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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A7A9 it is the complementary color #D85856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A7A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27A7A9 shade: #2CA7A4, #3DB9B7, #4ECBCA, #5FDDDD and #70EFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A7A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27A7A9 shade: #27A7A9, #169596, #058383, #007170 and #005F5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27A7A9 shade: #26A8AA, #2684AA, #2661AA, #263DAA and #3326AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27A7A9 shade: #26A8AA, #2684AA, #2661AA, #263DAA and #2626AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27A7A9 shade matches the following richer shades: #26A8AA, #15B8BB and #04C9CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27A7A9 shade: #26A8AA, #379799, #488788, #597777 and #6A6666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27A7A9 shade: #26AA64, #26AA87, #26AAAA, #2687AA and #2664AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27A7A9 shade: #176567, #1F8788, #26A8AA, #2EC9CC and #4DD4D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27A7A9 shade: #27A7A9, #4126AA and #AA7526

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27A7A9 shade: #27A7A9, #AA26AA and #AAAA26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27A7A9 shade: #27A7A9, #4126AA, #AA2626 and #90AA26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27A7A9 shade: #27A7A9, #6826AA, #AA2626 and #68AA26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 1 / 0 / 34

HEX #27A7A9

RGB 39 167 169

HSL 180.92, 0.63%, 0.41%

LAB 62.45, -32.01, -10.74

 

Complementary color

CMYK 0 / 59 / 60 / 15

HEX #D85856

RGB 216 88 86

HSL 0.92, 0.63%, 0.59%

LAB 54.29, 50.17, 27.11

 

CMYK 74 / 0 / 2 / 35

HEX #2CA7A4

RGB 44 167 164

HSL 178.54, 0.58%, 0.41%

LAB 62.38, -32.93, -8.03

 

CMYK 67 / 0 / 1 / 27

HEX #3DB9B7

RGB 61 185 183

HSL 179.03, 0.5%, 0.48%

LAB 68.83, -33.67, -8.94

 

CMYK 62 / 0 / 0 / 20

HEX #4ECBCA

RGB 78 203 202

HSL 179.52, 0.55%, 0.55%

LAB 75.2, -34.18, -9.77

 

CMYK 57 / 0 / 0 / 13

HEX #5FDDDD

RGB 95 221 221

HSL 180, 0.65%, 0.62%

LAB 81.49, -34.53, -10.53

 

CMYK 53 / 0 / 0 / 6

HEX #70EFF0

RGB 112 239 240

HSL 180.47, 0.81%, 0.69%

LAB 87.71, -34.78, -11.23

 

CMYK 77 / 1 / 0 / 34

HEX #27A7A9

RGB 39 167 169

HSL 180.92, 0.63%, 0.41%

LAB 62.45, -32.01, -10.74

 

CMYK 85 / 1 / 0 / 41

HEX #169596

RGB 22 149 150

HSL 180.47, 0.74%, 0.34%

LAB 55.95, -30.76, -9.72

 

CMYK 96 / 0 / 0 / 49

HEX #058383

RGB 5 131 131

HSL 180, 0.93%, 0.27%

LAB 49.38, -29.07, -8.56

 

CMYK 100 / 0 / 1 / 56

HEX #007170

RGB 0 113 112

HSL 179.47, 1%, 0.22%

LAB 42.73, -26.71, -7.2

 

CMYK 100 / 0 / 2 / 63

HEX #005F5D

RGB 0 95 93

HSL 178.74, 1%, 0.19%

LAB 35.94, -24.03, -5.72

 

CMYK 78 / 1 / 0 / 33

HEX #26A8AA

RGB 38 168 170

HSL 180.91, 0.63%, 0.41%

LAB 62.78, -32.29, -10.81

 

CMYK 78 / 22 / 0 / 33

HEX #2684AA

RGB 38 132 170

HSL 197.27, 0.63%, 0.41%

LAB 51.63, -13.68, -27.82

 

CMYK 78 / 43 / 0 / 33

HEX #2661AA

RGB 38 97 170

HSL 213.18, 0.63%, 0.41%

LAB 41, 7.43, -44.57

 

CMYK 78 / 64 / 0 / 33

HEX #263DAA

RGB 38 61 170

HSL 229.55, 0.63%, 0.41%

LAB 31, 31.26, -60.76

 

CMYK 70 / 78 / 0 / 33

HEX #3326AA

RGB 51 38 170

HSL 245.91, 0.63%, 0.41%

LAB 26.71, 46.41, -67.79

 

CMYK 78 / 1 / 0 / 33

HEX #26A8AA

RGB 38 168 170

HSL 180.91, 0.63%, 0.41%

LAB 62.78, -32.29, -10.81

 

CMYK 78 / 22 / 0 / 33

HEX #2684AA

RGB 38 132 170

HSL 197.27, 0.63%, 0.41%

LAB 51.63, -13.68, -27.82

 

CMYK 78 / 43 / 0 / 33

HEX #2661AA

RGB 38 97 170

HSL 213.18, 0.63%, 0.41%

LAB 41, 7.43, -44.57

 

CMYK 78 / 64 / 0 / 33

HEX #263DAA

RGB 38 61 170

HSL 229.55, 0.63%, 0.41%

LAB 31, 31.26, -60.76

 

CMYK 78 / 78 / 0 / 33

HEX #2626AA

RGB 38 38 170

HSL 240, 0.63%, 0.41%

LAB 25.86, 45.3, -69.22

 

CMYK 78 / 1 / 0 / 33

HEX #26A8AA

RGB 38 168 170

HSL 180.91, 0.63%, 0.41%

LAB 62.78, -32.29, -10.81

 

CMYK 89 / 2 / 0 / 27

HEX #15B8BB

RGB 21 184 187

HSL 181.08, 0.8%, 0.41%

LAB 68.04, -35.94, -12.39

 

CMYK 98 / 1 / 0 / 20

HEX #04C9CC

RGB 4 201 204

HSL 180.9, 0.96%, 0.41%

LAB 73.65, -39.18, -13.28

 

CMYK 78 / 1 / 0 / 33

HEX #26A8AA

RGB 38 168 170

HSL 180.91, 0.63%, 0.41%

LAB 62.78, -32.29, -10.81

 

CMYK 64 / 1 / 0 / 40

HEX #379799

RGB 55 151 153

HSL 181.22, 0.47%, 0.41%

LAB 57.31, -26.81, -9.34

 

CMYK 47 / 1 / 0 / 47

HEX #488788

RGB 72 135 136

HSL 180.94, 0.31%, 0.41%

LAB 52.38, -19.93, -6.84

 

CMYK 25 / 0 / 0 / 53

HEX #597777

RGB 89 119 119

HSL 180, 0.14%, 0.41%

LAB 47.82, -10.72, -3.52

 

CMYK 0 / 4 / 4 / 58

HEX #6A6666

RGB 106 102 102

HSL 0, 0.02%, 0.41%

LAB 43.55, 1.57, 0.55

 

CMYK 78 / 0 / 41 / 33

HEX #26AA64

RGB 38 170 100

HSL 148.18, 0.63%, 0.41%

LAB 61.72, -50.71, 26.44

 

CMYK 78 / 0 / 21 / 33

HEX #26AA87

RGB 38 170 135

HSL 164.09, 0.63%, 0.41%

LAB 62.43, -42.94, 8.26

 

CMYK 78 / 0 / 0 / 33

HEX #26AAAA

RGB 38 170 170

HSL 180, 0.63%, 0.41%

LAB 63.4, -33.24, -9.89

 

CMYK 78 / 21 / 0 / 33

HEX #2687AA

RGB 38 135 170

HSL 195.91, 0.63%, 0.41%

LAB 52.56, -15.35, -26.38

 

CMYK 78 / 41 / 0 / 33

HEX #2664AA

RGB 38 100 170

HSL 211.82, 0.63%, 0.41%

LAB 41.89, 5.5, -43.15

 

CMYK 78 / 2 / 0 / 60

HEX #176567

RGB 23 101 103

HSL 181.5, 0.63%, 0.25%

LAB 38.67, -21.62, -7.78

 

CMYK 77 / 1 / 0 / 47

HEX #1F8788

RGB 31 135 136

HSL 180.57, 0.63%, 0.33%

LAB 51.15, -27.45, -8.81

 

CMYK 78 / 1 / 0 / 33

HEX #26A8AA

RGB 38 168 170

HSL 180.91, 0.63%, 0.41%

LAB 62.78, -32.29, -10.81

 

CMYK 77 / 1 / 0 / 20

HEX #2EC9CC

RGB 46 201 204

HSL 181.14, 0.63%, 0.49%

LAB 74.01, -36.85, -12.71

 

CMYK 64 / 1 / 0 / 16

HEX #4DD4D6

RGB 77 212 214

HSL 180.88, 0.63%, 0.57%

LAB 78.18, -35.23, -11.79

 

CMYK 77 / 1 / 0 / 34

HEX #27A7A9

RGB 39 167 169

HSL 180.92, 0.63%, 0.41%

LAB 62.45, -32.01, -10.74

 

CMYK 62 / 78 / 0 / 33

HEX #4126AA

RGB 65 38 170

HSL 252.27, 0.63%, 0.41%

LAB 27.88, 47.92, -65.82

 

CMYK 0 / 31 / 78 / 33

HEX #AA7526

RGB 170 117 38

HSL 35.91, 0.63%, 0.41%

LAB 53.39, 13.76, 49.3

 

CMYK 77 / 1 / 0 / 34

HEX #27A7A9

RGB 39 167 169

HSL 180.92, 0.63%, 0.41%

LAB 62.45, -32.01, -10.74

 

CMYK 0 / 78 / 0 / 33

HEX #AA26AA

RGB 170 38 170

HSL 300, 0.63%, 0.41%

LAB 42.51, 66.11, -41.41

 

CMYK 0 / 0 / 78 / 33

HEX #AAAA26

RGB 170 170 38

HSL 60, 0.63%, 0.41%

LAB 67.6, -15.07, 62.49

 

CMYK 77 / 1 / 0 / 34

HEX #27A7A9

RGB 39 167 169

HSL 180.92, 0.63%, 0.41%

LAB 62.45, -32.01, -10.74

 

CMYK 62 / 78 / 0 / 33

HEX #4126AA

RGB 65 38 170

HSL 252.27, 0.63%, 0.41%

LAB 27.88, 47.92, -65.82

 

CMYK 0 / 78 / 78 / 33

HEX #AA2626

RGB 170 38 38

HSL 0, 0.63%, 0.41%

LAB 37.97, 52.46, 33.68

 

CMYK 15 / 0 / 78 / 33

HEX #90AA26

RGB 144 170 38

HSL 71.82, 0.63%, 0.41%

LAB 65.61, -26.24, 59.93

 

CMYK 77 / 1 / 0 / 34

HEX #27A7A9

RGB 39 167 169

HSL 180.92, 0.63%, 0.41%

LAB 62.45, -32.01, -10.74

 

CMYK 39 / 78 / 0 / 33

HEX #6826AA

RGB 104 38 170

HSL 270, 0.63%, 0.41%

LAB 32.33, 53.58, -58.35

 

CMYK 0 / 78 / 78 / 33

HEX #AA2626

RGB 170 38 38

HSL 0, 0.63%, 0.41%

LAB 37.97, 52.46, 33.68

 

CMYK 39 / 0 / 78 / 33

HEX #68AA26

RGB 104 170 38

HSL 90, 0.63%, 0.41%

LAB 63.2, -41.87, 56.82

 

Description

Color code: HEX #27A7A9 | qconv.com Color code: HEX #27A7A9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 167 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 167 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 1 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 1% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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