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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #245037 it is the complementary color #DBAFC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #245037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #245037 shade: #295032, #3A6245, #4B7458, #5C866B and #6D987E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #245037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #245037 shade: #245037, #133E24, #022C11, #001A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #245037 shade: #245037, #24502B, #295024, #355024 and #415024

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #245037 shade: #245037, #245043, #24504F, #244650 and #243A50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #245037 shade matches the following richer shades: #245037, #1A5A36, #116335 and #076D33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #245037 shade: #245037, #2D4738, #373D3A, #40343B and #4A2A3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #245037 shade: #295024, #24502B, #245036, #245042 and #24504E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #245037 shade: #0A1710, #173424, #245037, #316D4B and #3D895E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #245037 shade: #245037, #243550 and #502524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #245037 shade: #245037, #362450 and #503624

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #245037 shade: #245037, #243550, #50243E and #503F24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #245037 shade: #245037, #242850, #50243E and #504D24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

Complementary color

CMYK 0 / 20 / 9 / 14

HEX #DBAFC8

RGB 219 175 200

HSL 325.91, 0.38%, 0.77%

LAB 76, 20.02, -6.59

 

CMYK 49 / 0 / 38 / 69

HEX #295032

RGB 41 80 50

HSL 133.85, 0.32%, 0.24%

LAB 30.49, -21.44, 13.51

 

CMYK 41 / 0 / 30 / 62

HEX #3A6245

RGB 58 98 69

HSL 136.5, 0.26%, 0.31%

LAB 37.96, -21.15, 12.18

 

CMYK 35 / 0 / 24 / 55

HEX #4B7458

RGB 75 116 88

HSL 139.02, 0.21%, 0.37%

LAB 45.21, -20.84, 11.01

 

CMYK 31 / 0 / 20 / 47

HEX #5C866B

RGB 92 134 107

HSL 141.43, 0.19%, 0.44%

LAB 52.27, -20.56, 9.97

 

CMYK 28 / 0 / 17 / 40

HEX #6D987E

RGB 109 152 126

HSL 143.72, 0.17%, 0.51%

LAB 59.17, -20.31, 9.01

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 69 / 0 / 42 / 76

HEX #133E24

RGB 19 62 36

HSL 143.72, 0.53%, 0.16%

LAB 22.69, -21.95, 11.72

 

CMYK 95 / 0 / 61 / 83

HEX #022C11

RGB 2 44 17

HSL 141.43, 0.91%, 0.09%

LAB 14.71, -21.82, 13.42

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 55 / 0 / 46 / 69

HEX #24502B

RGB 36 80 43

HSL 129.55, 0.38%, 0.23%

LAB 30.12, -24.43, 17.25

 

CMYK 49 / 0 / 55 / 69

HEX #295024

RGB 41 80 36

HSL 113.18, 0.38%, 0.23%

LAB 30.25, -23.96, 21.59

 

CMYK 34 / 0 / 55 / 69

HEX #355024

RGB 53 80 36

HSL 96.82, 0.38%, 0.23%

LAB 30.93, -19.34, 22.58

 

CMYK 19 / 0 / 55 / 69

HEX #415024

RGB 65 80 36

HSL 80.45, 0.38%, 0.23%

LAB 31.78, -14.13, 23.81

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 55 / 0 / 16 / 69

HEX #245043

RGB 36 80 67

HSL 162.27, 0.38%, 0.23%

LAB 30.68, -18.88, 3.03

 

CMYK 55 / 0 / 1 / 69

HEX #24504F

RGB 36 80 79

HSL 178.64, 0.38%, 0.23%

LAB 31.06, -15.4, -4.08

 

CMYK 55 / 13 / 0 / 69

HEX #244650

RGB 36 70 80

HSL 193.64, 0.38%, 0.23%

LAB 27.67, -9.16, -9.81

 

CMYK 55 / 28 / 0 / 69

HEX #243A50

RGB 36 58 80

HSL 210, 0.38%, 0.23%

LAB 23.61, -1.44, -16.05

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 71 / 0 / 40 / 65

HEX #1A5A36

RGB 26 90 54

HSL 146.25, 0.55%, 0.23%

LAB 33.56, -29.47, 15.07

 

CMYK 83 / 0 / 46 / 61

HEX #116335

RGB 17 99 53

HSL 146.34, 0.71%, 0.23%

LAB 36.56, -35.08, 19.56

 

CMYK 94 / 0 / 53 / 57

HEX #076D33

RGB 7 109 51

HSL 145.88, 0.88%, 0.23%

LAB 39.95, -40.4, 24.97

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 37 / 0 / 21 / 72

HEX #2D4738

RGB 45 71 56

HSL 145.38, 0.22%, 0.23%

LAB 27.71, -13.77, 5.9

 

CMYK 10 / 0 / 5 / 76

HEX #373D3A

RGB 55 61 58

HSL 150, 0.05%, 0.23%

LAB 25.12, -3.22, 0.98

 

CMYK 0 / 19 / 8 / 75

HEX #40343B

RGB 64 52 59

HSL 325, 0.1%, 0.23%

LAB 23.21, 6.8, -2.38

 

CMYK 0 / 43 / 19 / 71

HEX #4A2A3C

RGB 74 42 60

HSL 326.25, 0.28%, 0.23%

LAB 21.72, 17.86, -5.14

 

CMYK 49 / 0 / 55 / 69

HEX #295024

RGB 41 80 36

HSL 113.18, 0.38%, 0.23%

LAB 30.25, -23.96, 21.59

 

CMYK 55 / 0 / 46 / 69

HEX #24502B

RGB 36 80 43

HSL 129.55, 0.38%, 0.23%

LAB 30.12, -24.43, 17.25

 

CMYK 55 / 0 / 33 / 69

HEX #245036

RGB 36 80 54

HSL 144.55, 0.38%, 0.23%

LAB 30.35, -22.14, 10.78

 

CMYK 55 / 0 / 18 / 69

HEX #245042

RGB 36 80 66

HSL 160.91, 0.38%, 0.23%

LAB 30.65, -19.15, 3.62

 

CMYK 55 / 0 / 2 / 69

HEX #24504E

RGB 36 80 78

HSL 177.27, 0.38%, 0.23%

LAB 31.03, -15.71, -3.49

 

CMYK 57 / 0 / 30 / 91

HEX #0A1710

RGB 10 23 16

HSL 147.69, 0.39%, 0.06%

LAB 6.46, -6.32, 2.54

 

CMYK 56 / 0 / 31 / 80

HEX #173424

RGB 23 52 36

HSL 146.9, 0.39%, 0.15%

LAB 19.08, -15.51, 6.82

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 55 / 0 / 31 / 57

HEX #316D4B

RGB 49 109 75

HSL 146, 0.38%, 0.31%

LAB 41.37, -28.12, 13.21

 

CMYK 55 / 0 / 31 / 46

HEX #3D895E

RGB 61 137 94

HSL 146.05, 0.38%, 0.39%

LAB 51.49, -34, 16.11

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 55 / 34 / 0 / 69

HEX #243550

RGB 36 53 80

HSL 216.82, 0.38%, 0.23%

LAB 21.95, 1.97, -18.63

 

CMYK 0 / 54 / 55 / 69

HEX #502524

RGB 80 37 36

HSL 1.36, 0.38%, 0.23%

LAB 20.66, 19.99, 9.98

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 33 / 55 / 0 / 69

HEX #362450

RGB 54 36 80

HSL 264.55, 0.38%, 0.23%

LAB 18.48, 19.32, -24

 

CMYK 0 / 33 / 55 / 69

HEX #503624

RGB 80 54 36

HSL 24.55, 0.38%, 0.23%

LAB 25.17, 9.2, 15.93

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 55 / 34 / 0 / 69

HEX #243550

RGB 36 53 80

HSL 216.82, 0.38%, 0.23%

LAB 21.95, 1.97, -18.63

 

CMYK 0 / 55 / 23 / 69

HEX #50243E

RGB 80 36 62

HSL 324.55, 0.38%, 0.23%

LAB 21.26, 24.31, -7.1

 

CMYK 0 / 21 / 55 / 69

HEX #503F24

RGB 80 63 36

HSL 36.82, 0.38%, 0.23%

LAB 27.81, 3.42, 19.27

 

CMYK 55 / 0 / 31 / 69

HEX #245037

RGB 36 80 55

HSL 145.91, 0.38%, 0.23%

LAB 30.37, -21.91, 10.19

 

CMYK 55 / 50 / 0 / 69

HEX #242850

RGB 36 40 80

HSL 234.55, 0.38%, 0.23%

LAB 17.79, 11.2, -25.2

 

CMYK 0 / 55 / 23 / 69

HEX #50243E

RGB 80 36 62

HSL 324.55, 0.38%, 0.23%

LAB 21.26, 24.31, -7.1

 

CMYK 0 / 4 / 55 / 69

HEX #504D24

RGB 80 77 36

HSL 55.91, 0.38%, 0.23%

LAB 32.12, -5.29, 24.53

 

Description

Color code: HEX #245037 | qconv.com Color code: HEX #245037 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 80 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 80 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 31 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 31% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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