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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #239856 it is the complementary color #DC67A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #239856. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #239856 shade: #289851, #39AA64, #4ABC77, #5BCE8A and #6CE09D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #239856. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #239856 shade: #239856, #128643, #017430, #00621D and #00500A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #239856 shade: #229956, #229936, #2F9922, #4F9922 and #6F9922

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #239856 shade: #229956, #229976, #229996, #227C99 and #225C99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #239856 shade matches the following richer shades: #229956, #13A954 and #04B852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #239856 shade: #229956, #328A58, #417B5A, #506B5C and #5F5C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #239856 shade: #2E9922, #229936, #229956, #229976 and #229995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #239856 shade: #135630, #1B7843, #229956, #2ABB69 and #3CD27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #239856 shade: #239856, #224E99 and #992622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #239856 shade: #239856, #562299 and #995622

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #239856 shade: #239856, #224E99, #992266 and #996E22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #239856 shade: #239856, #222A99, #992266 and #999122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 43 / 40

HEX #239856

RGB 35 152 86

HSL 146.15, 0.63%, 0.37%

LAB 55.57, -46.96, 25.88

 

Complementary color

CMYK 0 / 53 / 23 / 14

HEX #DC67A9

RGB 220 103 169

HSL 326.15, 0.63%, 0.63%

LAB 59.69, 53.15, -13.58

 

CMYK 74 / 0 / 47 / 40

HEX #289851

RGB 40 152 81

HSL 141.96, 0.58%, 0.38%

LAB 55.59, -47.11, 28.6

 

CMYK 66 / 0 / 41 / 33

HEX #39AA64

RGB 57 170 100

HSL 142.83, 0.5%, 0.45%

LAB 62.12, -47.67, 27.02

 

CMYK 61 / 0 / 37 / 26

HEX #4ABC77

RGB 74 188 119

HSL 143.68, 0.46%, 0.51%

LAB 68.57, -47.91, 25.57

 

CMYK 56 / 0 / 33 / 19

HEX #5BCE8A

RGB 91 206 138

HSL 144.52, 0.54%, 0.58%

LAB 74.95, -47.96, 24.24

 

CMYK 52 / 0 / 30 / 12

HEX #6CE09D

RGB 108 224 157

HSL 145.34, 0.65%, 0.65%

LAB 81.26, -47.89, 23

 

CMYK 77 / 0 / 43 / 40

HEX #239856

RGB 35 152 86

HSL 146.15, 0.63%, 0.37%

LAB 55.57, -46.96, 25.88

 

CMYK 87 / 0 / 50 / 47

HEX #128643

RGB 18 134 67

HSL 145.34, 0.76%, 0.3%

LAB 48.99, -45.76, 27.63

 

CMYK 99 / 0 / 59 / 55

HEX #017430

RGB 1 116 48

HSL 144.52, 0.98%, 0.23%

LAB 42.32, -43.92, 29.46

 

CMYK 100 / 0 / 70 / 62

HEX #00621D

RGB 0 98 29

HSL 137.76, 1%, 0.19%

LAB 35.64, -40.53, 31.27

 

CMYK 100 / 0 / 88 / 69

HEX #00500A

RGB 0 80 10

HSL 127.5, 1%, 0.16%

LAB 28.8, -36.43, 32.18

 

CMYK 78 / 0 / 44 / 40

HEX #229956

RGB 34 153 86

HSL 146.22, 0.64%, 0.37%

LAB 55.88, -47.48, 26.28

 

CMYK 78 / 0 / 65 / 40

HEX #229936

RGB 34 153 54

HSL 130.08, 0.64%, 0.37%

LAB 55.47, -52.33, 41.85

 

CMYK 69 / 0 / 78 / 40

HEX #2F9922

RGB 47 153 34

HSL 113.45, 0.64%, 0.37%

LAB 55.59, -51.92, 50.07

 

CMYK 48 / 0 / 78 / 40

HEX #4F9922

RGB 79 153 34

HSL 97.31, 0.64%, 0.37%

LAB 56.64, -43.5, 51.46

 

CMYK 27 / 0 / 78 / 40

HEX #6F9922

RGB 111 153 34

HSL 81.18, 0.64%, 0.37%

LAB 58.3, -31.88, 53.62

 

CMYK 78 / 0 / 44 / 40

HEX #229956

RGB 34 153 86

HSL 146.22, 0.64%, 0.37%

LAB 55.88, -47.48, 26.28

 

CMYK 78 / 0 / 23 / 40

HEX #229976

RGB 34 153 118

HSL 162.35, 0.64%, 0.37%

LAB 56.52, -40.46, 9.39

 

CMYK 78 / 0 / 2 / 40

HEX #229996

RGB 34 153 150

HSL 178.49, 0.64%, 0.37%

LAB 57.39, -31.59, -7.56

 

CMYK 78 / 19 / 0 / 40

HEX #227C99

RGB 34 124 153

HSL 194.62, 0.64%, 0.37%

LAB 48.33, -15.65, -23.04

 

CMYK 78 / 40 / 0 / 40

HEX #225C99

RGB 34 92 153

HSL 210.76, 0.64%, 0.37%

LAB 38.37, 3.56, -38.66

 

CMYK 78 / 0 / 44 / 40

HEX #229956

RGB 34 153 86

HSL 146.22, 0.64%, 0.37%

LAB 55.88, -47.48, 26.28

 

CMYK 89 / 0 / 50 / 34

HEX #13A954

RGB 19 169 84

HSL 146, 0.8%, 0.37%

LAB 60.92, -55.14, 33.71

 

CMYK 98 / 0 / 55 / 28

HEX #04B852

RGB 4 184 82

HSL 146, 0.96%, 0.37%

LAB 65.68, -61.21, 40.53

 

CMYK 78 / 0 / 44 / 40

HEX #229956

RGB 34 153 86

HSL 146.22, 0.64%, 0.37%

LAB 55.88, -47.48, 26.28

 

CMYK 64 / 0 / 36 / 46

HEX #328A58

RGB 50 138 88

HSL 145.91, 0.47%, 0.37%

LAB 51.34, -38.26, 19.24

 

CMYK 47 / 0 / 27 / 52

HEX #417B5A

RGB 65 123 90

HSL 145.86, 0.31%, 0.37%

LAB 47.01, -27.14, 12.27

 

CMYK 25 / 0 / 14 / 58

HEX #506B5C

RGB 80 107 92

HSL 146.67, 0.14%, 0.37%

LAB 42.75, -13.35, 5.2

 

CMYK 0 / 3 / 1 / 63

HEX #5F5C5E

RGB 95 92 94

HSL 320, 0.02%, 0.37%

LAB 39.4, 1.61, -0.73

 

CMYK 70 / 0 / 78 / 40

HEX #2E9922

RGB 46 153 34

HSL 113.95, 0.64%, 0.37%

LAB 55.56, -52.13, 50.04

 

CMYK 78 / 0 / 65 / 40

HEX #229936

RGB 34 153 54

HSL 130.08, 0.64%, 0.37%

LAB 55.47, -52.33, 41.85

 

CMYK 78 / 0 / 44 / 40

HEX #229956

RGB 34 153 86

HSL 146.22, 0.64%, 0.37%

LAB 55.88, -47.48, 26.28

 

CMYK 78 / 0 / 23 / 40

HEX #229976

RGB 34 153 118

HSL 162.35, 0.64%, 0.37%

LAB 56.52, -40.46, 9.39

 

CMYK 78 / 0 / 3 / 40

HEX #229995

RGB 34 153 149

HSL 177.98, 0.64%, 0.37%

LAB 57.36, -31.89, -7.03

 

CMYK 78 / 0 / 44 / 66

HEX #135630

RGB 19 86 48

HSL 145.97, 0.64%, 0.21%

LAB 31.82, -30.36, 16.35

 

CMYK 78 / 0 / 44 / 53

HEX #1B7843

RGB 27 120 67

HSL 145.81, 0.63%, 0.29%

LAB 44.33, -39.3, 21.7

 

CMYK 78 / 0 / 44 / 40

HEX #229956

RGB 34 153 86

HSL 146.22, 0.64%, 0.37%

LAB 55.88, -47.48, 26.28

 

CMYK 78 / 0 / 44 / 27

HEX #2ABB69

RGB 42 187 105

HSL 146.07, 0.63%, 0.45%

LAB 67.32, -55.54, 31.12

 

CMYK 71 / 0 / 40 / 18

HEX #3CD27D

RGB 60 210 125

HSL 146, 0.63%, 0.53%

LAB 75.16, -57.84, 31.12

 

CMYK 77 / 0 / 43 / 40

HEX #239856

RGB 35 152 86

HSL 146.15, 0.63%, 0.37%

LAB 55.57, -46.96, 25.88

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 0 / 75 / 78 / 40

HEX #992622

RGB 153 38 34

HSL 2.02, 0.64%, 0.37%

LAB 34.55, 46.93, 31.34

 

CMYK 77 / 0 / 43 / 40

HEX #239856

RGB 35 152 86

HSL 146.15, 0.63%, 0.37%

LAB 55.57, -46.96, 25.88

 

CMYK 44 / 78 / 0 / 40

HEX #562299

RGB 86 34 153

HSL 266.22, 0.64%, 0.37%

LAB 27.91, 48.04, -55.37

 

CMYK 0 / 44 / 78 / 40

HEX #995622

RGB 153 86 34

HSL 26.22, 0.64%, 0.37%

LAB 43.57, 23.57, 40.7

 

CMYK 77 / 0 / 43 / 40

HEX #239856

RGB 35 152 86

HSL 146.15, 0.63%, 0.37%

LAB 55.57, -46.96, 25.88

 

CMYK 78 / 49 / 0 / 40

HEX #224E99

RGB 34 78 153

HSL 217.82, 0.64%, 0.37%

LAB 34.17, 12.78, -45.38

 

CMYK 0 / 78 / 33 / 40

HEX #992266

RGB 153 34 102

HSL 325.71, 0.64%, 0.37%

LAB 35.74, 53.66, -10.35

 

CMYK 0 / 28 / 78 / 40

HEX #996E22

RGB 153 110 34

HSL 38.32, 0.64%, 0.37%

LAB 49.54, 9.84, 46.56

 

CMYK 77 / 0 / 43 / 40

HEX #239856

RGB 35 152 86

HSL 146.15, 0.63%, 0.37%

LAB 55.57, -46.96, 25.88

 

CMYK 78 / 73 / 0 / 40

HEX #222A99

RGB 34 42 153

HSL 235.97, 0.64%, 0.37%

LAB 24.63, 36.81, -60.94

 

CMYK 0 / 78 / 33 / 40

HEX #992266

RGB 153 34 102

HSL 325.71, 0.64%, 0.37%

LAB 35.74, 53.66, -10.35

 

CMYK 0 / 5 / 78 / 40

HEX #999122

RGB 153 145 34

HSL 55.97, 0.64%, 0.37%

LAB 59.1, -9.67, 55.51

 

Description

Color code: HEX #239856 | qconv.com Color code: HEX #239856 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 152 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 152 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 43 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 43% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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