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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24046C it is the complementary color #DBFB93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24046C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24046C shade: #290467, #3A167A, #4B288D, #5C3AA0 and #6D4CB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24046C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24046C shade: #24046C, #130059, #020046, #000033 and #000020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24046C shade: #24036C, #40036C, #5C036C, #6C0360 and #6C0343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24046C shade: #24036C, #07036C and #03036C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24046C shade matches the following richer shades: #24036C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24046C shade: #24036C, #270D63, #2B165A, #2E1F51 and #312847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24046C shade: #031C6C, #07036C, #23036C, #3F036C and #5A036C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24046C shade: #09011C, #160244, #24036C, #310594 and #3E06BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24046C shade: #24046C, #6C0338 and #0E6C03

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24046C shade: #24046C, #6C2303 and #036C23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24046C shade: #24046C, #6C0338, #4C6C03 and #036C38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24046C shade: #24046C, #6C0318, #4C6C03 and #036C57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 96 / 0 / 58

HEX #24046C

RGB 36 4 108

HSL 258.46, 0.93%, 0.22%

LAB 12.89, 41.47, -51.86

 

Complementary color

CMYK 13 / 0 / 41 / 2

HEX #DBFB93

RGB 219 251 147

HSL 78.46, 0.93%, 0.78%

LAB 94.38, -26.46, 46.36

 

CMYK 60 / 96 / 0 / 60

HEX #290467

RGB 41 4 103

HSL 262.42, 0.93%, 0.21%

LAB 12.84, 40.51, -48.62

 

CMYK 52 / 82 / 0 / 52

HEX #3A167A

RGB 58 22 122

HSL 261.6, 0.69%, 0.28%

LAB 19.55, 40.68, -49.83

 

CMYK 47 / 72 / 0 / 45

HEX #4B288D

RGB 75 40 141

HSL 260.79, 0.56%, 0.35%

LAB 26.55, 39.9, -50.24

 

CMYK 43 / 64 / 0 / 37

HEX #5C3AA0

RGB 92 58 160

HSL 260, 0.47%, 0.43%

LAB 33.65, 38.72, -50.25

 

CMYK 39 / 58 / 0 / 30

HEX #6D4CB3

RGB 109 76 179

HSL 259.22, 0.4%, 0.5%

LAB 40.69, 37.49, -50.12

 

CMYK 67 / 96 / 0 / 58

HEX #24046C

RGB 36 4 108

HSL 258.46, 0.93%, 0.22%

LAB 12.89, 41.47, -51.86

 

CMYK 79 / 100 / 0 / 65

HEX #130059

RGB 19 0 89

HSL 252.81, 1%, 0.17%

LAB 7.77, 37.23, -47.75

 

CMYK 97 / 100 / 0 / 73

HEX #020046

RGB 2 0 70

HSL 241.71, 1%, 0.14%

LAB 4.11, 27.45, -40.68

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 100 / 100 / 0 / 87

HEX #000020

RGB 0 0 32

HSL 240, 1%, 0.06%

LAB 0.94, 6.62, -17.34

 

CMYK 67 / 97 / 0 / 58

HEX #24036C

RGB 36 3 108

HSL 258.86, 0.95%, 0.22%

LAB 12.75, 41.89, -52.08

 

CMYK 41 / 97 / 0 / 58

HEX #40036C

RGB 64 3 108

HSL 274.86, 0.95%, 0.22%

LAB 16.69, 44.6, -45.45

 

CMYK 15 / 97 / 0 / 58

HEX #5C036C

RGB 92 3 108

HSL 290.86, 0.95%, 0.22%

LAB 21.66, 48.75, -37.13

 

CMYK 0 / 97 / 11 / 58

HEX #6C0360

RGB 108 3 96

HSL 306.86, 0.95%, 0.22%

LAB 23.99, 49.7, -25.36

 

CMYK 0 / 97 / 38 / 58

HEX #6C0343

RGB 108 3 67

HSL 323.43, 0.95%, 0.22%

LAB 22.51, 45.87, -8.14

 

CMYK 67 / 97 / 0 / 58

HEX #24036C

RGB 36 3 108

HSL 258.86, 0.95%, 0.22%

LAB 12.75, 41.89, -52.08

 

CMYK 94 / 97 / 0 / 58

HEX #07036C

RGB 7 3 108

HSL 242.29, 0.95%, 0.22%

LAB 10.51, 40.67, -55.89

 

CMYK 97 / 97 / 0 / 58

HEX #03036C

RGB 3 3 108

HSL 240, 0.95%, 0.22%

LAB 10.31, 40.58, -56.21

 

CMYK 67 / 97 / 0 / 58

HEX #24036C

RGB 36 3 108

HSL 258.86, 0.95%, 0.22%

LAB 12.75, 41.89, -52.08

 

CMYK 67 / 97 / 0 / 58

HEX #24036C

RGB 36 3 108

HSL 258.86, 0.95%, 0.22%

LAB 12.75, 41.89, -52.08

 

CMYK 61 / 87 / 0 / 61

HEX #270D63

RGB 39 13 99

HSL 258.14, 0.77%, 0.22%

LAB 13.35, 35.48, -45.14

 

CMYK 52 / 76 / 0 / 65

HEX #2B165A

RGB 43 22 90

HSL 258.53, 0.61%, 0.22%

LAB 14.54, 28.59, -37.15

 

CMYK 43 / 62 / 0 / 68

HEX #2E1F51

RGB 46 31 81

HSL 258, 0.45%, 0.22%

LAB 16.28, 20.65, -28.24

 

CMYK 31 / 44 / 0 / 72

HEX #312847

RGB 49 40 71

HSL 257.42, 0.28%, 0.22%

LAB 18.48, 12.21, -17.92

 

CMYK 97 / 74 / 0 / 58

HEX #031C6C

RGB 3 28 108

HSL 225.71, 0.95%, 0.22%

LAB 15.13, 26.59, -48.21

 

CMYK 94 / 97 / 0 / 58

HEX #07036C

RGB 7 3 108

HSL 242.29, 0.95%, 0.22%

LAB 10.51, 40.67, -55.89

 

CMYK 68 / 97 / 0 / 58

HEX #23036C

RGB 35 3 108

HSL 258.29, 0.95%, 0.22%

LAB 12.64, 41.82, -52.27

 

CMYK 42 / 97 / 0 / 58

HEX #3F036C

RGB 63 3 108

HSL 274.29, 0.95%, 0.22%

LAB 16.53, 44.48, -45.72

 

CMYK 17 / 97 / 0 / 58

HEX #5A036C

RGB 90 3 108

HSL 289.71, 0.95%, 0.22%

LAB 21.29, 48.42, -37.75

 

CMYK 68 / 96 / 0 / 89

HEX #09011C

RGB 9 1 28

HSL 257.78, 0.93%, 0.06%

LAB 1.48, 7.27, -13.27

 

CMYK 68 / 97 / 0 / 73

HEX #160244

RGB 22 2 68

HSL 258.18, 0.94%, 0.14%

LAB 5.7, 28.9, -36.59

 

CMYK 67 / 97 / 0 / 58

HEX #24036C

RGB 36 3 108

HSL 258.86, 0.95%, 0.22%

LAB 12.75, 41.89, -52.08

 

CMYK 67 / 97 / 0 / 42

HEX #310594

RGB 49 5 148

HSL 258.46, 0.93%, 0.3%

LAB 19.64, 52.59, -66.08

 

CMYK 67 / 97 / 0 / 27

HEX #3E06BB

RGB 62 6 187

HSL 258.56, 0.94%, 0.38%

LAB 25.99, 62.84, -79.13

 

CMYK 67 / 96 / 0 / 58

HEX #24046C

RGB 36 4 108

HSL 258.46, 0.93%, 0.22%

LAB 12.89, 41.47, -51.86

 

CMYK 0 / 97 / 48 / 58

HEX #6C0338

RGB 108 3 56

HSL 329.71, 0.95%, 0.22%

LAB 22.08, 44.73, -1.15

 

CMYK 87 / 0 / 97 / 58

HEX #0E6C03

RGB 14 108 3

HSL 113.71, 0.95%, 0.22%

LAB 39.28, -44.2, 43.6

 

CMYK 67 / 96 / 0 / 58

HEX #24046C

RGB 36 4 108

HSL 258.46, 0.93%, 0.22%

LAB 12.89, 41.47, -51.86

 

CMYK 0 / 68 / 97 / 58

HEX #6C2303

RGB 108 35 3

HSL 18.29, 0.95%, 0.22%

LAB 24.94, 31.11, 34.76

 

CMYK 97 / 0 / 68 / 58

HEX #036C23

RGB 3 108 35

HSL 138.29, 0.95%, 0.22%

LAB 39.35, -42.84, 32.54

 

CMYK 67 / 96 / 0 / 58

HEX #24046C

RGB 36 4 108

HSL 258.46, 0.93%, 0.22%

LAB 12.89, 41.47, -51.86

 

CMYK 0 / 97 / 48 / 58

HEX #6C0338

RGB 108 3 56

HSL 329.71, 0.95%, 0.22%

LAB 22.08, 44.73, -1.15

 

CMYK 30 / 0 / 97 / 58

HEX #4C6C03

RGB 76 108 3

HSL 78.29, 0.95%, 0.22%

LAB 41.64, -26.09, 46.49

 

CMYK 97 / 0 / 48 / 58

HEX #036C38

RGB 3 108 56

HSL 150.29, 0.95%, 0.22%

LAB 39.63, -39.45, 21.77

 

CMYK 67 / 96 / 0 / 58

HEX #24046C

RGB 36 4 108

HSL 258.46, 0.93%, 0.22%

LAB 12.89, 41.47, -51.86

 

CMYK 0 / 97 / 78 / 58

HEX #6C0318

RGB 108 3 24

HSL 348, 0.95%, 0.22%

LAB 21.28, 42.53, 20.16

 

CMYK 30 / 0 / 97 / 58

HEX #4C6C03

RGB 76 108 3

HSL 78.29, 0.95%, 0.22%

LAB 41.64, -26.09, 46.49

 

CMYK 97 / 0 / 19 / 58

HEX #036C57

RGB 3 108 87

HSL 168, 0.95%, 0.22%

LAB 40.3, -31.89, 4.35

 

Description

Color code: HEX #24046C | qconv.com Color code: HEX #24046C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 4 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 4 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 96 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 96% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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