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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27B2CE it is the complementary color #D84D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27B2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27B2CE shade: #2CB2C9, #3DC4DC, #4ED6EF, #5FE8FF and #70FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27B2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27B2CE shade: #27B2CE, #16A0BB, #058EA8, #007C95 and #006A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27B2CE shade: #27B1CD, #2784CD, #2757CD, #272BCD and #5027CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27B2CE shade: #27B1CD, #2784CD, #2757CD, #272BCD and #2727CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27B2CE shade matches the following richer shades: #27B1CD and #13BEE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27B2CE shade: #27B1CD, #3AA4B9, #4E97A6, #628A92 and #767D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27B2CE shade: #27CD90, #27CDBC, #27B1CD, #2785CD and #2759CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27B2CE shade: #197588, #2093AA, #27B1CD, #42C1DB and #65CCE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27B2CE shade: #27B2CE, #6427CD and #CDA627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27B2CE shade: #27B2CE, #CD27B1 and #B1CD27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27B2CE shade: #27B2CE, #6427CD, #CD4227 and #90CD27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27B2CE shade: #27B2CE, #9627CD, #CD4227 and #5ECD27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 14 / 0 / 19

HEX #27B2CE

RGB 39 178 206

HSL 190.06, 0.68%, 0.48%

LAB 67.07, -25.79, -24.32

 

Complementary color

CMYK 0 / 64 / 77 / 15

HEX #D84D31

RGB 216 77 49

HSL 10.06, 0.68%, 0.52%

LAB 51.98, 53.09, 44.98

 

CMYK 78 / 11 / 0 / 21

HEX #2CB2C9

RGB 44 178 201

HSL 188.79, 0.64%, 0.48%

LAB 66.97, -26.93, -21.71

 

CMYK 72 / 11 / 0 / 14

HEX #3DC4DC

RGB 61 196 220

HSL 189.06, 0.69%, 0.55%

LAB 73.31, -28.01, -22.41

 

CMYK 67 / 10 / 0 / 6

HEX #4ED6EF

RGB 78 214 239

HSL 189.32, 0.83%, 0.62%

LAB 79.58, -28.85, -23.04

 

CMYK 63 / 9 / 0 / 0

HEX #5FE8FF

RGB 95 232 255

HSL 188.63, 1%, 0.69%

LAB 85.69, -30.36, -22.2

 

CMYK 56 / 2 / 0 / 0

HEX #70FAFF

RGB 112 250 255

HSL 182.1, 1%, 0.72%

LAB 91.25, -35.96, -13.78

 

CMYK 81 / 14 / 0 / 19

HEX #27B2CE

RGB 39 178 206

HSL 190.06, 0.68%, 0.48%

LAB 67.07, -25.79, -24.32

 

CMYK 88 / 14 / 0 / 27

HEX #16A0BB

RGB 22 160 187

HSL 189.82, 0.79%, 0.41%

LAB 60.69, -24.18, -23.54

 

CMYK 97 / 15 / 0 / 34

HEX #058EA8

RGB 5 142 168

HSL 189.57, 0.94%, 0.34%

LAB 54.24, -22.15, -22.66

 

CMYK 100 / 17 / 0 / 42

HEX #007C95

RGB 0 124 149

HSL 190.07, 1%, 0.29%

LAB 47.73, -19.55, -21.64

 

CMYK 100 / 18 / 0 / 49

HEX #006A82

RGB 0 106 130

HSL 191.08, 1%, 0.25%

LAB 41.09, -16.64, -20.57

 

CMYK 81 / 14 / 0 / 20

HEX #27B1CD

RGB 39 177 205

HSL 190.12, 0.68%, 0.48%

LAB 66.74, -25.61, -24.28

 

CMYK 81 / 36 / 0 / 20

HEX #2784CD

RGB 39 132 205

HSL 206.39, 0.68%, 0.48%

LAB 53.32, -0.87, -45.19

 

CMYK 81 / 58 / 0 / 20

HEX #2757CD

RGB 39 87 205

HSL 222.65, 0.68%, 0.48%

LAB 40.66, 27.54, -65.54

 

CMYK 81 / 79 / 0 / 20

HEX #272BCD

RGB 39 43 205

HSL 238.55, 0.68%, 0.48%

LAB 30.8, 54.03, -81.77

 

CMYK 61 / 81 / 0 / 20

HEX #5027CD

RGB 80 39 205

HSL 254.82, 0.68%, 0.48%

LAB 33.06, 59.06, -77.94

 

CMYK 81 / 14 / 0 / 20

HEX #27B1CD

RGB 39 177 205

HSL 190.12, 0.68%, 0.48%

LAB 66.74, -25.61, -24.28

 

CMYK 81 / 36 / 0 / 20

HEX #2784CD

RGB 39 132 205

HSL 206.39, 0.68%, 0.48%

LAB 53.32, -0.87, -45.19

 

CMYK 81 / 58 / 0 / 20

HEX #2757CD

RGB 39 87 205

HSL 222.65, 0.68%, 0.48%

LAB 40.66, 27.54, -65.54

 

CMYK 81 / 79 / 0 / 20

HEX #272BCD

RGB 39 43 205

HSL 238.55, 0.68%, 0.48%

LAB 30.8, 54.03, -81.77

 

CMYK 81 / 81 / 0 / 20

HEX #2727CD

RGB 39 39 205

HSL 240, 0.68%, 0.48%

LAB 30.13, 55.97, -82.87

 

CMYK 81 / 14 / 0 / 20

HEX #27B1CD

RGB 39 177 205

HSL 190.12, 0.68%, 0.48%

LAB 66.74, -25.61, -24.28

 

CMYK 92 / 16 / 0 / 12

HEX #13BEE1

RGB 19 190 225

HSL 190.19, 0.84%, 0.48%

LAB 71.15, -26.81, -28.48

 

CMYK 81 / 14 / 0 / 20

HEX #27B1CD

RGB 39 177 205

HSL 190.12, 0.68%, 0.48%

LAB 66.74, -25.61, -24.28

 

CMYK 69 / 11 / 0 / 27

HEX #3AA4B9

RGB 58 164 185

HSL 189.92, 0.52%, 0.48%

LAB 62.47, -23.18, -19.65

 

CMYK 53 / 9 / 0 / 35

HEX #4E97A6

RGB 78 151 166

HSL 190.23, 0.36%, 0.48%

LAB 58.51, -18.47, -14.86

 

CMYK 33 / 5 / 0 / 43

HEX #628A92

RGB 98 138 146

HSL 190, 0.2%, 0.48%

LAB 54.92, -11.72, -8.71

 

CMYK 6 / 1 / 0 / 51

HEX #767D7E

RGB 118 125 126

HSL 187.5, 0.03%, 0.48%

LAB 51.87, -2.39, -1.45

 

CMYK 81 / 0 / 30 / 20

HEX #27CD90

RGB 39 205 144

HSL 157.95, 0.68%, 0.48%

LAB 73.62, -54.76, 19.06

 

CMYK 81 / 0 / 8 / 20

HEX #27CDBC

RGB 39 205 188

HSL 173.86, 0.68%, 0.48%

LAB 74.65, -43.83, -3.1

 

CMYK 81 / 14 / 0 / 20

HEX #27B1CD

RGB 39 177 205

HSL 190.12, 0.68%, 0.48%

LAB 66.74, -25.61, -24.28

 

CMYK 81 / 35 / 0 / 20

HEX #2785CD

RGB 39 133 205

HSL 206.02, 0.68%, 0.48%

LAB 53.62, -1.47, -44.72

 

CMYK 81 / 57 / 0 / 20

HEX #2759CD

RGB 39 89 205

HSL 221.93, 0.68%, 0.48%

LAB 41.19, 26.24, -64.69

 

CMYK 82 / 14 / 0 / 47

HEX #197588

RGB 25 117 136

HSL 190.27, 0.69%, 0.32%

LAB 45.23, -18.75, -17.78

 

CMYK 81 / 14 / 0 / 33

HEX #2093AA

RGB 32 147 170

HSL 190, 0.68%, 0.4%

LAB 56.16, -22.41, -20.84

 

CMYK 81 / 14 / 0 / 20

HEX #27B1CD

RGB 39 177 205

HSL 190.12, 0.68%, 0.48%

LAB 66.74, -25.61, -24.28

 

CMYK 70 / 12 / 0 / 14

HEX #42C1DB

RGB 66 193 219

HSL 190.2, 0.68%, 0.56%

LAB 72.5, -26.19, -23.08

 

CMYK 55 / 9 / 0 / 12

HEX #65CCE1

RGB 101 204 225

HSL 190.16, 0.67%, 0.64%

LAB 76.91, -24.09, -19.53

 

CMYK 81 / 14 / 0 / 19

HEX #27B2CE

RGB 39 178 206

HSL 190.06, 0.68%, 0.48%

LAB 67.07, -25.79, -24.32

 

CMYK 51 / 81 / 0 / 20

HEX #6427CD

RGB 100 39 205

HSL 262.05, 0.68%, 0.48%

LAB 35.14, 61.29, -74.43

 

CMYK 0 / 19 / 81 / 20

HEX #CDA627

RGB 205 166 39

HSL 45.9, 0.68%, 0.48%

LAB 69.75, 2.49, 65.31

 

CMYK 81 / 14 / 0 / 19

HEX #27B2CE

RGB 39 178 206

HSL 190.06, 0.68%, 0.48%

LAB 67.07, -25.79, -24.32

 

CMYK 0 / 81 / 14 / 20

HEX #CD27B1

RGB 205 39 177

HSL 310.12, 0.68%, 0.48%

LAB 49.01, 74.14, -34.88

 

CMYK 14 / 0 / 81 / 20

HEX #B1CD27

RGB 177 205 39

HSL 70.12, 0.68%, 0.48%

LAB 77.97, -29.31, 71.61

 

CMYK 81 / 14 / 0 / 19

HEX #27B2CE

RGB 39 178 206

HSL 190.06, 0.68%, 0.48%

LAB 67.07, -25.79, -24.32

 

CMYK 51 / 81 / 0 / 20

HEX #6427CD

RGB 100 39 205

HSL 262.05, 0.68%, 0.48%

LAB 35.14, 61.29, -74.43

 

CMYK 0 / 68 / 81 / 20

HEX #CD4227

RGB 205 66 39

HSL 9.76, 0.68%, 0.48%

LAB 48.29, 53.56, 45.73

 

CMYK 30 / 0 / 81 / 20

HEX #90CD27

RGB 144 205 39

HSL 82.05, 0.68%, 0.48%

LAB 75.91, -42.27, 69

 

CMYK 81 / 14 / 0 / 19

HEX #27B2CE

RGB 39 178 206

HSL 190.06, 0.68%, 0.48%

LAB 67.07, -25.79, -24.32

 

CMYK 27 / 81 / 0 / 20

HEX #9627CD

RGB 150 39 205

HSL 280.12, 0.68%, 0.48%

LAB 41.76, 68.49, -63.34

 

CMYK 0 / 68 / 81 / 20

HEX #CD4227

RGB 205 66 39

HSL 9.76, 0.68%, 0.48%

LAB 48.29, 53.56, 45.73

 

CMYK 54 / 0 / 81 / 20

HEX #5ECD27

RGB 94 205 39

HSL 100.12, 0.68%, 0.48%

LAB 73.67, -58.57, 66.14

 

Description

Color code: HEX #27B2CE | qconv.com Color code: HEX #27B2CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 178 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 178 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 14 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 14% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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