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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2387C7 it is the complementary color #DC7838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2387C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2387C7 shade: #2887C2, #3999D5, #4AABE8, #5BBDFB and #6CCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2387C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2387C7 shade: #2387C7, #1275B4, #0163A1, #00518E and #003F7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2387C7 shade: #2387C7, #235BC7, #232EC7, #4323C7 and #7023C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2387C7 shade: #2387C7, #235BC7, #232EC7 and #2323C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2387C7 shade matches the following richer shades: #2387C7 and #108BDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2387C7 shade: #2387C7, #3683B4, #497EA1, #5C7A8E and #6F767B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2387C7 shade: #23C7AE, #23B4C7, #2388C7, #235CC7 and #2330C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2387C7 shade: #165781, #1D6FA4, #2387C7, #379BDB and #5BADE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2387C7 shade: #2387C7, #8223C7 and #C7C423

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2387C7 shade: #2387C7, #C72388 and #88C723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2387C7 shade: #2387C7, #8223C7, #C76223 and #67C723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2387C7 shade: #2387C7, #B423C7, #C76223 and #36C723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

Complementary color

CMYK 0 / 45 / 75 / 14

HEX #DC7838

RGB 220 120 56

HSL 23.41, 0.7%, 0.54%

LAB 60.72, 34.2, 50.74

 

CMYK 79 / 30 / 0 / 24

HEX #2887C2

RGB 40 135 194

HSL 202.99, 0.66%, 0.46%

LAB 53.68, -6.58, -38.37

 

CMYK 73 / 28 / 0 / 16

HEX #3999D5

RGB 57 153 213

HSL 203.08, 0.65%, 0.53%

LAB 60.3, -8.14, -38.66

 

CMYK 68 / 26 / 0 / 9

HEX #4AABE8

RGB 74 171 232

HSL 203.16, 0.77%, 0.6%

LAB 66.83, -9.36, -38.92

 

CMYK 64 / 25 / 0 / 2

HEX #5BBDFB

RGB 91 189 251

HSL 203.25, 0.95%, 0.67%

LAB 73.28, -10.35, -39.15

 

CMYK 58 / 19 / 0 / 0

HEX #6CCFFF

RGB 108 207 255

HSL 199.59, 1%, 0.71%

LAB 79.06, -15.63, -32.29

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 90 / 35 / 0 / 29

HEX #1275B4

RGB 18 117 180

HSL 203.33, 0.82%, 0.39%

LAB 47.17, -2.98, -40.63

 

CMYK 99 / 39 / 0 / 37

HEX #0163A1

RGB 1 99 161

HSL 203.25, 0.99%, 0.32%

LAB 40.42, -0.19, -40.21

 

CMYK 100 / 43 / 0 / 44

HEX #00518E

RGB 0 81 142

HSL 205.77, 1%, 0.28%

LAB 33.64, 3.53, -39.58

 

CMYK 100 / 49 / 0 / 52

HEX #003F7B

RGB 0 63 123

HSL 209.27, 1%, 0.24%

LAB 26.69, 7.63, -38.97

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 82 / 54 / 0 / 22

HEX #235BC7

RGB 35 91 199

HSL 219.51, 0.7%, 0.46%

LAB 41.16, 22.28, -61.28

 

CMYK 82 / 77 / 0 / 22

HEX #232EC7

RGB 35 46 199

HSL 235.98, 0.7%, 0.46%

LAB 30.48, 50.32, -78.79

 

CMYK 66 / 82 / 0 / 22

HEX #4323C7

RGB 67 35 199

HSL 251.71, 0.7%, 0.46%

LAB 30.69, 57.86, -78.4

 

CMYK 44 / 82 / 0 / 22

HEX #7023C7

RGB 112 35 199

HSL 268.17, 0.7%, 0.46%

LAB 35.54, 62.8, -70.23

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 82 / 54 / 0 / 22

HEX #235BC7

RGB 35 91 199

HSL 219.51, 0.7%, 0.46%

LAB 41.16, 22.28, -61.28

 

CMYK 82 / 77 / 0 / 22

HEX #232EC7

RGB 35 46 199

HSL 235.98, 0.7%, 0.46%

LAB 30.48, 50.32, -78.79

 

CMYK 82 / 82 / 0 / 22

HEX #2323C7

RGB 35 35 199

HSL 240, 0.7%, 0.46%

LAB 28.6, 55.8, -81.92

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 93 / 36 / 0 / 15

HEX #108BDA

RGB 16 139 218

HSL 203.47, 0.86%, 0.46%

LAB 55.72, -1.69, -48.73

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 70 / 27 / 0 / 29

HEX #3683B4

RGB 54 131 180

HSL 203.33, 0.54%, 0.46%

LAB 52.19, -7.45, -32.68

 

CMYK 55 / 22 / 0 / 37

HEX #497EA1

RGB 73 126 161

HSL 203.86, 0.38%, 0.46%

LAB 50.58, -7.28, -24.12

 

CMYK 35 / 14 / 0 / 44

HEX #5C7A8E

RGB 92 122 142

HSL 204, 0.21%, 0.46%

LAB 49.67, -5.54, -14.31

 

CMYK 10 / 4 / 0 / 52

HEX #6F767B

RGB 111 118 123

HSL 205, 0.05%, 0.46%

LAB 49.21, -1.55, -3.65

 

CMYK 82 / 0 / 13 / 22

HEX #23C7AE

RGB 35 199 174

HSL 170.85, 0.7%, 0.46%

LAB 72.4, -45.38, 1.19

 

CMYK 82 / 10 / 0 / 22

HEX #23B4C7

RGB 35 180 199

HSL 186.95, 0.7%, 0.46%

LAB 67.37, -29.36, -20.01

 

CMYK 82 / 32 / 0 / 22

HEX #2388C7

RGB 35 136 199

HSL 203.05, 0.7%, 0.46%

LAB 54.12, -5.82, -40.53

 

CMYK 82 / 54 / 0 / 22

HEX #235CC7

RGB 35 92 199

HSL 219.15, 0.7%, 0.46%

LAB 41.43, 21.63, -60.83

 

CMYK 82 / 76 / 0 / 22

HEX #2330C7

RGB 35 48 199

HSL 235.24, 0.7%, 0.46%

LAB 30.87, 49.23, -78.16

 

CMYK 83 / 33 / 0 / 49

HEX #165781

RGB 22 87 129

HSL 203.55, 0.71%, 0.3%

LAB 35.15, -4.1, -29.21

 

CMYK 82 / 32 / 0 / 36

HEX #1D6FA4

RGB 29 111 164

HSL 203.56, 0.7%, 0.38%

LAB 44.67, -4.63, -35.21

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 75 / 29 / 0 / 14

HEX #379BDB

RGB 55 155 219

HSL 203.41, 0.69%, 0.54%

LAB 61.11, -7.43, -40.74

 

CMYK 60 / 23 / 0 / 11

HEX #5BADE2

RGB 91 173 226

HSL 203.56, 0.7%, 0.62%

LAB 67.73, -9.52, -34.19

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 35 / 82 / 0 / 22

HEX #8223C7

RGB 130 35 199

HSL 274.76, 0.7%, 0.46%

LAB 37.97, 65.34, -66.15

 

CMYK 0 / 2 / 82 / 22

HEX #C7C423

RGB 199 196 35

HSL 58.9, 0.7%, 0.46%

LAB 77.13, -15.81, 72.55

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 0 / 82 / 32 / 22

HEX #C72388

RGB 199 35 136

HSL 323.05, 0.7%, 0.46%

LAB 45.8, 68.66, -15.43

 

CMYK 32 / 0 / 82 / 22

HEX #88C723

RGB 136 199 35

HSL 83.05, 0.7%, 0.46%

LAB 73.68, -42.81, 67.88

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 35 / 82 / 0 / 22

HEX #8223C7

RGB 130 35 199

HSL 274.76, 0.7%, 0.46%

LAB 37.97, 65.34, -66.15

 

CMYK 0 / 51 / 82 / 22

HEX #C76223

RGB 199 98 35

HSL 23.05, 0.7%, 0.46%

LAB 52.95, 36.39, 51.54

 

CMYK 48 / 0 / 82 / 22

HEX #67C723

RGB 103 199 35

HSL 95.12, 0.7%, 0.46%

LAB 72.13, -53.97, 65.91

 

CMYK 82 / 32 / 0 / 22

HEX #2387C7

RGB 35 135 199

HSL 203.41, 0.7%, 0.46%

LAB 53.82, -5.23, -41

 

CMYK 10 / 82 / 0 / 22

HEX #B423C7

RGB 180 35 199

HSL 293.05, 0.7%, 0.46%

LAB 45.67, 73.58, -53.3

 

CMYK 0 / 51 / 82 / 22

HEX #C76223

RGB 199 98 35

HSL 23.05, 0.7%, 0.46%

LAB 52.95, 36.39, 51.54

 

CMYK 73 / 0 / 82 / 22

HEX #36C723

RGB 54 199 35

HSL 113.05, 0.7%, 0.46%

LAB 70.7, -65.56, 64.08

 

Description

Color code: HEX #2387C7 | qconv.com Color code: HEX #2387C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 135 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 135 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 32 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 32% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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