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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27B48C it is the complementary color #D84B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27B48C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27B48C shade: #2CB487, #3DC69A, #4ED8AD, #5FEAC0 and #70FCD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27B48C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27B48C shade: #27B48C, #16A279, #059066, #007E53 and #006C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27B48C shade: #27B38C, #27B366, #27B340, #34B327 and #5AB327

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27B48C shade: #27B38C, #27B3B1, #278FB3, #276AB3 and #2744B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27B48C shade matches the following richer shades: #27B38C, #15C593 and #03D79B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27B48C shade: #27B38C, #39A284, #4A907C, #5C7E74 and #6E6C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27B48C shade: #27B33E, #27B364, #27B389, #27B3AF and #2793B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27B48C shade: #187057, #209171, #27B38C, #32D2A4 and #54D9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27B48C shade: #27B48C, #2735B3 and #B35127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27B48C shade: #27B48C, #8927B3 and #B38927

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27B48C shade: #27B48C, #2735B3, #B32751 and #B3A527

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27B48C shade: #27B48C, #4327B3, #B32751 and #97B327

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 22 / 29

HEX #27B48C

RGB 39 180 140

HSL 162.98, 0.64%, 0.43%

LAB 65.72, -45.77, 10.18

 

Complementary color

CMYK 0 / 65 / 47 / 15

HEX #D84B73

RGB 216 75 115

HSL 342.98, 0.64%, 0.57%

LAB 52.81, 58.11, 7.94

 

CMYK 76 / 0 / 25 / 29

HEX #2CB487

RGB 44 180 135

HSL 160.15, 0.61%, 0.44%

LAB 65.69, -46.37, 12.89

 

CMYK 69 / 0 / 22 / 22

HEX #3DC69A

RGB 61 198 154

HSL 160.73, 0.55%, 0.51%

LAB 72.04, -46.97, 11.55

 

CMYK 64 / 0 / 20 / 15

HEX #4ED8AD

RGB 78 216 173

HSL 161.3, 0.64%, 0.58%

LAB 78.31, -47.33, 10.34

 

CMYK 59 / 0 / 18 / 8

HEX #5FEAC0

RGB 95 234 192

HSL 161.87, 0.77%, 0.65%

LAB 84.53, -47.53, 9.24

 

CMYK 56 / 0 / 16 / 1

HEX #70FCD3

RGB 112 252 211

HSL 162.43, 0.96%, 0.71%

LAB 90.67, -47.61, 8.21

 

CMYK 78 / 0 / 22 / 29

HEX #27B48C

RGB 39 180 140

HSL 162.98, 0.64%, 0.43%

LAB 65.72, -45.77, 10.18

 

CMYK 86 / 0 / 25 / 36

HEX #16A279

RGB 22 162 121

HSL 162.43, 0.76%, 0.36%

LAB 59.34, -44.66, 11.65

 

CMYK 97 / 0 / 29 / 44

HEX #059066

RGB 5 144 102

HSL 161.87, 0.93%, 0.29%

LAB 52.88, -43.08, 13.32

 

CMYK 100 / 0 / 34 / 51

HEX #007E53

RGB 0 126 83

HSL 159.52, 1%, 0.25%

LAB 46.37, -40.77, 15.22

 

CMYK 100 / 0 / 41 / 58

HEX #006C40

RGB 0 108 64

HSL 155.56, 1%, 0.21%

LAB 39.74, -38.04, 17.3

 

CMYK 78 / 0 / 22 / 30

HEX #27B38C

RGB 39 179 140

HSL 163.29, 0.64%, 0.43%

LAB 65.41, -45.35, 9.73

 

CMYK 78 / 0 / 43 / 30

HEX #27B366

RGB 39 179 102

HSL 147, 0.64%, 0.43%

LAB 64.67, -53.55, 29.23

 

CMYK 78 / 0 / 64 / 30

HEX #27B340

RGB 39 179 64

HSL 130.71, 0.64%, 0.43%

LAB 64.19, -59.16, 47.18

 

CMYK 71 / 0 / 78 / 30

HEX #34B327

RGB 52 179 39

HSL 114.43, 0.64%, 0.43%

LAB 64.26, -59.32, 56.87

 

CMYK 50 / 0 / 78 / 30

HEX #5AB327

RGB 90 179 39

HSL 98.14, 0.64%, 0.43%

LAB 65.4, -50.04, 58.37

 

CMYK 78 / 0 / 22 / 30

HEX #27B38C

RGB 39 179 140

HSL 163.29, 0.64%, 0.43%

LAB 65.41, -45.35, 9.73

 

CMYK 78 / 0 / 1 / 30

HEX #27B3B1

RGB 39 179 177

HSL 179.14, 0.64%, 0.43%

LAB 66.4, -35.28, -9.29

 

CMYK 78 / 20 / 0 / 30

HEX #278FB3

RGB 39 143 179

HSL 195.43, 0.64%, 0.43%

LAB 55.41, -16.51, -27.12

 

CMYK 78 / 41 / 0 / 30

HEX #276AB3

RGB 39 106 179

HSL 211.29, 0.64%, 0.43%

LAB 44.22, 5.27, -44.7

 

CMYK 78 / 62 / 0 / 30

HEX #2744B3

RGB 39 68 179

HSL 227.57, 0.64%, 0.43%

LAB 33.61, 30.14, -61.86

 

CMYK 78 / 0 / 22 / 30

HEX #27B38C

RGB 39 179 140

HSL 163.29, 0.64%, 0.43%

LAB 65.41, -45.35, 9.73

 

CMYK 89 / 0 / 25 / 23

HEX #15C593

RGB 21 197 147

HSL 162.95, 0.81%, 0.43%

LAB 71.01, -52.37, 13.79

 

CMYK 99 / 0 / 28 / 16

HEX #03D79B

RGB 3 215 155

HSL 163.02, 0.97%, 0.43%

LAB 76.67, -58.05, 17.43

 

CMYK 78 / 0 / 22 / 30

HEX #27B38C

RGB 39 179 140

HSL 163.29, 0.64%, 0.43%

LAB 65.41, -45.35, 9.73

 

CMYK 65 / 0 / 19 / 36

HEX #39A284

RGB 57 162 132

HSL 162.86, 0.48%, 0.43%

LAB 60.23, -37.38, 6.84

 

CMYK 49 / 0 / 14 / 44

HEX #4A907C

RGB 74 144 124

HSL 162.86, 0.32%, 0.43%

LAB 54.93, -27.15, 3.84

 

CMYK 27 / 0 / 8 / 51

HEX #5C7E74

RGB 92 126 116

HSL 162.35, 0.16%, 0.43%

LAB 50.05, -14.32, 1.54

 

CMYK 0 / 2 / 1 / 57

HEX #6E6C6D

RGB 110 108 109

HSL 330, 0.01%, 0.43%

LAB 45.83, 0.98, -0.29

 

CMYK 78 / 0 / 65 / 30

HEX #27B33E

RGB 39 179 62

HSL 129.86, 0.64%, 0.43%

LAB 64.18, -59.38, 48.03

 

CMYK 78 / 0 / 44 / 30

HEX #27B364

RGB 39 179 100

HSL 146.14, 0.64%, 0.43%

LAB 64.64, -53.91, 30.24

 

CMYK 78 / 0 / 23 / 30

HEX #27B389

RGB 39 179 137

HSL 162, 0.64%, 0.43%

LAB 65.34, -46.08, 11.28

 

CMYK 78 / 0 / 2 / 30

HEX #27B3AF

RGB 39 179 175

HSL 178.29, 0.64%, 0.43%

LAB 66.34, -35.87, -8.28

 

CMYK 78 / 18 / 0 / 30

HEX #2793B3

RGB 39 147 179

HSL 193.71, 0.64%, 0.43%

LAB 56.64, -18.67, -25.23

 

CMYK 79 / 0 / 22 / 56

HEX #187057

RGB 24 112 87

HSL 162.95, 0.65%, 0.27%

LAB 41.95, -31.68, 6.75

 

CMYK 78 / 0 / 22 / 43

HEX #209171

RGB 32 145 113

HSL 163.01, 0.64%, 0.35%

LAB 53.76, -38.52, 8.32

 

CMYK 78 / 0 / 22 / 30

HEX #27B38C

RGB 39 179 140

HSL 163.29, 0.64%, 0.43%

LAB 65.41, -45.35, 9.73

 

CMYK 76 / 0 / 22 / 18

HEX #32D2A4

RGB 50 210 164

HSL 162.75, 0.64%, 0.51%

LAB 75.73, -50.99, 11.39

 

CMYK 61 / 0 / 18 / 15

HEX #54D9B3

RGB 84 217 179

HSL 162.86, 0.64%, 0.59%

LAB 78.91, -45.3, 8.02

 

CMYK 78 / 0 / 22 / 29

HEX #27B48C

RGB 39 180 140

HSL 162.98, 0.64%, 0.43%

LAB 65.72, -45.77, 10.18

 

CMYK 78 / 70 / 0 / 30

HEX #2735B3

RGB 39 53 179

HSL 234, 0.64%, 0.43%

LAB 29.99, 39.73, -67.79

 

CMYK 0 / 55 / 78 / 30

HEX #B35127

RGB 179 81 39

HSL 18, 0.64%, 0.43%

LAB 46.47, 37.28, 42.46

 

CMYK 78 / 0 / 22 / 29

HEX #27B48C

RGB 39 180 140

HSL 162.98, 0.64%, 0.43%

LAB 65.72, -45.77, 10.18

 

CMYK 23 / 78 / 0 / 30

HEX #8927B3

RGB 137 39 179

HSL 282, 0.64%, 0.43%

LAB 37.89, 61, -54.48

 

CMYK 0 / 23 / 78 / 30

HEX #B38927

RGB 179 137 39

HSL 42, 0.64%, 0.43%

LAB 59.55, 6.68, 55.08

 

CMYK 78 / 0 / 22 / 29

HEX #27B48C

RGB 39 180 140

HSL 162.98, 0.64%, 0.43%

LAB 65.72, -45.77, 10.18

 

CMYK 78 / 70 / 0 / 30

HEX #2735B3

RGB 39 53 179

HSL 234, 0.64%, 0.43%

LAB 29.99, 39.73, -67.79

 

CMYK 0 / 78 / 55 / 30

HEX #B32751

RGB 179 39 81

HSL 342, 0.64%, 0.43%

LAB 40.62, 57.26, 10.72

 

CMYK 0 / 8 / 78 / 30

HEX #B3A527

RGB 179 165 39

HSL 54, 0.64%, 0.43%

LAB 67.01, -8.47, 61.93

 

CMYK 78 / 0 / 22 / 29

HEX #27B48C

RGB 39 180 140

HSL 162.98, 0.64%, 0.43%

LAB 65.72, -45.77, 10.18

 

CMYK 63 / 78 / 0 / 30

HEX #4327B3

RGB 67 39 179

HSL 252, 0.64%, 0.43%

LAB 29.16, 50.32, -69.1

 

CMYK 0 / 78 / 55 / 30

HEX #B32751

RGB 179 39 81

HSL 342, 0.64%, 0.43%

LAB 40.62, 57.26, 10.72

 

CMYK 16 / 0 / 78 / 30

HEX #97B327

RGB 151 179 39

HSL 72, 0.64%, 0.43%

LAB 68.73, -27.63, 62.67

 

Description

Color code: HEX #27B48C | qconv.com Color code: HEX #27B48C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 180 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 180 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 22 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 22% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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