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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #246E2C it is the complementary color #DB91D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #246E2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #246E2C shade: #296E27, #3A803A, #4B924D, #5CA460 and #6DB673

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #246E2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #246E2C shade: #246E2C, #135C19, #024A06, #003800 and #002600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #246E2C shade: #246F2C, #306F24, #446F24, #596F24 and #6D6F24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #246E2C shade: #246F2C, #246F40, #246F55, #246F69 and #24616F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #246E2C shade matches the following richer shades: #246F2C, #187B23, #0C8719 and #009310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #246E2C shade: #246F2C, #306335, #3C573F, #484B48 and #543F51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #246E2C shade: #446F24, #306F24, #246F2B, #246F3F and #246F54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #246E2C shade: #103113, #1A5020, #246F2C, #2E8E38 and #38AD45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #246E2C shade: #246E2C, #24596F and #6F243A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #246E2C shade: #246E2C, #2B246F and #6F2B24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #246E2C shade: #246E2C, #24596F, #6F2468 and #6F3A24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #246E2C shade: #246E2C, #24426F, #6F2468 and #6F5124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 60 / 57

HEX #246E2C

RGB 36 110 44

HSL 126.49, 0.51%, 0.29%

LAB 40.75, -37.47, 29.81

 

Complementary color

CMYK 0 / 34 / 4 / 14

HEX #DB91D3

RGB 219 145 211

HSL 306.49, 0.51%, 0.71%

LAB 69.48, 38.11, -22.44

 

CMYK 63 / 0 / 65 / 57

HEX #296E27

RGB 41 110 39

HSL 118.31, 0.48%, 0.29%

LAB 40.85, -36.89, 32.48

 

CMYK 55 / 0 / 55 / 50

HEX #3A803A

RGB 58 128 58

HSL 120, 0.38%, 0.36%

LAB 47.81, -37.21, 31.15

 

CMYK 49 / 0 / 47 / 43

HEX #4B924D

RGB 75 146 77

HSL 121.69, 0.32%, 0.43%

LAB 54.65, -37.22, 29.75

 

CMYK 44 / 0 / 41 / 36

HEX #5CA460

RGB 92 164 96

HSL 123.33, 0.28%, 0.5%

LAB 61.37, -37.08, 28.41

 

CMYK 40 / 0 / 37 / 29

HEX #6DB673

RGB 109 182 115

HSL 124.93, 0.33%, 0.57%

LAB 67.98, -36.87, 27.14

 

CMYK 67 / 0 / 60 / 57

HEX #246E2C

RGB 36 110 44

HSL 126.49, 0.51%, 0.29%

LAB 40.75, -37.47, 29.81

 

CMYK 79 / 0 / 73 / 64

HEX #135C19

RGB 19 92 25

HSL 124.93, 0.66%, 0.22%

LAB 33.7, -36.44, 31.11

 

CMYK 97 / 0 / 92 / 71

HEX #024A06

RGB 2 74 6

HSL 123.33, 0.95%, 0.15%

LAB 26.52, -34.43, 31.55

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 68 / 0 / 60 / 56

HEX #246F2C

RGB 36 111 44

HSL 126.4, 0.51%, 0.29%

LAB 41.1, -37.87, 30.22

 

CMYK 57 / 0 / 68 / 56

HEX #306F24

RGB 48 111 36

HSL 110.4, 0.51%, 0.29%

LAB 41.41, -35.7, 34.63

 

CMYK 39 / 0 / 68 / 56

HEX #446F24

RGB 68 111 36

HSL 94.4, 0.51%, 0.29%

LAB 42.35, -28.89, 35.91

 

CMYK 20 / 0 / 68 / 56

HEX #596F24

RGB 89 111 36

HSL 77.6, 0.51%, 0.29%

LAB 43.68, -20.25, 37.75

 

CMYK 2 / 0 / 68 / 56

HEX #6D6F24

RGB 109 111 36

HSL 61.6, 0.51%, 0.29%

LAB 45.29, -11.19, 39.93

 

CMYK 68 / 0 / 60 / 56

HEX #246F2C

RGB 36 111 44

HSL 126.4, 0.51%, 0.29%

LAB 41.1, -37.87, 30.22

 

CMYK 68 / 0 / 42 / 56

HEX #246F40

RGB 36 111 64

HSL 142.4, 0.51%, 0.29%

LAB 41.4, -34.5, 19.6

 

CMYK 68 / 0 / 23 / 56

HEX #246F55

RGB 36 111 85

HSL 159.2, 0.51%, 0.29%

LAB 41.84, -29.74, 7.83

 

CMYK 68 / 0 / 5 / 56

HEX #246F69

RGB 36 111 105

HSL 175.2, 0.51%, 0.29%

LAB 42.41, -24.17, -3.41

 

CMYK 68 / 13 / 0 / 56

HEX #24616F

RGB 36 97 111

HSL 191.2, 0.51%, 0.29%

LAB 37.97, -14.69, -13.72

 

CMYK 68 / 0 / 60 / 56

HEX #246F2C

RGB 36 111 44

HSL 126.4, 0.51%, 0.29%

LAB 41.1, -37.87, 30.22

 

CMYK 80 / 0 / 72 / 52

HEX #187B23

RGB 24 123 35

HSL 126.67, 0.67%, 0.29%

LAB 44.92, -45.63, 38.67

 

CMYK 91 / 0 / 81 / 47

HEX #0C8719

RGB 12 135 25

HSL 126.34, 0.84%, 0.29%

LAB 48.85, -51.72, 46.35

 

CMYK 100 / 0 / 89 / 42

HEX #009310

RGB 0 147 16

HSL 126.53, 1%, 0.29%

LAB 52.85, -56.63, 52.38

 

CMYK 68 / 0 / 60 / 56

HEX #246F2C

RGB 36 111 44

HSL 126.4, 0.51%, 0.29%

LAB 41.1, -37.87, 30.22

 

CMYK 52 / 0 / 46 / 61

HEX #306335

RGB 48 99 53

HSL 125.88, 0.35%, 0.29%

LAB 37.5, -27.99, 20.96

 

CMYK 31 / 0 / 28 / 66

HEX #3C573F

RGB 60 87 63

HSL 126.67, 0.18%, 0.29%

LAB 34.26, -15.72, 10.78

 

CMYK 4 / 0 / 4 / 71

HEX #484B48

RGB 72 75 72

HSL 120, 0.02%, 0.29%

LAB 31.53, -1.89, 1.36

 

CMYK 0 / 25 / 4 / 67

HEX #543F51

RGB 84 63 81

HSL 308.57, 0.14%, 0.29%

LAB 29.5, 12.66, -7.32

 

CMYK 39 / 0 / 68 / 56

HEX #446F24

RGB 68 111 36

HSL 94.4, 0.51%, 0.29%

LAB 42.35, -28.89, 35.91

 

CMYK 57 / 0 / 68 / 56

HEX #306F24

RGB 48 111 36

HSL 110.4, 0.51%, 0.29%

LAB 41.41, -35.7, 34.63

 

CMYK 68 / 0 / 61 / 56

HEX #246F2B

RGB 36 111 43

HSL 125.6, 0.51%, 0.29%

LAB 41.09, -38.01, 30.71

 

CMYK 68 / 0 / 43 / 56

HEX #246F3F

RGB 36 111 63

HSL 141.6, 0.51%, 0.29%

LAB 41.38, -34.7, 20.15

 

CMYK 68 / 0 / 24 / 56

HEX #246F54

RGB 36 111 84

HSL 158.4, 0.51%, 0.29%

LAB 41.82, -29.99, 8.4

 

CMYK 67 / 0 / 61 / 81

HEX #103113

RGB 16 49 19

HSL 125.45, 0.51%, 0.13%

LAB 17.24, -19.87, 15.5

 

CMYK 68 / 0 / 60 / 69

HEX #1A5020

RGB 26 80 32

HSL 126.67, 0.51%, 0.21%

LAB 29.57, -29.19, 22.89

 

CMYK 68 / 0 / 60 / 56

HEX #246F2C

RGB 36 111 44

HSL 126.4, 0.51%, 0.29%

LAB 41.1, -37.87, 30.22

 

CMYK 68 / 0 / 61 / 44

HEX #2E8E38

RGB 46 142 56

HSL 126.25, 0.51%, 0.37%

LAB 52.08, -46.04, 37.12

 

CMYK 68 / 0 / 60 / 32

HEX #38AD45

RGB 56 173 69

HSL 126.67, 0.51%, 0.45%

LAB 62.64, -53.72, 43.25

 

CMYK 67 / 0 / 60 / 57

HEX #246E2C

RGB 36 110 44

HSL 126.49, 0.51%, 0.29%

LAB 40.75, -37.47, 29.81

 

CMYK 68 / 20 / 0 / 56

HEX #24596F

RGB 36 89 111

HSL 197.6, 0.51%, 0.29%

LAB 35.34, -10.02, -17.76

 

CMYK 0 / 68 / 48 / 56

HEX #6F243A

RGB 111 36 58

HSL 342.4, 0.51%, 0.29%

LAB 26.58, 35.12, 4.07

 

CMYK 67 / 0 / 60 / 57

HEX #246E2C

RGB 36 110 44

HSL 126.49, 0.51%, 0.29%

LAB 40.75, -37.47, 29.81

 

CMYK 61 / 68 / 0 / 56

HEX #2B246F

RGB 43 36 111

HSL 245.6, 0.51%, 0.29%

LAB 19.73, 26.81, -42.52

 

CMYK 0 / 61 / 68 / 56

HEX #6F2B24

RGB 111 43 36

HSL 5.6, 0.51%, 0.29%

LAB 27.39, 29.66, 19.76

 

CMYK 67 / 0 / 60 / 57

HEX #246E2C

RGB 36 110 44

HSL 126.49, 0.51%, 0.29%

LAB 40.75, -37.47, 29.81

 

CMYK 68 / 20 / 0 / 56

HEX #24596F

RGB 36 89 111

HSL 197.6, 0.51%, 0.29%

LAB 35.34, -10.02, -17.76

 

CMYK 0 / 68 / 6 / 56

HEX #6F2468

RGB 111 36 104

HSL 305.6, 0.51%, 0.29%

LAB 28.49, 41.78, -23.46

 

CMYK 0 / 48 / 68 / 56

HEX #6F3A24

RGB 111 58 36

HSL 17.6, 0.51%, 0.29%

LAB 30.72, 21.22, 23.8

 

CMYK 67 / 0 / 60 / 57

HEX #246E2C

RGB 36 110 44

HSL 126.49, 0.51%, 0.29%

LAB 40.75, -37.47, 29.81

 

CMYK 68 / 41 / 0 / 56

HEX #24426F

RGB 36 66 111

HSL 216, 0.51%, 0.29%

LAB 27.9, 4.71, -29.4

 

CMYK 0 / 68 / 6 / 56

HEX #6F2468

RGB 111 36 104

HSL 305.6, 0.51%, 0.29%

LAB 28.49, 41.78, -23.46

 

CMYK 0 / 27 / 68 / 56

HEX #6F5124

RGB 111 81 36

HSL 36, 0.51%, 0.29%

LAB 36.73, 7.31, 30.74

 

Description

Color code: HEX #246E2C | qconv.com Color code: HEX #246E2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 110 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 110 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 60 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 60% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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