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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27AE4F it is the complementary color #D851B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27AE4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27AE4F shade: #2CAE4A, #3DC05D, #4ED270, #5FE483 and #70F696

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27AE4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27AE4F shade: #27AE4F, #169C3C, #058A29, #007816 and #006603

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27AE4F shade: #27AE4F, #27AE2B, #48AE27, #6CAE27 and #91AE27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27AE4F shade: #27AE4F, #27AE74, #27AE98, #27A0AE and #277BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27AE4F shade matches the following richer shades: #27AE4F, #16BF48 and #04D141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27AE4F shade: #27AE4F, #389D56, #4A8B5D, #5B7A64 and #6C696B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27AE4F shade: #49AE27, #27AE29, #27AE4D, #27AE71 and #27AE95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27AE4F shade: #186B30, #1F8C40, #27AE4F, #2FCF5F and #51D778

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27AE4F shade: #27AE4F, #276DAE and #AE2737

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27AE4F shade: #27AE4F, #4D27AE and #AE4D27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27AE4F shade: #27AE4F, #276DAE, #AE2788 and #AE6827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27AE4F shade: #27AE4F, #2744AE, #AE2788 and #AE9127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

Complementary color

CMYK 0 / 63 / 19 / 15

HEX #D851B0

RGB 216 81 176

HSL 317.78, 0.63%, 0.58%

LAB 55.7, 62.79, -23.76

 

CMYK 75 / 0 / 57 / 32

HEX #2CAE4A

RGB 44 174 74

HSL 133.85, 0.6%, 0.43%

LAB 62.76, -55.53, 40.98

 

CMYK 68 / 0 / 52 / 25

HEX #3DC05D

RGB 61 192 93

HSL 134.66, 0.52%, 0.5%

LAB 69.1, -56.36, 39.5

 

CMYK 63 / 0 / 47 / 18

HEX #4ED270

RGB 78 210 112

HSL 135.45, 0.59%, 0.56%

LAB 75.38, -56.83, 38.04

 

CMYK 58 / 0 / 43 / 11

HEX #5FE483

RGB 95 228 131

HSL 136.24, 0.71%, 0.63%

LAB 81.6, -57.05, 36.64

 

CMYK 54 / 0 / 39 / 4

HEX #70F696

RGB 112 246 150

HSL 137.01, 0.88%, 0.7%

LAB 87.76, -57.11, 35.31

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 86 / 0 / 62 / 39

HEX #169C3C

RGB 22 156 60

HSL 137.01, 0.75%, 0.35%

LAB 56.36, -54.05, 40.05

 

CMYK 96 / 0 / 70 / 46

HEX #058A29

RGB 5 138 41

HSL 136.24, 0.93%, 0.28%

LAB 49.94, -51.77, 41.41

 

CMYK 100 / 0 / 82 / 53

HEX #007816

RGB 0 120 22

HSL 131, 1%, 0.24%

LAB 43.49, -48.25, 42.16

 

CMYK 100 / 0 / 97 / 60

HEX #006603

RGB 0 102 3

HSL 121.76, 1%, 0.2%

LAB 36.95, -43.82, 41.59

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 78 / 0 / 75 / 32

HEX #27AE2B

RGB 39 174 43

HSL 121.78, 0.63%, 0.42%

LAB 62.4, -59.54, 53.63

 

CMYK 59 / 0 / 78 / 32

HEX #48AE27

RGB 72 174 39

HSL 105.33, 0.63%, 0.42%

LAB 63.17, -53.21, 56.01

 

CMYK 38 / 0 / 78 / 32

HEX #6CAE27

RGB 108 174 39

HSL 89.33, 0.63%, 0.42%

LAB 64.65, -42.1, 57.94

 

CMYK 17 / 0 / 78 / 32

HEX #91AE27

RGB 145 174 39

HSL 72.89, 0.63%, 0.42%

LAB 66.85, -27.72, 60.79

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 78 / 0 / 33 / 32

HEX #27AE74

RGB 39 174 116

HSL 154.22, 0.63%, 0.42%

LAB 63.31, -48.87, 19.95

 

CMYK 78 / 0 / 13 / 32

HEX #27AE98

RGB 39 174 152

HSL 170.22, 0.63%, 0.42%

LAB 64.14, -40.11, 1.26

 

CMYK 78 / 8 / 0 / 32

HEX #27A0AE

RGB 39 160 174

HSL 186.22, 0.63%, 0.42%

LAB 60.45, -27.04, -16.56

 

CMYK 78 / 29 / 0 / 32

HEX #277BAE

RGB 39 123 174

HSL 202.67, 0.63%, 0.42%

LAB 49.07, -6.97, -34.12

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 88 / 0 / 62 / 25

HEX #16BF48

RGB 22 191 72

HSL 137.75, 0.79%, 0.42%

LAB 67.95, -63.8, 47.83

 

CMYK 98 / 0 / 69 / 18

HEX #04D141

RGB 4 209 65

HSL 137.85, 0.96%, 0.42%

LAB 73.55, -70.83, 56.87

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 64 / 0 / 45 / 38

HEX #389D56

RGB 56 157 86

HSL 137.82, 0.47%, 0.42%

LAB 57.68, -45.2, 28.7

 

CMYK 47 / 0 / 33 / 45

HEX #4A8B5D

RGB 74 139 93

HSL 137.54, 0.31%, 0.42%

LAB 52.63, -31.57, 18.32

 

CMYK 25 / 0 / 18 / 52

HEX #5B7A64

RGB 91 122 100

HSL 137.42, 0.15%, 0.42%

LAB 48.34, -15.97, 8.48

 

CMYK 0 / 3 / 1 / 58

HEX #6C696B

RGB 108 105 107

HSL 320, 0.01%, 0.42%

LAB 44.73, 1.58, -0.71

 

CMYK 58 / 0 / 78 / 32

HEX #49AE27

RGB 73 174 39

HSL 104.89, 0.63%, 0.42%

LAB 63.21, -52.95, 56.05

 

CMYK 78 / 0 / 76 / 32

HEX #27AE29

RGB 39 174 41

HSL 120.89, 0.63%, 0.42%

LAB 62.39, -59.69, 54.31

 

CMYK 78 / 0 / 56 / 32

HEX #27AE4D

RGB 39 174 77

HSL 136.89, 0.63%, 0.42%

LAB 62.71, -55.84, 39.45

 

CMYK 78 / 0 / 35 / 32

HEX #27AE71

RGB 39 174 113

HSL 152.89, 0.63%, 0.42%

LAB 63.26, -49.51, 21.5

 

CMYK 78 / 0 / 14 / 32

HEX #27AE95

RGB 39 174 149

HSL 168.89, 0.63%, 0.42%

LAB 64.06, -40.91, 2.81

 

CMYK 78 / 0 / 55 / 58

HEX #186B30

RGB 24 107 48

HSL 137.35, 0.63%, 0.26%

LAB 39.45, -38.08, 26.05

 

CMYK 78 / 0 / 54 / 45

HEX #1F8C40

RGB 31 140 64

HSL 138.17, 0.64%, 0.34%

LAB 51.17, -46.85, 31.96

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 77 / 0 / 54 / 19

HEX #2FCF5F

RGB 47 207 95

HSL 138, 0.63%, 0.5%

LAB 73.58, -63.43, 43.94

 

CMYK 62 / 0 / 44 / 16

HEX #51D778

RGB 81 215 120

HSL 137.46, 0.63%, 0.58%

LAB 77.1, -56.83, 36.27

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 78 / 37 / 0 / 32

HEX #276DAE

RGB 39 109 174

HSL 208.89, 0.63%, 0.42%

LAB 44.84, 1.49, -40.81

 

CMYK 0 / 78 / 68 / 32

HEX #AE2737

RGB 174 39 55

HSL 352.89, 0.63%, 0.42%

LAB 39.11, 54.13, 24.92

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 56 / 78 / 0 / 32

HEX #4D27AE

RGB 77 39 174

HSL 256.89, 0.63%, 0.42%

LAB 29.63, 50.11, -65.31

 

CMYK 0 / 56 / 78 / 32

HEX #AE4D27

RGB 174 77 39

HSL 16.89, 0.63%, 0.42%

LAB 44.88, 37.34, 40.59

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 78 / 37 / 0 / 32

HEX #276DAE

RGB 39 109 174

HSL 208.89, 0.63%, 0.42%

LAB 44.84, 1.49, -40.81

 

CMYK 0 / 78 / 22 / 32

HEX #AE2788

RGB 174 39 136

HSL 316.89, 0.63%, 0.42%

LAB 41.58, 61.71, -22.31

 

CMYK 0 / 40 / 78 / 32

HEX #AE6827

RGB 174 104 39

HSL 28.89, 0.63%, 0.42%

LAB 50.74, 22.87, 46.46

 

CMYK 78 / 0 / 55 / 32

HEX #27AE4F

RGB 39 174 79

HSL 137.78, 0.63%, 0.42%

LAB 62.73, -55.55, 38.5

 

CMYK 78 / 61 / 0 / 32

HEX #2744AE

RGB 39 68 174

HSL 227.11, 0.63%, 0.42%

LAB 33.18, 28.25, -59.58

 

CMYK 0 / 78 / 22 / 32

HEX #AE2788

RGB 174 39 136

HSL 316.89, 0.63%, 0.42%

LAB 41.58, 61.71, -22.31

 

CMYK 0 / 17 / 78 / 32

HEX #AE9127

RGB 174 145 39

HSL 47.11, 0.63%, 0.42%

LAB 61.13, 0.03, 56.37

 

Description

Color code: HEX #27AE4F | qconv.com Color code: HEX #27AE4F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 174 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 174 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 55 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 55% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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