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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27EA78 it is the complementary color #D81587. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27EA78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27EA78 shade: #2CEA73, #3DFC86, #4EFF99, #5FFFAC and #70FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27EA78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27EA78 shade: #27EA78, #16D865, #05C652, #00B43F and #00A22C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27EA78 shade: #29E979, #29E945, #41E929, #75E929 and #A9E929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27EA78 shade: #29E979, #29E9AD, #29E9E1, #29BEE9 and #298AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27EA78 shade matches the following richer shades: #29E979 and #16FC76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27EA78 shade: #29E979, #3CD67C, #4FC37F, #62B083 and #759D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27EA78 shade: #43E929, #29E943, #29E976, #29E9A9 and #29E9DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27EA78 shade: #11AF53, #15D564, #29E979, #4FED90 and #74F1A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27EA78 shade: #27EA78, #2976E9 and #E92929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27EA78 shade: #27EA78, #7629E9 and #E97629

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27EA78 shade: #27EA78, #2976E9, #E9299C and #E99C29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27EA78 shade: #27EA78, #293CE9, #E9299C and #E9D629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 49 / 8

HEX #27EA78

RGB 39 234 120

HSL 144.92, 0.82%, 0.54%

LAB 82.18, -69.48, 42.55

 

Complementary color

CMYK 0 / 90 / 38 / 15

HEX #D81587

RGB 216 21 135

HSL 324.92, 0.82%, 0.46%

LAB 48.11, 74.93, -11.01

 

CMYK 81 / 0 / 51 / 8

HEX #2CEA73

RGB 44 234 115

HSL 142.42, 0.82%, 0.55%

LAB 82.17, -69.78, 44.94

 

CMYK 76 / 0 / 47 / 1

HEX #3DFC86

RGB 61 252 134

HSL 142.93, 0.97%, 0.61%

LAB 88.13, -70.92, 43.38

 

CMYK 69 / 0 / 40 / 0

HEX #4EFF99

RGB 78 255 153

HSL 145.42, 1%, 0.65%

LAB 89.6, -66.48, 36.08

 

CMYK 63 / 0 / 33 / 0

HEX #5FFFAC

RGB 95 255 172

HSL 148.88, 1%, 0.69%

LAB 90.29, -60.18, 27.58

 

CMYK 56 / 0 / 25 / 0

HEX #70FFBF

RGB 112 255 191

HSL 153.15, 1%, 0.72%

LAB 91.11, -53.15, 19.12

 

CMYK 83 / 0 / 49 / 8

HEX #27EA78

RGB 39 234 120

HSL 144.92, 0.82%, 0.54%

LAB 82.18, -69.48, 42.55

 

CMYK 90 / 0 / 53 / 15

HEX #16D865

RGB 22 216 101

HSL 144.43, 0.82%, 0.47%

LAB 76.21, -67.8, 44.21

 

CMYK 97 / 0 / 59 / 22

HEX #05C652

RGB 5 198 82

HSL 143.94, 0.95%, 0.4%

LAB 70.2, -65.57, 45.89

 

CMYK 100 / 0 / 65 / 29

HEX #00B43F

RGB 0 180 63

HSL 141, 1%, 0.35%

LAB 64.16, -62.61, 47.48

 

CMYK 100 / 0 / 73 / 36

HEX #00A22C

RGB 0 162 44

HSL 136.3, 1%, 0.32%

LAB 58.06, -59.15, 48.72

 

CMYK 82 / 0 / 48 / 9

HEX #29E979

RGB 41 233 121

HSL 145, 0.81%, 0.54%

LAB 81.91, -68.82, 41.73

 

CMYK 82 / 0 / 70 / 9

HEX #29E945

RGB 41 233 69

HSL 128.75, 0.81%, 0.54%

LAB 81.39, -75.14, 63.68

 

CMYK 72 / 0 / 82 / 9

HEX #41E929

RGB 65 233 41

HSL 112.5, 0.81%, 0.54%

LAB 81.6, -73.87, 72.59

 

CMYK 50 / 0 / 82 / 9

HEX #75E929

RGB 117 233 41

HSL 96.25, 0.81%, 0.54%

LAB 83.03, -62.18, 74.42

 

CMYK 27 / 0 / 82 / 9

HEX #A9E929

RGB 169 233 41

HSL 80, 0.81%, 0.54%

LAB 85.44, -44.96, 77.47

 

CMYK 82 / 0 / 48 / 9

HEX #29E979

RGB 41 233 121

HSL 145, 0.81%, 0.54%

LAB 81.91, -68.82, 41.73

 

CMYK 82 / 0 / 26 / 9

HEX #29E9AD

RGB 41 233 173

HSL 161.25, 0.81%, 0.54%

LAB 82.79, -58.78, 16.57

 

CMYK 82 / 0 / 3 / 9

HEX #29E9E1

RGB 41 233 225

HSL 177.5, 0.81%, 0.54%

LAB 84.06, -45.56, -8.94

 

CMYK 82 / 18 / 0 / 9

HEX #29BEE9

RGB 41 190 233

HSL 193.44, 0.81%, 0.54%

LAB 71.68, -22.86, -31.99

 

CMYK 82 / 41 / 0 / 9

HEX #298AE9

RGB 41 138 233

HSL 209.69, 0.81%, 0.54%

LAB 56.62, 6.12, -55.66

 

CMYK 82 / 0 / 48 / 9

HEX #29E979

RGB 41 233 121

HSL 145, 0.81%, 0.54%

LAB 81.91, -68.82, 41.73

 

CMYK 91 / 0 / 53 / 1

HEX #16FC76

RGB 22 252 118

HSL 145.04, 0.97%, 0.54%

LAB 87.53, -76.6, 50.07

 

CMYK 82 / 0 / 48 / 9

HEX #29E979

RGB 41 233 121

HSL 145, 0.81%, 0.54%

LAB 81.91, -68.82, 41.73

 

CMYK 72 / 0 / 42 / 16

HEX #3CD67C

RGB 60 214 124

HSL 144.94, 0.65%, 0.54%

LAB 76.38, -59.48, 33.22

 

CMYK 59 / 0 / 35 / 24

HEX #4FC37F

RGB 79 195 127

HSL 144.83, 0.49%, 0.54%

LAB 71.03, -48.18, 24.66

 

CMYK 44 / 0 / 26 / 31

HEX #62B083

RGB 98 176 131

HSL 145.38, 0.33%, 0.54%

LAB 65.97, -34.43, 15.7

 

CMYK 25 / 0 / 15 / 38

HEX #759D86

RGB 117 157 134

HSL 145.5, 0.17%, 0.54%

LAB 61.32, -18.6, 7.63

 

CMYK 71 / 0 / 82 / 9

HEX #43E929

RGB 67 233 41

HSL 111.88, 0.81%, 0.54%

LAB 81.64, -73.55, 72.64

 

CMYK 82 / 0 / 71 / 9

HEX #29E943

RGB 41 233 67

HSL 128.13, 0.81%, 0.54%

LAB 81.38, -75.31, 64.39

 

CMYK 82 / 0 / 49 / 9

HEX #29E976

RGB 41 233 118

HSL 144.06, 0.81%, 0.54%

LAB 81.87, -69.28, 43.13

 

CMYK 82 / 0 / 27 / 9

HEX #29E9A9

RGB 41 233 169

HSL 160, 0.81%, 0.54%

LAB 82.71, -59.68, 18.54

 

CMYK 82 / 0 / 5 / 9

HEX #29E9DD

RGB 41 233 221

HSL 176.25, 0.81%, 0.54%

LAB 83.95, -46.67, -6.99

 

CMYK 90 / 0 / 53 / 31

HEX #11AF53

RGB 17 175 83

HSL 145.06, 0.82%, 0.38%

LAB 62.85, -57.47, 36.6

 

CMYK 90 / 0 / 53 / 16

HEX #15D564

RGB 21 213 100

HSL 144.69, 0.82%, 0.46%

LAB 75.24, -67.05, 43.52

 

CMYK 82 / 0 / 48 / 9

HEX #29E979

RGB 41 233 121

HSL 145, 0.81%, 0.54%

LAB 81.91, -68.82, 41.73

 

CMYK 67 / 0 / 39 / 7

HEX #4FED90

RGB 79 237 144

HSL 144.68, 0.81%, 0.62%

LAB 84.09, -61.35, 33.32

 

CMYK 52 / 0 / 30 / 5

HEX #74F1A8

RGB 116 241 168

HSL 144.96, 0.82%, 0.7%

LAB 86.73, -51.01, 24.86

 

CMYK 83 / 0 / 49 / 8

HEX #27EA78

RGB 39 234 120

HSL 144.92, 0.82%, 0.54%

LAB 82.18, -69.48, 42.55

 

CMYK 82 / 49 / 0 / 9

HEX #2976E9

RGB 41 118 233

HSL 215.94, 0.81%, 0.54%

LAB 51.05, 18.46, -64.61

 

CMYK 0 / 82 / 82 / 9

HEX #E92929

RGB 233 41 41

HSL 0, 0.81%, 0.54%

LAB 50.77, 69.89, 48.94

 

CMYK 83 / 0 / 49 / 8

HEX #27EA78

RGB 39 234 120

HSL 144.92, 0.82%, 0.54%

LAB 82.18, -69.48, 42.55

 

CMYK 49 / 82 / 0 / 9

HEX #7629E9

RGB 118 41 233

HSL 264.06, 0.81%, 0.54%

LAB 40.12, 69.58, -82.25

 

CMYK 0 / 49 / 82 / 9

HEX #E97629

RGB 233 118 41

HSL 24.06, 0.81%, 0.54%

LAB 62.03, 39.85, 59.12

 

CMYK 83 / 0 / 49 / 8

HEX #27EA78

RGB 39 234 120

HSL 144.92, 0.82%, 0.54%

LAB 82.18, -69.48, 42.55

 

CMYK 82 / 49 / 0 / 9

HEX #2976E9

RGB 41 118 233

HSL 215.94, 0.81%, 0.54%

LAB 51.05, 18.46, -64.61

 

CMYK 0 / 82 / 33 / 9

HEX #E9299C

RGB 233 41 156

HSL 324.06, 0.81%, 0.54%

LAB 53.29, 77.28, -15.47

 

CMYK 0 / 33 / 82 / 9

HEX #E99C29

RGB 233 156 41

HSL 35.94, 0.81%, 0.54%

LAB 70.36, 20.03, 66.39

 

CMYK 83 / 0 / 49 / 8

HEX #27EA78

RGB 39 234 120

HSL 144.92, 0.82%, 0.54%

LAB 82.18, -69.48, 42.55

 

CMYK 82 / 74 / 0 / 9

HEX #293CE9

RGB 41 60 233

HSL 234.06, 0.81%, 0.54%

LAB 37.09, 54.19, -87.45

 

CMYK 0 / 82 / 33 / 9

HEX #E9299C

RGB 233 41 156

HSL 324.06, 0.81%, 0.54%

LAB 53.29, 77.28, -15.47

 

CMYK 0 / 8 / 82 / 9

HEX #E9D629

RGB 233 214 41

HSL 54.06, 0.81%, 0.54%

LAB 84.78, -10.17, 78.69

 

Description

Color code: HEX #27EA78 | qconv.com Color code: HEX #27EA78 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 234 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 234 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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