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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238483 it is the complementary color #DC7B7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238483. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238483 shade: #28847E, #399691, #4AA8A4, #5BBAB7 and #6CCCCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238483. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238483 shade: #238483, #127270, #01605D, #004E4A and #003C37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238483 shade: #238483, #238469, #23844F, #238434 and #2C8423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238483 shade: #238483, #236B84, #235184, #233684 and #232384

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238483 shade matches the following richer shades: #238483, #159291 and #08A09E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238483 shade: #238483, #307776, #3E6969, #4C5C5B and #594E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238483 shade: #23844F, #238469, #238483, #236C84 and #235284

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238483 shade: #124343, #1A6463, #238483, #2CA5A4 and #34C6C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238483 shade: #238483, #352384 and #845C23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238483 shade: #238483, #832384 and #848323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238483 shade: #238483, #352384, #842324 and #738423

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238483 shade: #238483, #522384, #842324 and #558423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

Complementary color

CMYK 0 / 44 / 44 / 14

HEX #DC7B7C

RGB 220 123 124

HSL 359.38, 0.58%, 0.67%

LAB 62.37, 37.63, 16.18

 

CMYK 70 / 0 / 5 / 48

HEX #28847E

RGB 40 132 126

HSL 176.09, 0.53%, 0.34%

LAB 50.05, -27.79, -4.58

 

CMYK 62 / 0 / 3 / 41

HEX #399691

RGB 57 150 145

HSL 176.77, 0.45%, 0.41%

LAB 56.81, -28.28, -5.51

 

CMYK 56 / 0 / 2 / 34

HEX #4AA8A4

RGB 74 168 164

HSL 177.45, 0.39%, 0.47%

LAB 63.46, -28.56, -6.34

 

CMYK 51 / 0 / 2 / 27

HEX #5BBAB7

RGB 91 186 183

HSL 178.11, 0.41%, 0.54%

LAB 70.01, -28.71, -7.1

 

CMYK 47 / 0 / 1 / 20

HEX #6CCCCA

RGB 108 204 202

HSL 178.75, 0.48%, 0.61%

LAB 76.46, -28.78, -7.79

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 84 / 0 / 2 / 55

HEX #127270

RGB 18 114 112

HSL 178.75, 0.73%, 0.26%

LAB 43.26, -25.93, -6.4

 

CMYK 99 / 0 / 3 / 62

HEX #01605D

RGB 1 96 93

HSL 178.11, 0.98%, 0.19%

LAB 36.3, -24.45, -5.19

 

CMYK 100 / 0 / 5 / 69

HEX #004E4A

RGB 0 78 74

HSL 176.92, 1%, 0.15%

LAB 29.27, -21.78, -3.63

 

CMYK 100 / 0 / 8 / 76

HEX #003C37

RGB 0 60 55

HSL 175, 1%, 0.12%

LAB 21.97, -18.94, -1.95

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 73 / 0 / 20 / 48

HEX #238469

RGB 35 132 105

HSL 163.3, 0.58%, 0.33%

LAB 49.35, -34.42, 6.67

 

CMYK 73 / 0 / 40 / 48

HEX #23844F

RGB 35 132 79

HSL 147.22, 0.58%, 0.33%

LAB 48.79, -40.46, 20.83

 

CMYK 73 / 0 / 61 / 48

HEX #238434

RGB 35 132 52

HSL 130.52, 0.58%, 0.33%

LAB 48.4, -45, 34.72

 

CMYK 67 / 0 / 73 / 48

HEX #2C8423

RGB 44 132 35

HSL 114.43, 0.58%, 0.33%

LAB 48.46, -45.05, 42.52

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 73 / 19 / 0 / 48

HEX #236B84

RGB 35 107 132

HSL 195.46, 0.58%, 0.33%

LAB 42.06, -13.31, -20.23

 

CMYK 73 / 39 / 0 / 48

HEX #235184

RGB 35 81 132

HSL 211.55, 0.58%, 0.33%

LAB 33.79, 2.67, -33.17

 

CMYK 73 / 59 / 0 / 48

HEX #233684

RGB 35 54 132

HSL 228.25, 0.58%, 0.33%

LAB 25.75, 21.08, -46.09

 

CMYK 73 / 73 / 0 / 48

HEX #232384

RGB 35 35 132

HSL 240, 0.58%, 0.33%

LAB 20.92, 33.76, -53.99

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 86 / 0 / 1 / 43

HEX #159291

RGB 21 146 145

HSL 179.52, 0.75%, 0.33%

LAB 54.83, -30.95, -8.54

 

CMYK 95 / 0 / 1 / 37

HEX #08A09E

RGB 8 160 158

HSL 179.21, 0.9%, 0.33%

LAB 59.58, -34.24, -8.87

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 60 / 0 / 1 / 53

HEX #307776

RGB 48 119 118

HSL 179.15, 0.43%, 0.33%

LAB 45.81, -22.14, -6.11

 

CMYK 41 / 0 / 0 / 59

HEX #3E6969

RGB 62 105 105

HSL 180, 0.26%, 0.33%

LAB 41.45, -14.87, -4.71

 

CMYK 17 / 0 / 1 / 64

HEX #4C5C5B

RGB 76 92 91

HSL 176.25, 0.1%, 0.33%

LAB 37.75, -6.36, -1.49

 

CMYK 0 / 12 / 12 / 65

HEX #594E4E

RGB 89 78 78

HSL 0, 0.07%, 0.33%

LAB 34.24, 4.57, 1.67

 

CMYK 73 / 0 / 40 / 48

HEX #23844F

RGB 35 132 79

HSL 147.22, 0.58%, 0.33%

LAB 48.79, -40.46, 20.83

 

CMYK 73 / 0 / 20 / 48

HEX #238469

RGB 35 132 105

HSL 163.3, 0.58%, 0.33%

LAB 49.35, -34.42, 6.67

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 73 / 18 / 0 / 48

HEX #236C84

RGB 35 108 132

HSL 194.85, 0.58%, 0.33%

LAB 42.38, -13.88, -19.74

 

CMYK 73 / 38 / 0 / 48

HEX #235284

RGB 35 82 132

HSL 210.93, 0.58%, 0.33%

LAB 34.1, 2.02, -32.67

 

CMYK 73 / 0 / 0 / 74

HEX #124343

RGB 18 67 67

HSL 180, 0.58%, 0.17%

LAB 25.41, -15.86, -4.78

 

CMYK 74 / 0 / 1 / 61

HEX #1A6463

RGB 26 100 99

HSL 179.19, 0.59%, 0.25%

LAB 38.26, -21.98, -5.93

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 73 / 0 / 1 / 35

HEX #2CA5A4

RGB 44 165 164

HSL 179.5, 0.58%, 0.41%

LAB 61.76, -31.98, -8.95

 

CMYK 74 / 0 / 1 / 22

HEX #34C6C4

RGB 52 198 196

HSL 179.18, 0.58%, 0.49%

LAB 72.96, -37.16, -9.92

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 60 / 73 / 0 / 48

HEX #352384

RGB 53 35 132

HSL 251.13, 0.58%, 0.33%

LAB 22.39, 36.17, -51.53

 

CMYK 0 / 30 / 73 / 48

HEX #845C23

RGB 132 92 35

HSL 35.26, 0.58%, 0.33%

LAB 42.28, 10.61, 38.01

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 1 / 73 / 0 / 48

HEX #832384

RGB 131 35 132

HSL 299.38, 0.58%, 0.33%

LAB 33.34, 52.19, -33.3

 

CMYK 0 / 1 / 73 / 48

HEX #848323

RGB 132 131 35

HSL 59.38, 0.58%, 0.33%

LAB 53.23, -11.63, 48.97

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 60 / 73 / 0 / 48

HEX #352384

RGB 53 35 132

HSL 251.13, 0.58%, 0.33%

LAB 22.39, 36.17, -51.53

 

CMYK 0 / 73 / 73 / 48

HEX #842324

RGB 132 35 36

HSL 359.38, 0.58%, 0.33%

LAB 30, 41.15, 23.84

 

CMYK 13 / 0 / 73 / 48

HEX #738423

RGB 115 132 35

HSL 70.52, 0.58%, 0.33%

LAB 52.14, -19.8, 47.43

 

CMYK 73 / 0 / 1 / 48

HEX #238483

RGB 35 132 131

HSL 179.38, 0.58%, 0.33%

LAB 50.1, -27.01, -7.45

 

CMYK 38 / 73 / 0 / 48

HEX #522384

RGB 82 35 132

HSL 269.07, 0.58%, 0.33%

LAB 25.75, 41.39, -45.9

 

CMYK 0 / 73 / 73 / 48

HEX #842324

RGB 132 35 36

HSL 359.38, 0.58%, 0.33%

LAB 30, 41.15, 23.84

 

CMYK 36 / 0 / 73 / 48

HEX #558423

RGB 85 132 35

HSL 89.07, 0.58%, 0.33%

LAB 50.16, -32.27, 44.81

 

Description

Color code: HEX #238483 | qconv.com Color code: HEX #238483 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 132 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 132 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 1 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 1% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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