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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #238DA3 it is the complementary color #DC725C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #238DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #238DA3 shade: #288D9E, #399FB1, #4AB1C4, #5BC3D7 and #6CD5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #238DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #238DA3 shade: #238DA3, #127B90, #01697D, #00576A and #004557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #238DA3 shade: #228DA4, #226BA4, #2248A4, #2225A4 and #4322A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #238DA3 shade: #228DA4, #226BA4, #2248A4, #2225A4 and #2222A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #238DA3 shade matches the following richer shades: #228DA4, #1298B4 and #02A2C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #238DA3 shade: #228DA4, #328394, #427883, #536E73 and #636363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #238DA3 shade: #22A474, #22A497, #228EA4, #226CA4 and #2249A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #238DA3 shade: #145360, #1B7082, #228DA4, #2AABC6 and #42BDD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #238DA3 shade: #238DA3, #5222A4 and #A48522

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #238DA3 shade: #238DA3, #A4228E and #8EA422

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #238DA3 shade: #238DA3, #5222A4, #A43822 and #74A422

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #238DA3 shade: #238DA3, #7822A4, #A43822 and #4DA422

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 13 / 0 / 36

HEX #238DA3

RGB 35 141 163

HSL 190.31, 0.65%, 0.39%

LAB 54.08, -21.31, -20.01

 

Complementary color

CMYK 0 / 48 / 58 / 14

HEX #DC725C

RGB 220 114 92

HSL 10.31, 0.65%, 0.61%

LAB 59.91, 39.41, 31

 

CMYK 75 / 11 / 0 / 38

HEX #288D9E

RGB 40 141 158

HSL 188.64, 0.6%, 0.39%

LAB 53.99, -22.38, -17.25

 

CMYK 68 / 10 / 0 / 31

HEX #399FB1

RGB 57 159 177

HSL 189, 0.51%, 0.46%

LAB 60.64, -23.25, -17.93

 

CMYK 62 / 10 / 0 / 23

HEX #4AB1C4

RGB 74 177 196

HSL 189.34, 0.51%, 0.53%

LAB 67.19, -23.88, -18.55

 

CMYK 58 / 9 / 0 / 16

HEX #5BC3D7

RGB 91 195 215

HSL 189.68, 0.61%, 0.6%

LAB 73.65, -24.34, -19.11

 

CMYK 54 / 9 / 0 / 8

HEX #6CD5EA

RGB 108 213 234

HSL 190, 0.75%, 0.67%

LAB 80.02, -24.67, -19.63

 

CMYK 79 / 13 / 0 / 36

HEX #238DA3

RGB 35 141 163

HSL 190.31, 0.65%, 0.39%

LAB 54.08, -21.31, -20.01

 

CMYK 88 / 15 / 0 / 44

HEX #127B90

RGB 18 123 144

HSL 190, 0.78%, 0.32%

LAB 47.38, -19.81, -19.23

 

CMYK 99 / 16 / 0 / 51

HEX #01697D

RGB 1 105 125

HSL 189.68, 0.98%, 0.25%

LAB 40.56, -17.88, -18.36

 

CMYK 100 / 18 / 0 / 58

HEX #00576A

RGB 0 87 106

HSL 190.75, 1%, 0.21%

LAB 33.68, -14.96, -17.25

 

CMYK 100 / 21 / 0 / 66

HEX #004557

RGB 0 69 87

HSL 192.41, 1%, 0.17%

LAB 26.58, -11.82, -16.13

 

CMYK 79 / 14 / 0 / 36

HEX #228DA4

RGB 34 141 164

HSL 190.62, 0.66%, 0.39%

LAB 54.1, -21.08, -20.55

 

CMYK 79 / 35 / 0 / 36

HEX #226BA4

RGB 34 107 164

HSL 206.31, 0.66%, 0.39%

LAB 43.56, -1.65, -36.96

 

CMYK 79 / 56 / 0 / 36

HEX #2248A4

RGB 34 72 164

HSL 222.46, 0.66%, 0.39%

LAB 33.25, 21.18, -53.49

 

CMYK 79 / 77 / 0 / 36

HEX #2225A4

RGB 34 37 164

HSL 238.62, 0.66%, 0.39%

LAB 24.78, 43.56, -67.4

 

CMYK 59 / 79 / 0 / 36

HEX #4322A4

RGB 67 34 164

HSL 255.23, 0.66%, 0.39%

LAB 26.79, 48.33, -64

 

CMYK 79 / 14 / 0 / 36

HEX #228DA4

RGB 34 141 164

HSL 190.62, 0.66%, 0.39%

LAB 54.1, -21.08, -20.55

 

CMYK 79 / 35 / 0 / 36

HEX #226BA4

RGB 34 107 164

HSL 206.31, 0.66%, 0.39%

LAB 43.56, -1.65, -36.96

 

CMYK 79 / 56 / 0 / 36

HEX #2248A4

RGB 34 72 164

HSL 222.46, 0.66%, 0.39%

LAB 33.25, 21.18, -53.49

 

CMYK 79 / 77 / 0 / 36

HEX #2225A4

RGB 34 37 164

HSL 238.62, 0.66%, 0.39%

LAB 24.78, 43.56, -67.4

 

CMYK 79 / 79 / 0 / 36

HEX #2222A4

RGB 34 34 164

HSL 240, 0.66%, 0.39%

LAB 24.21, 45.2, -68.34

 

CMYK 79 / 14 / 0 / 36

HEX #228DA4

RGB 34 141 164

HSL 190.62, 0.66%, 0.39%

LAB 54.1, -21.08, -20.55

 

CMYK 90 / 16 / 0 / 29

HEX #1298B4

RGB 18 152 180

HSL 190.37, 0.82%, 0.39%

LAB 57.92, -22.65, -23.84

 

CMYK 99 / 17 / 0 / 23

HEX #02A2C4

RGB 2 162 196

HSL 190.52, 0.98%, 0.39%

LAB 61.52, -22.95, -27.33

 

CMYK 79 / 14 / 0 / 36

HEX #228DA4

RGB 34 141 164

HSL 190.62, 0.66%, 0.39%

LAB 54.1, -21.08, -20.55

 

CMYK 66 / 11 / 0 / 42

HEX #328394

RGB 50 131 148

HSL 190.41, 0.49%, 0.39%

LAB 50.74, -18.84, -16.38

 

CMYK 50 / 8 / 0 / 49

HEX #427883

RGB 66 120 131

HSL 190.15, 0.33%, 0.39%

LAB 47.27, -14.72, -11.58

 

CMYK 28 / 4 / 0 / 55

HEX #536E73

RGB 83 110 115

HSL 189.38, 0.16%, 0.39%

LAB 44.56, -8.55, -6

 

CMYK 0 / 0 / 0 / 61

HEX #636363

RGB 99 99 99

HSL 0, 0%, 0.39%

LAB 41.96, 0, -0.01

 

CMYK 79 / 0 / 29 / 36

HEX #22A474

RGB 34 164 116

HSL 157.85, 0.66%, 0.39%

LAB 60.03, -45.5, 15.42

 

CMYK 79 / 0 / 8 / 36

HEX #22A497

RGB 34 164 151

HSL 174, 0.66%, 0.39%

LAB 60.89, -36.43, -2.94

 

CMYK 79 / 13 / 0 / 36

HEX #228EA4

RGB 34 142 164

HSL 190.15, 0.66%, 0.39%

LAB 54.41, -21.61, -20.07

 

CMYK 79 / 34 / 0 / 36

HEX #226CA4

RGB 34 108 164

HSL 205.85, 0.66%, 0.39%

LAB 43.87, -2.27, -36.48

 

CMYK 79 / 55 / 0 / 36

HEX #2249A4

RGB 34 73 164

HSL 222, 0.66%, 0.39%

LAB 33.53, 20.5, -53.04

 

CMYK 79 / 14 / 0 / 62

HEX #145360

RGB 20 83 96

HSL 190.26, 0.66%, 0.23%

LAB 32.21, -14.5, -13.2

 

CMYK 79 / 14 / 0 / 49

HEX #1B7082

RGB 27 112 130

HSL 190.49, 0.66%, 0.31%

LAB 43.41, -17.88, -16.98

 

CMYK 79 / 14 / 0 / 36

HEX #228DA4

RGB 34 141 164

HSL 190.62, 0.66%, 0.39%

LAB 54.1, -21.08, -20.55

 

CMYK 79 / 14 / 0 / 22

HEX #2AABC6

RGB 42 171 198

HSL 190.38, 0.65%, 0.47%

LAB 64.72, -24.56, -23.49

 

CMYK 69 / 12 / 0 / 16

HEX #42BDD6

RGB 66 189 214

HSL 190.14, 0.64%, 0.55%

LAB 71.15, -25.72, -22.42

 

CMYK 79 / 13 / 0 / 36

HEX #238DA3

RGB 35 141 163

HSL 190.31, 0.65%, 0.39%

LAB 54.08, -21.31, -20.01

 

CMYK 50 / 79 / 0 / 36

HEX #5222A4

RGB 82 34 164

HSL 262.15, 0.66%, 0.39%

LAB 28.43, 50.32, -61.23

 

CMYK 0 / 19 / 79 / 36

HEX #A48522

RGB 164 133 34

HSL 45.69, 0.66%, 0.39%

LAB 56.86, 1.9, 53.85

 

CMYK 79 / 13 / 0 / 36

HEX #238DA3

RGB 35 141 163

HSL 190.31, 0.65%, 0.39%

LAB 54.08, -21.31, -20.01

 

CMYK 0 / 79 / 13 / 36

HEX #A4228E

RGB 164 34 142

HSL 310.15, 0.66%, 0.39%

LAB 39.56, 61.64, -29.26

 

CMYK 13 / 0 / 79 / 36

HEX #8EA422

RGB 142 164 34

HSL 70.15, 0.66%, 0.39%

LAB 63.69, -24.32, 59.35

 

CMYK 79 / 13 / 0 / 36

HEX #238DA3

RGB 35 141 163

HSL 190.31, 0.65%, 0.39%

LAB 54.08, -21.31, -20.01

 

CMYK 50 / 79 / 0 / 36

HEX #5222A4

RGB 82 34 164

HSL 262.15, 0.66%, 0.39%

LAB 28.43, 50.32, -61.23

 

CMYK 0 / 66 / 79 / 36

HEX #A43822

RGB 164 56 34

HSL 10.15, 0.66%, 0.39%

LAB 39.3, 43.41, 36.97

 

CMYK 29 / 0 / 79 / 36

HEX #74A422

RGB 116 164 34

HSL 82.15, 0.66%, 0.39%

LAB 61.98, -34.97, 57.16

 

CMYK 79 / 13 / 0 / 36

HEX #238DA3

RGB 35 141 163

HSL 190.31, 0.65%, 0.39%

LAB 54.08, -21.31, -20.01

 

CMYK 27 / 79 / 0 / 36

HEX #7822A4

RGB 120 34 164

HSL 279.69, 0.66%, 0.39%

LAB 33.6, 56.52, -52.57

 

CMYK 0 / 66 / 79 / 36

HEX #A43822

RGB 164 56 34

HSL 10.15, 0.66%, 0.39%

LAB 39.3, 43.41, 36.97

 

CMYK 53 / 0 / 79 / 36

HEX #4DA422

RGB 77 164 34

HSL 100.15, 0.66%, 0.39%

LAB 60.11, -48.43, 54.74

 

Description

Color code: HEX #238DA3 | qconv.com Color code: HEX #238DA3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 141 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 141 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 13 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 13% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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