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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238A93 it is the complementary color #DC756C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238A93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238A93 shade: #288A8E, #399CA1, #4AAEB4, #5BC0C7 and #6CD2DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238A93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238A93 shade: #238A93, #127880, #01666D, #00545A and #004247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238A93 shade: #228B94, #226C94, #224E94, #222F94 and #342294

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238A93 shade: #228B94, #226C94, #224E94, #222F94 and #222294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238A93 shade matches the following richer shades: #228B94, #1498A3 and #05A4B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238A93 shade: #228B94, #317F85, #407277, #4F6668 and #5E5959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238A93 shade: #22945F, #22947D, #228D94, #226E94 and #225094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238A93 shade: #134C51, #1B6C73, #228B94, #2AAAB6 and #39C4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238A93 shade: #238A93, #412294 and #946E22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238A93 shade: #238A93, #94228D and #8D9422

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238A93 shade: #238A93, #412294, #942A22 and #769422

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238A93 shade: #238A93, #632294, #942A22 and #549422

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 6 / 0 / 42

HEX #238A93

RGB 35 138 147

HSL 184.82, 0.62%, 0.36%

LAB 52.55, -25, -13.08

 

Complementary color

CMYK 0 / 47 / 51 / 14

HEX #DC756C

RGB 220 117 108

HSL 4.82, 0.62%, 0.64%

LAB 60.8, 39.18, 23.15

 

CMYK 72 / 3 / 0 / 44

HEX #288A8E

RGB 40 138 142

HSL 182.35, 0.56%, 0.36%

LAB 52.49, -25.93, -10.27

 

CMYK 65 / 3 / 0 / 37

HEX #399CA1

RGB 57 156 161

HSL 182.88, 0.48%, 0.43%

LAB 59.18, -26.6, -11.09

 

CMYK 59 / 3 / 0 / 29

HEX #4AAEB4

RGB 74 174 180

HSL 183.4, 0.42%, 0.5%

LAB 65.77, -27.04, -11.83

 

CMYK 54 / 4 / 0 / 22

HEX #5BC0C7

RGB 91 192 199

HSL 183.89, 0.49%, 0.57%

LAB 72.26, -27.34, -12.5

 

CMYK 50 / 4 / 0 / 15

HEX #6CD2DA

RGB 108 210 218

HSL 184.36, 0.6%, 0.64%

LAB 78.66, -27.53, -13.11

 

CMYK 76 / 6 / 0 / 42

HEX #238A93

RGB 35 138 147

HSL 184.82, 0.62%, 0.36%

LAB 52.55, -25, -13.08

 

CMYK 86 / 6 / 0 / 50

HEX #127880

RGB 18 120 128

HSL 184.36, 0.75%, 0.29%

LAB 45.8, -23.73, -12.16

 

CMYK 99 / 6 / 0 / 57

HEX #01666D

RGB 1 102 109

HSL 183.89, 0.98%, 0.22%

LAB 38.92, -22.04, -11.11

 

CMYK 100 / 7 / 0 / 65

HEX #00545A

RGB 0 84 90

HSL 184, 1%, 0.18%

LAB 31.99, -19.29, -9.77

 

CMYK 100 / 7 / 0 / 72

HEX #004247

RGB 0 66 71

HSL 184.23, 1%, 0.14%

LAB 24.8, -16.36, -8.37

 

CMYK 77 / 6 / 0 / 42

HEX #228B94

RGB 34 139 148

HSL 184.74, 0.63%, 0.36%

LAB 52.89, -25.31, -13.16

 

CMYK 77 / 27 / 0 / 42

HEX #226C94

RGB 34 108 148

HSL 201.05, 0.63%, 0.36%

LAB 43.07, -8.26, -28.25

 

CMYK 77 / 47 / 0 / 42

HEX #224E94

RGB 34 78 148

HSL 216.84, 0.63%, 0.36%

LAB 33.83, 10.8, -42.89

 

CMYK 77 / 68 / 0 / 42

HEX #222F94

RGB 34 47 148

HSL 233.16, 0.63%, 0.36%

LAB 25.29, 31.81, -56.77

 

CMYK 65 / 77 / 0 / 42

HEX #342294

RGB 52 34 148

HSL 249.47, 0.63%, 0.36%

LAB 23.71, 41.69, -59.32

 

CMYK 77 / 6 / 0 / 42

HEX #228B94

RGB 34 139 148

HSL 184.74, 0.63%, 0.36%

LAB 52.89, -25.31, -13.16

 

CMYK 77 / 27 / 0 / 42

HEX #226C94

RGB 34 108 148

HSL 201.05, 0.63%, 0.36%

LAB 43.07, -8.26, -28.25

 

CMYK 77 / 47 / 0 / 42

HEX #224E94

RGB 34 78 148

HSL 216.84, 0.63%, 0.36%

LAB 33.83, 10.8, -42.89

 

CMYK 77 / 68 / 0 / 42

HEX #222F94

RGB 34 47 148

HSL 233.16, 0.63%, 0.36%

LAB 25.29, 31.81, -56.77

 

CMYK 77 / 77 / 0 / 42

HEX #222294

RGB 34 34 148

HSL 240, 0.63%, 0.36%

LAB 22.38, 39.84, -61.57

 

CMYK 77 / 6 / 0 / 42

HEX #228B94

RGB 34 139 148

HSL 184.74, 0.63%, 0.36%

LAB 52.89, -25.31, -13.16

 

CMYK 88 / 7 / 0 / 36

HEX #1498A3

RGB 20 152 163

HSL 184.62, 0.78%, 0.36%

LAB 57.32, -28.22, -15.1

 

CMYK 97 / 8 / 0 / 30

HEX #05A4B2

RGB 5 164 178

HSL 184.86, 0.95%, 0.36%

LAB 61.48, -29.91, -17.29

 

CMYK 77 / 6 / 0 / 42

HEX #228B94

RGB 34 139 148

HSL 184.74, 0.63%, 0.36%

LAB 52.89, -25.31, -13.16

 

CMYK 63 / 5 / 0 / 48

HEX #317F85

RGB 49 127 133

HSL 184.29, 0.46%, 0.36%

LAB 48.92, -21.6, -10.35

 

CMYK 46 / 4 / 0 / 53

HEX #407277

RGB 64 114 119

HSL 185.45, 0.3%, 0.36%

LAB 44.88, -15.39, -8.03

 

CMYK 24 / 2 / 0 / 59

HEX #4F6668

RGB 79 102 104

HSL 184.8, 0.14%, 0.36%

LAB 41.48, -8.02, -3.95

 

CMYK 0 / 5 / 5 / 63

HEX #5E5959

RGB 94 89 89

HSL 0, 0.03%, 0.36%

LAB 38.28, 2.01, 0.71

 

CMYK 77 / 0 / 36 / 42

HEX #22945F

RGB 34 148 95

HSL 152.11, 0.63%, 0.36%

LAB 54.39, -43.73, 19.38

 

CMYK 77 / 0 / 16 / 42

HEX #22947D

RGB 34 148 125

HSL 167.89, 0.63%, 0.36%

LAB 55.07, -36.44, 3.34

 

CMYK 77 / 5 / 0 / 42

HEX #228D94

RGB 34 141 148

HSL 183.68, 0.63%, 0.36%

LAB 53.52, -26.32, -12.2

 

CMYK 77 / 26 / 0 / 42

HEX #226E94

RGB 34 110 148

HSL 200, 0.63%, 0.36%

LAB 43.7, -9.44, -27.27

 

CMYK 77 / 46 / 0 / 42

HEX #225094

RGB 34 80 148

HSL 215.79, 0.63%, 0.36%

LAB 34.43, 9.46, -41.93

 

CMYK 77 / 6 / 0 / 68

HEX #134C51

RGB 19 76 81

HSL 184.84, 0.62%, 0.2%

LAB 29.16, -15.98, -8.26

 

CMYK 77 / 6 / 0 / 55

HEX #1B6C73

RGB 27 108 115

HSL 184.77, 0.62%, 0.28%

LAB 41.53, -20.83, -10.79

 

CMYK 77 / 6 / 0 / 42

HEX #228B94

RGB 34 139 148

HSL 184.74, 0.63%, 0.36%

LAB 52.89, -25.31, -13.16

 

CMYK 77 / 7 / 0 / 29

HEX #2AAAB6

RGB 42 170 182

HSL 185.14, 0.63%, 0.44%

LAB 63.85, -29.16, -15.9

 

CMYK 73 / 6 / 0 / 18

HEX #39C4D0

RGB 57 196 208

HSL 184.77, 0.62%, 0.52%

LAB 72.83, -32.13, -16.63

 

CMYK 76 / 6 / 0 / 42

HEX #238A93

RGB 35 138 147

HSL 184.82, 0.62%, 0.36%

LAB 52.55, -25, -13.08

 

CMYK 56 / 77 / 0 / 42

HEX #412294

RGB 65 34 148

HSL 256.32, 0.63%, 0.36%

LAB 24.97, 43.41, -57.21

 

CMYK 0 / 26 / 77 / 42

HEX #946E22

RGB 148 110 34

HSL 40, 0.63%, 0.36%

LAB 48.96, 7.53, 45.79

 

CMYK 76 / 6 / 0 / 42

HEX #238A93

RGB 35 138 147

HSL 184.82, 0.62%, 0.36%

LAB 52.55, -25, -13.08

 

CMYK 0 / 77 / 5 / 42

HEX #94228D

RGB 148 34 141

HSL 303.68, 0.63%, 0.36%

LAB 36.67, 57.9, -33.39

 

CMYK 5 / 0 / 77 / 42

HEX #8D9422

RGB 141 148 34

HSL 63.68, 0.63%, 0.36%

LAB 58.94, -16.64, 54.98

 

CMYK 76 / 6 / 0 / 42

HEX #238A93

RGB 35 138 147

HSL 184.82, 0.62%, 0.36%

LAB 52.55, -25, -13.08

 

CMYK 56 / 77 / 0 / 42

HEX #412294

RGB 65 34 148

HSL 256.32, 0.63%, 0.36%

LAB 24.97, 43.41, -57.21

 

CMYK 0 / 72 / 77 / 42

HEX #942A22

RGB 148 42 34

HSL 4.21, 0.63%, 0.36%

LAB 34.12, 43.73, 30.59

 

CMYK 20 / 0 / 77 / 42

HEX #769422

RGB 118 148 34

HSL 75.79, 0.63%, 0.36%

LAB 57.22, -26.62, 52.76

 

CMYK 76 / 6 / 0 / 42

HEX #238A93

RGB 35 138 147

HSL 184.82, 0.62%, 0.36%

LAB 52.55, -25, -13.08

 

CMYK 33 / 77 / 0 / 42

HEX #632294

RGB 99 34 148

HSL 274.21, 0.63%, 0.36%

LAB 29.25, 49.09, -50.04

 

CMYK 0 / 72 / 77 / 42

HEX #942A22

RGB 148 42 34

HSL 4.21, 0.63%, 0.36%

LAB 34.12, 43.73, 30.59

 

CMYK 43 / 0 / 77 / 42

HEX #549422

RGB 84 148 34

HSL 93.68, 0.63%, 0.36%

LAB 55.26, -39.77, 50.2

 

Description

Color code: HEX #238A93 | qconv.com Color code: HEX #238A93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 138 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 138 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 6 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 6% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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