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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238970 it is the complementary color #DC768F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238970 shade: #28896B, #399B7E, #4AAD91, #5BBFA4 and #6CD1B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238970 shade: #238970, #12775D, #01654A, #005337 and #004124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238970 shade: #238970, #238955, #238939, #298923 and #448923

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238970 shade: #238970, #238789, #236B89, #235089 and #233489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238970 shade matches the following richer shades: #238970, #159777 and #07A57F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238970 shade: #238970, #317B69, #3F6D62, #4D5F5B and #5B5154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238970 shade: #238939, #238954, #238970, #238889 and #236C89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238970 shade: #12483B, #1B6955, #238970, #2CAA8B and #35CAA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238970 shade: #238970, #232889 and #894723

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238970 shade: #238970, #702389 and #897023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238970 shade: #238970, #232889, #89233D and #898423

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238970 shade: #238970, #3D2389, #89233D and #708923

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

Complementary color

CMYK 0 / 46 / 35 / 14

HEX #DC768F

RGB 220 118 143

HSL 345.29, 0.59%, 0.66%

LAB 61.79, 42.35, 4.49

 

CMYK 71 / 0 / 22 / 46

HEX #28896B

RGB 40 137 107

HSL 161.44, 0.55%, 0.35%

LAB 51.16, -35.37, 8.1

 

CMYK 63 / 0 / 19 / 39

HEX #399B7E

RGB 57 155 126

HSL 162.24, 0.46%, 0.42%

LAB 57.86, -35.71, 6.85

 

CMYK 57 / 0 / 16 / 32

HEX #4AAD91

RGB 74 173 145

HSL 163.03, 0.4%, 0.48%

LAB 64.47, -35.84, 5.74

 

CMYK 52 / 0 / 14 / 25

HEX #5BBFA4

RGB 91 191 164

HSL 163.8, 0.44%, 0.55%

LAB 70.99, -35.85, 4.74

 

CMYK 48 / 0 / 12 / 18

HEX #6CD1B7

RGB 108 209 183

HSL 164.55, 0.52%, 0.62%

LAB 77.41, -35.78, 3.82

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 85 / 0 / 22 / 53

HEX #12775D

RGB 18 119 93

HSL 164.55, 0.74%, 0.27%

LAB 44.39, -33.93, 6.63

 

CMYK 99 / 0 / 27 / 60

HEX #01654A

RGB 1 101 74

HSL 163.8, 0.98%, 0.2%

LAB 37.5, -32.59, 8.26

 

CMYK 100 / 0 / 34 / 67

HEX #005337

RGB 0 83 55

HSL 159.76, 1%, 0.16%

LAB 30.55, -29.94, 10.29

 

CMYK 100 / 0 / 45 / 75

HEX #004124

RGB 0 65 36

HSL 153.23, 1%, 0.13%

LAB 23.36, -26.99, 12.53

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 74 / 0 / 38 / 46

HEX #238955

RGB 35 137 85

HSL 149.41, 0.59%, 0.34%

LAB 50.58, -41.26, 19.84

 

CMYK 74 / 0 / 58 / 46

HEX #238939

RGB 35 137 57

HSL 132.94, 0.59%, 0.34%

LAB 50.15, -46.15, 34.3

 

CMYK 70 / 0 / 74 / 46

HEX #298923

RGB 41 137 35

HSL 116.47, 0.59%, 0.34%

LAB 50.08, -47.5, 44.16

 

CMYK 50 / 0 / 74 / 46

HEX #448923

RGB 68 137 35

HSL 100.59, 0.59%, 0.34%

LAB 50.97, -40.41, 45.35

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 74 / 1 / 0 / 46

HEX #238789

RGB 35 135 137

HSL 181.18, 0.59%, 0.34%

LAB 51.26, -26.65, -9.22

 

CMYK 74 / 22 / 0 / 46

HEX #236B89

RGB 35 107 137

HSL 197.65, 0.59%, 0.34%

LAB 42.28, -11.53, -22.91

 

CMYK 74 / 42 / 0 / 46

HEX #235089

RGB 35 80 137

HSL 213.53, 0.59%, 0.34%

LAB 33.78, 5.28, -36.27

 

CMYK 74 / 62 / 0 / 46

HEX #233489

RGB 35 52 137

HSL 230, 0.59%, 0.34%

LAB 25.62, 24.4, -49.42

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 86 / 0 / 21 / 41

HEX #159777

RGB 21 151 119

HSL 165.23, 0.76%, 0.34%

LAB 55.71, -40.67, 7.65

 

CMYK 96 / 0 / 23 / 35

HEX #07A57F

RGB 7 165 127

HSL 165.57, 0.92%, 0.34%

LAB 60.33, -45.23, 9.68

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 60 / 0 / 15 / 52

HEX #317B69

RGB 49 123 105

HSL 165.41, 0.43%, 0.34%

LAB 46.76, -27.61, 3.01

 

CMYK 42 / 0 / 10 / 57

HEX #3F6D62

RGB 63 109 98

HSL 165.65, 0.27%, 0.34%

LAB 42.58, -18.64, 1.19

 

CMYK 19 / 0 / 4 / 63

HEX #4D5F5B

RGB 77 95 91

HSL 166.67, 0.1%, 0.34%

LAB 38.76, -7.77, 0

 

CMYK 0 / 11 / 8 / 64

HEX #5B5154

RGB 91 81 84

HSL 342, 0.06%, 0.34%

LAB 35.5, 4.72, -0.26

 

CMYK 74 / 0 / 58 / 46

HEX #238939

RGB 35 137 57

HSL 132.94, 0.59%, 0.34%

LAB 50.15, -46.15, 34.3

 

CMYK 74 / 0 / 39 / 46

HEX #238954

RGB 35 137 84

HSL 148.82, 0.59%, 0.34%

LAB 50.56, -41.47, 20.38

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 74 / 1 / 0 / 46

HEX #238889

RGB 35 136 137

HSL 180.59, 0.59%, 0.34%

LAB 51.58, -27.15, -8.74

 

CMYK 74 / 21 / 0 / 46

HEX #236C89

RGB 35 108 137

HSL 197.06, 0.59%, 0.34%

LAB 42.59, -12.11, -22.41

 

CMYK 75 / 0 / 18 / 72

HEX #12483B

RGB 18 72 59

HSL 165.56, 0.6%, 0.18%

LAB 26.96, -21.13, 2.73

 

CMYK 74 / 0 / 19 / 59

HEX #1B6955

RGB 27 105 85

HSL 164.62, 0.59%, 0.26%

LAB 39.57, -28.51, 4.56

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 74 / 0 / 18 / 33

HEX #2CAA8B

RGB 44 170 139

HSL 165.24, 0.59%, 0.42%

LAB 62.63, -41.18, 6.33

 

CMYK 74 / 0 / 18 / 21

HEX #35CAA6

RGB 53 202 166

HSL 165.5, 0.58%, 0.5%

LAB 73.38, -46.85, 6.97

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 74 / 71 / 0 / 46

HEX #232889

RGB 35 40 137

HSL 237.06, 0.59%, 0.34%

LAB 22.59, 32.4, -54.39

 

CMYK 0 / 48 / 74 / 46

HEX #894723

RGB 137 71 35

HSL 21.18, 0.59%, 0.34%

LAB 37.75, 25.11, 33.41

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 18 / 74 / 0 / 46

HEX #702389

RGB 112 35 137

HSL 285.29, 0.59%, 0.34%

LAB 30.53, 48.87, -41.08

 

CMYK 0 / 18 / 74 / 46

HEX #897023

RGB 137 112 35

HSL 45.29, 0.59%, 0.34%

LAB 48.3, 1.3, 44.3

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 74 / 71 / 0 / 46

HEX #232889

RGB 35 40 137

HSL 237.06, 0.59%, 0.34%

LAB 22.59, 32.4, -54.39

 

CMYK 0 / 74 / 55 / 46

HEX #89233D

RGB 137 35 61

HSL 344.71, 0.59%, 0.34%

LAB 31.48, 44.49, 9.68

 

CMYK 0 / 4 / 74 / 46

HEX #898423

RGB 137 132 35

HSL 57.06, 0.59%, 0.34%

LAB 53.97, -9.88, 49.83

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 55 / 74 / 0 / 46

HEX #3D2389

RGB 61 35 137

HSL 255.29, 0.59%, 0.34%

LAB 23.67, 38.99, -52.53

 

CMYK 0 / 74 / 55 / 46

HEX #89233D

RGB 137 35 61

HSL 344.71, 0.59%, 0.34%

LAB 31.48, 44.49, 9.68

 

CMYK 18 / 0 / 74 / 46

HEX #708923

RGB 112 137 35

HSL 74.71, 0.59%, 0.34%

LAB 53.45, -23.66, 48.63

 

Description

Color code: HEX #238970 | qconv.com Color code: HEX #238970 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 137 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 137 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 18 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 18% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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