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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #246A5E it is the complementary color #DB95A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #246A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #246A5E shade: #296A59, #3A7C6C, #4B8E7F, #5CA092 and #6DB2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #246A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #246A5E shade: #246A5E, #13584B, #024638, #003425 and #002212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #246A5E shade: #246A5E, #246A4B, #246A38, #246A25 and #356A24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #246A5E shade: #246A5E, #24636A, #24506A, #243D6A and #242A6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #246A5E shade matches the following richer shades: #246A5E, #187565, #0D816D and #018D75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #246A5E shade: #246A5E, #2F5E56, #3B534F, #474747 and #523C40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #246A5E shade: #246A38, #246A4A, #246A5D, #24646A and #24516A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #246A5E shade: #0F2C27, #194B43, #246A5E, #2E8979 and #39A794

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #246A5E shade: #246A5E, #25246A and #6A4124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #246A5E shade: #246A5E, #5D246A and #6A5D24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #246A5E shade: #246A5E, #25246A, #6A2431 and #696A24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #246A5E shade: #246A5E, #3A246A, #6A2431 and #546A24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

Complementary color

CMYK 0 / 32 / 26 / 14

HEX #DB95A1

RGB 219 149 161

HSL 349.71, 0.49%, 0.72%

LAB 68.84, 27.97, 4.46

 

CMYK 61 / 0 / 16 / 58

HEX #296A59

RGB 41 106 89

HSL 164.31, 0.44%, 0.29%

LAB 40.41, -25.21, 3.4

 

CMYK 53 / 0 / 13 / 51

HEX #3A7C6C

RGB 58 124 108

HSL 165.45, 0.36%, 0.36%

LAB 47.49, -25.24, 2.33

 

CMYK 47 / 0 / 11 / 44

HEX #4B8E7F

RGB 75 142 127

HSL 166.57, 0.31%, 0.43%

LAB 54.42, -25.15, 1.39

 

CMYK 43 / 0 / 9 / 37

HEX #5CA092

RGB 92 160 146

HSL 167.65, 0.27%, 0.49%

LAB 61.21, -25.02, 0.55

 

CMYK 39 / 0 / 7 / 30

HEX #6DB2A5

RGB 109 178 165

HSL 168.7, 0.31%, 0.56%

LAB 67.88, -24.87, -0.23

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 78 / 0 / 15 / 65

HEX #13584B

RGB 19 88 75

HSL 168.7, 0.64%, 0.21%

LAB 33.19, -24.33, 1.52

 

CMYK 97 / 0 / 20 / 73

HEX #024638

RGB 2 70 56

HSL 167.65, 0.94%, 0.14%

LAB 25.8, -23.41, 2.97

 

CMYK 100 / 0 / 29 / 80

HEX #003425

RGB 0 52 37

HSL 162.69, 1%, 0.1%

LAB 18.32, -20.81, 4.96

 

CMYK 100 / 0 / 47 / 87

HEX #002212

RGB 0 34 18

HSL 151.76, 1%, 0.07%

LAB 10.47, -17.21, 7.09

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 66 / 0 / 29 / 58

HEX #246A4B

RGB 36 106 75

HSL 153.43, 0.49%, 0.28%

LAB 39.9, -29.87, 11.11

 

CMYK 66 / 0 / 47 / 58

HEX #246A38

RGB 36 106 56

HSL 137.14, 0.49%, 0.28%

LAB 39.53, -33.88, 21.76

 

CMYK 66 / 0 / 65 / 58

HEX #246A25

RGB 36 106 37

HSL 120.86, 0.49%, 0.28%

LAB 39.27, -36.79, 31.64

 

CMYK 50 / 0 / 66 / 58

HEX #356A24

RGB 53 106 36

HSL 105.43, 0.49%, 0.28%

LAB 39.9, -31.97, 33.01

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 66 / 7 / 0 / 58

HEX #24636A

RGB 36 99 106

HSL 186, 0.49%, 0.28%

LAB 38.44, -17.48, -9.93

 

CMYK 66 / 25 / 0 / 58

HEX #24506A

RGB 36 80 106

HSL 202.29, 0.49%, 0.28%

LAB 32.15, -6.31, -19.55

 

CMYK 66 / 42 / 0 / 58

HEX #243D6A

RGB 36 61 106

HSL 218.57, 0.49%, 0.28%

LAB 26.02, 6.2, -29.19

 

CMYK 66 / 60 / 0 / 58

HEX #242A6A

RGB 36 42 106

HSL 234.86, 0.49%, 0.28%

LAB 20.33, 19.58, -38.33

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 79 / 0 / 14 / 54

HEX #187565

RGB 24 117 101

HSL 169.68, 0.66%, 0.28%

LAB 44.03, -30.11, 1.34

 

CMYK 90 / 0 / 16 / 49

HEX #0D816D

RGB 13 129 109

HSL 169.66, 0.82%, 0.28%

LAB 48.12, -34.38, 2.52

 

CMYK 99 / 0 / 17 / 45

HEX #018D75

RGB 1 141 117

HSL 169.71, 0.99%, 0.28%

LAB 52.22, -38.11, 3.77

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 50 / 0 / 9 / 63

HEX #2F5E56

RGB 47 94 86

HSL 169.79, 0.33%, 0.28%

LAB 36.52, -18.26, -0.38

 

CMYK 29 / 0 / 5 / 67

HEX #3B534F

RGB 59 83 79

HSL 170, 0.17%, 0.28%

LAB 33.31, -10.1, -0.62

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 0 / 27 / 22 / 68

HEX #523C40

RGB 82 60 64

HSL 349.09, 0.15%, 0.28%

LAB 27.83, 10.38, 1.31

 

CMYK 66 / 0 / 47 / 58

HEX #246A38

RGB 36 106 56

HSL 137.14, 0.49%, 0.28%

LAB 39.53, -33.88, 21.76

 

CMYK 66 / 0 / 30 / 58

HEX #246A4A

RGB 36 106 74

HSL 152.57, 0.49%, 0.28%

LAB 39.88, -30.1, 11.67

 

CMYK 66 / 0 / 12 / 58

HEX #246A5D

RGB 36 106 93

HSL 168.86, 0.49%, 0.28%

LAB 40.37, -25.15, 0.88

 

CMYK 66 / 6 / 0 / 58

HEX #24646A

RGB 36 100 106

HSL 185.14, 0.49%, 0.28%

LAB 38.78, -18.03, -9.43

 

CMYK 66 / 24 / 0 / 58

HEX #24516A

RGB 36 81 106

HSL 201.43, 0.49%, 0.28%

LAB 32.48, -6.93, -19.04

 

CMYK 66 / 0 / 11 / 83

HEX #0F2C27

RGB 15 44 39

HSL 169.66, 0.49%, 0.12%

LAB 15.74, -12.43, -0.05

 

CMYK 67 / 0 / 11 / 71

HEX #194B43

RGB 25 75 67

HSL 170.4, 0.5%, 0.2%

LAB 28.5, -18.89, -0.2

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 66 / 0 / 12 / 46

HEX #2E8979

RGB 46 137 121

HSL 169.45, 0.5%, 0.36%

LAB 51.67, -30.65, 0.74

 

CMYK 66 / 0 / 11 / 35

HEX #39A794

RGB 57 167 148

HSL 169.64, 0.49%, 0.44%

LAB 62.21, -35.54, 0.72

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 65 / 66 / 0 / 58

HEX #25246A

RGB 37 36 106

HSL 240.86, 0.49%, 0.28%

LAB 18.78, 23.93, -40.85

 

CMYK 0 / 39 / 66 / 58

HEX #6A4124

RGB 106 65 36

HSL 24.86, 0.49%, 0.28%

LAB 31.74, 14.72, 24.83

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 12 / 66 / 0 / 58

HEX #5D246A

RGB 93 36 106

HSL 288.86, 0.49%, 0.28%

LAB 25.65, 37.25, -29.42

 

CMYK 0 / 12 / 66 / 58

HEX #6A5D24

RGB 106 93 36

HSL 48.86, 0.49%, 0.28%

LAB 39.61, -2.29, 33.78

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 65 / 66 / 0 / 58

HEX #25246A

RGB 37 36 106

HSL 240.86, 0.49%, 0.28%

LAB 18.78, 23.93, -40.85

 

CMYK 0 / 66 / 54 / 58

HEX #6A2431

RGB 106 36 49

HSL 348.86, 0.49%, 0.28%

LAB 25.41, 32.39, 8.36

 

CMYK 1 / 0 / 66 / 58

HEX #696A24

RGB 105 106 36

HSL 60.86, 0.49%, 0.28%

LAB 43.42, -10.26, 37.85

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 45 / 66 / 0 / 58

HEX #3A246A

RGB 58 36 106

HSL 258.86, 0.49%, 0.28%

LAB 20.83, 28.29, -37.42

 

CMYK 0 / 66 / 54 / 58

HEX #6A2431

RGB 106 36 49

HSL 348.86, 0.49%, 0.28%

LAB 25.41, 32.39, 8.36

 

CMYK 21 / 0 / 66 / 58

HEX #546A24

RGB 84 106 36

HSL 78.86, 0.49%, 0.28%

LAB 41.72, -19.82, 35.53

 

Description

Color code: HEX #246A5E | qconv.com Color code: HEX #246A5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 106 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 106 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 11 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 11% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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