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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #239DA8 it is the complementary color #DC6257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #239DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #239DA8 shade: #289DA3, #39AFB6, #4AC1C9, #5BD3DC and #6CE5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #239DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #239DA8 shade: #239DA8, #128B95, #017982, #00676F and #00555C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #239DA8 shade: #229EA9, #2279A9, #2255A9, #2231A9 and #3822A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #239DA8 shade: #229EA9, #2279A9, #2255A9, #2231A9 and #2222A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #239DA8 shade matches the following richer shades: #229EA9, #12ABB9 and #01B9CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #239DA8 shade: #229EA9, #339098, #438288, #547477 and #646767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #239DA8 shade: #22A96A, #22A98E, #22A0A9, #227CA9 and #2258A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #239DA8 shade: #145E64, #1B7E87, #229EA9, #29BECB and #45CCD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #239DA8 shade: #239DA8, #4622A9 and #A97C22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #239DA8 shade: #239DA8, #A922A0 and #A0A922

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #239DA8 shade: #239DA8, #4622A9, #A92B22 and #85A922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #239DA8 shade: #239DA8, #6E22A9, #A92B22 and #5DA922

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 7 / 0 / 34

HEX #239DA8

RGB 35 157 168

HSL 184.96, 0.66%, 0.4%

LAB 59.25, -27.86, -15

 

Complementary color

CMYK 0 / 55 / 60 / 14

HEX #DC6257

RGB 220 98 87

HSL 4.96, 0.66%, 0.6%

LAB 56.72, 46.97, 29.77

 

CMYK 75 / 4 / 0 / 36

HEX #289DA3

RGB 40 157 163

HSL 182.93, 0.61%, 0.4%

LAB 59.17, -28.89, -12.28

 

CMYK 69 / 4 / 0 / 29

HEX #39AFB6

RGB 57 175 182

HSL 183.36, 0.52%, 0.47%

LAB 65.68, -29.74, -13.12

 

CMYK 63 / 4 / 0 / 21

HEX #4AC1C9

RGB 74 193 201

HSL 183.78, 0.54%, 0.54%

LAB 72.1, -30.34, -13.87

 

CMYK 59 / 4 / 0 / 14

HEX #5BD3DC

RGB 91 211 220

HSL 184.19, 0.65%, 0.61%

LAB 78.45, -30.78, -14.56

 

CMYK 55 / 4 / 0 / 6

HEX #6CE5EF

RGB 108 229 239

HSL 184.58, 0.8%, 0.68%

LAB 84.72, -31.09, -15.2

 

CMYK 79 / 7 / 0 / 34

HEX #239DA8

RGB 35 157 168

HSL 184.96, 0.66%, 0.4%

LAB 59.25, -27.86, -15

 

CMYK 88 / 7 / 0 / 42

HEX #128B95

RGB 18 139 149

HSL 184.58, 0.78%, 0.33%

LAB 52.69, -26.44, -14.06

 

CMYK 99 / 7 / 0 / 49

HEX #017982

RGB 1 121 130

HSL 184.19, 0.98%, 0.26%

LAB 46.03, -24.62, -13.01

 

CMYK 100 / 7 / 0 / 56

HEX #00676F

RGB 0 103 111

HSL 184.32, 1%, 0.22%

LAB 39.32, -21.93, -11.73

 

CMYK 100 / 8 / 0 / 64

HEX #00555C

RGB 0 85 92

HSL 184.57, 1%, 0.18%

LAB 32.41, -19.11, -10.39

 

CMYK 80 / 7 / 0 / 34

HEX #229EA9

RGB 34 158 169

HSL 184.89, 0.67%, 0.4%

LAB 59.58, -28.14, -15.07

 

CMYK 80 / 28 / 0 / 34

HEX #2279A9

RGB 34 121 169

HSL 201.33, 0.67%, 0.4%

LAB 48.11, -8.19, -32.73

 

CMYK 80 / 50 / 0 / 34

HEX #2255A9

RGB 34 85 169

HSL 217.33, 0.67%, 0.4%

LAB 37.3, 14.43, -49.92

 

CMYK 80 / 71 / 0 / 34

HEX #2231A9

RGB 34 49 169

HSL 233.33, 0.67%, 0.4%

LAB 27.85, 38.21, -65.34

 

CMYK 67 / 80 / 0 / 34

HEX #3822A9

RGB 56 34 169

HSL 249.78, 0.67%, 0.4%

LAB 26.3, 48.6, -67.85

 

CMYK 80 / 7 / 0 / 34

HEX #229EA9

RGB 34 158 169

HSL 184.89, 0.67%, 0.4%

LAB 59.58, -28.14, -15.07

 

CMYK 80 / 28 / 0 / 34

HEX #2279A9

RGB 34 121 169

HSL 201.33, 0.67%, 0.4%

LAB 48.11, -8.19, -32.73

 

CMYK 80 / 50 / 0 / 34

HEX #2255A9

RGB 34 85 169

HSL 217.33, 0.67%, 0.4%

LAB 37.3, 14.43, -49.92

 

CMYK 80 / 71 / 0 / 34

HEX #2231A9

RGB 34 49 169

HSL 233.33, 0.67%, 0.4%

LAB 27.85, 38.21, -65.34

 

CMYK 80 / 80 / 0 / 34

HEX #2222A9

RGB 34 34 169

HSL 240, 0.67%, 0.4%

LAB 24.79, 46.83, -70.4

 

CMYK 80 / 7 / 0 / 34

HEX #229EA9

RGB 34 158 169

HSL 184.89, 0.67%, 0.4%

LAB 59.58, -28.14, -15.07

 

CMYK 90 / 8 / 0 / 27

HEX #12ABB9

RGB 18 171 185

HSL 185.03, 0.82%, 0.4%

LAB 63.96, -30.54, -17.43

 

CMYK 100 / 8 / 0 / 21

HEX #01B9CA

RGB 1 185 202

HSL 185.07, 0.99%, 0.4%

LAB 68.73, -32.43, -19.62

 

CMYK 80 / 7 / 0 / 34

HEX #229EA9

RGB 34 158 169

HSL 184.89, 0.67%, 0.4%

LAB 59.58, -28.14, -15.07

 

CMYK 66 / 5 / 0 / 40

HEX #339098

RGB 51 144 152

HSL 184.75, 0.5%, 0.4%

LAB 54.99, -24.23, -12.27

 

CMYK 51 / 4 / 0 / 47

HEX #438288

RGB 67 130 136

HSL 185.22, 0.34%, 0.4%

LAB 50.61, -18.48, -9.5

 

CMYK 29 / 3 / 0 / 53

HEX #547477

RGB 84 116 119

HSL 185.14, 0.17%, 0.4%

LAB 46.59, -10.64, -5.37

 

CMYK 3 / 0 / 0 / 60

HEX #646767

RGB 100 103 103

HSL 180, 0.01%, 0.4%

LAB 43.34, -1.16, -0.41

 

CMYK 80 / 0 / 37 / 34

HEX #22A96A

RGB 34 169 106

HSL 152, 0.67%, 0.4%

LAB 61.44, -49.64, 22.83

 

CMYK 80 / 0 / 16 / 34

HEX #22A98E

RGB 34 169 142

HSL 168, 0.67%, 0.4%

LAB 62.23, -41.13, 4.06

 

CMYK 80 / 5 / 0 / 34

HEX #22A0A9

RGB 34 160 169

HSL 184, 0.67%, 0.4%

LAB 60.2, -29.12, -14.13

 

CMYK 80 / 27 / 0 / 34

HEX #227CA9

RGB 34 124 169

HSL 200, 0.67%, 0.4%

LAB 49.03, -9.94, -31.29

 

CMYK 80 / 48 / 0 / 34

HEX #2258A9

RGB 34 88 169

HSL 216, 0.67%, 0.4%

LAB 38.17, 12.44, -48.52

 

CMYK 80 / 6 / 0 / 61

HEX #145E64

RGB 20 94 100

HSL 184.5, 0.67%, 0.24%

LAB 36.13, -19.26, -9.76

 

CMYK 80 / 7 / 0 / 47

HEX #1B7E87

RGB 27 126 135

HSL 185, 0.67%, 0.32%

LAB 48.14, -23.65, -12.75

 

CMYK 80 / 7 / 0 / 34

HEX #229EA9

RGB 34 158 169

HSL 184.89, 0.67%, 0.4%

LAB 59.58, -28.14, -15.07

 

CMYK 80 / 6 / 0 / 20

HEX #29BECB

RGB 41 190 203

HSL 184.81, 0.66%, 0.48%

LAB 70.6, -32.44, -17.3

 

CMYK 68 / 6 / 0 / 15

HEX #45CCD9

RGB 69 204 217

HSL 185.27, 0.66%, 0.56%

LAB 75.74, -31.75, -17.09

 

CMYK 79 / 7 / 0 / 34

HEX #239DA8

RGB 35 157 168

HSL 184.96, 0.66%, 0.4%

LAB 59.25, -27.86, -15

 

CMYK 59 / 80 / 0 / 34

HEX #4622A9

RGB 70 34 169

HSL 256, 0.67%, 0.4%

LAB 27.6, 50.12, -65.66

 

CMYK 0 / 27 / 80 / 34

HEX #A97C22

RGB 169 124 34

HSL 40, 0.67%, 0.4%

LAB 55.04, 9.21, 52.38

 

CMYK 79 / 7 / 0 / 34

HEX #239DA8

RGB 35 157 168

HSL 184.96, 0.66%, 0.4%

LAB 59.25, -27.86, -15

 

CMYK 0 / 80 / 5 / 34

HEX #A922A0

RGB 169 34 160

HSL 304, 0.67%, 0.4%

LAB 41.4, 65.41, -37.21

 

CMYK 5 / 0 / 80 / 34

HEX #A0A922

RGB 160 169 34

HSL 64, 0.67%, 0.4%

LAB 66.49, -19.07, 62.38

 

CMYK 79 / 7 / 0 / 34

HEX #239DA8

RGB 35 157 168

HSL 184.96, 0.66%, 0.4%

LAB 59.25, -27.86, -15

 

CMYK 59 / 80 / 0 / 34

HEX #4622A9

RGB 70 34 169

HSL 256, 0.67%, 0.4%

LAB 27.6, 50.12, -65.66

 

CMYK 0 / 75 / 80 / 34

HEX #A92B22

RGB 169 43 34

HSL 4, 0.67%, 0.4%

LAB 38.34, 50.32, 36.28

 

CMYK 21 / 0 / 80 / 34

HEX #85A922

RGB 133 169 34

HSL 76, 0.67%, 0.4%

LAB 64.55, -30.5, 59.9

 

CMYK 79 / 7 / 0 / 34

HEX #239DA8

RGB 35 157 168

HSL 184.96, 0.66%, 0.4%

LAB 59.25, -27.86, -15

 

CMYK 35 / 80 / 0 / 34

HEX #6E22A9

RGB 110 34 169

HSL 273.78, 0.67%, 0.4%

LAB 32.53, 55.89, -57.39

 

CMYK 0 / 75 / 80 / 34

HEX #A92B22

RGB 169 43 34

HSL 4, 0.67%, 0.4%

LAB 38.34, 50.32, 36.28

 

CMYK 45 / 0 / 80 / 34

HEX #5DA922

RGB 93 169 34

HSL 93.78, 0.67%, 0.4%

LAB 62.35, -45.43, 57.08

 

Description

Color code: HEX #239DA8 | qconv.com Color code: HEX #239DA8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 157 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 157 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 7 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 7% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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