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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27CF81 it is the complementary color #D8307E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27CF81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27CF81 shade: #2CCF7C, #3DE18F, #4EF3A2, #5FFFB5 and #70FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27CF81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27CF81 shade: #27CF81, #16BD6E, #05AB5B, #009948 and #008735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27CF81 shade: #27CD80, #27CD53, #27CD27, #54CD27 and #81CD27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27CF81 shade: #27CD80, #27CDAD, #27C1CD, #2794CD and #2767CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27CF81 shade matches the following richer shades: #27CD80 and #13E181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27CF81 shade: #27CD80, #3AB97E, #4EA67D, #62927C and #767E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27CF81 shade: #27CD27, #27CD53, #27CD7F, #27CDAC and #27C2CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27CF81 shade: #198855, #20AA6A, #27CD80, #42DB94 and #65E1A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27CF81 shade: #27CF81, #2753CD and #CD3D27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27CF81 shade: #27CF81, #7F27CD and #CD7F27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27CF81 shade: #27CF81, #2753CD, #CD2774 and #CDA127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27CF81 shade: #27CF81, #2C27CD, #CD2774 and #C8CD27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 38 / 19

HEX #27CF81

RGB 39 207 129

HSL 152.14, 0.68%, 0.48%

LAB 73.96, -58.62, 27.4

 

Complementary color

CMYK 0 / 78 / 42 / 15

HEX #D8307E

RGB 216 48 126

HSL 332.14, 0.68%, 0.52%

LAB 49.76, 68.47, -3.1

 

CMYK 79 / 0 / 40 / 19

HEX #2CCF7C

RGB 44 207 124

HSL 149.45, 0.65%, 0.49%

LAB 73.94, -59.05, 29.98

 

CMYK 73 / 0 / 36 / 12

HEX #3DE18F

RGB 61 225 143

HSL 150, 0.73%, 0.56%

LAB 80.08, -59.88, 28.43

 

CMYK 68 / 0 / 33 / 5

HEX #4EF3A2

RGB 78 243 162

HSL 150.55, 0.87%, 0.63%

LAB 86.17, -60.42, 26.99

 

CMYK 63 / 0 / 29 / 0

HEX #5FFFB5

RGB 95 255 181

HSL 152.25, 1%, 0.69%

LAB 90.45, -58.43, 23.24

 

CMYK 56 / 0 / 22 / 0

HEX #70FFC8

RGB 112 255 200

HSL 156.92, 1%, 0.72%

LAB 91.3, -51.28, 14.77

 

CMYK 81 / 0 / 38 / 19

HEX #27CF81

RGB 39 207 129

HSL 152.14, 0.68%, 0.48%

LAB 73.96, -58.62, 27.4

 

CMYK 88 / 0 / 42 / 26

HEX #16BD6E

RGB 22 189 110

HSL 151.62, 0.79%, 0.41%

LAB 67.79, -57.27, 29.1

 

CMYK 97 / 0 / 47 / 33

HEX #05AB5B

RGB 5 171 91

HSL 151.08, 0.94%, 0.35%

LAB 61.58, -55.39, 30.92

 

CMYK 100 / 0 / 53 / 40

HEX #009948

RGB 0 153 72

HSL 148.24, 1%, 0.3%

LAB 55.33, -52.77, 32.88

 

CMYK 100 / 0 / 61 / 47

HEX #008735

RGB 0 135 53

HSL 143.56, 1%, 0.26%

LAB 48.99, -49.67, 34.81

 

CMYK 81 / 0 / 38 / 20

HEX #27CD80

RGB 39 205 128

HSL 152.17, 0.68%, 0.48%

LAB 73.32, -58.09, 27.07

 

CMYK 81 / 0 / 60 / 20

HEX #27CD53

RGB 39 205 83

HSL 135.9, 0.68%, 0.48%

LAB 72.71, -65.32, 48.43

 

CMYK 81 / 0 / 81 / 20

HEX #27CD27

RGB 39 205 39

HSL 120, 0.68%, 0.48%

LAB 72.39, -69.25, 64.49

 

CMYK 59 / 0 / 81 / 20

HEX #54CD27

RGB 84 205 39

HSL 103.73, 0.68%, 0.48%

LAB 73.35, -61.15, 65.73

 

CMYK 37 / 0 / 81 / 20

HEX #81CD27

RGB 129 205 39

HSL 87.47, 0.68%, 0.48%

LAB 75.12, -47.68, 68

 

CMYK 81 / 0 / 38 / 20

HEX #27CD80

RGB 39 205 128

HSL 152.17, 0.68%, 0.48%

LAB 73.32, -58.09, 27.07

 

CMYK 81 / 0 / 16 / 20

HEX #27CDAD

RGB 39 205 173

HSL 168.43, 0.68%, 0.48%

LAB 74.26, -47.83, 4.43

 

CMYK 81 / 6 / 0 / 20

HEX #27C1CD

RGB 39 193 205

HSL 184.34, 0.68%, 0.48%

LAB 71.54, -33.43, -16.97

 

CMYK 81 / 28 / 0 / 20

HEX #2794CD

RGB 39 148 205

HSL 200.6, 0.68%, 0.48%

LAB 58.06, -10.15, -37.73

 

CMYK 81 / 50 / 0 / 20

HEX #2767CD

RGB 39 103 205

HSL 216.87, 0.68%, 0.48%

LAB 45, 17.16, -58.51

 

CMYK 81 / 0 / 38 / 20

HEX #27CD80

RGB 39 205 128

HSL 152.17, 0.68%, 0.48%

LAB 73.32, -58.09, 27.07

 

CMYK 92 / 0 / 43 / 12

HEX #13E181

RGB 19 225 129

HSL 152.04, 0.84%, 0.48%

LAB 79.37, -66.33, 34.5

 

CMYK 81 / 0 / 38 / 20

HEX #27CD80

RGB 39 205 128

HSL 152.17, 0.68%, 0.48%

LAB 73.32, -58.09, 27.07

 

CMYK 69 / 0 / 32 / 27

HEX #3AB97E

RGB 58 185 126

HSL 152.13, 0.52%, 0.48%

LAB 67.35, -48.34, 20.12

 

CMYK 53 / 0 / 25 / 35

HEX #4EA67D

RGB 78 166 125

HSL 152.05, 0.36%, 0.48%

LAB 61.97, -36.34, 13.32

 

CMYK 33 / 0 / 15 / 43

HEX #62927C

RGB 98 146 124

HSL 152.5, 0.2%, 0.48%

LAB 56.69, -21.22, 6.53

 

CMYK 6 / 0 / 3 / 51

HEX #767E7A

RGB 118 126 122

HSL 150, 0.03%, 0.48%

LAB 52.04, -3.79, 1.14

 

CMYK 81 / 0 / 81 / 20

HEX #27CD27

RGB 39 205 39

HSL 120, 0.68%, 0.48%

LAB 72.39, -69.25, 64.49

 

CMYK 81 / 0 / 60 / 20

HEX #27CD53

RGB 39 205 83

HSL 135.9, 0.68%, 0.48%

LAB 72.71, -65.32, 48.43

 

CMYK 81 / 0 / 38 / 20

HEX #27CD7F

RGB 39 205 127

HSL 151.81, 0.68%, 0.48%

LAB 73.3, -58.29, 27.57

 

CMYK 81 / 0 / 16 / 20

HEX #27CDAC

RGB 39 205 172

HSL 168.07, 0.68%, 0.48%

LAB 74.24, -48.08, 4.94

 

CMYK 81 / 5 / 0 / 20

HEX #27C2CD

RGB 39 194 205

HSL 183.98, 0.68%, 0.48%

LAB 71.84, -33.9, -16.52

 

CMYK 82 / 0 / 38 / 47

HEX #198855

RGB 25 136 85

HSL 152.43, 0.69%, 0.32%

LAB 50.06, -42.24, 19.12

 

CMYK 81 / 0 / 38 / 33

HEX #20AA6A

RGB 32 170 106

HSL 152.17, 0.68%, 0.4%

LAB 61.74, -50.24, 23.22

 

CMYK 81 / 0 / 38 / 20

HEX #27CD80

RGB 39 205 128

HSL 152.17, 0.68%, 0.48%

LAB 73.32, -58.09, 27.07

 

CMYK 70 / 0 / 32 / 14

HEX #42DB94

RGB 66 219 148

HSL 152.16, 0.68%, 0.56%

LAB 78.44, -55.91, 23.64

 

CMYK 55 / 0 / 25 / 12

HEX #65E1A8

RGB 101 225 168

HSL 152.42, 0.67%, 0.64%

LAB 81.54, -47.73, 17.61

 

CMYK 81 / 0 / 38 / 19

HEX #27CF81

RGB 39 207 129

HSL 152.14, 0.68%, 0.48%

LAB 73.96, -58.62, 27.4

 

CMYK 81 / 60 / 0 / 20

HEX #2753CD

RGB 39 83 205

HSL 224.1, 0.68%, 0.48%

LAB 39.62, 30.14, -67.24

 

CMYK 0 / 70 / 81 / 20

HEX #CD3D27

RGB 205 61 39

HSL 7.95, 0.68%, 0.48%

LAB 47.58, 55.51, 45.05

 

CMYK 81 / 0 / 38 / 19

HEX #27CF81

RGB 39 207 129

HSL 152.14, 0.68%, 0.48%

LAB 73.96, -58.62, 27.4

 

CMYK 38 / 81 / 0 / 20

HEX #7F27CD

RGB 127 39 205

HSL 271.81, 0.68%, 0.48%

LAB 38.5, 64.93, -68.79

 

CMYK 0 / 38 / 81 / 20

HEX #CD7F27

RGB 205 127 39

HSL 31.81, 0.68%, 0.48%

LAB 60.16, 23.6, 56.78

 

CMYK 81 / 0 / 38 / 19

HEX #27CF81

RGB 39 207 129

HSL 152.14, 0.68%, 0.48%

LAB 73.96, -58.62, 27.4

 

CMYK 81 / 60 / 0 / 20

HEX #2753CD

RGB 39 83 205

HSL 224.1, 0.68%, 0.48%

LAB 39.62, 30.14, -67.24

 

CMYK 0 / 81 / 43 / 20

HEX #CD2774

RGB 205 39 116

HSL 332.17, 0.68%, 0.48%

LAB 46.57, 67.13, -1.93

 

CMYK 0 / 21 / 81 / 20

HEX #CDA127

RGB 205 161 39

HSL 44.1, 0.68%, 0.48%

LAB 68.47, 5.17, 64.19

 

CMYK 81 / 0 / 38 / 19

HEX #27CF81

RGB 39 207 129

HSL 152.14, 0.68%, 0.48%

LAB 73.96, -58.62, 27.4

 

CMYK 79 / 81 / 0 / 20

HEX #2C27CD

RGB 44 39 205

HSL 241.81, 0.68%, 0.48%

LAB 30.39, 56.24, -82.45

 

CMYK 0 / 81 / 43 / 20

HEX #CD2774

RGB 205 39 116

HSL 332.17, 0.68%, 0.48%

LAB 46.57, 67.13, -1.93

 

CMYK 2 / 0 / 81 / 20

HEX #C8CD27

RGB 200 205 39

HSL 61.81, 0.68%, 0.48%

LAB 79.66, -19.73, 73.75

 

Description

Color code: HEX #27CF81 | qconv.com Color code: HEX #27CF81 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 207 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 207 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 38 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 38% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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