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Color name
HEX #27DCCD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27DCCD it is the complementary color #D82332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27DCCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27DCCD shade: #2CDCC8, #3DEEDB, #4EFFEE, #5FFFFF and #70FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27DCCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27DCCD shade: #27DCCD, #16CABA, #05B8A7, #00A694 and #009481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27DCCD shade: #28DCCD, #28DC9C, #28DC6C, #28DC3B and #45DC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27DCCD shade: #28DCCD, #28BADC, #2889DC, #2859DC and #2828DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27DCCD shade matches the following richer shades: #28DCCD and #13F0DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27DCCD shade: #28DCCD, #3CC7BC, #50B3AB, #649F9A and #788B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27DCCD shade: #28DC6D, #28DC9D, #28DCCD, #28BBDC and #288BDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27DCCD shade: #18988E, #1EBCAF, #28DCCD, #4BE1D5 and #6FE7DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27DCCD shade: #27DCCD, #3D28DC and #DC8528

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27DCCD shade: #27DCCD, #CD28DC and #DCCD28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27DCCD shade: #27DCCD, #3D28DC, #DC2837 and #C7DC28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27DCCD shade: #27DCCD, #7328DC, #DC2837 and #91DC28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 7 / 14

HEX #27DCCD

RGB 39 220 205

HSL 175.03, 0.72%, 0.51%

LAB 79.63, -45.64, -4.89

 

Complementary color

CMYK 0 / 84 / 77 / 15

HEX #D82332

RGB 216 35 50

HSL 355.03, 0.72%, 0.49%

LAB 47.02, 66.9, 39.21

 

CMYK 80 / 0 / 9 / 14

HEX #2CDCC8

RGB 44 220 200

HSL 173.18, 0.72%, 0.52%

LAB 79.55, -46.59, -2.33

 

CMYK 74 / 0 / 8 / 7

HEX #3DEEDB

RGB 61 238 219

HSL 173.56, 0.84%, 0.59%

LAB 85.63, -47.55, -3.43

 

CMYK 69 / 0 / 7 / 0

HEX #4EFFEE

RGB 78 255 238

HSL 174.24, 1%, 0.65%

LAB 91.38, -47.86, -4.86

 

CMYK 63 / 0 / 0 / 0

HEX #5FFFFF

RGB 95 255 255

HSL 180, 1%, 0.69%

LAB 92.21, -41.03, -12.39

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 82 / 0 / 7 / 14

HEX #27DCCD

RGB 39 220 205

HSL 175.03, 0.72%, 0.51%

LAB 79.63, -45.64, -4.89

 

CMYK 89 / 0 / 8 / 21

HEX #16CABA

RGB 22 202 186

HSL 174.67, 0.8%, 0.44%

LAB 73.52, -44.23, -3.7

 

CMYK 97 / 0 / 9 / 28

HEX #05B8A7

RGB 5 184 167

HSL 174.3, 0.95%, 0.37%

LAB 67.35, -42.48, -2.39

 

CMYK 100 / 0 / 11 / 35

HEX #00A694

RGB 0 166 148

HSL 173.49, 1%, 0.33%

LAB 61.14, -40.25, -0.92

 

CMYK 100 / 0 / 13 / 42

HEX #009481

RGB 0 148 129

HSL 172.3, 1%, 0.29%

LAB 54.83, -37.81, 0.65

 

CMYK 82 / 0 / 7 / 14

HEX #28DCCD

RGB 40 220 205

HSL 175, 0.72%, 0.51%

LAB 79.64, -45.56, -4.88

 

CMYK 82 / 0 / 29 / 14

HEX #28DC9C

RGB 40 220 156

HSL 158.67, 0.72%, 0.51%

LAB 78.48, -57.73, 19.46

 

CMYK 82 / 0 / 51 / 14

HEX #28DC6C

RGB 40 220 108

HSL 142.67, 0.72%, 0.51%

LAB 77.71, -66.64, 42.76

 

CMYK 82 / 0 / 73 / 14

HEX #28DC3B

RGB 40 220 59

HSL 126.33, 0.72%, 0.51%

LAB 77.25, -72.23, 62.99

 

CMYK 69 / 0 / 82 / 14

HEX #45DC28

RGB 69 220 40

HSL 110.33, 0.72%, 0.51%

LAB 77.64, -69.24, 69.26

 

CMYK 82 / 0 / 7 / 14

HEX #28DCCD

RGB 40 220 205

HSL 175, 0.72%, 0.51%

LAB 79.64, -45.56, -4.88

 

CMYK 82 / 15 / 0 / 14

HEX #28BADC

RGB 40 186 220

HSL 191.33, 0.72%, 0.51%

LAB 69.99, -25.18, -27.52

 

CMYK 82 / 38 / 0 / 14

HEX #2889DC

RGB 40 137 220

HSL 207.67, 0.72%, 0.51%

LAB 55.59, 1.8, -50.04

 

CMYK 82 / 60 / 0 / 14

HEX #2859DC

RGB 40 89 220

HSL 223.67, 0.72%, 0.51%

LAB 42.4, 31.98, -71.31

 

CMYK 82 / 82 / 0 / 14

HEX #2828DC

RGB 40 40 220

HSL 240, 0.72%, 0.51%

LAB 32.11, 60.09, -88.27

 

CMYK 82 / 0 / 7 / 14

HEX #28DCCD

RGB 40 220 205

HSL 175, 0.72%, 0.51%

LAB 79.64, -45.56, -4.88

 

CMYK 92 / 0 / 8 / 6

HEX #13F0DD

RGB 19 240 221

HSL 174.84, 0.88%, 0.51%

LAB 85.85, -50.8, -4.21

 

CMYK 82 / 0 / 7 / 14

HEX #28DCCD

RGB 40 220 205

HSL 175, 0.72%, 0.51%

LAB 79.64, -45.56, -4.88

 

CMYK 70 / 0 / 6 / 22

HEX #3CC7BC

RGB 60 199 188

HSL 175.25, 0.55%, 0.51%

LAB 73.18, -38.88, -5.23

 

CMYK 55 / 0 / 4 / 30

HEX #50B3AB

RGB 80 179 171

HSL 175.15, 0.39%, 0.51%

LAB 67.19, -30.8, -4.69

 

CMYK 37 / 0 / 3 / 38

HEX #649F9A

RGB 100 159 154

HSL 174.92, 0.24%, 0.51%

LAB 61.51, -20.36, -3.48

 

CMYK 14 / 0 / 1 / 45

HEX #788B89

RGB 120 139 137

HSL 173.68, 0.08%, 0.51%

LAB 56.35, -7.24, -1.24

 

CMYK 82 / 0 / 50 / 14

HEX #28DC6D

RGB 40 220 109

HSL 143, 0.72%, 0.51%

LAB 77.72, -66.49, 42.29

 

CMYK 82 / 0 / 29 / 14

HEX #28DC9D

RGB 40 220 157

HSL 159, 0.72%, 0.51%

LAB 78.5, -57.51, 18.96

 

CMYK 82 / 0 / 7 / 14

HEX #28DCCD

RGB 40 220 205

HSL 175, 0.72%, 0.51%

LAB 79.64, -45.56, -4.88

 

CMYK 82 / 15 / 0 / 14

HEX #28BBDC

RGB 40 187 220

HSL 191, 0.72%, 0.51%

LAB 70.29, -25.68, -27.06

 

CMYK 82 / 37 / 0 / 14

HEX #288BDC

RGB 40 139 220

HSL 207, 0.72%, 0.51%

LAB 56.17, 0.61, -49.12

 

CMYK 84 / 0 / 7 / 40

HEX #18988E

RGB 24 152 142

HSL 175.31, 0.73%, 0.35%

LAB 56.69, -34.45, -4.05

 

CMYK 84 / 0 / 7 / 26

HEX #1EBCAF

RGB 30 188 175

HSL 175.06, 0.72%, 0.43%

LAB 69, -40.72, -4.36

 

CMYK 82 / 0 / 7 / 14

HEX #28DCCD

RGB 40 220 205

HSL 175, 0.72%, 0.51%

LAB 79.64, -45.56, -4.88

 

CMYK 67 / 0 / 5 / 12

HEX #4BE1D5

RGB 75 225 213

HSL 175.2, 0.71%, 0.59%

LAB 81.92, -41.72, -5.7

 

CMYK 52 / 0 / 4 / 9

HEX #6FE7DD

RGB 111 231 221

HSL 175, 0.71%, 0.67%

LAB 84.87, -36.11, -5.47

 

CMYK 82 / 0 / 7 / 14

HEX #27DCCD

RGB 39 220 205

HSL 175.03, 0.72%, 0.51%

LAB 79.63, -45.64, -4.89

 

CMYK 72 / 82 / 0 / 14

HEX #3D28DC

RGB 61 40 220

HSL 247, 0.72%, 0.51%

LAB 33.3, 61.26, -86.26

 

CMYK 0 / 40 / 82 / 14

HEX #DC8528

RGB 220 133 40

HSL 31, 0.72%, 0.51%

LAB 63.46, 26.76, 60.08

 

CMYK 82 / 0 / 7 / 14

HEX #27DCCD

RGB 39 220 205

HSL 175.03, 0.72%, 0.51%

LAB 79.63, -45.64, -4.89

 

CMYK 7 / 82 / 0 / 14

HEX #CD28DC

RGB 205 40 220

HSL 295, 0.72%, 0.51%

LAB 51.46, 80.33, -55.87

 

CMYK 0 / 7 / 82 / 14

HEX #DCCD28

RGB 220 205 40

HSL 55, 0.72%, 0.51%

LAB 81.31, -11.21, 75.55

 

CMYK 82 / 0 / 7 / 14

HEX #27DCCD

RGB 39 220 205

HSL 175.03, 0.72%, 0.51%

LAB 79.63, -45.64, -4.89

 

CMYK 72 / 82 / 0 / 14

HEX #3D28DC

RGB 61 40 220

HSL 247, 0.72%, 0.51%

LAB 33.3, 61.26, -86.26

 

CMYK 0 / 82 / 75 / 14

HEX #DC2837

RGB 220 40 55

HSL 355, 0.72%, 0.51%

LAB 48.27, 67.01, 37.95

 

CMYK 10 / 0 / 82 / 14

HEX #C7DC28

RGB 199 220 40

HSL 67, 0.72%, 0.51%

LAB 83.7, -27.36, 76.94

 

CMYK 82 / 0 / 7 / 14

HEX #27DCCD

RGB 39 220 205

HSL 175.03, 0.72%, 0.51%

LAB 79.63, -45.64, -4.89

 

CMYK 48 / 82 / 0 / 14

HEX #7328DC

RGB 115 40 220

HSL 265, 0.72%, 0.51%

LAB 38.43, 66.45, -77.62

 

CMYK 0 / 82 / 75 / 14

HEX #DC2837

RGB 220 40 55

HSL 355, 0.72%, 0.51%

LAB 48.27, 67.01, 37.95

 

CMYK 34 / 0 / 82 / 14

HEX #91DC28

RGB 145 220 40

HSL 85, 0.72%, 0.51%

LAB 80.38, -48.22, 72.76

 

Description

Color code: HEX #27DCCD | qconv.com Color code: HEX #27DCCD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 220 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 220 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 7 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 7% 14% C M Y K

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