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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27C58A it is the complementary color #D83A75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27C58A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27C58A shade: #2CC585, #3DD798, #4EE9AB, #5FFBBE and #70FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27C58A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27C58A shade: #27C58A, #16B377, #05A164, #008F51 and #007D3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27C58A shade: #26C389, #26C35E, #26C334, #43C326 and #6DC326

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27C58A shade: #26C389, #26C3B3, #26A9C3, #267FC3 and #2655C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27C58A shade matches the following richer shades: #26C389, #13D68D and #00E992

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27C58A shade: #26C389, #39B084, #4C9D7F, #5F8A7A and #727775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27C58A shade: #26C333, #26C35D, #26C387, #26C3B1 and #26ACC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27C58A shade: #197E58, #1FA171, #26C389, #3BD89D and #5DDFAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27C58A shade: #27C58A, #2643C3 and #C34826

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27C58A shade: #27C58A, #8726C3 and #C38726

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27C58A shade: #27C58A, #2643C3, #C32662 and #C3A726

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27C58A shade: #27C58A, #3926C3, #C32662 and #B1C326

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 30 / 23

HEX #27C58A

RGB 39 197 138

HSL 157.59, 0.67%, 0.46%

LAB 71.01, -53.02, 18.65

 

Complementary color

CMYK 0 / 73 / 46 / 15

HEX #D83A75

RGB 216 58 117

HSL 337.59, 0.67%, 0.54%

LAB 50.58, 64.59, 3.55

 

CMYK 78 / 0 / 32 / 23

HEX #2CC585

RGB 44 197 133

HSL 154.9, 0.63%, 0.47%

LAB 70.98, -53.55, 21.29

 

CMYK 72 / 0 / 29 / 16

HEX #3DD798

RGB 61 215 152

HSL 155.45, 0.66%, 0.54%

LAB 77.2, -54.27, 19.83

 

CMYK 67 / 0 / 27 / 9

HEX #4EE9AB

RGB 78 233 171

HSL 156, 0.78%, 0.61%

LAB 83.36, -54.72, 18.49

 

CMYK 62 / 0 / 24 / 2

HEX #5FFBBE

RGB 95 251 190

HSL 156.54, 0.95%, 0.68%

LAB 89.46, -54.99, 17.26

 

CMYK 56 / 0 / 18 / 0

HEX #70FFD1

RGB 112 255 209

HSL 160.7, 1%, 0.72%

LAB 91.49, -49.33, 10.41

 

CMYK 80 / 0 / 30 / 23

HEX #27C58A

RGB 39 197 138

HSL 157.59, 0.67%, 0.46%

LAB 71.01, -53.02, 18.65

 

CMYK 88 / 0 / 34 / 30

HEX #16B377

RGB 22 179 119

HSL 157.07, 0.78%, 0.39%

LAB 64.76, -51.79, 20.26

 

CMYK 97 / 0 / 38 / 37

HEX #05A164

RGB 5 161 100

HSL 156.54, 0.94%, 0.33%

LAB 58.45, -50.08, 22.03

 

CMYK 100 / 0 / 43 / 44

HEX #008F51

RGB 0 143 81

HSL 153.99, 1%, 0.28%

LAB 52.11, -47.65, 24.01

 

CMYK 100 / 0 / 50 / 51

HEX #007D3E

RGB 0 125 62

HSL 149.76, 1%, 0.25%

LAB 45.65, -44.79, 26.09

 

CMYK 81 / 0 / 30 / 24

HEX #26C389

RGB 38 195 137

HSL 157.83, 0.67%, 0.46%

LAB 70.35, -52.57, 18.28

 

CMYK 81 / 0 / 52 / 24

HEX #26C35E

RGB 38 195 94

HSL 141.4, 0.67%, 0.46%

LAB 69.65, -60.63, 39.59

 

CMYK 81 / 0 / 73 / 24

HEX #26C334

RGB 38 195 52

HSL 125.35, 0.67%, 0.46%

LAB 69.25, -65.49, 57.33

 

CMYK 66 / 0 / 81 / 24

HEX #43C326

RGB 67 195 38

HSL 108.92, 0.67%, 0.46%

LAB 69.73, -61.69, 62.48

 

CMYK 44 / 0 / 81 / 24

HEX #6DC326

RGB 109 195 38

HSL 92.87, 0.67%, 0.46%

LAB 71.16, -50.4, 64.32

 

CMYK 81 / 0 / 30 / 24

HEX #26C389

RGB 38 195 137

HSL 157.83, 0.67%, 0.46%

LAB 70.35, -52.57, 18.28

 

CMYK 81 / 0 / 8 / 24

HEX #26C3B3

RGB 38 195 179

HSL 173.89, 0.67%, 0.46%

LAB 71.35, -42.03, -3.07

 

CMYK 81 / 13 / 0 / 24

HEX #26A9C3

RGB 38 169 195

HSL 189.94, 0.67%, 0.46%

LAB 63.94, -24.91, -23.02

 

CMYK 81 / 35 / 0 / 24

HEX #267FC3

RGB 38 127 195

HSL 205.99, 0.67%, 0.46%

LAB 51.3, -1.7, -42.7

 

CMYK 81 / 56 / 0 / 24

HEX #2655C3

RGB 38 85 195

HSL 222.04, 0.67%, 0.46%

LAB 39.33, 24.95, -61.93

 

CMYK 81 / 0 / 30 / 24

HEX #26C389

RGB 38 195 137

HSL 157.83, 0.67%, 0.46%

LAB 70.35, -52.57, 18.28

 

CMYK 91 / 0 / 34 / 16

HEX #13D68D

RGB 19 214 141

HSL 157.54, 0.84%, 0.46%

LAB 76.16, -60.18, 24.09

 

CMYK 100 / 0 / 37 / 9

HEX #00E992

RGB 0 233 146

HSL 157.6, 1%, 0.46%

LAB 82.03, -66.47, 29.41

 

CMYK 81 / 0 / 30 / 24

HEX #26C389

RGB 38 195 137

HSL 157.83, 0.67%, 0.46%

LAB 70.35, -52.57, 18.28

 

CMYK 68 / 0 / 25 / 31

HEX #39B084

RGB 57 176 132

HSL 157.82, 0.51%, 0.46%

LAB 64.63, -43.48, 13.08

 

CMYK 52 / 0 / 19 / 38

HEX #4C9D7F

RGB 76 157 127

HSL 157.78, 0.35%, 0.46%

LAB 59.14, -32.22, 8.19

 

CMYK 31 / 0 / 12 / 46

HEX #5F8A7A

RGB 95 138 122

HSL 157.67, 0.18%, 0.46%

LAB 54.04, -18.44, 3.85

 

CMYK 4 / 0 / 2 / 53

HEX #727775

RGB 114 119 117

HSL 156, 0.02%, 0.46%

LAB 49.56, -2.29, 0.44

 

CMYK 81 / 0 / 74 / 24

HEX #26C333

RGB 38 195 51

HSL 124.97, 0.67%, 0.46%

LAB 69.24, -65.57, 57.68

 

CMYK 81 / 0 / 52 / 24

HEX #26C35D

RGB 38 195 93

HSL 141.02, 0.67%, 0.46%

LAB 69.63, -60.78, 40.06

 

CMYK 81 / 0 / 31 / 24

HEX #26C387

RGB 38 195 135

HSL 157.07, 0.67%, 0.46%

LAB 70.31, -53.01, 19.29

 

CMYK 81 / 0 / 9 / 24

HEX #26C3B1

RGB 38 195 177

HSL 173.12, 0.67%, 0.46%

LAB 71.29, -42.59, -2.06

 

CMYK 81 / 12 / 0 / 24

HEX #26ACC3

RGB 38 172 195

HSL 188.79, 0.67%, 0.46%

LAB 64.85, -26.42, -21.63

 

CMYK 80 / 0 / 30 / 51

HEX #197E58

RGB 25 126 88

HSL 157.43, 0.67%, 0.3%

LAB 46.75, -37.45, 12.89

 

CMYK 81 / 0 / 30 / 37

HEX #1FA171

RGB 31 161 113

HSL 157.85, 0.68%, 0.38%

LAB 58.95, -45.32, 15.59

 

CMYK 81 / 0 / 30 / 24

HEX #26C389

RGB 38 195 137

HSL 157.83, 0.67%, 0.46%

LAB 70.35, -52.57, 18.28

 

CMYK 73 / 0 / 27 / 15

HEX #3BD89D

RGB 59 216 157

HSL 157.45, 0.67%, 0.54%

LAB 77.56, -53.85, 17.7

 

CMYK 58 / 0 / 22 / 13

HEX #5DDFAE

RGB 93 223 174

HSL 157.38, 0.67%, 0.62%

LAB 80.83, -47.27, 13.43

 

CMYK 80 / 0 / 30 / 23

HEX #27C58A

RGB 39 197 138

HSL 157.59, 0.67%, 0.46%

LAB 71.01, -53.02, 18.65

 

CMYK 81 / 66 / 0 / 24

HEX #2643C3

RGB 38 67 195

HSL 228.92, 0.67%, 0.46%

LAB 34.73, 36.64, -69.43

 

CMYK 0 / 63 / 81 / 24

HEX #C34826

RGB 195 72 38

HSL 12.99, 0.67%, 0.46%

LAB 47.46, 47.54, 44.83

 

CMYK 80 / 0 / 30 / 23

HEX #27C58A

RGB 39 197 138

HSL 157.59, 0.67%, 0.46%

LAB 71.01, -53.02, 18.65

 

CMYK 31 / 81 / 0 / 24

HEX #8726C3

RGB 135 38 195

HSL 277.07, 0.67%, 0.46%

LAB 38.69, 64.31, -62.61

 

CMYK 0 / 31 / 81 / 24

HEX #C38726

RGB 195 135 38

HSL 37.07, 0.67%, 0.46%

LAB 60.84, 14.86, 57.31

 

CMYK 80 / 0 / 30 / 23

HEX #27C58A

RGB 39 197 138

HSL 157.59, 0.67%, 0.46%

LAB 71.01, -53.02, 18.65

 

CMYK 81 / 66 / 0 / 24

HEX #2643C3

RGB 38 67 195

HSL 228.92, 0.67%, 0.46%

LAB 34.73, 36.64, -69.43

 

CMYK 0 / 81 / 50 / 24

HEX #C32662

RGB 195 38 98

HSL 337.07, 0.67%, 0.46%

LAB 44.05, 63.25, 5.32

 

CMYK 0 / 14 / 81 / 24

HEX #C3A726

RGB 195 167 38

HSL 49.3, 0.67%, 0.46%

LAB 69.03, -2.48, 64.6

 

CMYK 80 / 0 / 30 / 23

HEX #27C58A

RGB 39 197 138

HSL 157.59, 0.67%, 0.46%

LAB 71.01, -53.02, 18.65

 

CMYK 71 / 81 / 0 / 24

HEX #3926C3

RGB 57 38 195

HSL 247.26, 0.67%, 0.46%

LAB 29.9, 54.58, -77.37

 

CMYK 0 / 81 / 50 / 24

HEX #C32662

RGB 195 38 98

HSL 337.07, 0.67%, 0.46%

LAB 44.05, 63.25, 5.32

 

CMYK 9 / 0 / 81 / 24

HEX #B1C326

RGB 177 195 38

HSL 66.88, 0.67%, 0.46%

LAB 75.15, -24.56, 69.41

 

Description

Color code: HEX #27C58A | qconv.com Color code: HEX #27C58A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 197 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 197 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 30 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 30% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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