.03, 41.26, 22.61

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 46 / 73 / 0 / 48

HEX #472384

RGB 71 35 132

HSL 262.27, 0.58%, 0.33%

LAB 24.35, 39.25, -48.25

 

CMYK 0 / 46 / 73 / 48

HEX #844723

RGB 132 71 35

HSL 22.27, 0.58%, 0.33%

LAB 36.99, 22.92, 32.37

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 73 / 42 / 0 / 48

HEX #234D84

RGB 35 77 132

HSL 214.02, 0.58%, 0.33%

LAB 32.55, 5.31, -35.14

 

CMYK 0 / 73 / 27 / 48

HEX #842361

RGB 132 35 97

HSL 321.65, 0.58%, 0.33%

LAB 31.74, 46.95, -13.6

 

CMYK 0 / 32 / 73 / 48

HEX #845A23

RGB 132 90 35

HSL 34.02, 0.58%, 0.33%

LAB 41.75, 11.79, 37.46

 

CMYK 73 / 0 / 45 / 48

HEX #238448

RGB 35 132 72

HSL 142.89, 0.58%, 0.33%

LAB 48.67, -41.81, 24.57

 

CMYK 73 / 64 / 0 / 48

HEX #233084

RGB 35 48 132

HSL 231.96, 0.58%, 0.33%

LAB 24.12, 25.21, -48.75

 

CMYK 0 / 73 / 27 / 48

HEX #842361

RGB 132 35 97

HSL 321.65, 0.58%, 0.33%

LAB 31.74, 46.95, -13.6

 

CMYK 0 / 10 / 73 / 48

HEX #847723

RGB 132 119 35

HSL 51.96, 0.58%, 0.33%

LAB 49.76, -5.01, 45.58

 

Description

Color code: HEX #238448 | qconv.com Color code: HEX #238448 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 132 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 132 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 45 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 45% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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