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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #244B8D it is the complementary color #DBB472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #244B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #244B8D shade: #294B88, #3A5D9B, #4B6FAE, #5C81C1 and #6D93D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #244B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #244B8D shade: #244B8D, #13397A, #022767, #001554 and #000341

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #244B8D shade: #244B8D, #242F8D, #36248D, #52248D and #6F248D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #244B8D shade: #244B8D, #242F8D and #24248D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #244B8D shade matches the following richer shades: #244B8D, #16489C and #0744AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #244B8D shade: #244B8D, #334F7F, #415371, #4F5662 and #5E5A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #244B8D shade: #24858D, #24698D, #244C8D, #24308D and #34248D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #244B8D shade: #13284C, #1C3A6D, #244B8D, #2D5DAE and #396FCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #244B8D shade: #244B8D, #7A248D and #778D24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #244B8D shade: #244B8D, #8D244C and #4C8D24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #244B8D shade: #244B8D, #7A248D, #8D6524 and #378D24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #244B8D shade: #244B8D, #8D2481, #8D6524 and #248D30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

Complementary color

CMYK 0 / 18 / 48 / 14

HEX #DBB472

RGB 219 180 114

HSL 37.71, 0.59%, 0.65%

LAB 75.4, 5.78, 38.82

 

CMYK 70 / 45 / 0 / 47

HEX #294B88

RGB 41 75 136

HSL 218.53, 0.54%, 0.35%

LAB 32.44, 9.18, -37.77

 

CMYK 63 / 40 / 0 / 39

HEX #3A5D9B

RGB 58 93 155

HSL 218.35, 0.46%, 0.42%

LAB 39.74, 7.58, -37.62

 

CMYK 57 / 36 / 0 / 32

HEX #4B6FAE

RGB 75 111 174

HSL 218.18, 0.4%, 0.49%

LAB 46.87, 6.38, -37.49

 

CMYK 52 / 33 / 0 / 24

HEX #5C81C1

RGB 92 129 193

HSL 218.02, 0.45%, 0.56%

LAB 53.84, 5.44, -37.41

 

CMYK 49 / 31 / 0 / 17

HEX #6D93D4

RGB 109 147 212

HSL 217.86, 0.54%, 0.63%

LAB 60.67, 4.68, -37.37

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 84 / 53 / 0 / 52

HEX #13397A

RGB 19 57 122

HSL 217.86, 0.73%, 0.28%

LAB 25.17, 12.91, -40.78

 

CMYK 98 / 62 / 0 / 60

HEX #022767

RGB 2 39 103

HSL 218.02, 0.96%, 0.21%

LAB 17.66, 16.34, -40.79

 

CMYK 100 / 75 / 0 / 67

HEX #001554

RGB 0 21 84

HSL 225, 1%, 0.16%

LAB 10.38, 21.23, -40.04

 

CMYK 100 / 95 / 0 / 75

HEX #000341

RGB 0 3 65

HSL 237.23, 1%, 0.13%

LAB 4.04, 22.71, -37.24

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 74 / 67 / 0 / 45

HEX #242F8D

RGB 36 47 141

HSL 233.71, 0.59%, 0.35%

LAB 24.74, 29.42, -53.35

 

CMYK 62 / 74 / 0 / 45

HEX #36248D

RGB 54 36 141

HSL 250.29, 0.59%, 0.35%

LAB 23.57, 38.63, -55.22

 

CMYK 42 / 74 / 0 / 45

HEX #52248D

RGB 82 36 141

HSL 266.29, 0.59%, 0.35%

LAB 26.67, 43.27, -50.01

 

CMYK 21 / 74 / 0 / 45

HEX #6F248D

RGB 111 36 141

HSL 282.86, 0.59%, 0.35%

LAB 30.79, 49.09, -43.14

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 74 / 67 / 0 / 45

HEX #242F8D

RGB 36 47 141

HSL 233.71, 0.59%, 0.35%

LAB 24.74, 29.42, -53.35

 

CMYK 74 / 74 / 0 / 45

HEX #24248D

RGB 36 36 141

HSL 240, 0.59%, 0.35%

LAB 22.16, 36.43, -57.59

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 86 / 54 / 0 / 39

HEX #16489C

RGB 22 72 156

HSL 217.61, 0.75%, 0.35%

LAB 32.27, 16.83, -50.28

 

CMYK 96 / 60 / 0 / 33

HEX #0744AA

RGB 7 68 170

HSL 217.55, 0.92%, 0.35%

LAB 31.99, 24.45, -59.17

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 60 / 38 / 0 / 50

HEX #334F7F

RGB 51 79 127

HSL 217.89, 0.43%, 0.35%

LAB 33.62, 5.16, -30.31

 

CMYK 42 / 27 / 0 / 56

HEX #415371

RGB 65 83 113

HSL 217.5, 0.27%, 0.35%

LAB 35.01, 1.55, -19.39

 

CMYK 19 / 12 / 0 / 62

HEX #4F5662

RGB 79 86 98

HSL 217.89, 0.11%, 0.35%

LAB 36.37, 0.11, -7.87

 

CMYK 0 / 4 / 11 / 63

HEX #5E5A54

RGB 94 90 84

HSL 36, 0.06%, 0.35%

LAB 38.43, 0.41, 4.03

 

CMYK 74 / 6 / 0 / 45

HEX #24858D

RGB 36 133 141

HSL 184.57, 0.59%, 0.35%

LAB 50.77, -24.24, -12.28

 

CMYK 74 / 26 / 0 / 45

HEX #24698D

RGB 36 105 141

HSL 200.57, 0.59%, 0.35%

LAB 41.85, -8.77, -25.97

 

CMYK 74 / 46 / 0 / 45

HEX #244C8D

RGB 36 76 141

HSL 217.14, 0.59%, 0.35%

LAB 32.85, 9.66, -40.2

 

CMYK 74 / 66 / 0 / 45

HEX #24308D

RGB 36 48 141

HSL 233.14, 0.59%, 0.35%

LAB 24.99, 28.75, -52.93

 

CMYK 63 / 74 / 0 / 45

HEX #34248D

RGB 52 36 141

HSL 249.14, 0.59%, 0.35%

LAB 23.39, 38.35, -55.52

 

CMYK 75 / 47 / 0 / 70

HEX #13284C

RGB 19 40 76

HSL 217.89, 0.6%, 0.19%

LAB 16.39, 5.66, -24.78

 

CMYK 74 / 47 / 0 / 57

HEX #1C3A6D

RGB 28 58 109

HSL 217.78, 0.59%, 0.27%

LAB 24.88, 7.99, -32.95

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 74 / 47 / 0 / 32

HEX #2D5DAE

RGB 45 93 174

HSL 217.67, 0.59%, 0.43%

LAB 40.32, 12.45, -48.01

 

CMYK 72 / 45 / 0 / 20

HEX #396FCB

RGB 57 111 203

HSL 217.81, 0.58%, 0.51%

LAB 47.69, 13.41, -53

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 13 / 74 / 0 / 45

HEX #7A248D

RGB 122 36 141

HSL 289.14, 0.59%, 0.35%

LAB 32.53, 51.47, -40.25

 

CMYK 16 / 0 / 74 / 45

HEX #778D24

RGB 119 141 36

HSL 72.57, 0.59%, 0.35%

LAB 55.17, -22.6, 50.12

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 0 / 74 / 46 / 45

HEX #8D244C

RGB 141 36 76

HSL 337.14, 0.59%, 0.35%

LAB 32.8, 46.73, 1.82

 

CMYK 46 / 0 / 74 / 45

HEX #4C8D24

RGB 76 141 36

HSL 97.14, 0.59%, 0.35%

LAB 52.63, -39.39, 46.76

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 13 / 74 / 0 / 45

HEX #7A248D

RGB 122 36 141

HSL 289.14, 0.59%, 0.35%

LAB 32.53, 51.47, -40.25

 

CMYK 0 / 28 / 74 / 45

HEX #8D6524

RGB 141 101 36

HSL 37.14, 0.59%, 0.35%

LAB 45.77, 9.59, 41.47

 

CMYK 61 / 0 / 74 / 45

HEX #378D24

RGB 55 141 36

HSL 109.14, 0.59%, 0.35%

LAB 51.83, -45.63, 45.68

 

CMYK 74 / 47 / 0 / 45

HEX #244B8D

RGB 36 75 141

HSL 217.71, 0.59%, 0.35%

LAB 32.55, 10.33, -40.68

 

CMYK 0 / 74 / 9 / 45

HEX #8D2481

RGB 141 36 129

HSL 306.86, 0.59%, 0.35%

LAB 35.02, 53.7, -28.66

 

CMYK 0 / 28 / 74 / 45

HEX #8D6524

RGB 141 101 36

HSL 37.14, 0.59%, 0.35%

LAB 45.77, 9.59, 41.47

 

CMYK 74 / 0 / 66 / 45

HEX #248D30

RGB 36 141 48

HSL 126.86, 0.59%, 0.35%

LAB 51.43, -48.56, 40.07

 

Description

Color code: HEX #244B8D | qconv.com Color code: HEX #244B8D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 75 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 75 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 47 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 47% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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