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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27B7D1 it is the complementary color #D8482E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27B7D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27B7D1 shade: #2CB7CC, #3DC9DF, #4EDBF2, #5FEDFF and #70FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27B7D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27B7D1 shade: #27B7D1, #16A5BE, #0593AB, #008198 and #006F85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27B7D1 shade: #26B8D3, #268AD3, #265BD3, #262DD3 and #4E26D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27B7D1 shade: #26B8D3, #268AD3, #265BD3, #262DD3 and #2626D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27B7D1 shade matches the following richer shades: #26B8D3 and #12C6E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27B7D1 shade: #26B8D3, #3AAABE, #4F9CAA, #638E96 and #778082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27B7D1 shade: #26D391, #26D3BF, #26B9D3, #268BD3 and #265DD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27B7D1 shade: #197B8D, #209AB0, #26B8D3, #46C5DD and #68D0E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27B7D1 shade: #27B7D1, #6326D3 and #D3A826

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27B7D1 shade: #27B7D1, #D326B9 and #B9D326

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27B7D1 shade: #27B7D1, #6326D3, #D34026 and #96D326

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27B7D1 shade: #27B7D1, #9626D3, #D34026 and #63D326

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 12 / 0 / 18

HEX #27B7D1

RGB 39 183 209

HSL 189.18, 0.69%, 0.49%

LAB 68.68, -27.32, -23.51

 

Complementary color

CMYK 0 / 67 / 79 / 15

HEX #D8482E

RGB 216 72 46

HSL 9.18, 0.69%, 0.51%

LAB 51.19, 55.05, 45.71

 

CMYK 78 / 10 / 0 / 20

HEX #2CB7CC

RGB 44 183 204

HSL 187.88, 0.65%, 0.49%

LAB 68.58, -28.45, -20.91

 

CMYK 73 / 10 / 0 / 13

HEX #3DC9DF

RGB 61 201 223

HSL 188.15, 0.72%, 0.56%

LAB 74.88, -29.54, -21.64

 

CMYK 68 / 10 / 0 / 5

HEX #4EDBF2

RGB 78 219 242

HSL 188.41, 0.86%, 0.63%

LAB 81.12, -30.38, -22.3

 

CMYK 63 / 7 / 0 / 0

HEX #5FEDFF

RGB 95 237 255

HSL 186.75, 1%, 0.69%

LAB 87.11, -32.74, -20.06

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 81 / 12 / 0 / 18

HEX #27B7D1

RGB 39 183 209

HSL 189.18, 0.69%, 0.49%

LAB 68.68, -27.32, -23.51

 

CMYK 88 / 13 / 0 / 25

HEX #16A5BE

RGB 22 165 190

HSL 188.93, 0.79%, 0.42%

LAB 62.34, -25.72, -22.7

 

CMYK 97 / 14 / 0 / 33

HEX #0593AB

RGB 5 147 171

HSL 188.67, 0.94%, 0.35%

LAB 55.93, -23.72, -21.79

 

CMYK 100 / 15 / 0 / 40

HEX #008198

RGB 0 129 152

HSL 189.08, 1%, 0.3%

LAB 49.46, -21.15, -20.75

 

CMYK 100 / 17 / 0 / 48

HEX #006F85

RGB 0 111 133

HSL 189.92, 1%, 0.26%

LAB 42.86, -18.3, -19.65

 

CMYK 82 / 13 / 0 / 17

HEX #26B8D3

RGB 38 184 211

HSL 189.36, 0.69%, 0.49%

LAB 69.04, -27.25, -24.06

 

CMYK 82 / 35 / 0 / 17

HEX #268AD3

RGB 38 138 211

HSL 205.32, 0.69%, 0.49%

LAB 55.37, -2.3, -45.33

 

CMYK 82 / 57 / 0 / 17

HEX #265BD3

RGB 38 91 211

HSL 221.62, 0.69%, 0.49%

LAB 42.15, 27.13, -66.57

 

CMYK 82 / 79 / 0 / 17

HEX #262DD3

RGB 38 45 211

HSL 237.57, 0.69%, 0.49%

LAB 31.79, 54.86, -83.61

 

CMYK 63 / 82 / 0 / 17

HEX #4E26D3

RGB 78 38 211

HSL 253.87, 0.69%, 0.49%

LAB 33.37, 60.92, -80.91

 

CMYK 82 / 13 / 0 / 17

HEX #26B8D3

RGB 38 184 211

HSL 189.36, 0.69%, 0.49%

LAB 69.04, -27.25, -24.06

 

CMYK 82 / 35 / 0 / 17

HEX #268AD3

RGB 38 138 211

HSL 205.32, 0.69%, 0.49%

LAB 55.37, -2.3, -45.33

 

CMYK 82 / 57 / 0 / 17

HEX #265BD3

RGB 38 91 211

HSL 221.62, 0.69%, 0.49%

LAB 42.15, 27.13, -66.57

 

CMYK 82 / 79 / 0 / 17

HEX #262DD3

RGB 38 45 211

HSL 237.57, 0.69%, 0.49%

LAB 31.79, 54.86, -83.61

 

CMYK 82 / 82 / 0 / 17

HEX #2626D3

RGB 38 38 211

HSL 240, 0.69%, 0.49%

LAB 30.64, 58.21, -85.51

 

CMYK 82 / 13 / 0 / 17

HEX #26B8D3

RGB 38 184 211

HSL 189.36, 0.69%, 0.49%

LAB 69.04, -27.25, -24.06

 

CMYK 92 / 14 / 0 / 9

HEX #12C6E7

RGB 18 198 231

HSL 189.3, 0.86%, 0.49%

LAB 73.73, -28.84, -27.77

 

CMYK 82 / 13 / 0 / 17

HEX #26B8D3

RGB 38 184 211

HSL 189.36, 0.69%, 0.49%

LAB 69.04, -27.25, -24.06

 

CMYK 69 / 11 / 0 / 25

HEX #3AAABE

RGB 58 170 190

HSL 189.09, 0.53%, 0.49%

LAB 64.46, -24.68, -19.41

 

CMYK 54 / 8 / 0 / 33

HEX #4F9CAA

RGB 79 156 170

HSL 189.23, 0.37%, 0.49%

LAB 60.2, -19.73, -14.59

 

CMYK 34 / 5 / 0 / 41

HEX #638E96

RGB 99 142 150

HSL 189.41, 0.2%, 0.49%

LAB 56.29, -12.6, -8.96

 

CMYK 8 / 2 / 0 / 49

HEX #778082

RGB 119 128 130

HSL 190.91, 0.04%, 0.49%

LAB 52.92, -2.89, -2.23

 

CMYK 82 / 0 / 31 / 17

HEX #26D391

RGB 38 211 145

HSL 157.11, 0.69%, 0.49%

LAB 75.48, -56.91, 21.09

 

CMYK 82 / 0 / 9 / 17

HEX #26D3BF

RGB 38 211 191

HSL 173.06, 0.69%, 0.49%

LAB 76.53, -45.68, -1.95

 

CMYK 82 / 12 / 0 / 17

HEX #26B9D3

RGB 38 185 211

HSL 189.02, 0.69%, 0.49%

LAB 69.34, -27.75, -23.6

 

CMYK 82 / 34 / 0 / 17

HEX #268BD3

RGB 38 139 211

HSL 204.97, 0.69%, 0.49%

LAB 55.67, -2.89, -44.87

 

CMYK 82 / 56 / 0 / 17

HEX #265DD3

RGB 38 93 211

HSL 220.92, 0.69%, 0.49%

LAB 42.68, 25.84, -65.71

 

CMYK 82 / 13 / 0 / 45

HEX #197B8D

RGB 25 123 141

HSL 189.31, 0.7%, 0.33%

LAB 47.36, -20.26, -17.48

 

CMYK 82 / 13 / 0 / 31

HEX #209AB0

RGB 32 154 176

HSL 189.17, 0.69%, 0.41%

LAB 58.56, -24.04, -20.59

 

CMYK 82 / 13 / 0 / 17

HEX #26B8D3

RGB 38 184 211

HSL 189.36, 0.69%, 0.49%

LAB 69.04, -27.25, -24.06

 

CMYK 68 / 11 / 0 / 13

HEX #46C5DD

RGB 70 197 221

HSL 189.54, 0.69%, 0.57%

LAB 73.84, -27.01, -22.13

 

CMYK 54 / 8 / 0 / 11

HEX #68D0E3

RGB 104 208 227

HSL 189.27, 0.69%, 0.65%

LAB 78.23, -24.93, -18.61

 

CMYK 81 / 12 / 0 / 18

HEX #27B7D1

RGB 39 183 209

HSL 189.18, 0.69%, 0.49%

LAB 68.68, -27.32, -23.51

 

CMYK 53 / 82 / 0 / 17

HEX #6326D3

RGB 99 38 211

HSL 261.16, 0.69%, 0.49%

LAB 35.48, 63.06, -77.35

 

CMYK 0 / 20 / 82 / 17

HEX #D3A826

RGB 211 168 38

HSL 45.09, 0.69%, 0.49%

LAB 70.87, 4.03, 66.82

 

CMYK 81 / 12 / 0 / 18

HEX #27B7D1

RGB 39 183 209

HSL 189.18, 0.69%, 0.49%

LAB 68.68, -27.32, -23.51

 

CMYK 0 / 82 / 12 / 17

HEX #D326B9

RGB 211 38 185

HSL 309.02, 0.69%, 0.49%

LAB 50.38, 76.7, -37.35

 

CMYK 12 / 0 / 82 / 17

HEX #B9D326

RGB 185 211 38

HSL 69.02, 0.69%, 0.49%

LAB 80.2, -28.9, 74.03

 

CMYK 81 / 12 / 0 / 18

HEX #27B7D1

RGB 39 183 209

HSL 189.18, 0.69%, 0.49%

LAB 68.68, -27.32, -23.51

 

CMYK 53 / 82 / 0 / 17

HEX #6326D3

RGB 99 38 211

HSL 261.16, 0.69%, 0.49%

LAB 35.48, 63.06, -77.35

 

CMYK 0 / 70 / 82 / 17

HEX #D34026

RGB 211 64 38

HSL 9.02, 0.69%, 0.49%

LAB 49.08, 56.29, 47.36

 

CMYK 29 / 0 / 82 / 17

HEX #96D326

RGB 150 211 38

HSL 81.16, 0.69%, 0.49%

LAB 78, -42.67, 71.25

 

CMYK 81 / 12 / 0 / 18

HEX #27B7D1

RGB 39 183 209

HSL 189.18, 0.69%, 0.49%

LAB 68.68, -27.32, -23.51

 

CMYK 29 / 82 / 0 / 17

HEX #9626D3

RGB 150 38 211

HSL 278.84, 0.69%, 0.49%

LAB 42.11, 69.99, -66.23

 

CMYK 0 / 70 / 82 / 17

HEX #D34026

RGB 211 64 38

HSL 9.02, 0.69%, 0.49%

LAB 49.08, 56.29, 47.36

 

CMYK 53 / 0 / 82 / 17

HEX #63D326

RGB 99 211 38

HSL 98.84, 0.69%, 0.49%

LAB 75.69, -59.41, 68.31

 

Description

Color code: HEX #27B7D1 | qconv.com Color code: HEX #27B7D1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 183 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 183 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 12 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 12% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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